Container
|
Title
|
|
Series: Theater
|
|
|
A.P.A.-Phoenix, Lyceum Theatre, 1966-1967 Season: See the Oversize File
|
|
|
Adventures of the Black Girl in Her Search for God (Los Angeles, Mark Taper Forum, 20 March 1969)
|
|
Box
69
Folder
1
|
Revised script, story by George Bernard Shaw, adapted by Christopher Isherwood, annotated with lighting notes, September 1968
|
|
Box
69
Folder
2
|
Correspondence, cues, budget, light plots, January-March 1969
|
|
|
After the Fall (Pittsburgh, Pittsburgh Playhouse, October 1967)
|
|
Box
69
Folder
3
|
Floor plan, reviews, October 1967
|
|
|
After the Rain (St. Louis, Repertory Theatre, 23 March 1972)
|
|
Box
69
Folder
4
|
Playscript, by John Bowen, annotated, 1967
|
|
Box
69
Folder
4
|
Playbill, 1972
|
|
Box
69
Folder
5
|
Technical production file, 1972
|
|
|
Agamemnon (Ypsilanti, Michigan, Yspilanti Greek Theatre, 28 June 1966)
|
|
Box
69
Folder
6
|
Notebook of technical production materials, 1966
|
|
|
The Alchemist (NY, Gate, September 1964)
|
|
Box
69
Folder
7
|
Hanging and focusing plot, playbill, 1964
|
|
|
American Shakespeare Festival (Production information unknown)
|
|
Box
69
Folder
8
|
Light plot, April 1963
|
|
|
The Anabaptists (Production information unknown)
|
|
Box
69
Folder
9
|
Script, by Friedrich Durrenmatt, undated
|
|
|
Anatol, Man and Superman, and The Seagull (Matunuck, RI, Theatre by-the-sea, 22 August 1960)
|
|
Box
69
Folder
10
|
Playbill, 1960
|
|
|
Arms and the Man (Pittsburgh, Pittsburgh Playhouse, 18 ? December 1967)
|
|
Box
69
Folder
11
|
Reviews, December 1967
|
|
|
Arturo Ui (Chicago, Goodman Theatre, 1975)
|
|
Box
69
Folder
12
|
Schedule, 1975
|
|
|
Beckett and Oedipus (Minneapolis, Guthrie, 27-28 June 1973)
|
|
Box
69
Folder
13
|
Production schedule and miscellany, 1973
|
|
|
Beatrice and Benedick (Los Angeles, other production information unknown)
|
|
Box
69
Folder
14
|
Program, review, undated
|
|
|
Benito Cereno (Chicago, Goodman, 20 November 1975)
|
|
Box
69
Folder
15
|
Script, annotated, undated
|
|
Box
69
Folder
16
|
Script with lighting cues, undated
|
|
Box
69
Folder
17
|
Notes, undated
|
|
Box
69
Folder
18
|
Blocking sheets, undated
|
|
Box
70
Folder
1
|
Cue sheets, undated
|
|
Box
70
Folder
2
|
Hook up, undated
|
|
Box
70
Folder
3
|
General technical production file, undated
|
|
|
The Birds and The Orestia (Ypsilanti, Michigan, Ypsilanti Greek Theatre, 1966)
|
|
Box
70
Folder
4
|
Technical production file, 1966
|
|
Box
70
Folder
5
|
Plans, 1966
|
|
Box
70
Folder
6
|
Plots, 1966
|
|
Box
70
Folder
7
|
Elevations and details, light booth print, 1966
|
|
|
The Birthday Party (Los Angeles, UCLA's Schoenberg Hall, 26 July 1966)
|
|
Box
70
Folder
8
|
Correspondence, light plots, hook ups, 1965-1966
|
|
|
Born Yesterday (Pittsburgh, Pittsburgh Playhouse, 7 (?) December 1967)
|
|
Box
70
Folder
9
|
Reviews, December 1967
|
|
|
Brecht, Sacred and Profane (Los Angeles, Mark Taper Forum, 1 November 1973)
|
|
Box
70
Folder
10
|
Mahagonny Songplay, text by Bertolt Brecht, music by Kurt Weill translated by Michael Feingold, annotated, undated
|
|
Box
70
Folder
10
|
The Measure Taken, by Bertolt Brecht, annotated, undated
|
|
Box
70
Folder
10
|
Musical scores for songs, 1964
|
|
Box
70
Folder
11
|
Programs and reviews, November 1973
|
|
Box
71
Folder
1
|
Technical production file, 1972-1973
|
|
|
The Brig (Madison, Vilas Experimental Theatre, 7 March 1974)
|
|
Box
71
Folder
2
|
Playbill, 1974
|
|
|
Cabaret (NY, Broadhurst, 1966)
|
|
Box
71
Folder
3
|
Technical production file
