Archival Resources in Wisconsin: Descriptive Finding Aids

Container	Title
U.S. Mss 147AN	Series: Part 2 (U.S. Mss 147AN, Audio 1036A): 1985 Additions, 1960-1983 Physical Description: 35.6 c.f. (90 archives boxes) and 66 tape recordings Scope and Content Note The 1985 Additions to the Joseph McBride Papers primarily document his career as a critic and writer in film, television, and theater during the years 1977-1982, and consist of script drafts and revisions, source material, storyboards, notes, correspondence, and interview transcripts, from more than 90 projects. Also, included are drafts from a number of books he authored, as well as newspaper and magazine articles. The audio tapes primarily contain interviews conducted by McBride with numerous actors and actresses concerning specific Hollywood personalities. The tapes are RESTRICTED, however, and may not be listened to without the written consent of Joseph McBride. The additions are divided into eight subseries: GENERAL CORRESPONDENCE, BOOKS, MAGAZINE ARTICLES, NEWSPAPERS, SCRIPTS (FILM, TELEVISON, and THEATER), UNRELATED COMPOSITIONS, SCRIPT PROJECTS, and AUDIO RECORDINGS. The GENERAL CORRESPONDENCE subseries contains both personal and professional correspondence, mostly incoming and dating from 1960 to 1982. The bulk of the personal correspondence is from McBride's immediate family. One folder consists of letters from his wife, Linda Detra McBride (whom he divorced in 1973) and daughter, Jessica. Another contains letters from his father, Raymond McBride. A third folder consists of correspondence, 1960-1964, to McBride's mother Marian, from well-known politicians and statesmen. The BOOKS subseries contains scripts, drafts, galleys, edited manuscripts, promotion, and other papers concerning nine books McBride authored from 1972 to 1983, arranged chronologically by publication date. The majority of this material covers the 1980 publication of High and Inside: The Complete Guide to Baseball Slang, which underwent numerous revisions over the years. First entitled “Baseballese,” it was subsequently known as “The Language of Baseball,” “Baseball Talk,” “Speaking of Baseball,” and “The Complete Book of Baseball Slang.” There are also several boxes of material on the book Hawks on Hawks, published in 1982. The MAGAZINE ARTICLES subseries is comprised of notes and information on nearly 35 pieces on television and film, written by McBride from 1960 to 1982. The articles are arranged chronologically by publication date. The NEWSPAPERS subseries consists primarily of material collected by McBride during his years on Daily Variety and Variety, roughly from 1974 to 1981, including press releases; obituaries; general news and features; and film, television, theater, and concert reviews. Only the general news, feature articles, and reviews, however, were written by McBride. In addition, there are some drafts, unpublished articles, and research notes produced by McBride during his years on the University of Wisconsin's Daily Cardinal, the Wisconsin State Journal, and the Riverside Press-Enterprise. The material is arranged chronologically. The SCRIPTS subseries provides a detailed look at the steps involved in the creation of a working script (in the media of film, television, and theater) and includes source material, treatments, outlines, interview transcripts, page proofs, galleys, and drafts. The series is sub-divided into Scripts-Film, Scripts-Television, and Scripts-Theater, although the majority of the scripts were written for film. However, only three film scripts actually were produced: Blood and Guts (1978), Rock 'n' Roll High School (1979), and Prom Night (1980). The television script material concerns McBride's involvement with The American Film Institute's salutes to Jimmy Stewart (1980), Fred Astaire (1981), Frank Capra (1982), and John Huston (1983), which he wrote or co-wrote. It also documents the production Let Poland Be Poland, which was broadcast by satellite around the world in January 1982. The theater scripts include American National Theatre and Academy Tribute to James Stewart (1981), plus some unproduced pieces. It is important to note that although scripts often underwent title changes during the draft stages, they are listed according to final titles. The UNRELATED COMPOSITIONS subseries contains articles, notes, reviews, and the like written by McBride from 1962-1977, arranged chronologically. Most concern films and filmmakers. The SCRIPT PROJECTS subseries contains undated notes, sketches, and ideas for more than 60 potential scripts written by McBride. They are arranged alphabetically by title. The AUDIO RECORDINGS subseries contains 66 tape recordings, most of which are interviews conducted by McBride during the early 1980s. They include sessions with Frank Capra, Billy Wilder, Jimmy Stewart, Jacqueline Bisset, Donna Reed, Audrey Hepburn, Gene Kelly, Fred Astaire, and Robert Mitchum, among others. As many of the interviews were conducted over the telephone, the audio may be of inferior quality. Access Restrictions: The audio tapes may not be listened to without the written consent of Joseph McBride.
