Summary Information
Hal Kanter Papers 1937-1977
U.S. Mss 140AN; PH 4171; PH 4172
18.0 c.f. (45 archives boxes) and 12 cartoons.
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research Contact Information
Wisconsin Historical Society (Map)
Papers of a writer-producer-director of numerous television comedies. Included are scripts, correspondence and fan mail, contracts, production files, and ratings. Among the best represented series which Kanter created, wrote, produced, or directed are All in the Family (CBS), Bob Hope's Chrysler Theatre (NBC), Chico and the Man (NBC), The George Gobel Show (NBC), The Jimmy Stewart Show (NBC), Julia (NBC), Valentine's Day (ABC), and numerous specials and Academy Award presentations. Writings for other media include correspondence, drafts, and promotion for his novel Snake in the Glass (1971); scripts for radio programs such as ABC's Beulah Show; and scripts for The Children's Hour (UA, 1962), Let's Make Love (20th Century-Fox, 1960), Once upon a Horse (Universal, 1958), Pocketful of Miracles (Paramount, 1961), and eight other motion pictures. Also present are general correspondence and files on various professional organizations and committees of the Democratic Party. Of special interest are Kanter's scripts for Democratic telethons, 1972-1974, and materials on campaign groups supporting Eugene J. McCarthy and George S. McGovern. Also included are cartoons drawn and collected by Kanter. The subjects covered by Kanter's cartoons include the military, crime, and people in hard luck situations. Included are two cartoons drawn by John A. Ruge. English
http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0140an ↑ Bookmark this ↑
Biography/History
Hal Kanter, writer-producer-director-cartoonist, has contributed to radio, television, and motion pictures in addition to writing a novel and actively participating in Democratic national politics in the course of his forty year professional career.
Born in Savannah, Georgia on December 18, 1918, Kanter was educated at elementary and high schools in Savannah, Miami, and New York, including the Art Students League in New York and The Federal Art Project, New York City. He did some college work at the University of Kansas and through the Army Educational Service program.
He sold his first cartoon in 1933 and for the following five years was a free-lance cartoonist for newspapers and magazines. In 1936 he went to Hollywood where his first job was to ghost write for a ghost writer of a comic strip.
Not long after, he began to write for the Jack Oakie radio program, briefly wrote for Olsen and Johnson's Hellzapoppin' in New York, and then as a free-lancer wrote 25 radio dramas before his March 1941 induction into the U.S. Army. Until his discharge in 1945, Kanter wrote, produced, and acted in Army radio shows aired over stations KOA, KLZ, and other local stations in Colorado; built and ran radio stations in Eniwetok and Guam; and served as a combat correspondent on Iwo Jima. After the war he wrote comedy for Danny Kaye under Goodman Ace and followed Kaye to Hollywood in 1946. There he wrote a series of radio comedy-variety shows including The Jack Paar Program, The Beulah Show, and The Bing Crosby Show for four years.
In 1950, he was head writer for The Ed Wynn Show at CBS-TV, which was the first network show originating in California. Kanter also created, produced, wrote, and directed NBC's The George Gobel Show. His work on these two series earned him seven Emmy awards and two Peabody awards, including a 1954 Emmy for Best Comedy Writing. He also wrote, produced, and directed teleplays for Bob Hope's Chrysler Theatre, 1966-1967, and wrote for Dragnet, 1967-1968 as well as co-authoring The Academy Award Show, 1958-1972. In the 1960s, Kanter created three series: Valentine's Day, The Jimmy Stewart Show, and Julia. Julia starred Diahann Carroll and was the first television series featuring the home life of a black family; it ran for three seasons, 1968-1971, and aroused considerable comment.
Kanter was also writer and executive producer for All in the Family (1975-1976) and supervising producer and writer for Chico and the Man (1976-1977). He has also been involved in several television specials including two Democratic National Telethons and The Bob Hope Special “Texaco Presents: JOYS!”, for which he served as producer and head writer.
Kanter's contribution to the motion picture industry has been mainly as a writer. From 1951 to 1962 he wrote the screenplays for 20 feature films, including Rose Tattoo (Paramount, 1956), Let's Make Love (Fox, 1960), A Pocketful of Miracles (Paramount, 1961), and Blue Hawaii (Paramount, 1962). Not limiting himself merely to screenplays, he directed George Gobel in Paramount's 1956 I Married a Woman and wrote and directed Loving You in 1957, also for Paramount. In 1958 he produced Once upon a Horse for Universal.
In 1966-67, Kanter wrote a novel, Snake in the Glass, which was published in 1971; its theme was the disintegration of a writer's integrity and its affect on the quality of his work. He has also written numerous newspaper and magazine articles and short stories; has guested as a panelist and panel moderator on several Los Angeles television programs; and has been a guest lecturer at UCLA, USC, Denver University, and Columbia College.
He has long been active politically in the Democratic Party. In 1959, he was involved in “The Harry S. Truman Diamond Jubilee,” and worked for Eugene McCarthy's campaign in 1968 and George McGovern's in 1972.
Scope and Content Note
The Hal Kanter Papers are organized in two parts. Part 1 consists of the materials received in the Archives in 1972 and is designated the “Original Collection” Its contents date 1937-1972. Part 2 comprises the additional records donated in 1977 and is designated the “1977 Additions.” Its contents date 1959-1977.
PART 1, the ORIGINAL COLLECTION consists primarily of scripts and production information, but there is also some correspondence, writings, cartoons, and financial and legal papers. This material provides a good overall picture of the many aspects of Kanter's professional career, and is arranged in six sections: Personal Papers, Writings and Cartoons, Radio, Television - Series, Television - Other Material, and Motion Pictures.
The Personal Papers are composed of general correspondence, 1950-1971; records of incoming phone calls; petty cash records; legal papers; and material on his speaking engagements and political activities. The general correspondence includes congratulations from Kanter's friends and associates on his successful projects, as well as information on the professional activities and personal lives of Kanter and his associates. The political material concerns Kanter's involvement in Democratic national politics, including a 1959 Diamond Jubilee program for Harry S. Truman; a script and list of supporters and participants in a 1968 “Stars for [Eugene] McCarthy” program; and correspondence and scripts for the 1972 Democratic National Telethon and other material Kanter prepared for the McGovern campaign.
Writings and Cartoons contain varied types of material including comedy monologues for a record album, material for a 1964 USO Saigon tour and on a 1967 Working Writers Conference with Carl Sandburg, magazine articles, a one-act play; and a dozen cartoons, primarily drawn by Kanter (two were drawn by John A. Ruge) that deal with such subjects as the military, crime, and people in hard luck situations. The bulk of this section, however, is composed of correspondence, promotional material, and four drafts of Kanter's novel Snake in the Glass.
The Radio scripts are arranged alphabetically by title and include over one cubic foot from The Beulah Show as well as folders on individual programs and such series as Amos 'n' Andy, The Bing Crosby Show, The Ozzie and Harriet Show, and Star Spangled Theatre.
The Television material comprises the largest portion of this part of the collection and is divided into Series and Other Material. Television - Series comprises ten cubic feet related to The Ed Wynn Show, The George Gobel Show, Valentine's Day, The Chrysler Theatre, Dragnet (1967-68), Julia, The Jimmy Stewart Show, and The Academy Awards Show (1958-1972). There are scripts and production reports for each episode of Valentine's Day, Julia, and The Jimmy Stewart Show; arrangement is generally by production number. Other Television Material includes over one cubic foot of scripts for other television efforts such as unsold pilots, produced and unproduced specials, and scripts Kanter wrote for series he was not otherwise associated with; arrangement is chronological.
