Archival Resources in Wisconsin: Descriptive Finding Aids

Container	Title
	Subseries: Books - Published
	Persistence of Vision (1969, Wisconsin Film Society Press)
Box 1 Folder 2	Correspondence, 1966 December 19-1968 October 3, undated
Box 1 Folder 3	Introduction (from “Critical Response” article and Principles of Film Criticism)
Box 1 Folder 4	Dale article: “Narrative, Fable & Dream in King Kong”
	Donnely articles
Box 1 Folder 5	“Love & Death in Casablanca”
Box 1 Folder 6	“The Navigator”
Box 1 Folder 7	“A Random Sampling of Directors”
Box 1 Folder 8	“Vampyr”
Box 1 Folder 9	Koch article: “Notes on the Production of Casablanca”
	Lennig articles
Box 1 Folder 10	“La Roue”
Box 1 Folder 11	“Merry-Go-Round”
Box 1 Folder 12	“Robert Flaherty”
Box 1 Folder 13	“True Heart Susie”
Box 1 Folder 14	McBride article: “Footlight Parade”
Box 1 Folder 15	Peary article: “W.C. Fields and the Absurd World”
Box 1 Folder 16	Stein article: “Robert Rossen's Last Interview”
	Wilmington articles
Box 1 Folder 17	“The Birds”
Box 1 Folder 18	“Long Day's Journey Into Night”
Box 1 Folder 19	Zwickey article: “Orpheus”
Box 1 Folder 20	Notes, outlines
Box 1 Folder 21	Notes
Box 1 Folder 22	Research: “Fellini: A Poet of Reality”
Box 1 Folder 23	Clippings
Box 1 Folder 24	Articles not used in book: synopsis (“The March of Time”)
Box 2 Folder 1-2	Articles not used in book
Box 2 Folder 3	Covers, promotion, copy of “Toward an Understanding of Documentary”
Box 2 Folder 4-5	Manuscript sent to printer
Box 2 Folder 6	Pictures not used in book
Box 2 Folder 7	Galley proofs
Box 2 Folder 8	Manuscript for Persistence of Vision
	Orson Welles (1972, Viking Press)
	General correspondence and notes
Box 3 Folder 1	1967 January 1-1970 September 30
Box 3 Folder 2	1970 October 18-1973 April 29
	Correspondence with book editors
Box 3 Folder 3	1970 May 5-1971 January 8
Box 3 Folder 4	1971 March 1-1973 May 18
Box 3 Folder 5	Correspondence and notes for Project Welles anthology and part of manuscript
Box 3 Folder 6	Early general notes
Box 3 Folder 7	General notes
Box 3 Folder 8	General outlines
Box 3 Folder 9	Chapter One: Introduction
Box 4 Folder 1	Chapter Two: Meeting Orson Welles
Box 4 Folder 2	Chapter Three: Apprentice Work
	Chapter Four
Box 4 Folder 3-4	“Citizen Kane” notes
Box 4 Folder 5-6	“Citizen Kane” drafts
Box 4 Folder 7	Citizen Kane: third revised final script
	Chapter Five
Box 4 Folder 8-9	“The Magnificent Ambersons”
Box 5 Folder 1	“The Magnificent Ambersons" (continued)
Box 5 Folder 2	The Magnificent Ambersons: screenplay
Box 5 Folder 3	Chapter Six: “Finding a New Style”
Box 5 Folder 4	Chapter Seven: “The Lady from Shanghai”
Box 5 Folder 5	Chapter Eight: “Macbeth and Othello”
Box 5 Folder 6	Chapter Nine: “Mr. Arkadin”
Box 5 Folder 7	Chapter Ten: “Touch of Evil”
Box 5 Folder 8	Chapter Eleven: “The Trial”
Box 5 Folder 9	Chapter Twelve: “Chimes at Midnight”
Box 5 Folder 10	Chapter Thirteen: “The Immortal Story”
Box 6 Folder 1-2	Appendix
Box 6 Folder 3	Magazines in which part of book appeared
Box 6 Folder 4	Script material: “The Other Side of the Wind”
Box 6 Folder 5	Article: “First Person Singular,” not in Welles book
Box 6 Folder 6	Research: “Rough Sledding with Pauline Kael”
Box 6 Folder 7-8	Research clippings and notes
Box 7 Folder 1	Research clippings and notes (continued)
Box 7 Folder 2	Clippings on book
Box 7 Folder 3	Part of manuscript for projected Welles anthology
Box 7 Folder 4	Manuscript as submitted and revised by author: carbon copy
Box 7 Folder 5	Semi-final draft
Box 7 Folder 6	Manuscript with editor and author revisions: photocopy
Box 7 Folder 7-8	Galley proofs
Box 7 Folder 9	Manuscript for Orson Welles
	Focus on Howard Hawks (1972, Prentice Hall)
	Correspondence
Box 8 Folder 1	1970 September 14-1971 September 21
Box 8 Folder 2	1971 September 27-1972 November 2, undated
Box 8 Folder 3	Outlines and notes
	Manuscripts of individual chapters
Box 8 Folder 4	Belton-Ford
Box 8 Folder 5	Haskell-McBride
Box 8 Folder 6	Peary-Bibliography
Box 8 Folder 7	Manuscripts in French
Box 8 Folder 8	Index
Box 8 Folder 9	Research materials
Box 9 Folder 1	Research materials (continued)
Box 9 Folder 2	Manuscript: typed
Box 9 Folder 3	Manuscript for Focus on Howard Hawks
	John Ford (1974, Secker and Warburg, London)
Box 9 Folder 4	Correspondence, 1969 June 10-1973 June 11, undated
Box 9 Folder 5	Chapter Two: “Himself”
Box 9 Folder 6	First rough notes
Box 10 Folder 1	Outlines, notes
Box 10 Folder 2-4	General notes
Box 10 Folder 5	“Young Mr. Lincoln”
Box 10 Folder 6	“My Darling Clementine”
Box 10 Folder 7	“They Were Expendable”
Box 10 Folder 8-9	“The Quiet Man”
Box 10 Folder 10	“Stagecoach”
Box 10 Folder 11	“The Long Gray Line”
Box 10 Folder 12	“The Rising of the Moon”
Box 11 Folder 1	“The Grapes of Wrath”
Box 11 Folder 1	“How Green Was My Valley”
Box 11 Folder 2	“The Sun Shines Bright”
Box 11 Folder 3	“The Fugitive”
Box 11 Folder 4	“Three Godfathers”
Box 11 Folder 5	“Straight Shooting”
Box 11 Folder 6	“Wagon Master”
Box 11 Folder 7	“Fort Apache,” “She Wore a Yellow Ribbon,” “Rio Grande”
Box 11 Folder 8	“The Searchers”
Box 11 Folder 9	“The Wings of Eagles”
Box 11 Folder 10	“Sergeant Rutledge”
Box 11 Folder 11-12	“The Man Who Shot Liberty Valance”
Box 12 Folder 1	“The Civil War”
Box 12 Folder 2-3	“Seven Women”
Box 12 Folder 4	“The Ford Players” (discarded chapter)
Box 12 Folder 5	“The Informer,” “The Last Hurrah”
Box 12 Folder 6	“Cheyenne Autumn”
Box 12 Folder 7	“When Willie Comes Marching Home”
Box 12 Folder 8-9	“Vietnam! Vietnam!” (documentary)
Box 12 Folder 10	Research: United States Information Agency
Box 12 Folder 11-13	Last draft
Box 13 Folder 1-3	Revised pages of typescript
Box 15 Folder 1-2	Typescript: final