	Subseries: General Correspondence
	Personal
Box 16 Folder 1-3	1969-1981
Box 16 Folder 4-5	undated
Box 16 Folder 6	From Linda Detra McBride and Jessica McBride, undated
Box 17 Folder 1	From Raymond McBride, undated
Box 17 Folder 2	To Marian McBride, 1960-1964
	Professional
Box 17 Folder 3-7	1964-1982, undated
	Subseries: Books	⇧
	Orson Welles (1972)
Box 18 Folder 1	“Bright Lucifer”: script, 1933
Box 18 Folder 2	“The Other Side of the Wind”: script, undated
	John Ford (1974)
Box 18 Folder 3	Chapter One: “Bringing in the Sheaves”
Box 18 Folder 4	Chapter Two: “Half Genius, Half Irish”
Box 18 Folder 5	Galleys, undated
Box 18 Folder 6	Page proofs, undated
Box 18 Folder 7	Publicity
Box 18 Folder 8	Revisions, undated
Box 18 Folder 9-14	Source material
	Kirk Douglas (1976)
Box 19 Folder 1	Correspondence, 1975-1976
Box 19 Folder 2-3	Source material
Box 19 Folder 4-5	Notes, 1976
Box 20 Folder 1	Draft fragments, undated
Box 20 Folder 2	Draft, complete, undated
Box 20 Folder 3	Edited manuscript, undated
Box 20 Folder 4	Galleys, undated
	Orson Welles: Actor and Director (1977)
Box 20 Folder 5	Correspondence, 1976-1978
Box 20 Folder 6-9	Source material
Box 21 Folder 1-2	Notes, undated
Box 21 Folder 3	Draft fragments, undated
Box 21 Folder 4	Draft fragments, pp. 1-15, undated
Box 21 Folder 5	Draft, incomplete, pp. 1-131, undated
Box 21 Folder 6	Draft, complete, undated
Box 21 Folder 7	Galleys, undated
Box 21 Folder 8	Page proofs, undated
Box 21 Folder 9	Promotion
Box 21 Folder 10	Review, 1977
	High and Inside: The Complete Guide to Baseball Slang (1980)
Box 22 Folder 1-2	Correspondence, 1964-1980
Box 22 Folder 3	Notes, 1978
Box 22 Folder 4	Potential publishers
Box 22 Folder 5	Royalty estimates
Box 22 Folder 6	References
Box 22 Folder 7-16	Source materials
	“Baseballese”
Box 22 Folder 17	“Words”: first draft, 1963-1964
Box 23 Folder 1	“Quotes”: first draft, undated
Box 23 Folder 2	“Nicknames”: first draft, undated
	“The Language of Baseball”
Box 23 Folder 3	Second draft, pp. 1-118, 1964-1965
Box 23 Folder 4	Second draft, pp. 1-93, 1964-1965
Box 23 Folder 5	Third draft, pp. 1-217, 1965-1966
Box 23 Folder 6	Fourth draft, 1966
Box 24 Folder 1	Fifth draft, 20 June 1967
Box 24 Folder 2	Draft fragments, undated
Box 24 Folder 3	“Baseball Talk,” pp. 1-217, 1978-1979
	“Speaking of Baseball”
Box 24 Folder 4	First draft, pp. 1-242, 1978-1979
Box 24 Folder 5	Second draft, pp. 1-242, 1978-1979
Box 25 Folder 1	Third draft, pp. 1-242, 1978-1979
Box 25 Folder 2	Fourth draft, 1979 May 3
	“The Complete Book of Baseball Slang”
Box 25 Folder 3	First draft, pp. 194-268, 1979 May 3
Box 25 Folder 4	First draft, revised, 1979
Box 26 Folder 1-2	Second draft, 1979 September 12
Box 26 Folder 3-4	Third draft, 1979 November
Box 26 Folder 5	Author's replies to queries, 1979 November
Box 27 Folder 1-8	Revisions, undated
Box 28 Folder 1	Revisions (continued)
Box 27 Folder 2	Galleys, pp. 9-254, undated
Box 27 Folder 3	Nickname index, pp. 1-66
Box 27 Folder 4	Promotion
	Private Parts (unpublished)
Box 27 Folder 5	Correspondence, 1980-1982
Box 27 Folder 6	Research and clippings
Box 27 Folder 7	Notes and draft fragments, undated
Box 29 Folder 1	First draft, 1980 March-May
Box 29 Folder 2-3	Second draft, 1980 May 16
Box 29 Folder 4-5	Third draft, 1980 October 13
Box 29 Folder 6	Fourth draft, undated
	Hawks on Hawks (1982)
Box 30 Folder 1	Correspondence, 1974-1982
Box 30 Folder 2-3	Source material
Box 30 Folder 4-10	Interviews with Hawks, 1970-1977
Box 30 Folder 11-12	Article on Hawks, by McBride, in Film Comment, 1978
Box 31 Folder 1	Organizational notes, undated
Box 31 Folder 2-8	Draft fragments, undated
	Introduction
Box 31 Folder 9	Draft fragments, undated
Box 31 Folder 10	Draft, complete, undated
Box 31 Folder 11	Illustrations
Box 32 Folder 1	Filmography, notes, and drafts, undated
Box 32 Folder 2	Bibliography, notes, and drafts, undated
Box 32 Folder 3-4	Typescript #1, undated
Box 32 Folder 5-6	Typescript #2, undated
Box 32 Folder 7-8	Typescript #3, undated
Box 33 Folder 1-2	Final typescript, undated
Box 33 Folder 3	Galleys, undated
Box 33 Folder 4	Corrections
Box 33 Folder 5	Dummy
Box 33 Folder 6	Index, notes, and drafts, undated
Box 33 Folder 7	Final photocopy, undated
Box 33 Folder 8	Promotion
	Filmmakers on Filmmaking, Volumes I and II (1983)
Box 34 Folder 1	Correspondence, 1979-1983, undated
Box 34 Folder 2-3	Notes, undated
Box 34 Folder 4-5	Volume I, annotated typescript, undated
Box 34 Folder 6	Volume II, typescript, pp. 1-147, undated
Box 34 Folder 7	Introduction, edited page proofs, undated
	Subseries: Magazine Articles	⇧
Box 34 Folder 8	“The Lightfeet Top 'Em All,” 1960 May Note: On Warren Spahn's son.
Box 34 Folder 9	“Shaw Impersonated,” 1967 Spring-Summer Note: On Bramwell Fletcher.
