Container
|
Title
|
U.S. Mss 136AN
|
Series: General Correspondence and Related Materials
|
|
Box
1
Folder
1-9
|
A (General), 1940-1966
|
|
|
Academy of Motion Picture Arts and Sciences
|
|
Box
1
Folder
10-23
|
1940-1945
|
|
Box
2
Folder
1-10
|
1946-1950, 1960-1963
|
|
Box
2
Folder
11-12
|
Academy Research Council, 1943
|
|
Box
2
Folder
13
|
Addresses, Invitation and Mailing Lists, 1942-1948, undated : See also Address Books in Personal Papers Series (Box 33) and Invitations in Wanger
Correspondence Files (Box 28-29).
|
|
|
Agents
|
|
Box
2
Folder
14-25
|
1941-1964
|
|
Box
3
Folder
1
|
1965-1966
|
|
Box
3
Folder
2-10
|
Agents Client Lists, 1956-1965
|
|
Box
3
Folder
11
|
Air Power League, 1946
|
|
Box
3
Folder
12
|
All Saints Church, 1944
|
|
Box
3
Folder
13
|
Allen, James, 1941-1942, 1947, 1950
|
|
Box
3
Folder
14
|
Allied Artists, 1955
|
|
Box
3
Folder
15
|
American Council on Education, 1965
|
|
Box
3
Folder
16
|
American Heritage Project, 1958
|
|
Box
3
Folder
17-20
|
American National Theatre and Academy (ANTA), 1950-1958
|
|
Box
3
Folder
21
|
American Veterans Committee, 1947
|
|
Box
3
Folder
22
|
Antioch College, 1947-1948
|
|
Box
3
Folder
23-29
|
Applications, Employment, 1943-1954, 1960
|
|
Box
3
Folder
30
|
Atlantic Union Committee, 1950
|
|
Box
3
Folder
31
|
Audience Research, 1949
|
|
Box
3
Folder
31a
|
Autographed Photographs, undated
|
|
|
B (General)
|
|
Box
3
Folder
32-38
|
1932, 1940-1946
|
|
Box
4
Folder
1-20
|
1947-1966
|
|
Box
4
Folder
21
|
Bankers Trust Company, 1948-1950
|
|
Box
4
Folder
22
|
Bechhold, Siegfried, 1952-1955
|
|
Item B37
|
Bergman, Ingrid, caricature of Bergman skiing as Joan of Arc with a
personalized note and autograph, undated
|
|
U.S. Mss 136AN
Box
4
Folder
23
|
Bernhard, Joseph, Film Classics Inc., 1947-1949
|
|
Box
4
Folder
24-25
|
Bernstein, Sidney, 1940-1942, 1946-1950
|
|
Box
5
Folder
1-10
|
Bienstock, Abraham and Marge, 1938-1950
|
|
Box
5
Folder
11
|
Braniff, T.E., 1950
|
|
Box
5
Folder
12
|
British-American Tax Agreement, 1948-1949
|
|
Box
5
Folder
13-15
|
British Information Services, 1943-1947
|
|
|
C (General)
|
|
Box
5
Folder
16-25
|
1932, 1934, 1938-1952
|
|
Box
6
Folder
1-13
|
1953-1966
|
|
Box
6
Folder
14
|
Cartwright, Morse A., 1943
|
|
Box
6
Folder
15
|
Censorship, 1961 : See also individual film files in Film Production Files series.
