Archival Resources in Wisconsin: Descriptive Finding Aids

Container	Title
	Subseries: Scripts
	Scripts-Film
	A Moveable Feast (unproduced)
Box 70 Folder 1	Notes and correspondence, 1966 September
Box 70 Folder 2	Story boards
Box 70 Folder 3	First draft, 1966 August 26
Box 70 Folder 4	Script, undated
Box 70 Folder 5	Revisions, undated
Box 70 Folder 6	Final draft, undated
	To Build a Fire (unproduced)
Box 70 Folder 7	Notes and draft fragments, undated
Box 70 Folder 8	First draft, 1967 January 8
Box 70 Folder 9	Second draft, 1967 January 9
	Diamond (unproduced)
Box 70 Folder 10	Notes, circa 1967 March-May
Box 70 Folder 11	Treatment, 1967
Box 70 Folder 12	Source material
Box 70 Folder 13	First draft, 1967 September 12
Box 70 Folder 14	Second draft, 1967 October 2
Box 70 Folder 15	Script, undated
	Silverheels (unproduced)
Box 71 Folder 1-3	Notes and draft fragments, undated
Box 71 Folder 4	First draft, 1968 January 14
Box 71 Folder 5	Second draft, 1968 March 3
Box 71 Folder 6	Draft, revised, undated
Box 71 Folder 7	Final draft, undated
	Hell (unproduced)
Box 71 Folder 8	Correspondence, 1969 September-October, undated
Box 71 Folder 9	Source material
Box 71 Folder 10-12	Notes, undated
Box 71 Folder 13	Synopsis, undated
Box 71 Folder 14-15	Notes and draft fragments, circa 1970
Box 71 Folder 16	Partial draft, undated
Box 72 Folder 1	Draft, undated
Box 72 Folder 2	Draft, revised, undated
Box 72 Folder 3-4	Rough story board, undated
Box 72 Folder 5	Novel notes, circa 1970
Box 72 Folder 6	Novel fragment, circa 1970
	Man Bites Dog (unproduced)
Box 73 Folder 1	Correspondence, 1973 March-September
Box 73 Folder 2	Source material
Box 73 Folder 3	Notes, undated
Box 73 Folder 4	Draft, pp. 1-24, 114-130, undated
Box 73 Folder 5	First draft, undated
Box 73 Folder 6	Second draft, undated
Box 73 Folder 7	Third draft, undated
Box 73 Folder 8	Final draft, undated
	The Authentic Life of Cheyenne Harry (unproduced)
Box 74 Folder 1	Script registrations and work schedules
Box 74 Folder 2	Correspondence, 1974 April-November, undated
Box 74 Folder 3	Source material
Box 74 Folder 4-7	Notes, undated
Box 74 Folder 8-9	“The Last Outlaw”: treatment, undated
Box 74 Folder 9	“The True Story of Cheyenne Harry”: treatment, undated
Box 74 Folder 10-11	Draft fragments, undated
	“California Here I Come”
Box 74 Folder 12	Draft, undated
Box 75 Folder 1	Draft, revised, undated
	“The Buffalo Picture Company”
Box 75 Folder 2	First draft, undated
Box 75 Folder 3	Second draft, undated
Box 75 Folder 4	Third draft, undated
Box 75 Folder 5	Fourth draft, undated
	“The Extra”
Box 76 Folder 1	Script, undated
Box 76 Folder 2	Draft, revised, undated
Box 76 Folder 3	Draft, complete, 1974
Box 76 Folder 4	Manuscript corrections, undated
Box 76 Folder 5	Suggested revisions by Gerald Peary, undated
	Rock City (unproduced)
Box 77 Folder 1	Correspondence, 1977 February-1978 July
Box 77 Folder 2-3	Source material
Box 77 Folder 4	Treatments, undated
Box 77 Folder 5	Notes, undated
Box 77 Folder 6	Outlines, undated
Box 77 Folder 7-10	Notes and draft fragments, undated
Box 77 Folder 11	Draft, undated
Box 77 Folder 12	Second draft, 1976 October 18
Box 78 Folder 1	Third draft, pp. 1-56 and 64-124, 1976 October 25
Box 78 Folder 2	Fourth draft, 1976 December 5
Box 78 Folder 3	Fourth draft, revised, 1976 December 5
Box 78 Folder 4	Final draft, undated
	Hard Time Aces (unproduced)
Box 79 Folder 1	Correspondence, 1977 December-1979 September, undated
Box 79 Folder 2	Diary notes, 1977 November-December
Box 79 Folder 3	Notes, undated
Box 79 Folder 4	Potential directors and cast