Box 34 Folder 10	“Mr. Macdonald, Mr. Kauffmann, and Miss Kael,” 1967 Summer
Box 34 Folder 11	“Campus '69: The Quiet Year--So Far,” 1969 December Note: On the University of Wisconsin.
Box 35 Folder 1	“A Long Way from Home,” 1969-1970 Winter Note: On The Emigrants and The New Land.
Box 35 Folder 2	“Topaz,” 1969-1970 Winter
Box 35 Folder 3	“The Arrangement,” 1970 Summer
Box 35 Folder 4	“The Private Life of Billy Wilder,” 1970 Summer
Box 35 Folder 5	“The Ugliness of Belle de Jour,” 1970 November
Box 35 Folder 6	“The Private Life of Sherlock Holmes,” 1971 Spring
Box 35 Folder 7	“The Director as Superstar,” 1972 Spring Note: On Fellini: A Director's Notebook.
Box 35 Folder 8	“Running, Jumping, and Standing Still: An Interview with Richard Lester,” 1973 Spring
Box 35 Folder 9	“What Price Hollywood?,” 1973 May-June
Box 35 Folder 10	“The Importance of Being Ernst,” 1973 Summer Note: On Avanti!
Box 35 Folder 11	“Stepin Fetchit Talks Back,” 1974 Summer
Box 35 Folder 12	“Shooting The Front Page: Two Damns and One By God,” 1974 July
Box 35 Folder 13	“Coppola, Inc.,” 1975 November
Box 35 Folder 14	“George Cukor: The Blue Bird,” 1975 November-December
Box 35 Folder 15	“The Glory That Was Hollywood,” 1975 December
Box 35 Folder 16	“The Bad News Bears,” 1975-1976 Winter
Box 36 Folder 1	“Life in the Snake Pit: Val Lewton,” 1976 January-February
Box 36 Folder 2	“Aren't You ... Jimmy Stewart?,” 1976 June
Box 36 Folder 3	“Mr. and Mrs. Hitchcock,” 1976 Fall
Box 36 Folder 4	“Kid Stuff: François Truffaut on Small Change,” 1976 September-October
Box 36 Folder 5	“Song for Woody,” 1976 November-December Note: On Bound for Glory.
Box 36 Folder 6	“The Wild Party: On the Arbuckle Case,” 1977 December-January
Box 36 Folder 7	“The Most Powerful Movie Actor in the World: He'll Blow Your Head Clean Off,” 1977 April Note: On Clint Eastwood.
Box 36 Folder 8	“Olly Olly Oxen Free: On the Set with Katharine Hepburn,” 1977 August
Box 36 Folder 9	“Going for Extra Innings,” 1979 January-February
	“A Piece of the Rock: George Stevens,” 1979
Box 36 Folder 10	Research material
Box 36 Folder 11	Notes
Box 36 Folder 12-13	Interview transcript
Box 36 Folder 14	Drafts
Box 36 Folder 15	Galleys, undated
	“Bombshell Days at MGM,” 1980 March-April
Box 36 Folder 16	Interview transcript
Box 36 Folder 17	Drafts, undated
Box 37 Folder 1	“O'Toole Ascending,” 1981 March-April
	“Carry On, Cukor,” 1981 September-October
Box 37 Folder 2	Interview transcript
Box 37 Folder 3	Drafts, undated
Box 37 Folder 4	Photographs: copies
Box 37 Folder 5	“Jacqueline Bisset on Rich and Famous,” 1981 September-October
Box 37 Folder 6	“Interview with Richard Sylbert,” 1982 January-February Note: On Reds.
	Subseries: Newspapers	⇧
Box 38 Folder 1	Daily Cardinal, 1967-1971, undated
	Wisconsin State Journal
Box 38 Folder 2	Drafts and published articles, 1969-1972, undated
Box 38 Folder 3	Article on Wisconsin poet Lorine Niedecker, 1971
	Riverside Press-Enterprise
Box 39 Folder 1	Memo, 1972
Box 39 Folder 2-6	Research notes and drafts, 1973-1974
Box 40 Folder 1-4	Research notes and drafts, 1973-1974 (continued)
Box 41 Folder 1-3	Research notes and drafts, 1973-1974 (continued)
Box 41 Folder 4	Unpublished article on Charles Ashman, 1974
Box 41 Folder 5	Published articles, 1973-1974
	Daily Variety and Variety
Box 42 Folder 1	Correspondence and memoranda, 1974-1981, undated
Box 42 Folder 2-4	Telephone messages, 1974-1980, undated
Box 42 Folder 5-6	Tickets and screening invitations, 1974-1979
Box 43 Folder 1-4	Tickets and screening invitations, 1974-1979 (continued)
	Press releases collected by McBride
Box 44 Folder 1-9	1974 January-November
Box 45 Folder 1-6	1974 December-1975 April
Box 46 Folder 1-7	1975 May-November
Box 47 Folder 1-6	1975 December-1976 January
Box 48 Folder 1-5	1976 February-March
Box 49 Folder 1-5	1976 April-May
Box 50 Folder 1-4	1976 June-July
Box 51 Folder 1-5	1976 August-October
Box 52 Folder 1-3	1976 October-November
Box 53 Folder 1-5	1976 December-1977 February
Box 54 Folder 1-5	1977 February-April
Box 55 Folder 1-4	1977 April-June
Box 56 Folder 1-6	1977 June-1978 March
Box 57 Folder 1-6	1980 January-1981 January
Box 58 Folder 1	1980 December-1981 January
	General news and features
Box 58 Folder 2	1974 July-October
Box 59 Folder 1-5	1975 January-April