|
|
|
Caesar and Cleopatra (Stratford, CT, American Shakespeare Festival Theatre, circa Summer 1963)
|
|
Box
71
Folder
4
|
Playbill, 1963
|
|
|
Christmas Is Comin Uptown (NY, Winter Garden, December 1979)
|
|
Box
71
Folder
5
|
Script, book by Philip Rose and Peter Udell, lyrics by Peter Udell, music by Garry Sherman, undated
|
|
Box
71
Folder
6
|
Musical score, “Lifeline,” 3 December 1979
|
|
|
The Contractor (Manitoba, Manitoba Theatre Centre, 6 January 1978)
|
|
Box
71
Folder
7
|
Playscript, by David Storey, annotated with lighting cues, 1978
|
|
Box
71
Folder
8
|
Technical production file, 1978
|
|
|
Cyrano (Minneapolis, Guthrie, 23 January 1973 and tour)
|
|
Box
71
Folder
9
|
Script, by Edmond Rostand, translated and adapted by Anthony Burgess, annotated, 10 January 1973
|
|
Box
71
Folder
10
|
Script, annotated, 10 January 1973
|
|
Box
71
Folder
10
|
Playbill and reviews, January 1973
|
|
Box
72
Folder
1-4
|
General technical production files, 1973
|
|
Box
72
Folder
5-6
|
Cheat sheet and cues, 1973
|
|
Box
72
Folder
7
|
Light plots, 1973
|
|
|
Plots, plans, and designs, 30 January - 1 February 1973: See the Oversize File
|
|
|
Death of a Salesman (City and date unknown, Theatre in the Green)
|
|
Box
72
Folder
8
|
Playscript, by Arthur Miller, annotated, 1950
|
|
Box
72
Folder
8
|
Reviews, undated
|
|
|
The Devils (Madison, Wisconsin Union Theatre, September 1974 [?])
|
|
Box
73
Folder
1
|
Cardboards, 1974
|
|
Box
73
Folder
2
|
Technical production file, 1974
|
|
Box
73
Folder
3-4
|
Plans and plots, 1974
|
|
|
The Divorce of Jane and Judy (NY, Bijou Theatre, 26 April 1972)
|
|
Box
73
Folder
5
|
Script, by A. O. Whitney, annotated, 1970
|
|
Box
73
Folder
5
|
Reviews, April 1972
|
|
|
Don Juan (Chicago, Goodman Theatre, 12 May 1977)
|
|
Box
73
Folder
6
|
Reviews, May 1977
|
|
|
The Enchanted (Matunuk, RI, Theatre by-the-sea, 4 July 1960)
|
|
Box
73
Folder
7
|
Playbill, 1960
|
|
|
Fathers Day (Los Angeles, Mark Taper Forum,? date unknown)
|
|
Box
73
Folder
8
|
Playscript, by Oliver Hailey, undated
|
|
|
The Gelding or Prunings from the Family Game Tree (Production information unknown)
|
|
Box
73
Folder
9
|
Script, by James Heddle, undated
|
|
|
The Government Inspector (Minneapolis, Guthrie, 1973/1974 season)
|
|
Box
73
Folder
10
|
Playbill, circa 1973
|
|
|
Plans, plots, and designs, 25 May - 5 June 1973: See the Oversize File
|
|
|
Guys and Dolls (Madison, Union Theatre, 3 December 1971)
|
|
|
Tryouts
|
|
Box
73
Folder
11
|
Informational cards, 1971
|
|
Box
73
Folder
12
|
Notebook, including sign-in sheets and schedules, 1971
|
|
Box
74
Folder
1
|
Rehearsal schedule, musical score, scene breakdown, reviews, 1971
|
|
|
Happy Days/Happy Nights (University of Wisconsin, other production information unknown)
|
|
Box
74
Folder
2-3
|
Revised second draft, by Don George and Donn Manning, annotated, 15 July 1975
|
|
Box
74
Folder
4
|
Musical score, undated
|
|
Box
74
Folder
5
|
Miscellany, undated
|
|
|
Hay Fever (Madison, UW Compass Theatre, date unknown)
|
|
Box
74
Folder
6
|
Personnel requirements, undated
|
|
|
The Headhunters (Washington, D.C., Kennedy Center, Eisenhower Theatre, 1 May 1974 and Knoxville, Tennessee, University of Tennessee, Clarence Brown Theatre, , pre-26 April 1974)
|
|
Box
74
Folder
7
|
Playscript, by Henry Denker, undated
|
|
|
Unidentified or both productions
|
|
Box
74
Folder
8
|
Light plots and ground plans, 1974
|
|
|
Knoxville, Tennessee
|
|
Box
74
Folder
9-10
|
Technical production file, 1974
|
|
|
Washington, D.C.
