Container
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Title
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Musical Comedy Time (M-Series)
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“Anything Goes,” October 2, 1950
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Box
4A
Folder
9
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“Anything Goes,” arranged by Pete King (2-M)
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Script, vocal., conductor's scores, instrumental parts
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Box
4B
Folder
10
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“Anything Goes,” arranged by Pete King (3-M)
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Conductor's score, instrumental parts
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Box
4B
Folder
11
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“All Through the Night,” arranged by Maurice Gardner (4-M)
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Conductor's score, instrumental parts
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Box
4B
Folder
12
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“Blow Gabriel (I),” arranged by Pete King (5-M)
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Vocal, conductor's scores, instrumental parts
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Box
4B
Folder
13
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“Blow Gabriel,” arranged by Milton Weinstein (6-M)
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Vocal, conductor's scores, instrumental parts
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Box
4B
Folder
14
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“You're the Top,” arranged by Pete King (7-M)
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Conductor's score, instrumental parts
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Box
4B
Folder
15
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“I Get a Kick Out of You,” arranged by Pete King (8-M)
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Conductor's score, instrumental parts
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“Whoopee,” October 16, 1950
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Box
4C
Folder
16
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“Opening,” ”It's a Beautiful Day Today,” “Instrumental” (”Let's Make Whoopee”?), arranged by Maurice Gardner and Milton Weinstein (9-M, 10-M)
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Script, conductor's score, instrumental parts
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Box
4C
Folder
17
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“I'm Bringing a Red, Red Rose,” ”Red, Red Rose Bridge,” arranged by Pete King and Maurice Gardner (11-M, 12-M)
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Vocal, conductor's scores, instrumental parts
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Box
4C
Folder
1
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“Whoopee,” arranged by Milton Weinstein (13-M)
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Vocal, conductor's scores, instrumental part
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Box
4C
Folder
2
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“Go Get 'Im,” arranged by Maurice Gardner (14-M)
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Vocal, conductor's scores, instrumental parts
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Box
5A
Folder
3
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“Come West Little Girl,” arranged by Milton Weinstein (15-M)
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Vocal, conductor's scores, instrumental parts
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Box
5A
Folder
4
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“Stetson Hat,” arranged by Pete King (15-M}
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Vocal, conductor's scores, instrumental parts
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Box
5A
Folder
5
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“Love Me or Leave Me,” arranged by Milton Weinstein (17-M)
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Conductor's score, instrumental parts
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Box
5A
Folder
6
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“Song of the Setting Sun,” arranged by Pete King (18-M)
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Vocal, conductor's scores, instrumental parts
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Box
5A
Folder
7
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“Indian Number,” arranged by Pete King (19-M)
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Vocal, conductor's scores, instrumental parts
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“Chocolate Soldier,” October 30, 1950
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Box
5A
Folder
8
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“IA-M (Opening Act 1),” ”IE-M, IF-M (Bridges),” arranged by Pete King, (20-M)
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Commercial script, conductor's score, instrumental parts, October 29, 1950
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Box
5B
Folder
9
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“My Hero,” arranged by Pete King (21-M)
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Vocal, conductor's scores, instrumental parts
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Box
5B
Folder
10
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“My Hero,” arranged by Milton Weinstein (22-M)
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Conductor's score, instrumental parts;
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Box
5B
Folder
11
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“The Tale of a Coat,” arranged by Milton Weinstein (23-M)
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Conductor's score, instrumental parts
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Box
5B
Folder
12
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“Hungarian Dance,” arranged by Pete King (24-M)
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Conductor's score, instrumental parts
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“Rio Rita,” November 13, 1950