The Motion Picture scripts are arranged together chronologically by release date. There is extensive documentation of Once upon a Horse (Universal, 1958) and more fragmentary information on ten other features. See the contents list below for a complete list of titles.
PART 2, the 1977 ADDITIONS, date 1959-1977 and particularly document Kanter's work in the television industry. This part of the collection is arranged into six sections: the General Subject File, Motion Pictures, Novels, Television Series - Produced, Television Specials - Produced, Television - Unproduced categories.
The bulk of the General Subject File consists of correspondence. Included are files concerned with such organizations as the Academy of Motion Picture Arts and Sciences, the Directors Guild of America, the Producers Guild of America, Inc., the Writers Guild of America, and others. General publicity, a script distribution list, and a record of telephone calls are also included.
Motion Pictures, the smallest section of this part, contains a production file and partial script revisions for the Marilyn Monroe film Let's Make Love, which Kanter helped write.
Novels contains a typescript draft of Kanter's work, Snake in the Glass, which was published in 1971. It discusses the distintegration of a writer's integrity and its effect on the quality of his work.
Television Series - Produced is the largest file in this part. Scripts and production files containing story ideas, treatments, research, broadcasting standard recommendations, and salary agreements are included for Chico and the Man. Smaller files of similar materials are included for All in the Family, The Jimmy Stewart Show, Sally And Sam, Three Coins in the Fountain, and Valentine's Day. The production company and the original air dates and network are listed for each series.
Television Specials - Produced contains scripts and some miscellaneous production information for The Bluffers; The Bob Hope Special, “Texaco Presents: JOYS!;” two fund-raising Democratic National Telethons; The Los Angeles Board of Education Bicentennial Pageant; and The 26th Annual Los Angeles Area Emmy Awards Show.
Television - Unproduced contains miscellaneous production files and scripts for both unproduced programs and programs that were filmed but never aired on television. Among these are Cap'n Ahab, an episode of Chico and the Man, I and Claudie, and Three on an Island.
Administrative/Restriction Information
Presented by Hal Kanter, Encino, California, December 14, 1972; and additions placed on deposit, June 23, 1977. Accession Number: MCHC72-125, MCHC77-40
Original collection processed by Eleanor McKay and A. W. Astell, July 20, 1973. Additions processed by Alice Siemering and Christine Rongone, September 19, 1977.
Contents List
U.S. Mss 140AN
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Series: Part 1, 1937-1972
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Subseries: Personal Papers
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General Correspondence
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Box
1
Folder
1
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1950-1959
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Box
1
Folder
2
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1960-1963
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Box
1
Folder
3
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1967
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Box
1
Folder
4
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1968
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Box
1
Folder
5
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1969
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Box
1
Folder
6
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1970
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Box
1
Folder
7
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1971
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Record of Incoming Phone Calls
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Box
2
Folder
1
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1970, July 28-November 12
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Box
2
Folder
2
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1970, November 13-1971, March 9
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Box
2
Folder
3
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1971, March 10-June 18
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Box
2
Folder
4
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1971, June 21-October 7
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Box
2
Folder
5
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Petty Cash Records, 1937-1938; 1971
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Box
2
Folder
6
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Savannah Productions vs. 20th Century Fox-TV: deposition, 1962, May 31
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Box
2
Folder
7
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Motion Picture Academy of Arts and Sciences: televised panel on the role of motion pictures in society, 1970, November 19
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Speeches
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Box
2
Folder
8
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Press Club, 1968-1971
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Box
2
Folder
9
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Miscellaneous, 1953-1972
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Political Activities
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Box
4
Folder
1
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“The Harry S. Truman Diamond Jubilee,” 1959, April 16
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“Stars for McCarthy,” 1968, August 5
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Box
4
Folder
2
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Script
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Box
4
Folder
3
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List of supporters and participants
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Box
4
Folder
4
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Democratic campaign literature, 1972
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Box
4
Folder
5
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Kanter's material for McGovern-Shriver campaign, 1972, September 12
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Democratic National Telethon, 1972, July 8-9
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Box
4
Folder
6
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Correspondence, 1972, May-July
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Box
4
Folder
7
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Script
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Box
4
Folder
8
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Script, first draft
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Box
4
Folder
9
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Script, incomplete
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Box
4
Folder
10
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Script
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Subseries: Writings and Cartoons
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Box
3
Folder
5
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“Off His Rocker,” monologues for Pat Buttram LP record album, 1962
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Box
3
Folder
6
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USO Saigon Tour: correspondence and script, 1964
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Box
3
Folder
2
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Working Writers Conference With Carl Sandburg, 1967, September 24
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Snake in the Glass (NY: Delacorte, 1971)
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Box
33
Folder
1
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Correspondence, 1970, March-1971, February
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Box
33
Folder
2
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Promotional material, 1971
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Box
33
Folder
3-6
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Drafts: “Play It For Laughs,” 1966, December
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“Play It For Laughs,” Revised draft, 1967, July
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Box
33
Folder
7-8
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Chaps. 1-10
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Box
34
Folder
1-3
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Chaps. 11-27
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Box
34
Folder
4
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“Swine Song,” chap. 1, 1969, May
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Box
34
Folder
5-6
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“Swine Song,” 1970, February-March
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“Swine Song,” revised draft, 1970, May
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Box
34
Folder
7
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Chaps. 1-6
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Box
35
Folder
1-2
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Chaps. 7-33
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Box
35
Folder
3-4
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Snake in the Glass, revised draft, 1970, May
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Snake in the Glass, 1971
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Box
35
Folder
5
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Galleys
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Box
35
Folder
6
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Uncorrected proof
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Box
35
Folder
7
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Miscellaneous pages
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Box
3
Folder
4
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Comedy Spots, Vignettes, undated
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Box
2
Folder
10-11
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Magazine articles, undated
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Box
3
Folder
3
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“The Unimportance of Importance,” one-act play, undated
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Cartoons
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PH 4171
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Hal Kanter
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PH 4172
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John A. Ruge
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U.S. Mss 140AN
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Subseries: Radio
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Box
5
Folder
1-2
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Amos 'n' Andy, 1946
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Box
5
Folder
3-4
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Armed Forces Radio: Guam Broadcasts, 1945
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The Beulah Show
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Box
5
Folder
5
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1947, November 24-December 26
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Box
6
Folder
1
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1948, January
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Box
6
Folder
2
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1948, February
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Box
6
Folder
3
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1948, March
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Box
6
Folder
4
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1948, April
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Box
7
Folder
1
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1948, May
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Box
7
Folder
2
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1948, June
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Box
7
Folder
3
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1948, July-August
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Box
7
Folder
4
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1948, September
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Box
7
Folder
5
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1948, October
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Box
8
Folder
1
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1948, November
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Box
8
Folder
2
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1948, December
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Box
8
Folder
3
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1949, January
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Box
8
Folder
4
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1949, February
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Box
9
Folder
1
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1949, March
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Box
9
Folder
2
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Extra shows, undated
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Box
9
Folder
3
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Synopses, 1948?