Box 60 Folder 1-8	1975 May-November
Box 61 Folder 1-4	1975 circa July-November
Box 62 Folder 1-2	1976 April-May
Box 63 Folder 1-6	1976 July-December
Box 64 Folder 1-6	1977 January-June
Box 65 Folder 1-2	1977 July-August
Box 65 Folder 3	circa 1977
Box 65 Folder 4-6	circa 1980-1981
Box 66 Folder 1-6	Film and television reviews, 1974 August-1980 December, undated
Box 66 Folder 7-10	Theater and concert reviews, 1975 July-1977 July, undated
Box 67 Folder 1-5	Film production charts, 1975 December-1977 August
Box 68 Folder 1-3	Obituaries, 1974-1981
Box 69 Folder 1-2	Business news, circa 1980-1981
Box 69 Folder 3	Stock market reports, circa 1980-1981
	Subseries: Scripts	⇧
	Scripts-Film
	A Moveable Feast (unproduced)
Box 70 Folder 1	Notes and correspondence, 1966 September
Box 70 Folder 2	Story boards
Box 70 Folder 3	First draft, 1966 August 26
Box 70 Folder 4	Script, undated
Box 70 Folder 5	Revisions, undated
Box 70 Folder 6	Final draft, undated
	To Build a Fire (unproduced)
Box 70 Folder 7	Notes and draft fragments, undated
Box 70 Folder 8	First draft, 1967 January 8
Box 70 Folder 9	Second draft, 1967 January 9
	Diamond (unproduced)
Box 70 Folder 10	Notes, circa 1967 March-May
Box 70 Folder 11	Treatment, 1967
Box 70 Folder 12	Source material
Box 70 Folder 13	First draft, 1967 September 12
Box 70 Folder 14	Second draft, 1967 October 2
Box 70 Folder 15	Script, undated
	Silverheels (unproduced)
Box 71 Folder 1-3	Notes and draft fragments, undated
Box 71 Folder 4	First draft, 1968 January 14
Box 71 Folder 5	Second draft, 1968 March 3
Box 71 Folder 6	Draft, revised, undated
Box 71 Folder 7	Final draft, undated
	Hell (unproduced)
Box 71 Folder 8	Correspondence, 1969 September-October, undated
Box 71 Folder 9	Source material
Box 71 Folder 10-12	Notes, undated
Box 71 Folder 13	Synopsis, undated
Box 71 Folder 14-15	Notes and draft fragments, circa 1970
Box 71 Folder 16	Partial draft, undated
Box 72 Folder 1	Draft, undated
Box 72 Folder 2	Draft, revised, undated
Box 72 Folder 3-4	Rough story board, undated
Box 72 Folder 5	Novel notes, circa 1970
Box 72 Folder 6	Novel fragment, circa 1970
	Man Bites Dog (unproduced)
Box 73 Folder 1	Correspondence, 1973 March-September
Box 73 Folder 2	Source material
Box 73 Folder 3	Notes, undated
Box 73 Folder 4	Draft, pp. 1-24, 114-130, undated
Box 73 Folder 5	First draft, undated
Box 73 Folder 6	Second draft, undated
Box 73 Folder 7	Third draft, undated
Box 73 Folder 8	Final draft, undated
	The Authentic Life of Cheyenne Harry (unproduced)
Box 74 Folder 1	Script registrations and work schedules
Box 74 Folder 2	Correspondence, 1974 April-November, undated
Box 74 Folder 3	Source material
Box 74 Folder 4-7	Notes, undated
Box 74 Folder 8-9	“The Last Outlaw”: treatment, undated
Box 74 Folder 9	“The True Story of Cheyenne Harry”: treatment, undated
Box 74 Folder 10-11	Draft fragments, undated
	“California Here I Come”
Box 74 Folder 12	Draft, undated
Box 75 Folder 1	Draft, revised, undated
	“The Buffalo Picture Company”
Box 75 Folder 2	First draft, undated
Box 75 Folder 3	Second draft, undated
Box 75 Folder 4	Third draft, undated
Box 75 Folder 5	Fourth draft, undated
	“The Extra”
Box 76 Folder 1	Script, undated
Box 76 Folder 2	Draft, revised, undated
Box 76 Folder 3	Draft, complete, 1974
Box 76 Folder 4	Manuscript corrections, undated
Box 76 Folder 5	Suggested revisions by Gerald Peary, undated
	Rock City (unproduced)
Box 77 Folder 1	Correspondence, 1977 February-1978 July
Box 77 Folder 2-3	Source material
Box 77 Folder 4	Treatments, undated
Box 77 Folder 5	Notes, undated
Box 77 Folder 6	Outlines, undated
Box 77 Folder 7-10	Notes and draft fragments, undated
Box 77 Folder 11	Draft, undated
Box 77 Folder 12	Second draft, 1976 October 18
Box 78 Folder 1	Third draft, pp. 1-56 and 64-124, 1976 October 25
Box 78 Folder 2	Fourth draft, 1976 December 5
Box 78 Folder 3	Fourth draft, revised, 1976 December 5
Box 78 Folder 4	Final draft, undated
	Hard Time Aces (unproduced)
Box 79 Folder 1	Correspondence, 1977 December-1979 September, undated
Box 79 Folder 2	Diary notes, 1977 November-December
Box 79 Folder 3	Notes, undated
Box 79 Folder 4	Potential directors and cast
Box 79 Folder 5	Source material
Box 79 Folder 6	Outline by Cirio Santiago, undated