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Box
5B
Folder
13
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“Rio Rita” (instrumental), arr, by Milton Weinstein (25-M)
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Script, conductor's score, instrumental parts
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Box
5B
Folder
14
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“The Charra Dance,” arranged by Pete King (26-M)
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Vocal, conductor's score, instrumental parts
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Box
5C
Folder
15
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“Best Little Lover In Town,” arranged by Oscar Kosarin (27-M)
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Conductor's score, instrumental parts
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Box
5C
Folder
16
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“You're Always in My Arms,” arranged by Milton Weinstein (28-M)
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Vocal, conductor's scores, instrumental parts
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Box
5C
Folder
17
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“Rio Rita,” arranged by Pete King (20-M)
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Vocal, conductor's scores, instrumental parts
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Box
5C
Folder
18
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“The Kinkajou,” arranged by Pete King (20-M)
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Vocal, conductor's scores, instrumental parts
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Box
6A
Folder
1
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“If You're in Love,” arranged by Milton Weinstein (31-M)
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Vocal conductor's scores, instrumental parts
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Box
6A
Folder
2
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“Rangers Song,” arranged by Pete King (32-M)
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Vocal, conductor's scores, instrumental parts
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Box
6A
Folder
3
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“Following the Sun Around,” arranged by Milton Weinstein (33-M)
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Vocal, conductor's scores, instrumental parts
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“Merry Widow,” November 27, 1950
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Box
6A
Folder
4
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“Waltz Instrumental,” arranged by Milton Weinstein (34-M)
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Conductor's score, instrumental parts
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Box
6A
Folder
5
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“Overture,” ”Ballroom,” ”Popoff Entrance,” ”Background Music,” all arranged by Milton Weinstein (35-M)
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Conductor's scores, instrumental parts
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Box
6A
Folder
6
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“Maxim's,” ”Finale, Act I” (36-M)
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Conductor's scores, instrumental parts
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Box
6A
Folder
7
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“Act II Opening,” ”Background Music,” arranged by Milton Weinstein (37-M)
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Conductor's scores, instrumental parts
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Box
6B
Folder
8
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“Vilia,” arranged by Pete King (38-M)
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Vocal, conductor's scores, instrumental parts
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Box
6B
Folder
9
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“Women (Septet)” (39-M)
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Vocal, conductor's scores, instrumental parts
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Box
6B
Folder
10
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“Finale Act II and Opening Act III” (40-M)
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Vocal, conductor's scores, instrumental parts
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Box
6B
Folder
11
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“Can-Can Dance” (41-M)
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Conductor's score, instrumental parts
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“Merry Widow,” ”Finale,” both arranged by Pete King (42-M)
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Box
6B
Folder
12
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Vocal, conductor's scores, instrumental parts
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Box
6B
Folder
13
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Miscellaneous vocal scores
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“Hit the Deck,” December 11, 1950
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Box
6B
Folder
14
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“Hallelujah (inst.),” arranged by Milton Weinstein (43-M)
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Script, conductor's score, instrumental parts
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Box
6C
Folder
15
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“Join the Navy,” arranged by Pete King (44-41)
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Vocal, conductor's scores, instrumental parts
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Box
6C
Folder
16
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“Loo--Loo,” arranged by Milton Weinstein (45-M)
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Vocal, conductor's scores, instrumental parts
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Box
6C
Folder
17
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“A Kiss or Two,” arranged by Milton Weinstein (46-M)
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Vocal, conductor's scores, instrumental parts
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Box