Box 79 Folder 5	Source material
Box 79 Folder 6	Outline by Cirio Santiago, undated
Box 79 Folder 7	Revised outline by McBride, 1977 December 27
Box 79 Folder 8	Treatment, undated
Box 79 Folder 9	Treatment fragments, undated
Box 79 Folder 10-12	Draft fragments, undated
Box 79 Folder 13	Second draft of script by James Watkins and David Osterhout, undated
Box 79 Folder 14	First draft of rewrite by McBride, 9 March 1978
Box 79 Folder 15	Aviation action sequence, 19 December 1978
	Big Money (unproduced)
Box 80 Folder 1	Correspondence, 1978 October-1981 August, undated
Box 80 Folder 2	Source material
Box 80 Folder 3	“The Face of Fame”: synopsis of story by Patrick McGilligan, Debra Weiner, and Bob Taylor
Box 80 Folder 4	Notes, undated
Box 80 Folder 5	First draft, 1978 October 23
Box 80 Folder 6	First draft, revised, 1978 November 1
Box 80 Folder 7	Second draft, undated
Box 80 Folder 8	Second draft, revised, 1979 April 1
	The Broken Places (unproduced)
Box 81 Folder 1	Correspondence, 1978 August-1981 February
Box 81 Folder 2	Notes and source material
	“Disembodied Voices”
Box 81 Folder 3	First draft, 1978 May 30
Box 81 Folder 4	Draft fragments and revisions, undated
Box 81 Folder 5	Final draft, undated
Box 81 Folder 6	Final draft, revised, undated
	Blood and Guts (Melvin Simon Productions, 1978)
Box 82 Folder 1-2	Correspondence, 1975 September-1980 February, undated
Box 82 Folder 3	Related material
Box 82 Folder 4-5	Notes, undated
Box 82 Folder 6	“Gorgeous George”: treatment, 1975
Box 82 Folder 7	Script pages by Paul Lynch, undated
Box 82 Folder 8	Early draft pages, undated
Box 82 Folder 9	Notes for first draft, undated
Box 82 Folder 10	First draft, pp. 1-44, undated
Box 82 Folder 11	Revised pages, 1975
Box 82 Folder 12	Early second draft pages, undated
Box 82 Folder 13	Second draft, undated
Box 82 Folder 14	Second draft, retyped, undated
Box 83 Folder 1	Second draft, revised, undated
Box 83 Folder 2	Third draft, circa 1975
Box 83 Folder 3	Third draft, retyped, undated
Box 83 Folder 4	Notes for semi-final revision, 1977
Box 83 Folder 5	Semi-final draft, revised, 1977
Box 83 Folder 6	Draft, revised, 1977
Box 83 Folder 7	Draft by William Gray and John Hunter, undated
Box 83 Folder 8	Notes on McBride's draft and on draft by Gray and Hunter, undated
Box 83 Folder 9	Draft by McBride, William Gray, and John Hunter, undated
Box 84 Folder 1-2	Draft, revised, by McBride, William Gray, and John Hunter, pp. 1-119, 1977 August 12
Box 84 Folder 3	Draft, revised, pp. 2-119, 1977 September 2
Box 84 Folder 4-6	Revised draft pages, undated
Box 85 Folder 1	Journal, 1977 August
Box 85 Folder 2	Notes, shooting schedules, and call sheets, 1977 August
Box 85 Folder 3	Publicity
Box 85 Folder 4	Reviews and clippings, 1977-1982, undated
Box 85 Folder 5	Transcript of interview with Paul Lynch and Joseph McBride, 1978 February
Box 85 Folder 6	Programs, 1978
	Rock 'n' Roll High School (New World Pictures, 1979)
Box 85 Folder 7	Correspondence, 1979 January-1981 September, undated
Box 85 Folder 8	Source material
Box 85 Folder 9	Notes and treatments, undated
Box 85 Folder 10	Outlines, undated
Box 85 Folder 11	Notes on McBride's drafts and on drafts by Allan Arkush and Joe Dante, undated
	“Girls' Gym”
Box 85 Folder 12	First draft by Allan Arkush and Joe Dante, undated
Box 86 Folder 1	First draft by McBride, 1977 July 31
Box 86 Folder 2	Second draft scene breakdown, undated
Box 86 Folder 3	Second draft, 1977 September 1
	“California Girls”
Box 86 Folder 4	Third draft, 1977 October 13
Box 86 Folder 5	Third draft, revised, undated
Box 86 Folder 6	Fourth draft, 1977 October 19