Box 79 Folder 7	Revised outline by McBride, 1977 December 27
Box 79 Folder 8	Treatment, undated
Box 79 Folder 9	Treatment fragments, undated
Box 79 Folder 10-12	Draft fragments, undated
Box 79 Folder 13	Second draft of script by James Watkins and David Osterhout, undated
Box 79 Folder 14	First draft of rewrite by McBride, 9 March 1978
Box 79 Folder 15	Aviation action sequence, 19 December 1978
	Big Money (unproduced)
Box 80 Folder 1	Correspondence, 1978 October-1981 August, undated
Box 80 Folder 2	Source material
Box 80 Folder 3	“The Face of Fame”: synopsis of story by Patrick McGilligan, Debra Weiner, and Bob Taylor
Box 80 Folder 4	Notes, undated
Box 80 Folder 5	First draft, 1978 October 23
Box 80 Folder 6	First draft, revised, 1978 November 1
Box 80 Folder 7	Second draft, undated
Box 80 Folder 8	Second draft, revised, 1979 April 1
	The Broken Places (unproduced)
Box 81 Folder 1	Correspondence, 1978 August-1981 February
Box 81 Folder 2	Notes and source material
	“Disembodied Voices”
Box 81 Folder 3	First draft, 1978 May 30
Box 81 Folder 4	Draft fragments and revisions, undated
Box 81 Folder 5	Final draft, undated
Box 81 Folder 6	Final draft, revised, undated
	Blood and Guts (Melvin Simon Productions, 1978)
Box 82 Folder 1-2	Correspondence, 1975 September-1980 February, undated
Box 82 Folder 3	Related material
Box 82 Folder 4-5	Notes, undated
Box 82 Folder 6	“Gorgeous George”: treatment, 1975
Box 82 Folder 7	Script pages by Paul Lynch, undated
Box 82 Folder 8	Early draft pages, undated
Box 82 Folder 9	Notes for first draft, undated
Box 82 Folder 10	First draft, pp. 1-44, undated
Box 82 Folder 11	Revised pages, 1975
Box 82 Folder 12	Early second draft pages, undated
Box 82 Folder 13	Second draft, undated
Box 82 Folder 14	Second draft, retyped, undated
Box 83 Folder 1	Second draft, revised, undated
Box 83 Folder 2	Third draft, circa 1975
Box 83 Folder 3	Third draft, retyped, undated
Box 83 Folder 4	Notes for semi-final revision, 1977
Box 83 Folder 5	Semi-final draft, revised, 1977
Box 83 Folder 6	Draft, revised, 1977
Box 83 Folder 7	Draft by William Gray and John Hunter, undated
Box 83 Folder 8	Notes on McBride's draft and on draft by Gray and Hunter, undated
Box 83 Folder 9	Draft by McBride, William Gray, and John Hunter, undated
Box 84 Folder 1-2	Draft, revised, by McBride, William Gray, and John Hunter, pp. 1-119, 1977 August 12
Box 84 Folder 3	Draft, revised, pp. 2-119, 1977 September 2
Box 84 Folder 4-6	Revised draft pages, undated
Box 85 Folder 1	Journal, 1977 August
Box 85 Folder 2	Notes, shooting schedules, and call sheets, 1977 August
Box 85 Folder 3	Publicity
Box 85 Folder 4	Reviews and clippings, 1977-1982, undated
Box 85 Folder 5	Transcript of interview with Paul Lynch and Joseph McBride, 1978 February
Box 85 Folder 6	Programs, 1978
	Rock 'n' Roll High School (New World Pictures, 1979)
Box 85 Folder 7	Correspondence, 1979 January-1981 September, undated
Box 85 Folder 8	Source material
Box 85 Folder 9	Notes and treatments, undated
Box 85 Folder 10	Outlines, undated
Box 85 Folder 11	Notes on McBride's drafts and on drafts by Allan Arkush and Joe Dante, undated
	“Girls' Gym”
Box 85 Folder 12	First draft by Allan Arkush and Joe Dante, undated
Box 86 Folder 1	First draft by McBride, 1977 July 31
Box 86 Folder 2	Second draft scene breakdown, undated
Box 86 Folder 3	Second draft, 1977 September 1
	“California Girls”
Box 86 Folder 4	Third draft, 1977 October 13
Box 86 Folder 5	Third draft, revised, undated
Box 86 Folder 6	Fourth draft, 1977 October 19
Box 87 Folder 1	Fifth draft, 1977 October 25
Box 87 Folder 2	Final draft, 1977 October 25
Box 87 Folder 3	Final draft, retyped, pp. 1-40, 110, 112, 1977 October 25
Box 87 Folder 4-5	Revised pages, undated
Box 87 Folder 6	Draft by Richard Whitley and Russ Dvonch, undated
Box 87 Folder 7	Shooting schedules, 1978 November-December
Box 87 Folder 8	Press kit
Box 87 Folder 9	Clippings and reviews, 1976 August-1982 July, undated
	No More Mr. Nice Guy (unproduced)
Box 88 Folder 1	Script, undated
Box 88 Folder 2	Final script, undated
	Don't See the Doctor (unproduced)
Box 89 Folder 1	Notes from Paul Lynch, 1979 January
Box 89 Folder 2	Notes by McBride, undated
Box 89 Folder 3	Treatment fragments by Paul Lynch, undated
Box 89 Folder 4	Draft treatment by Paul Lynch, undated