6C
Folder
18
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“The Harbor of My Heart,” arranged by Milton Weinstein (47-M)
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Vocal, conductor's scores, instrumental parts
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Box
6C
Folder
19
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“Crap Game Ballet,” arranged by Oscar Kosarin; ”Loo-Loo and Harbor of My Heart,” arranged by Milton Weinstein (48-M, 49-M)
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Vocal, conductor's scores, instrumental parts
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Box
6D
Folder
20
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“Shore Leave,” ”Lucky Bird,” both arranged by Pete King; ”Jitterbug,” arranged by Leroy Holmes (50-M, 51-M, 52-M)
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Sheet music, vocal, conductor's scores, instrumental parts
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Box
6D
Folder
21
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“Sometimes I'm Happy,” arranged by Pete King (53-M)
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Vocal, conductor's scores, instrumental parts
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Box
6D
Folder
1
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“Hallelujah,” arranged by Jack Andrews (54-M)
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Vocal, conductor's scores, instrumental parts
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Box
6D
Folder
2
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“Why, Oh Why?” ”Act III Finale,” both arranged by Pete King (55-M, 56-M)
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Sheet music, conductor's score, instrumental parts
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“Babes in Toyland,” December 25, 1950
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Box
6D
Folder
3
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“Overture,” Instrumental, Opening, Act I, #1A, #1B, #1C, #2, #3A,” arranged by Milton Weinstein (57-M, 58-M)
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Vocal, conductor's scores, instrumental parts
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Box
7A
Folder
4
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“Jane,” arranged by Pete King (59-M)
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Vocal, conductor's scores, instrumental parts
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Box
7A
Folder
5
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“Never Mind, Bo-Peep,” arranged by Pete King (60-M)
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Vocal, conductor's scores, instrumental parts
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Box
7A
Folder
6
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“Electron - Floretta,” arranged by Pete King and Milton Weinstein (61-M)
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Vocal, conductor's scores, instrumental parts
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Box
7A
Folder
7
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“Gavotte #8,” ”Bridge #7 (Toymaker's Flute),” arranged by Milton Weinstein (62-M)
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Conductor's score, instrumental parts
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Box
7A
Folder
8
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“Barney O'Flynn,” arranged by Milton Weinstein (63-M)
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Conductor's score, instrumental parts
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Box
7A
Folder
9
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“I Can't Do That Sum” (64-M)
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Vocal, conductor's scores, instrumental parts
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Box
7A
Folder
10
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“Bridges, #12, #24, #14,” arranged by Milton Weinstein (65-M)
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Conductor's score, instrumental parts
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Box
7A
Folder
11
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“Go To Sleep, #16,” arranged by Pete King(?) (66-M)
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Vocal, conductor's scores, instrumental parts
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Box
7B
Folder
12
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“Song of the Poet,” arranged by Pete King (67-M)
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Conductor's score, instrumental parts
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Box
7B
Folder
13
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“Octopus Ballet,” arranged by Pete King (68-M)
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Conductor's score, instrumental parts
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Box
7B
Folder
14
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“Hail to Christmas, #21,” arranged by Maurice Gardner(?) (69-M)
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Vocal, conductor's scores, instrumental parts
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Box
7B
Folder
15
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“March of the Toys,” arranged by Jack Andrews (70-M)
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Conductor's scores, instrumental parts
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Box
7B
Folder
16
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“Bridge - Finale, Act III,” arranged by Jack Andrews, Milton Weinstein, and Maurice Gardner (71-M)
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Vocal, conductor's scores, instrumental parts
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“Miss Liberty,” January 8, 1951
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Box
7B
Folder
17
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“Let's Take An Old Fashioned Walk - Instrumental” arranged by Milton Weinstein (72-M)
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Script, conductor's score, instrumental parts
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Box
7C
Folder
18
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“Old Fashioned Walk,” arranged by Pete King (73-M)