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Box
9
Folder
4-5
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The Bing Crosby Show, 1950
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Box
9
Folder
6
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The Borden Show, 1946, August 16
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Box
9
Folder
7
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Centean Quiz, undated
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Box
9
Folder
8
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Fibber McGee and Molly, 1948, April 14
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Box
9
Folder
9
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The Jack Paar Program, 1947
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Box
9
Folder
10
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The Lowry Field Post Dedication Program, 1941, July 23
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Box
9
Folder
11
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The Notebook of a Bookworm, 1942, January 18
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Box
9
Folder
12
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The Pat Buttram Show, 1961, May 25
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Box
9
Folder
13
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The President's Birthday Ball Broadcast, 1942, January 30
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Box
9
Folder
14
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Post Theatre Anniversary Program, 1942, July 23
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Box
10
Folder
1
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Our Man Jeff, undated
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Box
10
Folder
2
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Ozzie and Harriet Show, 1946
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Box
10
Folder
3
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Red Cross Show, 1945, June 29
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Box
10
Folder
4
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Seventh War Loan Drive, 1945, May 13
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Star Spangled Theatre
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Box
10
Folder
5
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“Chester,” 1940, December 22
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Box
10
Folder
6
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“Green-Eyed Monster,” 1941, March 16
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Box
10
Folder
7
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“Behind Home Plate,” undated
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Box
10
Folder
8
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“Tito: The Clown Who Never Smiled,” undated
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Subseries: Television - Series
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The Ed Wynn Show
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Box
12
Folder
1
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Script, 1952, March 8
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The George Gobel Show
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Box
12
Folder
8
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Script, 1955, February 5
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Box
12
Folder
9
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Script, 1955, October 29
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Box
12
Folder
10
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Script, 1955, November 12
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Box
12
Folder
11
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Script, 1955, November 19
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Box
12
Folder
12
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Script, 1955, November 26
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Box
12
Folder
13
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Script, 1955, December 3
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Box
12
Folder
14
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Script, 1955, December 31
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Box
12
Folder
15
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Script, 1956, January 7
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Box
12
Folder
16
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Script, 1956, January 14
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Box
12
Folder
17
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Script, 1956, January 28
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Box
12
Folder
18
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Script, 1956, February 4
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Box
12
Folder
19
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Script, 1956, February 11
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Box
12
Folder
20
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Script, 1956, February 17
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Box
12
Folder
21
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Script, 1956, February 25
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Valentine's Day
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Box
14
Folder
1
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Correspondence, 1963, December-1964, September
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Box
14
Folder
2
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Ratings, 1964-1965
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Box
14
Folder
3
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Cast and Staff, 1963
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Box
14
Folder
4
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Current Working Scripts, 1965
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Box
14
Folder
5
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Report on Rerun Season, 1965, April 6
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Episodes
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Box
14
Folder
6
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“I Had This Dream, Darling,” undated
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Box
14
Folder
7
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“The Fraudulent Female,” Production #6010, 1963, November 27
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Box
14
Folder
8
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“The Life You Save is Yours,” Production #7502, 1964, September 10
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Box
14
Folder
9
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“Triple Trouble,” Production #7503, 1964, September 10
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Box
14
Folder
10
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“Old School Tie,” Production #7504, 1964, October 22
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Box
14
Folder
11
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“How to Live Without Dying,” Production #7505, 1964, September 10
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Box
14
Folder
12
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“Call Me No Cabs,” Production #7506, 1964, September 10
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Box
14
Folder
13
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“The Baritone Canary,” Production #7507, 1964, October 30
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Box
14
Folder
14
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“If Africa Speaks Don't Answer,” Production #7508, 1964, October 16
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Box
15
Folder
1
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“Hottest Game in Town,” Production #7509, 1964, September 23
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Box
15
Folder
2
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“Follow the Broken Pretzel,” Production #7510, 1964, October 28
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Box
15
Folder
3
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“Bride and Gloom,” Production #7511, 1964, November 13
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Box
15
Folder
4
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“Yen Ku Horowitz,” Production #7512, 1964, November 2
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Box
15
Folder
5
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“Cherry Blossoms in New York,” Production #7513, 1964, October 22
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Box
15
Folder
6
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“All Through the Night,” Production #7514, 1964, October 7
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Box
15
Folder
7
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“See the Seasick Sailor,” Production #7515, 1964, October 15
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Box
15
Folder
8
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“Teahouse of the Bankrupt Moon,” Production #7516, 1964, October 20
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Box
15
Folder
9
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“The Double Shamaguchi,” Production #7517, 1965, January 8
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Box
15
Folder
10
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“The Sweet Smell of Wampum,” Production #7518, 1965, January 4
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Box
15
Folder
11
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“Which Witch,” Production #7519, 1964, December 7
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Box
15
Folder
12
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“Two Weeks with Pay,” Production #7520, 1965, January 19
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Box
16
Folder
1
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“Sin Has Two Faces,” Production #7522, 1965, February 23
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Box
16
Folder
2
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“All Right, Louie, Drop that Blue Pencil,” Production #7523, 1965, January 7
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Box
16
Folder
3
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“For Me and My Sal,” Production #7524, 1965, January 7
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Box
16
Folder
4
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“Mad, Mad Momma,” Production #7525, 1965, February 18
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Box
16
Folder
5
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“Instant Father,” Production #7529, 1965, February 17
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Box
16
Folder
6
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“Farrow's Last Fling,” Production #7530, 1965, March 25
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Box
16
Folder
7
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“Tell Me in English,” Production #7531, 1965, February 24
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Box
16
Folder
8
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“A Muffin Is Not a Tart,” Production #7532, 1965, March 9
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Box
16
Folder
9
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“I'll Cry at my Wedding,” Production #7533, 1965, March 10
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Box
16
Folder
10
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“Climb Upon My Knee, Sonny Boy,” Production #7534, 1965, March 22
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The Chrysler Theatre
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Box
11
Folder
1
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Episode Introductions, 1966?