Box 89 Folder 5	Treatment by McBride and Paul Lynch, 1979 March 7
	Prom Night (Avco Embassy Pictures, 1980)
Box 89 Folder 6	Draft by William Gray, June 1979
Box 89 Folder 7	Press kit, clippings, and reviews, 1979-1981
Box 89 Folder 8	“Remember Bobby”: correspondence and story drafts, 1978
	Catman and the Kid (unproduced)
Box 90 Folder 1	Notes, undated
Box 90 Folder 2	First draft by William Gray and Jacob Barnes (McBride's pseudonym), 1978 December 4
Box 90 Folder 3	“Catman,” First draft, undated
Box 90 Folder 4	Notes and revised pages, undated
Box 90 Folder 5	Draft, undated
Box 90 Folder 6	Script by William Gray, undated
Box 90 Folder 7	Script by McBride, undated
	The Hurricane (unproduced)
Box 91 Folder 1	Source material
Box 91 Folder 2-3	Notes and draft fragments, undated
Box 91 Folder 4	Partial draft, undated
Box 91 Folder 5	Draft, undated
	Red Gold (unproduced)
Box 91 Folder 6	Draft, incomplete, pp. 1-36, 1979
Box 91 Folder 7	Synopsis, 1981
Box 91 Folder 8	Navajo Story (unproduced), partial draft, 1981 March 16
	Television
	The American Film Institute Salute to James Stewart (CBS, March 16, 1980)
Box 92 Folder 1	Correspondence, 1979 December-1980 March
Box 92 Folder 2-6	Source material
Box 92 Folder 7	Draft fragments, undated
Box 92 Folder 8	Final draft, 1980 February 27
Box 92 Folder 9	Final script, 1980 March 16
	Production
Box 92 Folder 10	Film sequences and rundowns, 1980 February
Box 92 Folder 11	Notes, undated
Box 92 Folder 12	Tribute book and guest seating
	The American Film Institute Salute to Fred Astaire (CBS, April 10, 1981)
Box 93 Folder 1	Correspondence, 1980 November-1981 June, undated
Box 93 Folder 2	Source material
Box 93 Folder 3	Transcripts of interviews with Astaire, 1976, 1981
Box 93 Folder 4	Transcripts and interview notes with Barrie Chase, Mikhail Baryshnikov, Cyd Charisse, Bob Fosse, Gene Kelly, undated
Box 93 Folder 5	Transcripts and interview notes with Hermes Pan, Eleanor Powell, Ginger Rogers, undated
Box 93 Folder 6	Clippings and articles on Astaire, 1935-1937, 1951-1983
Box 93 Folder 7	Lists of Astaire's credits and film clip selection
Box 93 Folder 8	Program, 1973
Box 93 Folder 8 (continued)	American Film Institute Annual Report, 1979-1980
Box 93 Folder 9	Notes, undated
Box 93 Folder 10	Draft fragments, undated
Box 94 Folder 1-2	Speech drafts, undated
Box 94 Folder 3	Production notes
Box 94 Folder 4	Production records
Box 94 Folder 5-8	Tribute book
Box 94 Folder 9-10	Clippings, 1981
Box 95 Folder 1	Draft, 1981 April
Box 95 Folder 2	Final draft by George Stevens Jr. and McBride, 1981 April 10
	Let Poland Be Poland (United States International Communication Agency, January 31, 1982)
Box 96 Folder 1	Correspondence, 1982 January
Box 96 Folder 2	USICA notes, memoranda, and reports, 1981-1982
Box 96 Folder 3-4	Source material
Box 96 Folder 5	Magazine articles
Box 96 Folder 6	Notes, undated
Box 96 Folder 7	Draft, undated
Box 96 Folder 8	Draft, revised, 1982 January 28
Box 96 Folder 9	Additions to script, 1982 January 30
Box 96 Folder 10	Pasetta productions, contact lists and production schedules
Box 96 Folder 11	Rundown of segments, 1982 January 17-24
Box 96 Folder 12	McBride's expenditures
Box 96 Folder 13	Press releases
	The American Film Institute Salute to Frank Capra (CBS, April 4, 1982)
Box 97 Folder 1	Correspondence, 1981 June-1982 April, undated
Box 97 Folder 2	Transcripts and interview notes with Donna Reed and Jimmy Stewart, 1982
Box 97 Folder 3	Transcripts of unpublished interviews with Capra, 1941, 1982
Box 97 Folder 4	Writings by Capra, 1917-1975, undated
Box 97 Folder 5	Miscellaneous material
Box 97 Folder 6	Transcripts of seminars with Capra, 1968-1978
Box 97 Folder 7-8	Articles and clippings on Capra, 1932-1982
Box 97 Folder 9	Capra's film credits
Box 97 Folder 10	Notes and draft fragments regarding Jimmy Stewart, undated
Box 98 Folder 1	Draft fragments
Box 98 Folder 2	Revisions
Box 98 Folder 3	Final draft for awards dinner by George Stevens Jr. and McBride, notes and schedules, undated
Box 98 Folder 4	Final draft for telecast by George Stevens Jr. and McBride, undated
	Production
Box 98 Folder 5	Notes and rundowns, undated
Box 98 Folder 6	Still and film lists Note: Including key to photocopies of stills.