|
|
Box
75
Folder
1-3
|
Technical production files, 1974
|
|
|
Henry IV (Pittsburgh, Pittsburgh Playhouse, 18 November 1967)
|
|
Box
75
Folder
4
|
Permanent hook up sheets, reviews, 1967
|
|
|
Holiday (Matunuck, RI, Theatre by-the-sea, 8 August 1960)
|
|
Box
75
Folder
5
|
Playbill, 1960
|
|
|
I Love My Wife (NY, Ethel Barrymore and Forest, 1977?)
|
|
Box
75
Folder
6
|
Review, undated
|
|
|
Plots, plans, and designs, circa February-March 1977: See the Oversize File
|
|
|
I Said the Fly (Minneapolis, Guthrie, circa July 1973)
|
|
Box
75
Folder
7
|
Revised script, January 1972
|
|
Box
75
Folder
8
|
Script, annotated with lighting cues, 1973[?]
|
|
Box
75
Folder
9
|
Presets, ground plan, 1973
|
|
|
In the Matter of J. Robert Oppenheimer (Los Angeles, Mark Taper Forum, 24 May 1968)
|
|
Box
75
Folder
10
|
Technical production file, 1968
|
|
Box
75
Folder
11
|
Light plots, 1968
|
|
|
Jennie (Boston, theater unknown, 1963 [?])
|
|
Box
75
Folder
12
|
Focus charts and grid system, 1963
|
|
Box
75
Folder
13
|
Plot, undated
|
|
|
A Journal of the Voyage of Lieutenant James Cook in H. M. “Endeavour” Back to the Island of Otaheite and Round the World (Production information unknown)
|
|
Box
76
Folder
1
|
Script and letter, by Jeffrey M. Jones, 12 February 1971
|
|
|
Jumpers (Washington, D.C., Eisenhower, 18 February 1974)
|
|
Box
76
Folder
2
|
Diary re production, author unknown, 10-18 February 1974
|
|
Box
76
Folder
3
|
Reviews, February 1974
|
|
Box
76
Folder
4-5
|
Technical production file, 1974
|
|
|
Plots, plans, and designs, 15 January 1974: See the Oversize File
|
|
|
Juno and the Paycock (Matunuck, RI, Theatre by-the-sea, 15 August 1960)
|
|
Box
76
Folder
6
|
Playbill, 1960
|
|
|
King Lear (Minneapolis, Guthrie, 13 [?] August 1974)
|
|
Box
76
Folder
7
|
Script, edited by George-Ian Duthie and John Dover Wilson, annotated, 1960
|
|
Box
76
Folder
8
|
Cue sheets, reviews, playbill, 1974
|
|
|
Life with Father (Madison, University of Wisconsin, other production information unknown)
|
|
Box
76
Folder
9
|
Light plot, undated
|
|
|
Love and Master Will (Washington, D.C., Kennedy Center, Opera House, 19 September 1973)
|
|
Box
76
Folder
10
|
Script, undated
|
|
Box
76
Folder
11
|
2 Scripts, annotated with lighting cues, undated
|
|
Box
77
Folder
1-2
|
Technical production files, 1973
|
|
|
Love's Labor Lost (Minneapolis, Guthrie, 27 June 1974)
|
|
Box
77
Folder
3
|
Playbill, 1974
|
|
|
Luminetics (Unproduced?)