Box 87 Folder 1	Fifth draft, 1977 October 25
Box 87 Folder 2	Final draft, 1977 October 25
Box 87 Folder 3	Final draft, retyped, pp. 1-40, 110, 112, 1977 October 25
Box 87 Folder 4-5	Revised pages, undated
Box 87 Folder 6	Draft by Richard Whitley and Russ Dvonch, undated
Box 87 Folder 7	Shooting schedules, 1978 November-December
Box 87 Folder 8	Press kit
Box 87 Folder 9	Clippings and reviews, 1976 August-1982 July, undated
	No More Mr. Nice Guy (unproduced)
Box 88 Folder 1	Script, undated
Box 88 Folder 2	Final script, undated
	Don't See the Doctor (unproduced)
Box 89 Folder 1	Notes from Paul Lynch, 1979 January
Box 89 Folder 2	Notes by McBride, undated
Box 89 Folder 3	Treatment fragments by Paul Lynch, undated
Box 89 Folder 4	Draft treatment by Paul Lynch, undated
Box 89 Folder 5	Treatment by McBride and Paul Lynch, 1979 March 7
	Prom Night (Avco Embassy Pictures, 1980)
Box 89 Folder 6	Draft by William Gray, June 1979
Box 89 Folder 7	Press kit, clippings, and reviews, 1979-1981
Box 89 Folder 8	“Remember Bobby”: correspondence and story drafts, 1978
	Catman and the Kid (unproduced)
Box 90 Folder 1	Notes, undated
Box 90 Folder 2	First draft by William Gray and Jacob Barnes (McBride's pseudonym), 1978 December 4
Box 90 Folder 3	“Catman,” First draft, undated
Box 90 Folder 4	Notes and revised pages, undated
Box 90 Folder 5	Draft, undated
Box 90 Folder 6	Script by William Gray, undated
Box 90 Folder 7	Script by McBride, undated
	The Hurricane (unproduced)
Box 91 Folder 1	Source material
Box 91 Folder 2-3	Notes and draft fragments, undated
Box 91 Folder 4	Partial draft, undated
Box 91 Folder 5	Draft, undated
	Red Gold (unproduced)
Box 91 Folder 6	Draft, incomplete, pp. 1-36, 1979
Box 91 Folder 7	Synopsis, 1981
Box 91 Folder 8	Navajo Story (unproduced), partial draft, 1981 March 16
	Television
	The American Film Institute Salute to James Stewart (CBS, March 16, 1980)
Box 92 Folder 1	Correspondence, 1979 December-1980 March
Box 92 Folder 2-6	Source material
Box 92 Folder 7	Draft fragments, undated
Box 92 Folder 8	Final draft, 1980 February 27
Box 92 Folder 9	Final script, 1980 March 16
	Production
Box 92 Folder 10	Film sequences and rundowns, 1980 February
Box 92 Folder 11	Notes, undated
Box 92 Folder 12	Tribute book and guest seating
	The American Film Institute Salute to Fred Astaire (CBS, April 10, 1981)
Box 93 Folder 1	Correspondence, 1980 November-1981 June, undated
Box 93 Folder 2	Source material
Box 93 Folder 3	Transcripts of interviews with Astaire, 1976, 1981
Box 93 Folder 4	Transcripts and interview notes with Barrie Chase, Mikhail Baryshnikov, Cyd Charisse, Bob Fosse, Gene Kelly, undated
Box 93 Folder 5	Transcripts and interview notes with Hermes Pan, Eleanor Powell, Ginger Rogers, undated
Box 93 Folder 6	Clippings and articles on Astaire, 1935-1937, 1951-1983
Box 93 Folder 7	Lists of Astaire's credits and film clip selection
Box 93 Folder 8	Program, 1973
Box 93 Folder 8 (continued)	American Film Institute Annual Report, 1979-1980
Box 93 Folder 9	Notes, undated
Box 93 Folder 10	Draft fragments, undated
Box 94 Folder 1-2	Speech drafts, undated
Box 94 Folder 3	Production notes
Box 94 Folder 4	Production records
Box 94 Folder 5-8	Tribute book
Box 94 Folder 9-10	Clippings, 1981
Box 95 Folder 1	Draft, 1981 April
Box 95 Folder 2	Final draft by George Stevens Jr. and McBride, 1981 April 10
	Let Poland Be Poland (United States International Communication Agency, January 31, 1982)
Box 96 Folder 1	Correspondence, 1982 January
Box 96 Folder 2	USICA notes, memoranda, and reports, 1981-1982
Box 96 Folder 3-4	Source material