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Vocal, conductor's scores, instrumental pats
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Box
7C
Folder
19
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“I Love You,” arranged by Pete King (74-M)
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Conductor's score, instrumental parts
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Box
7C
Folder
20
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“Miss Liberty Overture, Exit and Reprise, arranged by Pete King ” (75-M)
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Conductor's score, instrumental parts
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Box
8A
Folder
1
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“Policeman's Ball,” arranged by Pete King (76-M)
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Vocal, conductor's scores, instrumental parts
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Box
8A
Folder
2
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“Little Fish in a Big Pond,” ”Only for Americans,” ”Reprise - Falling Out of Love,” ”Paris Wakes Up Ending,” ”Finale, Act III” (77-M)
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Vocal, conductor's scores, instrumental parts
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Box
8A
Folder
3
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“Most Expensive Statue,” ”Give Me Your Tired, Your Poor,” ”Miss Liberty,” ”Homework,” ”I Love You,” ”Little Fish in a Big Pond,” ”Falling Out of Love”, ”You Can Have Him” (78-M)
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Vocal scores, sheet music
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Box
8A
Folder
4
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“Act I, #4, Act II, #8, #9A, #16, Act III, #19”
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Conductor's scores, instrumental parts
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“Louisiana Purchase,” January 22, 1951
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Box
8A
Folder
5
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“It'll Come To You,” ”Wild About You,” ”The Lord Done Fixed Up My Soul” (79-M)
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Script, sheet music
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Box
8B
Folder
6
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“Overture,” arranged by Oscar Kosarin (79-M)
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Vocal, conductor's scores, instrumental parts
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Box
8B
Folder
7
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“It's A Lovely Day Tomorrow,” arranged by Pete King and Milton Weinstein (80-M)
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Vocal, conductor's scores, instrumental parts
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Box
8B
Folder
8
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“Louisiana Purchase Ballet” (81-M)
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Vocal, conductor's scores, instrumental parts
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Box
8B
Folder
9
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“Outside Of That I Love You,” arranged by Milton Weinstein (82-M)
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Sheet music, conductor's score, instrumental parts
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Box
8B
Folder
10
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“You're Lonely and I'm Lonely,” arranged by M. Gardner and Pete King (83-M)
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Sheet music, vocal, conductor's scores, instrumental parts
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Box
8C
Folder
11
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“Dance With Me,” arranged by Pete King (84-M)
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Sheet music, conductor's score, instrumental parts
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Box
8C
Folder
12
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“What Chance Have I With Love,” arranged by M. Gardner (85-M)
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Sheet music, conductor's score, instrumental parts
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Box
8C
Folder
13
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“Fools Fall in Love,” arranged by Pete King and Milton Weinstein (86-M)
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Sheet music, vocal, conductor's scores, instrumental parts
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Box
8C
Folder
14
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“Latins Know How,” arranged by Pete King (87-M)
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Sheet music, vocal, conductor's scores, instrumental parts
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Box
8C
Folder
15
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“You Can't Brush Me Off,” arranged by Pete King (88-M)
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Sheet music, vocal, conductor's scores, instrumental parts
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“Mademoiselle Modiste,” February 5, 1951
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Box
8C
Folder
16
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“Overture,” arranged by Pete King, ”The Time, The Place, and The Girl,” arranged by Milton Weinstein (89--M, 90-M)
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Script, vocal, conductor's scores, instrumental parts
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Box
8D
Folder
17
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“If I Were on the Stage,” arranged by Pete King (91-M)
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Conductor's score, instrumental parts
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Box
8D
Folder
18
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“Kiss Me Again,” arranged by Pete King (92-M)
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Vocal, conductor's scores, instrumental parts
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Box
8D
Folder
19
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“Ze English Language” (transposed) (93-M)
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Instrumental parts
