Container
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Title
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Subseries: Books - Published
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Persistence of Vision (1969, Wisconsin Film Society Press)
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Box
1
Folder
2
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Correspondence, 1966 December 19-1968 October 3, undated
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Box
1
Folder
3
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Introduction (from “Critical Response” article and Principles of Film Criticism)
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Box
1
Folder
4
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Dale article: “Narrative, Fable & Dream in King Kong”
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Donnely articles
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Box
1
Folder
5
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“Love & Death in Casablanca”
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Box
1
Folder
6
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“The Navigator”
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Box
1
Folder
7
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“A Random Sampling of Directors”
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Box
1
Folder
8
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“Vampyr”
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Box
1
Folder
9
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Koch article: “Notes on the Production of Casablanca”
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Lennig articles
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Box
1
Folder
10
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“La Roue”
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Box
1
Folder
11
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“Merry-Go-Round”
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Box
1
Folder
12
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“Robert Flaherty”
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Box
1
Folder
13
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“True Heart Susie”
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Box
1
Folder
14
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McBride article: “Footlight Parade”
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Box
1
Folder
15
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Peary article: “W.C. Fields and the Absurd World”
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Box
1
Folder
16
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Stein article: “Robert Rossen's Last Interview”
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Wilmington articles
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Box
1
Folder
17
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“The Birds”
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Box
1
Folder
18
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“Long Day's Journey Into Night”
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Box
1
Folder
19
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Zwickey article: “Orpheus”
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Box
1
Folder
20
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Notes, outlines
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Box
1
Folder
21
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Notes
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Box
1
Folder
22
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Research: “Fellini: A Poet of Reality”
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Box
1
Folder
23
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Clippings
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Box
1
Folder
24
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Articles not used in book: synopsis (“The March of Time”)
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Box
2
Folder
1-2
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Articles not used in book
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Box
2
Folder
3
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Covers, promotion, copy of “Toward an Understanding of Documentary”
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Box
2
Folder
4-5
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Manuscript sent to printer
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Box
2
Folder
6
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Pictures not used in book
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Box
2
Folder
7
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Galley proofs
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Box
2
Folder
8
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Manuscript for Persistence of Vision
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Orson Welles (1972, Viking Press)
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General correspondence and notes
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Box
3
Folder
1
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1967 January 1-1970 September 30
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Box
3
Folder
2
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1970 October 18-1973 April 29
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Correspondence with book editors
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Box
3
Folder
3
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1970 May 5-1971 January 8
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Box
3
Folder
4
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1971 March 1-1973 May 18
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Box
3
Folder
5
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Correspondence and notes for Project Welles anthology and part of manuscript
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Box
3
Folder
6
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Early general notes
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Box
3
Folder
7
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General notes
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Box
3
Folder
8
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General outlines
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Box
3
Folder
9
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Chapter One: Introduction
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Box
4
Folder
1
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Chapter Two: Meeting Orson Welles
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Box
4
Folder
2
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Chapter Three: Apprentice Work
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Chapter Four
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Box
4
Folder
3-4
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“Citizen Kane” notes
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Box
4
Folder
5-6
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“Citizen Kane” drafts
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Box
4
Folder
7
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Citizen Kane: third revised final script
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Chapter Five
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Box
4
Folder
8-9
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“The Magnificent Ambersons”
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Box
5
Folder
1
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“The Magnificent Ambersons" (continued)
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Box
5
Folder
2
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The Magnificent Ambersons: screenplay
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Box
5
Folder
3
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Chapter Six: “Finding a New Style”
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Box
5
Folder
4
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Chapter Seven: “The Lady from Shanghai”
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Box
5
Folder
5
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Chapter Eight: “Macbeth and Othello”
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Box
5
Folder
6
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Chapter Nine: “Mr. Arkadin”
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Box
5
Folder
7
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Chapter Ten: “Touch of Evil”
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Box
5
Folder
8
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Chapter Eleven: “The Trial”
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Box
5
Folder
9
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Chapter Twelve: “Chimes at Midnight”
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Box
5
Folder
10
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Chapter Thirteen: “The Immortal Story”
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Box
6
Folder
1-2
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Appendix
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Box