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Box
11
Folder
2
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“Don't Wait for Tomorrow,” Synopsis, 1966, January 24
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“The Reason Nobody Hardly Ever Seen a Fat Outlaw in the Old West Is As Follows,” Production #28001
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Box
11
Folder
3
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Script, 1966, April 5
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Box
11
Folder
4
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Script, 1966, August 10
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Box
11
Folder
5
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Production Reports, 1966, September
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Box
11
Folder
6
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“Every Thursday Night We Go to Bed,” Script, 1966, May 9
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“And Baby Makes Five,” Production #28002
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Box
11
Folder
7
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Script, 1966, May 18
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Box
11
Folder
8
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Script, 1966, January 27
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Box
11
Folder
9
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Production Reports, 1966, September 2
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“The Blue-Eyed Horse,” Production #28003
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Box
11
Folder
10
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Script, 1966, July 8
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Box
11
Folder
11
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Production Reports, 1966, July
|
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Box
11
Folder
13
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“Verdict for Terror,” Production #27914, Script, 1967, January 23
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Box
11
Folder
14
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“Dead Wrong,” Production #27917, Script, 1967, January 31
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“To Sleep, Perchance to Scream,” Production #27931
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Box
11
Folder
15
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Synopsis, 1967, January 27
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Box
11
Folder
16
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Script, 1967, March 6
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Box
11
Folder
12
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Story Submissions, 1967
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Box
11
Folder
17
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Musical #1, Script, undated
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Dragnet, 1967
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Box
10
Folder
21
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“The Big LSD,” Production #28201, Script, 1966, November 10
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Box
10
Folder
22
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“The Big Bank Examiners,” Production #28202, Script, 1967, January 3
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Box
10
Folder
23
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“The Big Kidnapping,” Production #28203, Script, 1966, November 22
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Box
10
Folder
24
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“The Big Bookie,” Production #28215, Script, 1967, February 27
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Box
10
Folder
25
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“The Big Solicitor,” Production #28216, Script, 1967, March 6
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Box
10
Folder
26
|
“The Big Gun,” Production #28219, Script, 1967, March 7
|
|
|
Dragnet, 1968
|
|
Box
10
Folder
27
|
“The Big Senior Citizen,” Production #28815, 1967, August 18
|
|
|
Julia
|
|
|
Correspondence
|
|
Box
17
Folder
1-3
|
NBC, 1967-1969
|
|
Box
17
Folder
4
|
Young and Rubicam, 1968-69
|
|
Box
17
Folder
5
|
General, 1968-69
|
|
Box
17
Folder
6
|
Contracts
|
|
Box
17
Folder
7
|
Merchandising
|
|
Box
17
Folder
8
|
Checks, Savannah Productions
|
|
Box
17
Folder
9
|
Production and Direction Dates, 1968-70
|
|
Box
17
Folder
10
|
First Season Production Information
|
|
Box
20
Folder
8-9
|
Second Season Production Information, 1969-70
|
|
Box
20
Folder
10
|
Budgets
|
|
Box
20
Folder
11
|
Post Production Status Reports, 1969-70
|
|
Box
22
Folder
7-8
|
Production Information, 1970-71
|
|
|
Cast
|
|
Box
18
Folder
1
|
Diahann Carroll
|
|
Box
18
Folder
2
|
Marc Copage
|
|
Box
10
Folder
3
|
Credits
|
|
|
Ratings
|
|
Box
18
Folder
4
|
1968-69
|
|
Box
18
Folder
5
|
1969
|
|
Box
22
Folder
9
|
1970-71
|
|
|
Fan Letters
|
|
Box
18
Folder
6
|
Favorable, 1968-69
|
|
|
Unfavorable
|
|
Box
18
Folder
7
|
1968-69
|
|
Box
22
Folder
10
|
1970
|
|
Box
18
Folder
8
|
Julia, a play based on TV series
|
|
|
Episodes
|
|
Box
18
Folder
9
|
“Take My Hand, I'm a Stranger in the First Grade,” First Draft Script, 1968, June 21
|
|
Box
18
Folder
10
|
“Mama's Man,” Production #6203, 1968, September 17
|
|
Box
19
Folder
1
|
“The Interview,” Production #3802, 1968, September 24
|
|
Box
19
Folder
2
|
“Sorry, Right Number,” Production #3803, 1968, October 1
|
|
Box
19
Folder
3
|
“Homework Isn't Housework,” Production #3804, 1968, October 8
|
|
Box
19
Folder
4
|
“The Unloneliest Night of the Week,” Production #3805, 1968, October 15
|
|
Box
19
Folder
5
|
“Who's a Freud of Ginger Wolfe,” Production #3806, 1968, October 22
|
|
Box
19
Folder
6
|
“Am I, Pardon the Expression, Blacklisted,” Production #3807, 1968, October 29
|
|
Box
19
Folder
7
|
“Paint Your Waggedorn,” Production #3808, 1968, November 26
|
|
Box
19
Folder
8
|
“The Champ Is No Champ,” Production #3809, 1968, November 12
|
|
Box
19
Folder
9
|
“Too Good to Be Too Bad,” Production #3810, 1968, November 19
|
|
Box
19
Folder
10
|
“I'm Dreaming of a Black Christmas,” Production #3811, 1968, December 24
|
|
Box
19
Folder
11
|
“Farewell, My Friends, Hello,” Production #3812, 1968, December 3
|
|
Box
19
Folder
12
|
“Designers Don't Always Have Designs,” Production #3813, 1968, December 17
|
|
Box
19
Folder
13
|
“The Solid Brass Snow Job,” Production #3814, 1968, December 10
|
|
Box
19
Folder
14
|
“The One and Only, Genuine, Original, Family Uncle,” Production #3815, 1968, December 31
|
|
Box
19
Folder
15
|
“Matchmaker, Break Me a Match,” Production #3816, 1969, January 14
|
|
Box
19
Folder
16
|
“How Sharper Than a Baby's Tooth,” Production #3817, 1969, January 7
|
|
Box
19
Folder
17
|
“Dancer in the Dark,” Production #3818, 1969, January 21
|
|
Box
19
Folder
18
|
“Sticks and Stones Can Break My Pizza,” Production #3819, 1969, February 4
|
|
Box
19
Folder
19
|
“How to Keep Your Wig Warm,” Production #3820, 1969, January 28
|
|
Box
19
Folder
20
|
“A Little Chicken Soup Never Hurt Anybody,” Production #3821, 1969, February 11
|
|
Box
19
Folder
21
|
“Wanda Means Well,” Production #3822, 1969, February 18
