James M. Auer Papers, 1949-1973
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Scope and Content Note

  • “Spartacus Puts Spotlight on Preservation,” Daily Variety (April 25, 1991): printout
  • “Wise Move Raises Kane for Viewers,” Daily Variety (May 1, 1991): 6 and 13: photocopy
  • “Film Review: Beauty and the Beast,” Daily Variety (1991): printout
  • “The Prince of Tides,” Daily Variety (1991): printout
  • “Fantasia Fanfare: Will Classic Really Disappear?” Daily Variety (March 19, 1992): 27: clipping from McBride's “Straight Shooting” column
  • “Baraka Brings the Visual Tone Poem Down to Earth,” Daily Variety (April 30, 1992): 23: clipping
  • “Truffaut's Career a Web of Fascinating Contradictions,” Daily Variety (June 25, 1992): 19: clipping from McBride's “Straight Shooting” column
  • “Eastwood Looks West to Honor Mentor's Legacy,” Daily Variety (August 6, 1992): 23: clipping from McBride's “Straight Shooting” column
  • “The Last Closed Door: No More Lubitsch,” Daily Variety (April 19, 1992): 23: clipping from McBride's “Straight Shooting” column
  • “Compared with Mahony, MPAA Looks Libertine,” Daily Variety (April 2, 1992): 23: clipping from McBride's “Straight Shooting” column
  • “Gilbert Cates: Filmmaker with Taste for Teaching,” Daily Variety (May 28, 1992): 19: clipping from McBride's “Straight Shooting” column
  • “Welles Ambersons: Mutilated Yet Magnificent,” Daily Variety (July 23, 1992): 23: clipping from McBride's “Straight Shooting” column
  • On Gore Vidal, submitted to Daily Variety for McBride's “Straight Shooting” column September 2, 1992, but not published: typescript printout
  • “Geraldine Chaplin,” Vanity Fair (December 1992): typescript of uncut version
  • “The Lost Kingdom of Orson Welles,” New York Review of Books (May 3, 1993): 40-46: photocopy
  • “John Sanford's Personal History of America” (October 31, 1993), “as yet unpublished”: computer-printed typescript
  • “Remarks on Billy Wilder” (January 17, 1995): presentation of Los Angeles Film Critics Association's career achievement award: computer-printed typescript
  • Letter to the New York Times on LAFCA and Elia Kazan, mailed January 19, 1997, printed January 23, 1997: computer-printed typescript and clipping
  • “The Patient Englishman,” interview with Anthony Minghella, Starwave/Mr. Showbiz, posted February 11, 1997: printout
  • “Porn Free,” interview with Milos Forman, Starwave/Mr. Showbiz, posted February 11, 1997: printout
  • “Cover Story: Night of the Hunter,” Boxoffice 133, no. 3 (March 1997): 6-9
  • “Billy Bob Thornton Interview” (March 8, 1997): typescript
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