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Box
8D
Folder
20
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“The Dear Little Girl,” arranged by Pete King (94-M)
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Vocal, conductor's scores, instrumental parts
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Box
8D
Folder
1
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“Bazaar Dance Insert,” arranged by Oscar Kosarin (95-M)
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Conductor's score, instrumental parts
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Box
8D
Folder
2
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(96-M)
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Vocal scores, annotated
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“Revenge With Music,” February 19, 1951
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Box
8D
Folder
3
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“Overture,” arranged by Pete King (97-M)
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Script, conductor's score, instrumental parts
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Box
9A
Folder
4
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“Spanish Dance #1 (De Falla),” arranged by Pete King (98-M)
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Conductor's score, instrumental parts
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Box
9A
Folder
5
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“Maria,” arranged by Milton Weinstein and Pete King (99-M)
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Vocal, conductor's scores, instrumental parts
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Box
9A
Folder
6
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“Wand'ring Heart,” arranged by Pete King (100-M)
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Vocal, conductor's scores, instrumental parts
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Box
9A
Folder
7
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“(If There Is) Someone Lovelier (Than You),” arranged by Pete King and Milton Weinstein (101-M)
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Vocal, conductor's scores, instrumental parts
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Box
9A
Folder
8
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“In The Noonday Sun,” arranged by Pete King (102-M)
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Vocal, conductor's scores, instrumental parts
|
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Box
9B
Folder
9
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“You and the Night and the Music,” arranged by Pete King and Milton Weinstein (103-M)
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Vocal, conductor's scores, instrumental parts
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Box
9B
Folder
10
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“Two Faced Woman,” arranged by Milton Weinstein (104-M)
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Sheet music, conductor's score, instrumental parts
|
|
Box
9B
Folder
11
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“Fight Scene,” arranged by Pete King (105-M)
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Conductor's score, instrumental parts
|
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Box
9B
Folder
12
|
“Never Marry a Dancer,” arranged by Milton Weinstein (106-M)
|
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|
Vocal, conductor's scores, instrumental parts
|
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|
“No, No, Nanette,” March 5, 1951
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Box
9B
Folder
13
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“Overture,” arranged by Pete King (107-M)
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Script, conductor's score, instrumental parts
|
|
Box
9B
Folder
14
|
“Opening - Flapper Song,” arranged by Pete King (108-M)
|
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|
Vocal, conductor's scores, instrumental parts
|
|
Box
9C
Folder
15
|
“I've Confessed to the Breeze,” arranged by Milton Weinstein (109-M)
|
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|
Vocal, conductor's scores, instrumental parts
|
|
Box
9C
Folder
16
|
“I Want to be Happy,” arranged by Pete King (110-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
9C
Folder
17
|
“No, No, Nanette,” arranged by Pete King (111-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
9C
Folder
18
|
“Finale, Act I,” arranged by Milton Weinstein (112-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
9C
Folder
19
|
“Opening - Act II,” arranged by Milton Weinstein (113-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
9C
Folder
20
|
“Tea for Two,” arranged by Pete King (114-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
10A
Folder
1
|
“Finale Act II,” arranged by Milton Weinstein (115-M)
|
|
|
Vocal, Conductor's scores, instrumental parts
|
|
Box
10A
Folder
2
|
“Finale Act III,” arranged by Pete King (115-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
|
“Flying High,” March 19, 1951
|
|
Box
10A
Folder
3
|
“Overture,” arranged by Pete King (116-M)
|
|
|
Script, sheet music, score, instrumental parts
|
|
Box
10A
Folder
4
|
“Air Minded,” arranged by Pete King (117-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
10A
Folder
5
|
“Thank Your Father,” ”9-A Bridge,” arranged by Pete King (118-M)
|
|
|
Sheet music, vocal, conductor's scores, instrumental parts
|
|
Box
10B
Folder
6
|
“I'11 Get My Man,” arranged by Jack Andrews (119-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
10B
Folder
7
|
“Without Love,” arranged by Pete King (120-M)
|
|
|
Sheet music, vocal, conductor's scores, instrumental parts
|
|
Box
10B
Folder
8
|
“Happy Landing,” arranged by Pete King (121-9)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
10B
Folder
9
|
“Wasn't It Beautiful,” arranged by Pete King (122-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
10B
Folder
10
|
“Mrs. Krause's Blue-Eyed Baby Boy,” arranged by Milton Weinstein (123-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|
Box
10B
Folder
11
|
“Finale, Act III, Flying High,” arranged by Pete King (124-M)
|
|
|
Vocal, conductor's scores, instrumental parts
|
|