|
|
Box
19
Folder
22
|
“Cupid's No Computer,” Production #3823, 1969, February 25
|
|
Box
20
Folder
1
|
“I Thought I Saw a Two-Timer,” Production #3824, 1969, March 4
|
|
Box
20
Folder
2
|
“It Takes Two to Tangle,” Production #3825, 1969, March 11
|
|
Box
20
Folder
3
|
“Home of the Brave,” Production #3826, 1969, March 18
|
|
Box
20
Folder
4
|
“A Baby's a Nice Nuisance,” Production #3827, 1969, March 25
|
|
Box
20
Folder
5
|
“Gone with the Draft,” Production #3828, 1969, April 1
|
|
Box
20
Folder
6
|
“The Doctor's a Dilemma,” Production #3829, 1969, April 8
|
|
Box
20
Folder
7
|
“Love Is a Many-Sighted Thing,” Production #3830, 1969, April 15
|
|
Box
20
Folder
12
|
“A Tale of Two Sitters,” Production #4801, 1969, September 16
|
|
Box
20
Folder
13
|
“The Wheel Deal,” Production #4802, 1969, September 23
|
|
Box
20
Folder
14
|
“Two's a Family-Three's a Crowd,” Production #4803, 1969, October 14
|
|
Box
21
Folder
1
|
“The Undergraduate,” Production #4804, 1969, September 30
|
|
Box
21
Folder
2
|
“For Whom the Wedding Bell Tolls,” Production #4805, 1969, October 28
|
|
Box
21
Folder
3
|
“Tanks for the Memory,” Production #4806, 1969, October 21
|
|
Box
21
Folder
4
|
“You Can't Beat Drums,” Production #4807, 1969, November 4
|
|
Box
21
Folder
5
|
“Tie Wolf,” Production #4808, 1969, November 11
|
|
Box
21
Folder
6
|
“The Grass Is Sometimes Greener,” Production #4809, 1969, November 25
|
|
Box
21
Folder
7
|
“The Eve of Adam,” Production #4810, 1969, December 2
|
|
Box
21
Folder
8
|
“Romeo and Julia,” Production #4811, 1969, November 18
|
|
Box
21
Folder
9
|
“Hilda's No Help,” Production #4812, 1969, December 16
|
|
Box
21
Folder
10
|
“So's Your Old Uncle,” Production #4813, 1969, December 9
|
|
Box
21
Folder
11
|
“Temper Also Fugits,” Production #4814, 1969, December 30
|
|
Box
21
Folder
12
|
“The Prisoner of Brenda,” Production #4815, 1970, January 6
|
|
Box
21
Folder
13
|
“The Dates of Wrath,” Production #4816, 1970, January 13
|
|
Box
21
Folder
14
|
“The Jolly Green Midget,” Production #4817, 1970, January 20
|
|
Box
21
Folder
15
|
“Sioux Me - Don't Woo Me,” Production #4818, 1970, January 27
|
|
Box
21
Folder
16
|
“Charity Begins with Chegley,” Production #4819, 1970, February 3
|
|
Box
21
Folder
17
|
“Gone With the Whim,” Production #4820, 1970, February 24
|
|
Box
21
Folder
18
|
“Father of the Bribe,” Production #4821, 1970, February 10
|
|
Box
21
Folder
19
|
“Call Me by My Rightful Number,” Production #4822, 1970, February 17
|
|
Box
21
Folder
20
|
“Corey for President,” Production #4823, 1970, April 7
|
|
Box
21
Folder
21
|
“Charlie's Chance,” Production #4824, 1970, March 3
|
|
Box
21
Folder
22
|
“I'll be Yours,” Production #4825, 1970, March 10
|
|
Box
22
Folder
1
|
“The Divine Devine,” Production #4827 Part I, 1970, March 17
|
|
Box
22
Folder
2
|
“Sara's Second Part,” Production #4827 Part II, 1970, March 24
|
|
Box
22
Folder
3
|
“Absence Makes the Heart Glow,” Production #4828, 1970, April 21
|
|
Box
22
Folder
4
|
“The Switch Sitters,” Production #4829, 1970, April 14
|
|
Box
22
Folder
5
|
“Bunny Hug,” Production #4830, 1970, April 28
|
|
Box
22
Folder
6
|
“The Grecian Yearn,” Production #4856, 1969, June 30
|
|
Box
22
Folder
11
|
“Ready, Aim, Fired!,” Production #E301, 1970, July 22
|
|
Box
22
Folder
12
|
“Little Boys Lost,” Production #E303, 1970, July 13
|
|
Box
23
Folder
1
|
“Altar Ego,” Production #E304, 1970, August 14
|
|
Box
23
Folder
2
|
“Tanks Again,” Production #E305, 1970, July 24
|
|
Box
23
Folder
3
|
“Parents Can Be Pains,” Production #E306, 1970, July 29
|
|
Box
23
Folder
4
|
“Bowled Over,” Production #E308, 1970, August 11
|
|
Box
23
Folder
5
|
“Smoke Scream,” Production #E309, 1970, August 18
|
|
Box
23
Folder
6
|
“Kim and Horror,” Production #E310, 1970, August 12
|
|
Box
23
Folder
7
|
“Magna cum Lover,” Production #E311, 1970, August 28
|
|
Box
23
Folder
8
|
“That New Black Magic,” Production #E313, 1970, September 14
|
|
Box
24
Folder
1
|
“Two for the Toad,” Production #E314, 1970, September 18
|
|
Box
24
Folder
2
|
“Cool Hand Bruce,” Production #E316, 1970, October 12
|
|
Box
24
Folder
3
|
“Kids Is a Four-Letter Word,” Production #E318, 1970, November 16
|
|
Box
24
Folder
4
|
“Toast Melba,” Production #E319, 1970, November 20
|
|
Box
24
Folder
5
|
“Strictly for the Birds,” Production #E320, 1970, November 9
|
|
Box
24
Folder
6
|
“Courting Time,” Production #E321, 1970, November 16
|
|
Box
24
Folder
7
|
“Corey's High Q,” Production #E322, 1970, November 16
|
|
Box
24
Folder
8
|
“Anniversary Faults,” Production #E324, 1970, December 29
|
|
Box
25
Folder
1
|
“Anyone for Tenants,” Production #E326, 1970, December 22
|
|
Box
25
Folder
2
|
“Long Time No Ski,” Production #E342, 1970, August 4
|
|
Box
25
Folder
3
|
“Paper Tigers,” Production #E346, 1970, December 9
|
|
Box
25
Folder
4
|
“Half Past Sick,” Production #E347, 1970, July 23
|
|
Box
25
Folder
5
|
“Essay Can You See,” Production #E350, 1970, September 4
|
|
Box
25
Folder
6
|
“Swing Low, Sweet Charity,” Production #E352, 1970, December 15
|
|
Box
25
Folder
7
|
“Cousin of the Bride,” Production #E357, 1970, October 5
|
|
Box
25
Folder
8
|
“Recording to Hoyle,” Production #E359, 1970, October 15
|
|
Box
25
Folder
9
|
“The Gender Trap,” Production #E360, 1970, October 19
|
|
|
The Jimmy Stewart Show
|
|
Box
26
Folder
1
|
“Family Plan,” Correspondence and Test Scene, 1966, September 9
|
|
|
Correspondence
|
|
Box
26
Folder
2
|
With Studio and Network, 1971
|
|
Box
26
Folder
3
|
Jimmy Stewart, 1971
|
|
Box
26
Folder
4
|
Contracts, 1970
|
|
Box
26
Folder
5
|
Casting, 1971, April
|
|
Box
26
Folder
6
|
Call Sheets, 1971, June-December
|
|
Box
30
Folder
1
|
Production Reports, 1971, May 29
|
|
Box
26
Folder
7-8
|
Budgets, 1971-1972
|
|
Box
26
Folder
9
|
Ratings, 1971
|
|
|
Fan Mail
|
|
Box
26
Folder
10
|
Favorable, 1971
|
|
Box
26
Folder
11
|
Unfavorable, 1971
|
|
|
Episodes
|
|
Box
27
Folder
1
|
“My Friend Gaylord,” Script, undated
|
|
Box
27
Folder
2
|
“Cockadoodle Don't,” Pilot Script, First Draft, 1970, October 23
|
|
Box
27
Folder
3
|
“By Way of Introduction,” Production #29011, Script, 1971, June 21
|
|
Box
27
Folder
4
|
“Period of Readjustment,” Production #29012, Script, 1971, July 15
|
|
Box
27
Folder
5-6
|
“Cockadoodle Don't,” Production #29013, Annotated Script, 1971, July 19
|
|
Box
27
Folder
7
|
“Love in a Briefcase,” Production #29014, Script, 1971, July 29
|
|
Box
27
Folder
8
|
“The Price of Plumbing Is Numbing,” Production #29015, Script, 1971, August 6
|
|
Box
27
Folder
9
|
“Another Day, Another Scholar,” Production #29016, Script, 1971, August 6
|
|
|
“The Father and Son Game,” Production #29017
|
|
Box
27
Folder
10
|
“First Draft, Script, 1971, January 27
|
|
Box
27
Folder
11
|
“Script, 1971, August 12
|
|
Box
28
Folder
1
|
“The Identity Crisis,” Production #29018, Script, 1971, August 12
|
|
Box
28
Folder
2
|
“Guest of Honor,” Production #29018, Script, 1971, August 23
|
|
Box
28
Folder
3
|
“A Vote for Howard,” Production #29019, Script, 1971, August 19
|
|
|
“A Hunch in Time,” Production #29021
|
|
Box
28
Folder
4
|
Script, 1971, August 12
|
|
Box
30
Folder
1
|
Production Reports, 1971, May 29
|
|
Box
28
Folder
5
|
“Pro Bono Publico,” Production #29022, Script, 1971, September 7
|
|
Box
28
Folder
6
|
“Heroes are Manufactured,” First Draft Script, 1971, August 2