|
|
Box
6
Folder
16
|
Chessman, Caryl, 1953-1954, 1959-1960
|
|
Box
6
Folder
17
|
Collier's Congressional Awards, 1946-1947
|
|
Box
6
Folder
18
|
Columbia Broadcasting System (CBS), 1941, 1945, 1949-1950
|
|
Box
6
Folder
19-26
|
Council on Foreign Relations, 1951-1966
|
|
Box
6
Folder
26a
|
Council of Motion Picture Organizations Inc., 1950-1952
|
|
Box
6
Folder
27
|
Cowles, Gardner, 1946-1950
|
|
Box
6
Folder
28-35
|
Criminology, General, 1956-1963
|
|
Box
6
Folder
36
|
Crowther, Geoffrey, 1947-1949
|
|
Box
6
Folder
37
|
Crum, Bartley C., 1942-1948
|
|
Box
6
Folder
38-41
|
Crusade for Freedom, June 1950-February 1951
|
|
Box
7
Folder
1-20
|
D (General), 1941-1966
|
|
Box
7
Folder
21-32
|
Dartmouth College, 1941-1966
|
|
Box
7
Folder
33
|
Deluxe Lab, 1949
|
|
Box
7
Folder
34
|
Disney, Walt, 1943-1945
|
|
Box
7
Folder
35
|
Downey, Sheridan, 1944-1945
|
|
Box
7
Folder
36
|
Dunhill, Alfred of London (Tobacconist), 1940-1945
|
|
|
E (General)
|
|
Box
7
Folder
37-39
|
1932, 1941-1950
|
|
Box
8
Folder
1-3
|
1951-1966
|
|
Box
8
Folder
4-8
|
Employment, 1961-1966
|
|
Box
8
Folder
9
|
Erickson, Clarence E., 1940-1941
|
|
Box
8
Folder
10-27
|
F (General), 1932, 1939-1966
|
|
Box
8
Folder
28
|
Famous Artists, 1951-1956
|
|
Box
8
Folder
29
|
Fidler-Wanger Debate, 1939-1940 : See also Speeches (Box 36-37).
|
|
Box
8
Folder
30-31
|
Figaro Inc., 1957-1958 : See also Correspondence with Robert Lantz (Box 11-12).
|
|
Box
8
Folder
32
|
Fleming, Victor, 1948-1949
|
|
|
Free World Association : See also related series Free World Association.
|
|
Box
8
Folder
33-35
|
1943-August 1944
|
|
Box
9
Folder
1-4
|
September 1944-1945
|
|
Box
9
Folder
5-13
|
G (General), 1939-1966
|
|
Box
9
Folder
14
|
Germany, 1950
|
|
Box
9
Folder
15
|
Gospel in Stone, 1950
|
|
|
H (General)
|
|
Box
9
Folder
16-22
|
1938, 1940-1947
|
|
Box
10
Folder
1-18
|
1948-1966
|
|
Box
10
Folder
19
|
Harrison, Kay, 1948-1949
|
|
Box
10
Folder
20
|
Hayward, Susan, 1946-1949
|
|
Box
10
Folder
21
|
Health Organizations, 1947
|
|
Box
10
Folder
22
|
Historical Project Proposed by Wanger, 1948
|
|
Box
10
Folder
23-32
|
I (General), 1941-1941, 1946-1965
|
|
Box
10
Folder
33-34
|
Industrial Areas Foundation, 1944-1947
|
|
Box
10
Folder
34a
|
Italian Consulate, February-October 1966
|
|
Box
10
Folder
35-40
|
J (General), 1938-1966
|
|
|
Jewish Organizations and Groups : See also Organizations (Box 14-17).
|
|
Box
10
Folder
41-42
|
1942-1943
|
|
Box
11
Folder
1-4
|
1945-1949
|
|
Box
11
Folder
5-14
|
K (General), 1940-1966
|
|
Item A372
|
Kadny, Capt. Hassan, letter with a hand-sewn replica of the Palestinian flag, January 1919
|
|
U.S. Mss 136AN
Box
11
Folder
15
|
Kline, Herbert, 1945
|
|
|
L (General)
|
|
Box
11
Folder
16-25
|