|
|
Box
77
Folder
4
|
Proposal, undated
|
|
|
The Magistrate (Production information unknown)
|
|
Box
77
Folder
5
|
Script, by Arthur Wing Pinero, undated
|
|
|
Mais Oui! (Production information unknown)
|
|
Box
77
Folder
6
|
Sketch layout and hanging plot, undated
|
|
|
Make a Spectacle of Yourself (Madison, Broom Street, date unknown)
|
|
Box
77
Folder
7
|
Production schedule, annotated with lighting cues, undated
|
|
|
A Man for All Seasons (Los Angeles, Ahmanson Theatre, February 1979)
|
|
Box
77
Folder
8
|
Playscript, by Robert Bolt, annotated with lighting cues, 1979
|
|
Box
77
Folder
9
|
Technical production file, 1979
|
|
|
Plots, plans, and designs, November 1978-January 1979: See the Oversize File
|
|
|
The Matchmaker (Matunuck, RI, Theatre by-the-sea, 11 July 1960)
|
|
Box
77
Folder
10
|
Playbill, 1960
|
|
|
The Matchmaker (Madison, University Theatre, 5 October 1972)
|
|
Box
77
Folder
11
|
Staff list, schedules, reviews, playbill, scores for 2 songs, 1972
|
|
|
The Mediterranean Heritage (Princeton, McCarter, 1 November 1962)
|
|
Box
77
Folder
12
|
Playbill, 1962
|
|
|
The Merchant of Venice (Minneapolis, Guthrie, circa October 1973)
|
|
Box
78
Folder
1
|
Ground plans, 1973
|
|
|
A Midsummer Night's Dream (Madison, Vilas Experimental Theatre, 13[?] October 1972)
|
|
Box
78
Folder
2
|
Reviews, technical miscellany, 1972
|
|
|
The Mighty Gents Washington, D.C., Eisenhower Theatre, 1978? and NY, Ambassador, , 1978?)
|
|
Box
78
Folder
5
|
Section, February 1978
|
|
|
Plots, plans, and designs, 15 March 1978: See the Oversize File
|
|
|
Monique (Matunuck, RI, Theatre by-the-sea, 18 July 1960)
|
|
Box
78
Folder
6
|
Playbill, 1960
|
|
|
The Most Happy Fella (Princeton, McCarter Theatre, 7 May 1970)
|
|
Box
78
Folder
7
|
Playbill, plans, miscellany, 1970
|
|
|
The Most Happy Fella (Detroit, Music Hall, 7 September 1979 and NY, Majestic, , 11 October 1979)
|
|
Box
78
Folder
8
|
Vocal score and libretto, by Frank Loesser, annotated with lighting cues, 1979
|
|
Box
78
Folder
9
|
Technical production file, 1979
|
|
Box
79
Folder
1
|
Technical production file, 1979, continued
|
|
Box
79
Folder
2
|
Cues, 1979
|
|
Box
79
Folder
3
|
Plots and sections, 1979
|
|
|
Plots, plans, and designs, 17 August 1979: See the Oversize File
|
|
|
Murderous Angels (Los Angeles, Mark Taper Forum, 4 February 1970)
|
|
Box
79
Folder
4-5
|
Script with lighting cues, by Conor Cruise O'Brien, annotated, 1970
|
|
Box
79
Folder
6
|
Reviews, 1970
|
|
Box
79
Folder
7-8
|
Technical production file, 1970
|
|
Box
80
Folder
1
|
Technical production file, 1970, continued
|
|
|
Murderous Angels (NY, Playhouse, 11 December 1971)
|
|
Box
80
Folder
2
|
Revised script, by Conor Cruise O'Brien, annotated, 29 November 1971
|
|
Box
80
Folder
3
|
Technical production file, 1971
|
|
|
Plots, plans, and designs, October-November 1971: See the Oversize File
|
|
|
Nefertiti (Chicago, Blackstone, 20 September 1977 and NY, Minskoff, , 1978?)