	Stills: photocopies
Box 98 Folder 7	Unnumbered, 51-105
Box 98 Folder 8	106-227
Box 98 Folder 9	Expenses
Box 98 Folder 10-12	Tribute book
	The American Film Institute Salute to John Huston (CBS, May 3, 1983)
Box 99 Folder 1	Correspondence, 1982-1983, undated
Box 99 Folder 2	Interview notes and quotations, undated
Box 99 Folder 3-4	Articles and clippings, 1937, 1950-1983, undated
Box 99 Folder 5	Transcript of AFI Seminars with Ray Bradbury, 1969 October
Box 99 Folder 6	Program, Film Society of Lincoln Center Tribute to John Huston, 1980 May
Box 99 Folder 6 (continued)	AFI Annual Report, 1981-1982
Box 99 Folder 7	Draft fragments, undated
Box 99 Folder 8	Drafts, undated
Box 99 Folder 9	Drafts of Lauren Bacall's script, undated
Box 99 Folder 10	Revisions, 1983 March 2
Box 100 Folder 1	Final draft by George Stevens Jr. and McBride, 1983 March 3
	Production
Box 100 Folder 2	Notes, 1982-1983
Box 100 Folder 3	Film sequence selection
Box 100 Folder 4	Rehearsal schedules and rundowns
Box 100 Folder 5	Financial records, 1982-1983
Box 100 Folder 6-11	Tribute book
	Theater
	The Mess in the Kitchen (unproduced)
Box 101 Folder 1	Notes, 1966-1967
	“James Twice”
Box 101 Folder 2	First draft, 1966 November 27
Box 101 Folder 3	Second draft, 1967 January 16
Box 101 Folder 4	Final draft, undated
	Chessman (unproduced)
Box 101 Folder 5	Notes and first draft, undated
Box 101 Folder 6	Second draft, 1968 January 15
Box 101 Folder 7-8	Second draft, revised, undated
Box 101 Folder 9	Final draft, revised, undated
Box 101 Folder 10	Final draft, revised and retyped, undated
	American National Theatre and Academy Tribute to James Stewart (November 13, 1981)
Box 102 Folder 1	Correspondence and clippings, 1981 November
Box 102 Folder 2	Notes, undated
Box 102 Folder 3	Draft fragments, undated
Box 102 Folder 4	Drafts of host's introduction, undated
Box 102 Folder 5	Drafts of the Tevye sketch, undated
Box 102 Folder 6	Drafts of the Kowalski sketch, undated
Box 102 Folder 7-8	Drafts of the Hamlet sketch, undated
Box 102 Folder 9	Script draft, undated
Box 102 Folder 10	Draft, revised, 1981 November 6
Box 102 Folder 11	Invitation, program, and souvenir journal
	Subseries: Unrelated Compositions	⇧
	Television and Motion Picture Projects and Scripts by Others
Box 107 Folder 1	Because of the Cats, undated
Box 107 Folder 2	Police Story, “Line of Fire”: revised final script by E. Arthur Kean, 1973 October 23
Box 107 Folder 3	Rich and Famous: final draft by Gerald Ayres, 1980 April 9
Box 107 Folder 4	Rolling Thunder: revised script by Paul Schrader, 1973 December 28
Box 107 Folder 5	Yentl, the Yeshiva Boy: first draft by Isaac Bashevis Singer, undated
Box 107 Folder 6	Wyatt Earp in Hollywood: outline, undated
Box 103 Folder 1	Baseball articles, 1962-1963
Box 103 Folder 2-3	High school and college essays, undated
Box 103 Folder 4	Translations from Latin, 1965-1966
Box 103 Folder 5	The Tragedie of MacHale, King of Atlanta: script drafts, circa 1964
Box 103 Folder 6	Cicero: research notes, summary, and incomplete script, pp. 1-30, circa 1964
Box 103 Folder 7	Wisconsin Film Society, Studio Film, and Wisconsin Union Film Committee: notes, undated
Box 103 Folder 8	Roger Corman in a Nickelodeon: correspondence, notes, and drafts, circa 1968
Box 104 Folder 1-2	Film reviews, histories, and criticisms, undated
Box 104 Folder 3	“The Private World of Fahrenheit 451”: correspondence, notes, and drafts, 1973
Box 104 Folder 4	Milwaukee Journal articles by McBride, 1969, undated
Box 104 Folder 5	The Late Great Planet Earth: preface to movie edition, undated
Box 104 Folder 6	Two Cheers for Hollywood: notes, circa 1976
Box 104 Folder 7	“The McCarey Treatment”: source material, notes, and drafts, undated
Box 104 Folder 8	“The Original Ending Sequence” of Exorcist II: The Heretic, 1977 September-October
Box 104 Folder 9	“The Other Side of Orson Welles,” drafts, undated Note: On The Other Side of the Wind.