1940-1951
|
|
Box
12
Folder
1-7
|
1952-1966
|
|
Box
12
Folder
8
|
La Dolce Vita, 1961
|
|
Box
12
Folder
9
|
Lang, Fritz, 1945
|
|
Box
12
Folder
10
|
Lee and Losh, 1943-1945
|
|
Box
12
Folder
11-12
|
Los Angeles Committee on Foreign Relations, 1958, 1961
|
|
Box
12
Folder
13
|
Los Angeles Committee for Home Front Unity, 1944-1945
|
|
Box
12
Folder
14
|
Los Angeles County Association for Mental Health, 1960-1961
|
|
|
M (General)
|
|
Box
12
Folder
15-25
|
1937-1953
|
|
Box
13
Folder
1-8
|
1954-1966
|
|
Box
13
Folder
9
|
McGee, Richard, 1953-1955
|
|
Box
13
Folder
10
|
Marshall Plan, 1948
|
|
Box
13
Folder
11
|
Maugham, Robin, 1954-1955
|
|
Box
13
Folder
12
|
MCA Artists, Ltd., 1951-1956
|
|
Box
13
Folder
13
|
Meals for Millions, 1950
|
|
Box
13
Folder
14
|
MGM Interoffice Memos, 1966
|
|
Box
13
Folder
15
|
Monogram Memos, 1951-1953
|
|
Box
13
Folder
16
|
Morris, William Agency, 1951-1956
|
|
Box
13
Folder
17-21
|
Motion Picture Association (MPA), 1940-1950
|
|
Box
13
Folder
22
|
Motion Picture Association of America (MPAA), 1951-1955
|
|
|
Motion Picture Industry Council
|
|
Box
13
Folder
23-24
|
1948-1951
|
|
Box
14
Folder
1-2
|
1952-1958
|
|
Box
14
Folder
3
|
Motion Picture Relief Fund Inc., 1941-1943
|
|
Box
14
Folder
4
|
Motion Picture Society for the Americas, 1942-1943
|
|
Box
14
Folder
5-8
|
N (General), 1932, 1938, 1942-1966
|
|
Box
14
Folder
9
|
National Association for the Advancement of Colored People, 1940-1944
|
|
Box
14
Folder
10
|
National Youth Administration, 1941
|
|
Box
14
Folder
11-17
|
0 (General), 1940-1966
|
|
Box
14
Folder
15-16
|
Occidental College, 1943-1945
|
|
Box
14
Folder
17-18
|
Office of War Information, 1942-1945
|
|
Box
14
Folder
19
|
Opuls, Max, 1949-1950
|
|
|
Organizations : See also Jewish Organizations and Groups (Box 10-11).
|
|
Box
14
Folder
20-23
|
1942-1943, N
|
|
Box
15
Folder
1-23
|
1943, P - , 1945, Pu
|
|
Box
16
Folder
1-19
|
1945, R-W; , 1947-1949, C
|
|
Box
17
Folder
1-6
|
1949, L - , 1965
|
|
Box
17
Folder
6A
|
Osborne and Harvey, 1942-1946
|
|
Box
17
Folder
7-17
|
P (General), 1932-1966
|
|
Box
17
Folder
18-20
|
Palmer, Gretta, 1943-1951
|
|
Item A371
|
Paramount Studios, illuminated Christmas card in a leather folder with
signatures from co-workers, including Claudette Colbert and Maurice Chevalier, December 1929
|
|
U.S. Mss 136AN
Box
17
Folder
21-22
|
The Players, 1960-1966
|
|
Box
17
Folder
23
|
Prelude to Victory, 1942
|
|
Box
18
Folder
1
|
Princeton Film Center, 1954-1955
|
|
Box
18
Folder
2
|
Prison Inmates, 1953-1955
|
|
Box
18
Folder
3-5
|
Producers and Producers Association, 1942-1945, 1947
|
|
Box
18
Folder
6-8
|
Publications and Literary Rights, 1943-1945 : See also Story Information and Correspondence (Box 23).