6
Folder
3
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Magazines in which part of book appeared
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Box
6
Folder
4
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Script material: “The Other Side of the Wind”
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Box
6
Folder
5
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Article: “First Person Singular,” not in Welles book
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Box
6
Folder
6
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Research: “Rough Sledding with Pauline Kael”
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Box
6
Folder
7-8
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Research clippings and notes
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Box
7
Folder
1
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Research clippings and notes (continued)
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Box
7
Folder
2
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Clippings on book
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Box
7
Folder
3
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Part of manuscript for projected Welles anthology
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Box
7
Folder
4
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Manuscript as submitted and revised by author: carbon copy
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Box
7
Folder
5
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Semi-final draft
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Box
7
Folder
6
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Manuscript with editor and author revisions: photocopy
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Box
7
Folder
7-8
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Galley proofs
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Box
7
Folder
9
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Manuscript for Orson Welles
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Focus on Howard Hawks (1972, Prentice Hall)
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Correspondence
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Box
8
Folder
1
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1970 September 14-1971 September 21
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Box
8
Folder
2
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1971 September 27-1972 November 2, undated
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Box
8
Folder
3
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Outlines and notes
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Manuscripts of individual chapters
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Box
8
Folder
4
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Belton-Ford
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Box
8
Folder
5
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Haskell-McBride
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Box
8
Folder
6
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Peary-Bibliography
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Box
8
Folder
7
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Manuscripts in French
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Box
8
Folder
8
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Index
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Box
8
Folder
9
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Research materials
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Box
9
Folder
1
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Research materials (continued)
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Box
9
Folder
2
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Manuscript: typed
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Box
9
Folder
3
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Manuscript for Focus on Howard Hawks
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John Ford (1974, Secker and Warburg, London)
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Box
9
Folder
4
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Correspondence, 1969 June 10-1973 June 11, undated
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Box
9
Folder
5
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Chapter Two: “Himself”
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Box
9
Folder
6
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First rough notes
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Box
10
Folder
1
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Outlines, notes
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Box
10
Folder
2-4
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General notes
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Box
10
Folder
5
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“Young Mr. Lincoln”
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Box
10
Folder
6
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“My Darling Clementine”
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Box
10
Folder
7
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“They Were Expendable”
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Box
10
Folder
8-9
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“The Quiet Man”
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Box
10
Folder
10
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“Stagecoach”
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Box
10
Folder
11
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“The Long Gray Line”
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Box
10
Folder
12
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“The Rising of the Moon”
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Box
11
Folder
1
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“The Grapes of Wrath”
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Box
11
Folder
1
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“How Green Was My Valley”
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Box
11
Folder
2
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“The Sun Shines Bright”
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Box
11
Folder
3
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“The Fugitive”
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Box
11
Folder
4
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“Three Godfathers”
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Box
11
Folder
5
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“Straight Shooting”
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Box
11
Folder
6
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“Wagon Master”
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Box
11
Folder
7
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“Fort Apache,” “She Wore a Yellow Ribbon,” “Rio Grande”
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Box
11
Folder
8
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“The Searchers”
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Box
11
Folder
9
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“The Wings of Eagles”
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Box
11
Folder
10
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“Sergeant Rutledge”
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Box
11
Folder
11-12
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“The Man Who Shot Liberty Valance”
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Box
12
Folder
1
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“The Civil War”
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Box
12
Folder
2-3
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“Seven Women”
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Box
12
Folder
4
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“The Ford Players” (discarded chapter)
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Box
12
Folder
5
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“The Informer,” “The Last Hurrah”
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Box
12
Folder
6
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“Cheyenne Autumn”
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Box
12
Folder
7
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“When Willie Comes Marching Home”
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Box
12
Folder
8-9
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“Vietnam! Vietnam!” (documentary)
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Box
12
Folder
10
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Research: United States Information Agency
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Box
12
Folder
11-13
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Last draft
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Box
13
Folder
1-3
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Revised pages of typescript
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Box
15
Folder
1-2
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Typescript: final
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