Archival Resources in Wisconsin: Descriptive Finding Aids

Container	Title
U.S. Mss 147AN	Series: Part 1: (U.S. Mss 147AN) Original Collection, 1963-1973 Physical Description: 6.0 c.f. (15 archives boxes) Scope and Content Note The original collection has been arranged into three series: BIOGRAPHICAL INFORMATION, BOOKS-PUBLISHED, and BOOKS-UNPUBLISHED. The first series, BIOGRAPHICAL INFORMATION, is very brief, containing only one folder with autobiographical notes written by McBride. The bulk of Part 1 of the collection is contained in the second series, BOOKS-PUBLISHED. The material is segregated by each individual book and then arranged chronologically according to publishing date. The material provides excellent documentation of the logical fashion in which McBride prepared his books. Most of the material consists of the rough drafts of individual chapters, though some research material is also included. There is a small amount of correspondence, mostly between McBride and his publishers. The final series, BOOKS-UNPUBLISHED, contains the correspondence, rough drafts, and research materials used in his early book, The Language of Baseball. Documentation on this work is also found in the files on the published book High and Inside in Part 2 of this register.
	Subseries: Biographical Information
Box 1 Folder 1	Autobiographical notes
	Subseries: Books - Published	⇧
	Persistence of Vision (1969, Wisconsin Film Society Press)
Box 1 Folder 2	Correspondence, 1966 December 19-1968 October 3, undated
Box 1 Folder 3	Introduction (from “Critical Response” article and Principles of Film Criticism)
Box 1 Folder 4	Dale article: “Narrative, Fable & Dream in King Kong”
	Donnely articles
Box 1 Folder 5	“Love & Death in Casablanca”
Box 1 Folder 6	“The Navigator”
Box 1 Folder 7	“A Random Sampling of Directors”
Box 1 Folder 8	“Vampyr”
Box 1 Folder 9	Koch article: “Notes on the Production of Casablanca”
	Lennig articles
Box 1 Folder 10	“La Roue”
Box 1 Folder 11	“Merry-Go-Round”
Box 1 Folder 12	“Robert Flaherty”
Box 1 Folder 13	“True Heart Susie”
Box 1 Folder 14	McBride article: “Footlight Parade”
Box 1 Folder 15	Peary article: “W.C. Fields and the Absurd World”
Box 1 Folder 16	Stein article: “Robert Rossen's Last Interview”
	Wilmington articles
Box 1 Folder 17	“The Birds”
Box 1 Folder 18	“Long Day's Journey Into Night”
Box 1 Folder 19	Zwickey article: “Orpheus”
Box 1 Folder 20	Notes, outlines
Box 1 Folder 21	Notes
Box 1 Folder 22	Research: “Fellini: A Poet of Reality”
Box 1 Folder 23	Clippings
Box 1 Folder 24	Articles not used in book: synopsis (“The March of Time”)
Box 2 Folder 1-2	Articles not used in book
Box 2 Folder 3	Covers, promotion, copy of “Toward an Understanding of Documentary”
Box 2 Folder 4-5	Manuscript sent to printer
Box 2 Folder 6	Pictures not used in book
Box 2 Folder 7	Galley proofs
Box 2 Folder 8	Manuscript for Persistence of Vision
	Orson Welles (1972, Viking Press)
	General correspondence and notes
Box 3 Folder 1	1967 January 1-1970 September 30
Box 3 Folder 2	1970 October 18-1973 April 29
	Correspondence with book editors
Box 3 Folder 3	1970 May 5-1971 January 8
Box 3 Folder 4	1971 March 1-1973 May 18
Box 3 Folder 5	Correspondence and notes for Project Welles anthology and part of manuscript
Box 3 Folder 6	Early general notes
Box 3 Folder 7	General notes
Box 3 Folder 8	General outlines
Box 3 Folder 9	Chapter One: Introduction
Box 4 Folder 1	Chapter Two: Meeting Orson Welles
Box 4 Folder 2	Chapter Three: Apprentice Work
	Chapter Four
Box 4 Folder 3-4	“Citizen Kane” notes
Box 4 Folder 5-6	“Citizen Kane” drafts
Box 4 Folder 7	Citizen Kane: third revised final script
	Chapter Five
Box 4 Folder 8-9	“The Magnificent Ambersons”
Box 5 Folder 1	“The Magnificent Ambersons" (continued)