|
|
Box
18
Folder
9
|
Publicity, 1960,
1964
|
|
Box
18
Folder
10-14
|
Publishers, 1941-1942, 1948-1950
|
|
Box
18
Folder
15
|
Q (General), 1941-1965
|
|
|
R (General)
|
|
Box
18
Folder
16-32
|
1932, 1938, 1943-1959
|
|
Box
19
Folder
1-2
|
1960-1966
|
|
Box
19
Folder
3
|
Radio Show Ideas - Correspondence, 1941
|
|
Box
19
Folder
4
|
Randall, Barbara - Correspondence and Book Reports, 1945-1950
|
|
Box
19
Folder
5
|
Randall, Viola, 1952
|
|
Box
19
Folder
6-7
|
Rank, J. Arthur, 1945-1949
|
|
Box
19
Folder
8
|
Reader's Digest, 1955
|
|
Box
19
Folder
9
|
Red Cross, 1944-1945
|
|
Box
19
Folder
10
|
Re: Michael Redgrave, 1946-1948
|
|
Box
19
Folder
11
|
Retail Dry Goods Association, 1950
|
|
Box
19
Folder
12
|
RKO, 1946-1950,
1956
|
|
Box
19
Folder
13
|
Rogers, Will, 1942-1943
|
|
|
S (General)
|
|
Box
19
Folder
14-24
|
1932-1933, 1938, 1942-June, 1950
|
|
Box
20
Folder
1-16
|
July, 1950-1966
|
|
Box
20
Folder
17
|
San Francisco Press Conference, 1948
|
|
Box
20
Folder
18-19
|
Saturday Review, 1942-1943
|
|
Box
20
Folder
20
|
Schwartz, Charles (Schwartz and Frolich), 1937-1942
|
|
|
Screen Producers Guild and Other Guilds
|
|
Box
20
Folder
21
|
1940-1944
|
|
Box
21
Folder
1-6
|
1944-1955
|
|
|
Scripts Returned Correspondence
|
|
Box
21
Folder
7-27
|
1942-1949
|
|
Box
22
Folder
1
|
1950
|
|
Box
22
Folder
2
|
Services, 1966
|
|
|
Sheraton Closed Circuit Television See Television - Sheraton (Box
23-24)
|
|
Box
22
Folder
3-10
|
Silberberg, Mendel, 1934-1965 : Includes legal correspondence with Mitchell, Silberberg, and Knupp law firm.
|
|
Box
22
Folder
11-24
|
Society of Independent Motion Picture Producers (SIMPP), 1941-1958
|
|
Box
22
Folder
25
|
Sonnenberg, Benjamin, 1943-1945
|
|
Box
22
Folder
26
|
Spadea Syndicate, 1953
|
|
Box
22
Folder
27
|
Speakers Bureau, 1944-1945
|
|
Box
22
Folder
28
|
Stassen, Harold E., 1942, 1945
|
|
Box
23
Folder
1
|
Story Information and Correspondence, 1947-1950 : See also Publications and Literary Rights (Box 18).
|
|
Box
23
Folder
2-9
|
T (General), 1938, 1940-1966
|
|
Box
23
Folder
10
|
Talent Seeking, 1947-1950
|
|
Box
23
Folder
11
|
Tasker, Dana, 1951-1954
|
|
|
Television
|
|
Box
23
Folder
12-16
|
General and FM Radio, 1945-1953
|
|
Box
23
Folder
17
|
Toll Television, 1957-1958, 1962-1965
|
|
Box
23
Folder
18-19
|
Closed Circuit, 1954-1955
|
|
|
Sheraton Closed Circuit Project
|
|
Box
23
Folder
20
|
Data Book and Dealer Meeting Transcript, 1955
|
|
Box
23
Folder
21
|
New York Office Records, 1956-1957
|
|
|
Correspondence
|
|
Box
23
Folder
22-24
|
1954-October 1955
|
|
Box
24
Folder
1-3
|
November 1955-1956
|
|
Box
24
Folder
4
|
Zenith, 1955
|
|
Box
24
Folder
5
|
Time-Life, 1937-1945
|
|
|
Twentieth-Century Fox
|
|
Box
24
Folder
6
|
Casting, 1959-1960
|
|
Box
24
Folder
7
|
Memos, 1961
|
|
Box
24
Folder
8
|
Stories, 1959-1960
|
|
Box
24
Folder
9
|
Two Cities-Wanger, 1946
|
|
Box
24
Folder
10
|
U (General), 1941-1942, 1948-1956, 1958-1959, 1962, 1966
|
|
Box
24
Folder
11
|
United Artists, 1946-1950
|
|
Box
24
Folder
12-16
|
Universal, 1942-1949
|
|
Box
24
Folder
17
|
University Religious Conference, 1943-1944
|
|
Box
24
Folder
18-22
|
V (General), 1938-1966
|
|
Box
24
Folder
23
|
Variety Club, 1962, 1965-1966
|
|
Box
24
Folder
24
|
von Morpungo, Henry, 1957
|
|
|
W (General)
|
|
Box
24
Folder
25-29
|
1932-1933, 1940-1944
|
|
Box
25
Folder
1-19
|
1945-1966
|
|
Box
25
Folder
20
|
Wall Street Journal, 1948
|
|
|
Walter Wanger Family and Personal Correspondence