|
|
Box
28
Folder
7
|
“A Bunk for Unk,” Production #29023, Script, 1971, September 10
|
|
Box
28
Folder
8
|
“Luther's Last Love,” Production #29024, Script, 1971, October 1
|
|
Box
28
Folder
9
|
“As the Escrow Flies,” Production #29025, Script, 1971, October 5
|
|
Box
28
Folder
10
|
“The Gideon Bobble,” First Final Script, 1971, September 21
|
|
Box
28
Folder
11
|
“Eighty-Nine Pounds of Love,” Production #29026, Script, 1971, October 4
|
|
Box
28
Folder
12
|
“The Quarterback Ache,” Production #29027, Script, 1971, October 11
|
|
Box
28
Folder
13
|
“Aunt's in My Plans,” Production #29028, Script, 1971, October 14
|
|
Box
29
Folder
1
|
“Paper Work,” Production #290291 Script, 1971, October 21
|
|
Box
29
Folder
2
|
“Song of the Jailbird,” Production #29030, Script, 1971, October 29
|
|
Box
29
Folder
3
|
“Jim's Decision,” Production #29031, Script, 1971, October 8
|
|
Box
29
Folder
4
|
“Price is Right,” Production #29032, Script, 1971, November 15
|
|
Box
29
Folder
5
|
“Old School Ties,” Production #29033, Script, 1971, November 22
|
|
|
“A Bone of Much Contention,” Production #29034
|
|
Box
29
Folder
6
|
“First Draft Script, 1971, October 15
|
|
Box
29
Folder
7
|
“Script, 1971, November 18
|
|
|
The Academy Award Show
|
|
Box
31
Folder
1
|
“30th Annual Academy Awards,” Audience Warmup, 1958
|
|
Box
31
Folder
2
|
“31st Annual Academy Awards,” Audience Warmup, 1959
|
|
Box
31
Folder
3
|
“32nd Annual Academy Awards,” Script, Second Revised, 1960, April 3
|
|
|
“33rd Annual Academy Awards,”
|
|
Box
31
Folder
4
|
Script, Second Draft, 1961, April 17
|
|
Box
31
Folder
5
|
Script, Final, 1961, April 15
|
|
|
“34th Annual Academy Awards,”
|
|
Box
31
Folder
6
|
Script, 1962, April 5
|
|
Box
31
Folder
7
|
Script, Revised, 1962, April 9
|
|
|
“35th Annual Academy Awards,”
|
|
Box
31
Folder
8
|
Script, 1963, April 4
|
|
Box
31
Folder
9
|
Script, Revised, 1963, April 8
|
|
Box
31
Folder
10
|
Production Staff, 1963, March 18
|
|
Box
31
Folder
11
|
“37th Annual Academy Awards,” Script, 1965, March 30
|
|
Box
31
Folder
12
|
“38th Annual Academy Awards,” Script, 1966, April 12
|
|
|
“39th Annual Academy Awards,”
|
|
Box
32
Folder
1
|
Script, 1967, April 10
|
|
Box
32
Folder
2
|
Script, Revised
|
|
Box
32
Folder
3
|
Script, Revised Final Draft
|
|
Box
32
Folder
4
|
“42nd Annual Academy Awards,” Script, Final, 1970, April 17
|
|
|
“43rd Annual Academy Awards,”
|
|
Box
32
Folder
5
|
Correspondence and Script, 1971, April 15
|
|
Box
32
Folder
6
|
Script, Final Draft, 1971, April 15
|
|
Box
32
Folder
7
|
“44th Annual Academy Awards,” Script, Final Draft, 1972, April 5
|
|
|
Subseries: Television - Other Material
|
|
Box
12
Folder
1
|
“The Colgate Comedy House,” script, 1952, December 7
|
|
Box
12
Folder
3
|
The Ford Show, script, 1959, September 16
|
|
Box
13
Folder
7
|
What Is It?, scripts, 1959
|
|
Box
12
Folder
4
|
Down Home (“Welcome Home”), production information for pilot, 1960, January 22
|
|
Box
12
Folder
5
|
“The Lucky Strike Special,“ script, first draft, 1960, November 10
|
|
Box
12
Folder
6
|
Frank Capra comedy series proposal, 1960
|
|
Box
12
Folder
7
|
“Arthur Godfrey in Hollywood,“ script, first draft, 1962, August 13
|
|
Box
13
Folder
8
|
“Young Musicians Foundation Televised Auditions,“ script, 1963, January 21
|
|
|
The Brownstone
|
|
|
“Cap'n Ahab”
|
|
Box
10
Folder
9
|
Story draft, undated
|
|
Box
10
Folder
10
|
Script, 1963, August 23
|
|
Box
10
Folder
11
|
Script, 1963, August 30
|
|
Box
10
Folder
12
|
Script, 1963, September 25
|
|
Box
10
Folder
13
|
“First Floor Front,” 1963, August 20
|
|
Box
10
Folder
14
|
“The Not Very Newsreel,” Production information for pilot, 1963, October 8
|
|
Box
10
Folder
15
|
“Three on an Island,“ script, production information, 1963, November 1
|
|
Box
10
Folder
16
|
Sherlock Holmes, “The Malevolent Metamorphosis of a Malicious Moriarity,“ script, first draft, 1965, July 27
|
|
Box
13
Folder
1
|
Three Coins in the Fountain, correspondence, 1965-1966
|
|
|
“Caesar's Ghost”
|
|
Box
13
Folder
2
|
Notes and script, 1965, October 26
|
|
Box
13
Folder
3
|
Dialogs
|
|
Box
13
Folder
4
|
Production reports
|
|
Box
13
Folder
5
|
Call Sheets
|
|
Box
13
Folder
6
|
Wardrobe, prop list
|
|
Box
10
Folder
17
|
“Poor Thing,“ script, 1966, October 18
|
|
Box
10
Folder
18
|
Tonight Show, notes, 1971, August 12
|
|
Box
10
Folder
19
|
My Little Margie, script, second draft, undated
|
|
Box
10
Folder
20
|
“Night Out,” undated
|
|
|
Subseries: Motion Pictures
|
|
Box
36
Folder
1
|
Booth Story (Paramount, 1954), synopsis, 1954, May 17
|
|
|
Loving You (Paramount, 1957)
|
|
Box
36
Folder
2-3
|
Script, “Stranger In Town,” final revision, 1957, January 15
|
|
Box
36
Folder
4
|
Production information, 1957, February
|
|
Box
3
Folder
1
|
“How to Break into the Movies,” synopsis, 1958, May 1
|
|
|
Once Upon A Horse (Universal, 1958)
|
|
Box
36
Folder
5
|
Correspondence
|
|
Box
36
Folder
5
|
Original short story
|
|
Box
36
Folder
5
|
Treatment
|
|
|
Scripts
|
|
Box
36
Folder
6
|
First draft, 1957, May 16
|
|
Box
36
Folder
7
|
Final draft, 1957, July 5
|
|
Box
36
Folder
8
|
Final shooting, 1957, July 5
|
|
Box
36
Folder
9
|
Music notes, undated
|
|
Box
36
Folder
10
|
Music score, undated
|
|
Box
36
Folder
11
|
Production Budgets, 1957, August 5-September 11
|
|
Box
36
Folder
12
|
Daily production reports, 1957, August 5-September 13
|
|
Box
36
Folder
13
|
Credits, preview comments
|
|
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I Married a Woman (Universal, 1959)
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Box
36
Folder
14
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Final script, 1956, July 9
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Let's Make Love (Fox, 1960)
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“The Billionaire”
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Box
36
Folder
15
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Final script, 1959, February 20
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Box
37
Folder
1
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Final revised script, 1959, October 14
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Box
37
Folder
2
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Final shooting script, 1959, December 16
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Pocketful of Miracles (United Artists, 1961)
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Box
37
Folder
3
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Script, second draft, 1960, July 19
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Box
37
Folder
4
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Script, final shooting, 1961, March
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Bachelor in Paradise (MGM, 1961)
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Box
37
Folder
5
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Script, 1961
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Blue Hawaii (Paramount, 1962)
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Box
37
Folder
6
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Writing credits, 1961, April 18
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The Children's Hour (United Artists, 1962)
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Box