|
|
Box
80
Folder
4
|
Script, book and lyrics by Christopher Gore, undated
|
|
Box
80
Folder
5
|
Script, book and lyrics by Christopher Gore, music by David Spangler, annotated with lighting cues, undated
|
|
Box
80
Folder
5
|
Miscellaneous script pages, undated
|
|
Box
80
Folder
6
|
Playbill and score for “Egypt Is Egypt,” 1977
|
|
Box
80
Folder
7-9
|
Technical production files, 1977
|
|
Box
81
Folder
1
|
Technical production file, 1977, continued
|
|
|
Plots, plans, and designs, June-October 1977: See the Oversize File
|
|
|
The Odd Couple (, 1966 national tour)
|
|
Box
81
Folder
2
|
Focus chart, 1966
|
|
|
On a Clear Day You Can See Forever (National Company, other production information unknown)
|
|
Box
81
Folder
3
|
Itinerary of national company, undated
|
|
|
Once Upon a Mattress (Pittsburgh, Pittsburgh Playhouse, 25 [?] September 1967)
|
|
Box
81
Folder
4
|
Reviews, 1967
|
|
|
The Opossum Rug (Production information unknown)
|
|
Box
81
Folder
5
|
Script, by Jerry Douglas, undated
|
|
|
Our Bettors (Matunuck, RI, Theatre by-the-sea, 1 August 1960)
|
|
Box
81
Folder
6
|
Playbill, 1960
|
|
|
Our Town (Chicago, Goodman, 9 October 1975)
|
|
Box
81
Folder
7
|
Cardboards, 1975
|
|
Box
81
Folder
8
|
Presets and cue sheets, 1975
|
|
Box
81
Folder
9
|
Notes, floor plans, cheat sheet, flyers, 1975
|
|
|
Pantagleize (Madison, University of Wisconsin, theater unknown, February 1972[?])
|
|
Box
81
Folder
10
|
Technical production file, 1972
|
|
|
Rashomon (Pittsburgh, Pittsburgh Playhouse, 22 January 1968)
|
|
Box
81
Folder
11
|
Reviews, 1968
|
|
|
The Resistable Rise of Arturo Ui (Chicago, Goodman, 28 March 1975)
|
|
Box
81
Folder
12
|
Script, by Bertolt Brecht, including complete lighting cues, 1975
|
|
Box
81
Folder
13
|
Production notebook, 1975
|
|
Box
82
Folder
1-4
|
Technical production file, 1975
|
|
|
Right You Are (Los Angeles, Hartford, 2 [?] August 1966)
|
|
Box
82
Folder
5
|
Reviews, 1966
|
|
|
The Rivals (Baltimore, Center Stage, December 1977)
|
|
Box
82
Folder
6
|
Script, by Richard Brinsley Sheridan, undated
|
|
Box
82
Folder
7
|
Technical production file, 1977
|
|
|
[Rosebloom] (Los Angeles, Mark Taper Forum, date unknown)
|
|
Box
82
Folder
8
|
Hook-up, undated
|
|
|
Royal Hunt of the Sun (Los Angeles, Greek, 4 [?] July 1966)
|
|
Box
82
Folder
9
|
Script, by Peter Schaffer, annotated, undated
|
|
Box
82
Folder
10
|
Technical production file, 1966
|
|
|
Sacred and Profane (LA, Mark Taper Forum, 1973?)
|
|
|
Plots, plans, and designs, 30 October 1973: See the Oversize File
|
|
|
Saint Joan (Princeton, McCarter, October 1961)
|
|
Box
83
Folder
1
|
Playbill, 1961
|
|
|
The School for Scandal (Los Angeles, Hartford, 1966 and Ann Arbor, Michigan, Mendelssohn Theatre, , 1966)
|
|
Box
83
Folder
2
|
Script, by Sheridan, directed by Ellis Raab, circa 1966
|
|
Box
83
Folder
3
|
Reviews, 1966
|
|
Box
83
Folder
4
|
Light plots, 1966
|
|
|
The Serpent (Production information unknown)
|
|
Box
83
Folder
5
|
Script, by Jean-Claude van Italie, undated
|
|
|
Something Unspoken (Production information unknown)
|
|
Box
83
Folder
6
|
Script, by Tennessee Williams, undated
|
|
|
South Pacific (Madison, Old Music Hall, 1 October 1974)
|
|
Box
83
Folder
7
|
Poster, playbill, review, 1974
|
|
|
The Stronger (Production information unknown)
|
|
Box
83
Folder
8
|
Playscript, undated
|
|
|
The Subject Was Roses (Pittsburgh, Hamlet Street Theatre, 25[?]January 1968)
|
|
Box
83
Folder
9
|
Reviews, 1968
|
|
|
Sugar Babies (San Francisco, Curran, 8 May 1979)
|
|
Box
83
Folder
10
|
Script, annotated with lighting cues, 1979
|
|
Box
83
Folder
10
|
Playbill, 1979
|
|
|
Sugar Babies (Los Angeles,? Mark Hellinger Theatre, 1979?)