|
|
Box
26
Folder
1-2
|
Wanger, Henry and Etta, 1945-1965
|
|
Box
27
Folder
1
|
Wanger, Justine - Papers, News clippings, Correspondence, 1938-1960
|
|
Box
26
Folder
3
|
Bena, Melinda Markey Hayden, 1952-1965
|
|
Box
26
Folder
4-7
|
Wanger, Shelley, 1948, 1952, 1956-1966
|
|
Box
26
Folder
8-9
|
Guest, Stephanie Wanger, 1946, 1949, 1952-1965
|
|
Box
26
Folder
10
|
Lists of Letters Sent Following Wanger's Heart Attack, March-April 1956
|
|
Box
26
Folder
11
|
Wanger's Birthday, 1952
|
|
|
Correspondence with European Relatives and Refugees
|
|
Box
27
Folder
2
|
Bernd, Elsa, Alfred, Bernhard and Hanna, 1939-1941
|
|
Box
27
Folder
3
|
Bittman, Johannes, Margarete and Eva, 1941-1942
|
|
Box
27
Folder
4
|
Dachauer, Simon, 1938-1947
|
|
Box
27
Folder
5
|
Gerst, Natalie, 1941
|
|
Box
27
Folder
6
|
Krautkopf Family, 1938-1941
|
|
Box
27
Folder
7
|
Krausz, Suzy and Laszlo (with Genealogy), 1946-1949
|
|
Box
27
Folder
8
|
Mallesch, Elly Kleinwort von (Joan Bennett's maid), 1947-1948
|
|
Box
27
Folder
9
|
Stern, Babette Stahl, 1938-1941
|
|
Box
27
Folder
10
|
Strauss, Else and Moritz, 1937-1943
|
|
Box
27
Folder
11
|
Wiesengrund, Lucie, 1942-1944
|
|
|
Christmas Card and Gift Lists and Correspondence, Thank You Letters
|
|
Box
27
Folder
12-17
|
1937-1942
|
|
Box
26
Folder
12-27
|
1943-1944, 1946-1958
|
|
Box
28
Folder
1-8
|
1959-1966
|
|
Box
28
Folder
9-10
|
Donations, 1947, 1965 : See also Income Tax records in Corporate Records Series (Box 42-43).
|
|
|
Invitations - Personal, Premiere and Theatre, Membership, Political, and Donation Solicitation
|
|
Box
28
Folder
11-20
|
1943-1945, 1948-1956
|
|
Box
29
Folder
1-28
|
1957-1966
|
|
|
Parties Given - Invitations, Correspondence, Lists
|
|
Box
29
Folder
29
|
Bienstock Party, 1948
|
|
Box
29
Folder
30
|
Jean Simmons Party, 1948
|
|
Box
30
Folder
1
|
Robert Young Party, 1948
|
|
Box
30
Folder
2
|
Christmas Party, 1959
|
|
Box
30
Folder
3-4
|
Subscriptions, 1939-1965
|
|
|
Trips
|
|
Box
30
Folder
5
|
U.S., 1940, including Speeches
|
|
Box
30
Folder
6
|
London, 1946
|
|
Box
30
Folder
7
|
New York, 1948
|
|
Box
30
Folder
8
|
Children's Trip to Europe, 1949
|
|
Box
30
Folder
9
|
Philadelphia, 1954
|
|
Box
30
Folder
9A
|
New York, 1955
|
|
Box
30
Folder
10
|
New York, 1959
|
|
Box
30
Folder
11
|
London, 1966
|
|
|
War Information, Office of, See Office of War Information (Box
14)
|
|
Box
31
Folder
1-2
|
Warburg, Paul, 1939-1943
|
|
Box
31
Folder
3-5
|
Washington, D.C., 1940-1945
|
|
Box
31
Folder
6
|
Willkie, Wendell, 1941-1944
|
|
Box
31
Folder
7
|
Wright, Loyd, 1938-1942
|
|
Box
31
Folder
8
|
Writers/Producers Guild, 1964-1965
|
|
Box
31
Folder
9
|
Y (General), 1941-1966
|
|
Box
32
Folder
1
|
Young America, 1945
|
|
Box
32
Folder
2-4
|
Z (General), 1941-1966
|
|
Box
32
Folder
5
|
Miscellany, undated
|
|
|
Series: Diaries, Speeches, Appointment Calendars, Notes, and Other Personal
Papers
|
|
Box
33
Folder
1
|
Biographical Sketches and Data
|
|
|
Address Books and Directories
|
|
Box
33
Folder
2
|
Address Books, circa 1954-1955
|
|
Box
33
Folder
3
|
Telephone and Address Directory, circa 1954
|
|
Box
33
Folder
4-6
|
Foreign Address Directories, 1960, 1962, undated, London Addresses, , 1960-1961, Egyptian Address Book, , 1962
|
|
Box
33
Folder
7
|
Application and Supporting Documents for Army Commission, 1942
|
|
|
Appointment Calendars
|
|
Box
33
Folder
8
|
1921
|
|
Box
33
Folder
9
|
Pocket Calendars and Diaries, 1922, 1923, 1934 : Blank books discarded.