37
Folder
7
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Script, first revised, 1961, May 23
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Move Over, Darling (Fox, 1963)
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Box
37
Folder
8
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Award to Kanter, 1963, August 2
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Dear Brigitte (Fox, 1965)
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Box
37
Folder
9
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Revised script, “Erasmus - with Freckles,” 1964, May 6
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|
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I Sailed to Tahiti with an All-Girl Crew (WOR, 1969)
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Box
37
Folder
10
|
Script, undated
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|
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Series: Part 2
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|
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Subseries: General Subject File
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Box
38
Folder
1
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Academy of Motion Picture Arts and Sciences, correspondence and speeches, November 5, 1973, November 5-1976, Mar 29; undated
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Box
38
Folder
2
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Directors Guild of America, Inc., miscellany, 1973, September 19-October 3; undated
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Box
38
Folder
3
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General Correspondence, circa 1963-1977
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Box
38
Folder
4
|
Miscellany, circa 1974-1976
|
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Box
38
Folder
5
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Pacific Pioneer Broadcasters, correspondence, 1975, October 20-1977, February 15
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Box
38
Folder
6
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Producers Guild of America, Inc., correspondence, 1970, June 16-1977, April 11; undated
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Box
38
Folder
7
|
Reviews and Publicity, 1955, November-1975, October 8; undated
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Box
38
Folder
8
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Script Distribution List, circa 1970-1971
|
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Box
38
Folder
9
|
Telephone Calls, 1971, October 8-1972, January 26
|
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Box
38
Folder
10
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Writers-Directors-Actors-Staff Payment Notebook, circa 1964-1965
|
|
Box
38
Folder
11
|
Writers Guild Foundation, by-laws, correspondence, minutes, 1966, June 2-1975, January 17; undated
|
|
Box
38
Folder
12
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Writers Guild of America, Miscellany, 1973, February 20-1977, Mar 24
|
|
|
Subseries: Motion Pictures
|
|
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Let's Make Love : (Company of Artists; Twentieth Century Fox, 1960)
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Box
38
Folder
13
|
Production File, Partial Script Revisions, “The Billionaire,” 1959, October 16-December 23; undated
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|
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Subseries: Novels
|
|
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Snake in the Glass : (New York: Delacorte, 1971)
|
|
Box
39
Folder
1-4
|
Typescript, “Swine Song,” Pp. 1-612, 1969, May
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|
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Subseries: Television Series - Produced
|
|
|
All in the Family : Tandem Productions, Inc., 1971- . Original telecast on CBS.
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Box
39
Folder
5
|
Research, Story Conference Notes, Notes, and Miscellany, 1975, June 2-August 28
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|
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“The Very Moving Day,”
|
|
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Script, by Hal Kanter
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Box
39
Folder
6
|
First Draft, 1975, April 21
|
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Box
39
Folder
7
|
Second Draft, Revised, 1975, May 27
|
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Box
39
Folder
8
|
Fourth Draft, Rewrite, 1975, June 17
|
|
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Chico and the Man : (The Komack Co., Inc. in association with the Wolper Organization and NBC-TV, 1974- . Original telecast on NBC.)
|
|
|
General Production File
|
|
Box
39
Folder
9
|
Correspondence, 1976, May 12-1977, March 17; undated
|
|
Box
40
Folder
1
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Miscellany, 1976, August 6-1977, January 26
|
|
Box
40
Folder
2
|
Progress Reports, 1976, August 26-1977, March 21
|
|
Box
40
Folder
3
|
Schedules, 1976, July 12-1977, March 18; undated
|
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Box
40
Folder
4
|
Script Progress Reports, 1976, June 25-1977, February 28
|
|
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“Black Tie Blues”
|
|
Box
40
Folder
5
|
Production File, 1976, September 8-December 16
|
|
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Script, by John Fenton Murray
|
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Box
40
Folder
6
|
First Draft, 1976, September 30
|
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Box
40
Folder
7
|
Second Draft, 1976, October 14
|
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Box
40
Folder
8
|
Revised Table Draft, 1976, November 24
|
|
Box
40
Folder
9
|
Second Revised Table Drafts, 1976, December 14
|
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Box
40
Folder
10
|
Draft, circa 1976
|
|
|
“Champs Ain't Chumps”
|
|
Box
40
Folder
11
|
Production File, 1976, September 2-November 18
|
|
|
Script, by Charles Stewart and Ben Starr
|
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Box
40
Folder
12
|
Revised Draft, 1976, September 10
|
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Box
40
Folder
13
|
Revised Table Draft, November 15
|
|
|
“Chico Packs His Bags”
|
|
Box
40
Folder
14
|
Production File, 1976, July 13-16
|
|
|
“Chico's Padre”
|
|
Box
40
Folder
15
|
Production File, 1976, February 26-December 10
|
|
|
Script
|
|
Box
40
Folder
16
|
Revised Second Draft, by Ron Friedman, 1976, April 29
|
|
Box
40
Folder
17
|
Draft, by Ron Friedman, rewrite by [George] Bloom and [Beverly] Bloomberg, 1976, September 24
|
|
Box
40
Folder
18
|
Draft, by Ron Friedman, 1976, September 28
|
|
Box
40
Folder
19
|
Revised Table Draft, by Ron Friedman, George Bloom, and Henry Irving, story by Ron Friedman, 1976, December 7
|
|
|
“Chico's Problem”
|
|
Box
41
Folder
1
|
Production File, 1976, August 20-26
|
|
|
“Della Moves In”
|
|
Box
41
Folder
2
|
Production File, 1976, July 19-23
|
|
|
“The Dress”
|
|
Box
41
Folder
3
|
Production File, 1976, October 15-22
|
|
|
“Ed Brown vs The I.R.S.”