|
|
|
Plots, plans, and designs, April-October 1979: See the Oversize File
|
|
|
Summer and Smoke (Production information unknown)
|
|
|
Plots, plans, and designs, 14 May 1948: See the Oversize File
|
|
|
The Tavern (Pittsburgh, Craft Avenue Theatre, 30 September 1967)
|
|
Box
83
Folder
11
|
Ground and section plans, reviews, 1967
|
|
|
Ten Best Martyrs of the Year (Production information unknown)
|
|
Box
83
Folder
12
|
Script, by Seymour Simckes, annotated, undated
|
|
|
Three Men on a Horse (Pittsburgh, Pittsburgh Playhouse, date unknown)
|
|
Box
83
Folder
13
|
Script, by John Cecil Holm and George Abbott, annotated with lighting cues, 1963
|
|
Box
83
Folder
13
|
Notes, section plots, 1963
|
|
|
Tiger (Production information unknown)
|
|
Box
83
Folder
14
|
Miscellany, undated
|
|
|
Toad of Toad Hill (Production information unknown)
|
|
Box
83
Folder
15
|
Script, by A. A. Milne, annotated with lighting cues, 1959
|
|
|
Tooth of Crime (Chicago, Goodman, January 1974)
|
|
Box
83
Folder
16
|
Script, by Sam Shepard, annotated, undated
|
|
Box
83
Folder
17
|
Master Cue sheets, 1974
|
|
Box
84
Folder
1
|
Technical production file, 1974
|
|
|
Triptych (Production information unknown)
|
|
Box
84
Folder
2
|
Playscript, by J. M. Heddle, undated
|
|
|
Trojan Woman (Madison, University of Wisconsin Theatre, date unknown)
|
|
Box
84
Folder
3
|
Script, by Euripides, annotated, undated
|
|
|
Twentieth Century (Matunuck, RI, Theatre by-the-sea, 27 June 1960)
|
|
Box
84
Folder
4
|
Playbill, 1960
|
|
|
Two for the Seasaw (Matunuck, RI, Theatre by-the-sea, 29 August 1960)
|
|
Box
84
Folder
5
|
Playbill, 1960
|
|
|
A View from the Bridge (St. Louis, Opera Theatre of St. Louis, 8 February 1980)
|
|
Box
84
Folder
6
|
Set drawings and photographs, 1980
|
|
Box
84
Folder
6
|
2 playscripts, by Arthur Miller, annotated, 1980
|
|
Box
84
Folder
7
|
Technical production file, 1980
|
|
|
Waiting for Godot (Minneapolis, Guthrie, 1973/1974 season)
|
|
Box
84
Folder
8
|
Playbill, circa 1973
|
|
|
War and Peace
|
|
Box
84
Folder
9
|
Script, after the novel by Leo Tolstoy, adapted by Alfred Neumann, Erwin Piscator, and Guntram Prufer, annotated, undated
|
|
|
Los Angeles, Greek Theatre, 1 September 1966
|
|
Box
84
Folder
10
|
Light plot, reviews, 1966
|
|
|
New York, Lyceum, 22 March 1967
|
|
Box
84
Folder
11
|
Technical production file, 1967
|
|
|
You Can't Take It with You (Los Angeles, Hartford, Spring 1966)
|
|
Box
84
Folder
12
|
Review, hook ups, cue sheet, note, 1966
|
|
|
Your Arms Are Too Short to Box with God (NY, Lyceum, July 1976)
|
|
Box
84
Folder
13
|
Technical production file, 1976
|
|