|
|
Box
33
Folder
10
|
Calendar and Diary, 1932
|
|
Box
33
Folder
11
|
Pocket Appointment Calendars and Diaries, 1939, 1940, 1947
|
|
Box
33
Folder
12
|
1941
|
|
Box
33
Folder
13
|
Pocket Appointment Calendars and Diaries, 1945, 1946, 1953, 1956-1958
|
|
Box
33
Folder
14
|
Pocket Appointment Calendars and Diaries, 1948, 1949, 1955
|
|
Box
33
Folder
15
|
1949
|
|
Box
33
Folder
16
|
Staff (Marie Kirchner?) Appointment Calendar, 1949 : Blank pages discarded.
|
|
Box
33
Folder
17
|
1951
|
|
Box
33
Folder
18
|
Kept by Staff, 1951
|
|
Box
33
Folder
19
|
1952
|
|
Box
33
Folder
20
|
1954
|
|
Box
33
Folder
21
|
Pocket Appointment Calendar, 1954
|
|
Box
33
Folder
22
|
Calendar and Diary, (Kept by Wanger), 1957
|
|
Box
34
Folder
1
|
Kept by Staff, 1957
|
|
Box
34
Folder
2
|
Kept by Wanger, 1958
|
|
Box
34
Folder
3
|
Kept by Staff, 1958
|
|
Box
34
Folder
4
|
October 1959-September 1960
|
|
Box
34
Folder
5
|
Pocket Appointment Calendars and Diaries, 1959, 1960, 1962
|
|
Box
34
Folder
6
|
Kept by Staff, 1960
|
|
Box
34
Folder
7
|
Pocket Appointment Calendar, 1961
|
|
Box
34
Folder
8
|
Kept by Staff, May-August 1961
|
|
Box
34
Folder
9
|
Kept by Staff, August-December 1962
|
|
Box
34
Folder
10
|
1963, 1965
|
|
|
Appointments, Memoranda, and Notes
|
|
Box
34
Folder
11
|
Notes, 1949
|
|
Box
34
Folder
12
|
Notes and Memoranda, 1952-1956
|
|
Box
34
Folder
13-19
|
Notes, 1957-1966
|
|
Box
34
Folder
20
|
Notes, undated
|
|
Box
34
Folder
21
|
Certificates and Awards, 1914-1964
|
|
Box
34
Folder
22
|
Memorabilia, 1918-1936, undated
|
|
|
Personal Diaries
|
|
Box
35
Folder
1-14
|
1927, 1928, 1930(?), 1931, 1933, 1937, 1955, 1956, 1958, 1959, 1960, September-December 1960, 1961, 1962 : Annotated by Wanger and Attorneys for Lawsuit Against 20th Century-Fox.
|
|
Box
36
Folder
1-3
|
1963-1965
|
|
Micro 966
|
Portions of Diaries Microfilmed by Wanger's Attorneys for Wanger's Lawsuit Against Twentieth Century-Fox, 1962 : For other diaries, see Walter Wanger's Diary and My Life with Cleopatrafiles (Box 71-72) and CleopatraLawsuit Files (Box 74).