Box 96 Folder 5	Magazine articles
Box 96 Folder 6	Notes, undated
Box 96 Folder 7	Draft, undated
Box 96 Folder 8	Draft, revised, 1982 January 28
Box 96 Folder 9	Additions to script, 1982 January 30
Box 96 Folder 10	Pasetta productions, contact lists and production schedules
Box 96 Folder 11	Rundown of segments, 1982 January 17-24
Box 96 Folder 12	McBride's expenditures
Box 96 Folder 13	Press releases
	The American Film Institute Salute to Frank Capra (CBS, April 4, 1982)
Box 97 Folder 1	Correspondence, 1981 June-1982 April, undated
Box 97 Folder 2	Transcripts and interview notes with Donna Reed and Jimmy Stewart, 1982
Box 97 Folder 3	Transcripts of unpublished interviews with Capra, 1941, 1982
Box 97 Folder 4	Writings by Capra, 1917-1975, undated
Box 97 Folder 5	Miscellaneous material
Box 97 Folder 6	Transcripts of seminars with Capra, 1968-1978
Box 97 Folder 7-8	Articles and clippings on Capra, 1932-1982
Box 97 Folder 9	Capra's film credits
Box 97 Folder 10	Notes and draft fragments regarding Jimmy Stewart, undated
Box 98 Folder 1	Draft fragments
Box 98 Folder 2	Revisions
Box 98 Folder 3	Final draft for awards dinner by George Stevens Jr. and McBride, notes and schedules, undated
Box 98 Folder 4	Final draft for telecast by George Stevens Jr. and McBride, undated
	Production
Box 98 Folder 5	Notes and rundowns, undated
Box 98 Folder 6	Still and film lists Note: Including key to photocopies of stills.
	Stills: photocopies
Box 98 Folder 7	Unnumbered, 51-105
Box 98 Folder 8	106-227
Box 98 Folder 9	Expenses
Box 98 Folder 10-12	Tribute book
	The American Film Institute Salute to John Huston (CBS, May 3, 1983)
Box 99 Folder 1	Correspondence, 1982-1983, undated
Box 99 Folder 2	Interview notes and quotations, undated
Box 99 Folder 3-4	Articles and clippings, 1937, 1950-1983, undated
Box 99 Folder 5	Transcript of AFI Seminars with Ray Bradbury, 1969 October
Box 99 Folder 6	Program, Film Society of Lincoln Center Tribute to John Huston, 1980 May
Box 99 Folder 6 (continued)	AFI Annual Report, 1981-1982
Box 99 Folder 7	Draft fragments, undated
Box 99 Folder 8	Drafts, undated
Box 99 Folder 9	Drafts of Lauren Bacall's script, undated
Box 99 Folder 10	Revisions, 1983 March 2
Box 100 Folder 1	Final draft by George Stevens Jr. and McBride, 1983 March 3
	Production
Box 100 Folder 2	Notes, 1982-1983
Box 100 Folder 3	Film sequence selection
Box 100 Folder 4	Rehearsal schedules and rundowns
Box 100 Folder 5	Financial records, 1982-1983
Box 100 Folder 6-11	Tribute book
	Theater
	The Mess in the Kitchen (unproduced)
Box 101 Folder 1	Notes, 1966-1967
	“James Twice”
Box 101 Folder 2	First draft, 1966 November 27
Box 101 Folder 3	Second draft, 1967 January 16
Box 101 Folder 4	Final draft, undated
	Chessman (unproduced)
Box 101 Folder 5	Notes and first draft, undated
Box 101 Folder 6	Second draft, 1968 January 15
Box 101 Folder 7-8	Second draft, revised, undated
Box 101 Folder 9	Final draft, revised, undated
Box 101 Folder 10	Final draft, revised and retyped, undated
	American National Theatre and Academy Tribute to James Stewart (November 13, 1981)
Box 102 Folder 1	Correspondence and clippings, 1981 November
Box 102 Folder 2	Notes, undated
Box 102 Folder 3	Draft fragments, undated
Box 102 Folder 4	Drafts of host's introduction, undated
Box 102 Folder 5	Drafts of the Tevye sketch, undated
Box 102 Folder 6	Drafts of the Kowalski sketch, undated
Box 102 Folder 7-8	Drafts of the Hamlet sketch, undated
Box 102 Folder 9	Script draft, undated
Box 102 Folder 10	Draft, revised, 1981 November 6
Box 102 Folder 11	Invitation, program, and souvenir journal