Box 5 Folder 2	The Magnificent Ambersons: screenplay
Box 5 Folder 3	Chapter Six: “Finding a New Style”
Box 5 Folder 4	Chapter Seven: “The Lady from Shanghai”
Box 5 Folder 5	Chapter Eight: “Macbeth and Othello”
Box 5 Folder 6	Chapter Nine: “Mr. Arkadin”
Box 5 Folder 7	Chapter Ten: “Touch of Evil”
Box 5 Folder 8	Chapter Eleven: “The Trial”
Box 5 Folder 9	Chapter Twelve: “Chimes at Midnight”
Box 5 Folder 10	Chapter Thirteen: “The Immortal Story”
Box 6 Folder 1-2	Appendix
Box 6 Folder 3	Magazines in which part of book appeared
Box 6 Folder 4	Script material: “The Other Side of the Wind”
Box 6 Folder 5	Article: “First Person Singular,” not in Welles book
Box 6 Folder 6	Research: “Rough Sledding with Pauline Kael”
Box 6 Folder 7-8	Research clippings and notes
Box 7 Folder 1	Research clippings and notes (continued)
Box 7 Folder 2	Clippings on book
Box 7 Folder 3	Part of manuscript for projected Welles anthology
Box 7 Folder 4	Manuscript as submitted and revised by author: carbon copy
Box 7 Folder 5	Semi-final draft
Box 7 Folder 6	Manuscript with editor and author revisions: photocopy
Box 7 Folder 7-8	Galley proofs
Box 7 Folder 9	Manuscript for Orson Welles
	Focus on Howard Hawks (1972, Prentice Hall)
	Correspondence
Box 8 Folder 1	1970 September 14-1971 September 21
Box 8 Folder 2	1971 September 27-1972 November 2, undated
Box 8 Folder 3	Outlines and notes
	Manuscripts of individual chapters
Box 8 Folder 4	Belton-Ford
Box 8 Folder 5	Haskell-McBride
Box 8 Folder 6	Peary-Bibliography
Box 8 Folder 7	Manuscripts in French
Box 8 Folder 8	Index
Box 8 Folder 9	Research materials
Box 9 Folder 1	Research materials (continued)
Box 9 Folder 2	Manuscript: typed
Box 9 Folder 3	Manuscript for Focus on Howard Hawks
	John Ford (1974, Secker and Warburg, London)
Box 9 Folder 4	Correspondence, 1969 June 10-1973 June 11, undated
Box 9 Folder 5	Chapter Two: “Himself”
Box 9 Folder 6	First rough notes
Box 10 Folder 1	Outlines, notes
Box 10 Folder 2-4	General notes
Box 10 Folder 5	“Young Mr. Lincoln”
Box 10 Folder 6	“My Darling Clementine”
Box 10 Folder 7	“They Were Expendable”
Box 10 Folder 8-9	“The Quiet Man”
Box 10 Folder 10	“Stagecoach”
Box 10 Folder 11	“The Long Gray Line”
Box 10 Folder 12	“The Rising of the Moon”
Box 11 Folder 1	“The Grapes of Wrath”
Box 11 Folder 1	“How Green Was My Valley”
Box 11 Folder 2	“The Sun Shines Bright”
Box 11 Folder 3	“The Fugitive”
Box 11 Folder 4	“Three Godfathers”
Box 11 Folder 5	“Straight Shooting”
Box 11 Folder 6	“Wagon Master”
Box 11 Folder 7	“Fort Apache,” “She Wore a Yellow Ribbon,” “Rio Grande”
Box 11 Folder 8	“The Searchers”
Box 11 Folder 9	“The Wings of Eagles”
Box 11 Folder 10	“Sergeant Rutledge”
Box 11 Folder 11-12	“The Man Who Shot Liberty Valance”
Box 12 Folder 1	“The Civil War”
Box 12 Folder 2-3	“Seven Women”
Box 12 Folder 4	“The Ford Players” (discarded chapter)
Box 12 Folder 5	“The Informer,” “The Last Hurrah”
Box 12 Folder 6	“Cheyenne Autumn”
Box 12 Folder 7	“When Willie Comes Marching Home”
Box 12 Folder 8-9	“Vietnam! Vietnam!” (documentary)
Box 12 Folder 10	Research: United States Information Agency
Box 12 Folder 11-13	Last draft
Box 13 Folder 1-3	Revised pages of typescript
Box 15 Folder 1-2	Typescript: final
	Subseries: Books - Unpublished	⇧
	Language of Baseball Note: See also Part 2 files on the book High and Inside
Box 13 Folder 4	Correspondence, 1964 June 21-1967 July 18, undated
Box 13 Folder 5-6	Notes
Box 13 Folder 7	Research books
Box 13 Folder 8	“Nicknames”: first draft
Box 13 Folder 9	“Quotes”: first draft
Box 13 Folder 10	“Words”: first draft
Box 14 Folder 1	“The Language of Baseball” by Joseph Pierce
Box 14 Folder 2	“The Language of Baseball”: manuscript, final draft
Box 14 Folder 3	“Baseballese”: looseleaf manuscript