|
|
Box
41
Folder
4
|
Production File, 1976, August 13-20
|
|
|
“Ed Talks to God”
|
|
Box
41
Folder
5
|
Production File, 1977, January 4-14
|
|
|
“Ed's Recuperation”
|
|
Box
41
Folder
6
|
Production File, 1976, September 1-October 12
|
|
|
“Gregory Peck Is a Rooster”
|
|
Box
41
Folder
7
|
Production File, 1976, November 24-1977, February 24; undated
|
|
Box
41
Folder
8
|
Script, Revised Draft, by George Bloom and Beverly Bloomberg, 1977, February 7
|
|
|
“How to Succeed in Garbage”
|
|
Box
41
Folder
9
|
Production File, 1976, July 20
|
|
|
“In Your Hat”
|
|
Box
41
Folder
10
|
Production File, 1976, September 7-17
|
|
|
“Louie's Can Can”
|
|
Box
41
Folder
11
|
Production File, 1977, February 10-18
|
|
|
Script, by George Bloom and Beverly Bloomberg
|
|
Box
41
Folder
12
|
Table Drafts, 1977, February 9
|
|
Box
41
Folder
13
|
Final Draft, 1977, February 17
|
|
|
“Matchmaker, Matchmaker”
|
|
Box
41
Folder
14
|
Production File, September 29, 1976, September 29-1977, January 6
|
|
|
Script, by Si Rose
|
|
Box
41
Folder
15
|
Second Draft, 1976, October 15
|
|
Box
41
Folder
16
|
Revised Second Draft, 1976, October 29
|
|
Box
41
Folder
17
|
Table Draft, 1976, November 12
|
|
Box
41
Folder
18
|
Revised Table Draft, 1977, January 4
|
|
|
“Minority of One”
|
|
Box
41
Folder
19
|
Production File, 1976, July 22-October 28; undated
|
|
|
Script, by Bob O'Brien
|
|
Box
41
Folder
20
|
First Draft, 1976, August 9
|
|
Box
41
Folder
21
|
Draft, undated
|
|
Box
42
Folder
1
|
Revised Draft, 1971, August 16
|
|
Box
42
Folder
2
|
Table Draft, 1976, September 2
|
|
|
“Morgan and the Man”
|
|
Box
42
Folder
3
|
Production File, 1976, November 3-12; undated
|
|
|
Script
|
|
Box
42
Folder
4
|
First Draft, by Doris Prouder and Carol Gary, 1976, September 30
|
|
Box
42
Folder
5
|
Second Draft, 1976, October 13
|
|
Box
42
Folder
6
|
Table Draft, by Doris Prouder and Carol Gary, 1976, October 22
|
|
|
“Mucho Macho Ed”
|
|
Box
42
Folder
7
|
Production File, 1976, September 10-October 15
|
|
|
“Old Is Gold”
|
|
Box
42
Folder
8
|
Production File, 1976, September 20-24
|
|
|
“Ready When You Are, C.B.!”
|
|
Box
42
Folder
9
|
Production File, 1976, September 15-December 29
|
|
|
“The Second Coming Of Della”
|
|
Box
42
Folder
10
|
Production File, 1976, July 26-September 28
|
|
|
“Uncle Sonny”
|
|
Box
42
Folder
11
|
Production File, 1977, February 25-March 4
|
|
|
“Who's Been Sleeping in My Car?”
|
|
Box
42
Folder
12
|
Production File, 1977, March 18-25
|
|
|
Script, by George Bloom and Beverly Bloomberg
|
|
Box
42
Folder
13
|
Revised Second Draft, 1977, March 9
|
|
Box
42
Folder
14
|
Final Draft, 1977, March 24
|
|
|
The Jimmy Stewart Show : (Warner Brothers TV/Savannah Productions, 1971-1972. Original telecast on NBC.)
|
|
Box
42
Folder
15-17
|
Casting correspondence, 1970, September 16-1971, October 18; undated
|
|
Box
43
Folder
1
|
General Production File, circa 1971-1972
|
|
|
“By Way of Introduction”
|
|
Box
43
Folder
2
|
Shot Script, 1971, July 20
|
|
|
Sally and Sam : (Twentieth Century Fox. Pilot aired once in 1965. Original telecast on NBC.)
|
|
Box
43
Folder
3
|
Legal Correspondence, 1964, July 17
|
|
|
“They Meet”
|
|
Box
43
Folder
4
|
Script, Final Draft, by Hal Kanter, 1964, September 30
|
|
|
Three Coins in the Fountain : (Twentieth Century Fox Television Inc. Pilot aired once in 1966. Original telecast network unknown.)
|
|
|
“Caesar's Wife”
|
|
Box
43
Folder
5
|
Production File, 1965, October 21-1966, February 1
|
|
|
Valentine's Day : (Savannah/Yorktan Productions for Twentieth Century Fox, 1964-1965. Original telecast on ABC.)
|
|
Box
43
Folder
6
|
Production File, 1963, September 15-1964, September 24; undated
|
|
|
Subseries: Television Specials - Produced
|
|
|
The Bluffers : (Bob Hope Enterprises, May 28, 1974. Original telecast on NBC.)
|
|
|
Script
|
|
Box
43
Folder
7
|
First Draft, 1974, March 8
|
|
Box
43
Folder
8
|
First Final Draft, 1974
|
|
|
The Bob Hope Special : (Bob Hope Enterprises, 1976. Original telecast on NBC.)
|
|
|
“Texaco Presents: JOYS”
|
|
Box
43
Folder
9
|
Script, Second Draft, 1976, February 16
|
|
|
Democratic National Telethon
|
|
|
“America Goes Public” : (Democratic National Party, September 15, 1973 Original telecast on NBC.)
|
|
Box
43
Folder
10
|
Correspondence, 1972, June 12-1973, September 5; undated
|
|
Box
43
Folder
11
|
Miscellany, circa 1973, August-September
|
|
Box
43
Folder
12
|
Notes on Individual States, circa 1973, September
|
|
Box
43
Folder
13
|
Schedules, circa 1973, August-September
|
|
Box
44
Folder
1
|
Scripts For Individual Spots - Not Aired, 1973
|
|
|
Scripts for Individual Spots
|
|
Box
44
Folder
2-3
|
A-Z
|
|
Box
44
Folder
4
|
Unassigned-Commercials
|
|
|
“Answer, America” : (Democratic National Party, June 29-30, 1974. Original telecast on CBS.)
|
|
Box
44
Folder
5
|
Schedules and Miscellany, circa 1974, May-June
|
|
|
Scripts for Individual Spots
|
|
Box
44
Folder
6-8
|
A-Z
|
|
Box
45
Folder
1
|
Unassigned-Commercials
|
|
|
The Los Angeles Board of Education Bicentennial Pageant : (NBC-TV, July 4, 1976. Original telecast on NBC.)
|
|
Box
45
Folder
2
|
Script, 1976, May 29
|
|
|
The 26th Annual Los Angeles Area Emmy Awards Show : (Hollywood Chapter of the TV Academy, [May 29, 1974]. Original telecast on Los Angeles NBC affiliate.)
|
|
Box
45
Folder
3
|
Script, by Hal Kanter, 1974, May 27
|
|
|
Subseries: Television - Unproduced
|
|
|
Cap'n Ahab : (Twentieth Century Fox/ABC. Pilot. Never aired.)
|
|
Box
45
Folder
4
|
Production File, 1963, December 2-16
|
|
|
Chico and the Man : (Unproduced.)
|
|
|
“Family Plot”
|
|
Box
45
Folder
5
|
Miscellany, 1976, December 14
|
|
|
I and Claudie : (Unproduced.)
|
|
Box
45
Folder
6
|
Correspondence, 1962, September 10-18
|
|
|
Three on an Island : (Twentieth Century Fox/ABC. Pilot. Never aired.)
|
|
|
“Taffy's China Chin”
|
|
Box
45
Folder
7
|
Production File, 1963, November 4-December 19; undated
|
|
Box
45
Folder
8
|
Script, by Hal Kanter, 1963, November 1
|
|
|