	Subseries: Script Projects	⇧
Box 105 Folder 1	List of projects, undated
Box 105 Folder 2	After Many a Summer Dies the Swan, undated
Box 105 Folder 3	Brouhaha, undated
Box 105 Folder 4	Burn, Baby, Burn!, circa 1967
Box 105 Folder 5	Can a Martian Help It If He's Colored Green?, undated
Box 105 Folder 6	The Captain Hates the Sea, undated
Box 105 Folder 7	Civil War Project, undated
Box 105 Folder 8-9	Close But No Cigar: notes and storyboards, 1968
Box 105 Folder 10	Close Call, undated
Box 105 Folder 11	Coitus Interruptus, undated
Box 105 Folder 12	Commercial, undated
Box 105 Folder 13	Concentration Camp Project, undated
Box 105 Folder 14	Donner Lake, undated
Box 105 Folder 15	The End of a Perfect Day (Lazy Afternoon), undated
Box 105 Folder 16	L'Étranger: first draft, 1966 December
Box 105 Folder 17	Everybody Loves a Parade, undated
Box 105 Folder 18	The Executioner: notes and treatment, 1967 November
Box 105 Folder 19	The Family Tree, undated
Box 105 Folder 20	The FBI Story, undated
Box 105 Folder 21	Happiness, undated
Box 105 Folder 22	Helter Skelter, undated
Box 105 Folder 23	Hitler's Mustache, undated
Box 105 Folder 24	I'm Nobody, undated
Box 105 Folder 25	Indian Giver, undated
Box 105 Folder 26	Jessica, undated
Box 105 Folder 27	Lady Under Glass, undated
Box 105 Folder 28	The Last Tycoon, undated
Box 105 Folder 29	The Legion, undated
Box 105 Folder 30	The Little Red Book, undated
Box 105 Folder 31	Lysistrata: notes, undated
Box 105 Folder 32	A Man in the Way, undated
Box 105 Folder 33	Mental Hospital: short film, undated
Box 105 Folder 34	The Million-Dollar Face, undated
Box 105 Folder 35	The Missionary Position, undated
Box 105 Folder 36	Montgomery, undated
Box 105 Folder 37	Ms. America, undated
Box 105 Folder 38	The Next President of the United States, undated
Box 105 Folder 39	One Fine Morning, undated
Box 105 Folder 40	One Moment, Please, undated
Box 105 Folder 41	The Party's Over, undated
Box 105 Folder 42	Plastic Man, undated
Box 105 Folder 43	“Playboy”: notes, undated
Box 106 Folder 1	Politics Is Applesauce, undated
Box 106 Folder 2	Ramblin' Around, undated
Box 106 Folder 3	Revolution for the Hell of It, undated
Box 106 Folder 4	The Second Coming, undated
Box 106 Folder 5	Snowball, undated
Box 106 Folder 6	So Long, It's Been Good to Know You, undated
Box 106 Folder 7	Space Invaders: synopsis and notes, circa 1982
Box 106 Folder 8	Untitled projects, undated
Box 106 Folder 9	Vibrator script, undated
Box 106 Folder 10	The Walking Curse, undated
Box 106 Folder 11	What Kind of Man Reads Playboy?, undated
Box 106 Folder 12	Where Is Anybody?, undated
Box 106 Folder 13	Worst Foot Forward, undated
Box 106 Folder 14	Wrong-Way Corrigan, undated
Audio 1036A	Subseries: Audio Recordings Access Restrictions: The audio tapes in Audio 1036A may not be listened to without the written permission of Joseph McBride.	⇧
1036A/1-2	Billy Wilder interview, undated
1036A/3-4	Frank Capra at La Quinta, 1981 November
1036A/5	Cyd Charisse interview, 1981 Febuary
1036A/6-8	Jimmy Stewart interview, 1983 July
1036A/9-13	Hank Worden interview, 1983 July-August
1036A/14-15	“Hurricane,” undated
1036A/16	Ginger Rogers interview, 1981 April
1036A/17	[Unidentified], 1981 March
1036A/18-19	“Good Sam,” 1981 March
1036A/20	Eleanor Powell interview, 1981 March
1036A/21	Mikhail Baryshnikov interview, 1981 April
1036A/22	Rich Little impersonations of Frank Capra characters, undated
1036A/23-24	Jacqueline Bisset interview, undated
1036A/25	Donna Reed interview, 1982 January
1036A/26	Jimmy Stewart interview, undated
1036A/27	David Niven and Ginger Rogers interviews, 1981 March
1036A/28	Dolores Del Rio interview, 1981 March
1036A/28 (continued)	Audrey Hepburn interview, 1981 April
1036A/29	Audrey Hepburn and David Niven interviews, 1981 March
1036A/30	Barbara Walters interviews Fred Astaire, ABC-TV, 1980 March
1036A/30-31	Fred Astaire interview, 1981 January
1036A/32	Gene Kelly interview, 1981 Febuary
1036A/33-34	Hermes Pan interview, 1981 March, undated
1036A/35	Robert Mitchum interview, 1982 November
1036A/36-39	George Cukor interview, 1981 August
1036A/40-41	Richard Sylbert interview, 1981 November
1036A/42	Bud Yorkin interview, 1981 March
1036A/43	Chuck Hayward interview, undated
1036A/44	Discussion by Abraham Polonsky on Tell Them Willie Boy Is Here, at Filmex, 1980 March
1036A/45	“Directed by John Ford, Parts I and II,” undated
1036A/46	John Lee Mahin interview, undated
1036A/47	Chuck Hayward interview, undated
1036A/48	Neil Simon interview, undated
1036A/49	Sherman Beck interview, undated
1036A/50	Interview with unidentified stuntman, undated
1036A/51	Fredric March interview, undated
1036A/52	J. Hart and B. Laird interviews, undated
1036A/53	Claudette Colbert interview, undated
1036A/54	Billie Wallace interview of Billy Wilder, circa 1970
1036A/55	Howard Hawks interview, undated
1036A/56-59	Joseph McBride, Howard Hawks, and Peter Bogdanovich on works of Hawks, undated
1036A/60-62	Howard Hawks interview, undated
1036A/63	Barrie Chase interview, 1981 March
1036A/64	“Dyke--Taxes, Budget, Daycare”: interview by a woman reporter with Madison Mayor Bill Dyke, undated
1036A/65	“What Price Hollywood”: interview with Howard Hawks and part of the film The Great Race, undated
1036A/66	Speeches regarding a Madison program to hire Vietnam veterans