|
|
Reel
1
|
Portion Labeled A, September 30-December 31, 1958
|
|
Reel
1
|
Portion Labeled H, September 30-December 31, 1958
|
|
Reel
1
|
Portion Labeled B, December 29, 1958-January 1960
|
|
Reel
1
|
Portion Labeled C, December 10, 1959-May 9, 1960(kept by Francine Fitch)
|
|
Reel
1
|
Portion Labeled D, January 8-April 30, 1960
|
|
Reel
1
|
Portion Labeled G, September 21-December 31, 1960
|
|
Reel
1
|
Portion Labeled E, January 1-December 31, 1961
|
|
Reel
1
|
Portion Labeled F, January 1-December 31, 1962
|
|
Reel
2
|
Portion Labeled I, January 1, 1959-January 17, 1960
|
|
Reel
2
|
Portion Labeled J, January 1, 1960-January 15, 1961
|
|
Reel
2
|
Portion Labeled K, January 1, 1961-January 8, 1962
|
|
Reel
2
|
Portion Labeled L, January 1, 1962-January 8, 1963
|
|
Reel
3
|
January 22-December 31, 1962
|
|
U.S. Mss 136AN
Box
36
Folder
4
|
Medical Records
|
|
Box
36
Folder
4A
|
Passports, 1933, 1946, 1953
|
|
Box
36
Folder
4B
|
Personal Papers and Correspondence, Early, 1908-1920, undated
|
|
Micro 1042
|
Microfilmed Scrapbooks and Newspaper Clippings : Originals discarded after filming.
|
|
Reel
6
|
Scrapbook of Clippings about the play Purple Slipperand the Philadelphia Theatre (formerly the Little Theatre), October 1919
|
|
Reel
6
|
Famous Players-Lasky Corporation Clippings, May 1921
|
|
Reel
6
|
Covent Garden Opera House and Rivoli Cinema, November 1921-October 1922
|
|
Reel
6
|
Provincial Cinematograph Theatres (PCT), 1923
|
|
|
General Clippings
|
|
Reel
6
|
1938-1940, 1944
|
|
Reel
7
|
1946-1947, 1952-1959
|
|
Reel
7
|
VarietyClippings, 1961-1963 : Material concerning Cleopatra, Spyros Skouras, and Twentieth-Century Fox, slightly annotated by Wanger, apparently for his lawsuit.
|
|
Reel
7
|
Miscellaneous Press Releases and Articles
|
|
U.S. Mss 136AN
|
Speeches
|
|
Box
36
Folder
5
|
List of Speeches
|
|
Box
36
Folder
6
|
“Films as Foreign Offices,” December 10, 1921
|
|
Box
36
Folder
7
|
“Associated Film Audiences,” Fall 1938
|
|
Box
36
Folder
8
|
“The Wherefore of Movie Ills,” November 17, 1938
|
|
Box
36
Folder
9
|
“What is America's Greatest Need Today,” December 29, 1938
|
|
Box
36
Folder
10
|
“Don Forbes' Hollywood Scrapbook,” January 6, 1938
|
|
Box
36
Folder
11
|
Box Office, re: movie Blockade, January 7, 1939
|
|
Box
36
Folder
12
|
Town Meeting, February 20, 1939
|
|
Box
36
Folder
13
|
“A New Hollywood,” February 26, 1939
|
|
Box
36
Folder
14
|
American Library Association, June 23, 1939
|
|
Box
36
Folder
15
|
“The Stars Call Them Leeches,” September 9, 1939
|
|
Box
36
Folder
16
|
Fidler v. Wanger and Wanger v. Fidler, Sept.-Oct. 1939
|
|
Box
36
Folder
17
|
“120,000 American Ambassadors,” October 1939
|
|
Box
36
Folder
18
|
Academy Speech, February 29, 1940
|
|
Box
36
Folder
19
|
“Social Significance of the Motion Picture,” April 1, 1940
|
|
Box
36
Folder
20
|
“The Role of the Motion Picture in Inter-American Understanding,” August 1, 1940
|
|
Box
36
Folder
21
|
“The High Morale of Free Men,” November 24, 1940
|
|
Box
36
Folder
22
|
Round Table, University of Chicago, December 22, 1940
|
|
Box
36
Folder
23
|
Theatre Arts, post 1940
|
|
Box
36
Folder
24
|
Pasadena Civic Auditorium, January 9, 1941
|
|
Box
36
Folder
25
|
“Motion Pictures - An Avenue of Pan-American Understanding,” January 16, 1941
|
|
Box
36
Folder
26
|
Town Meeting, March 3, 1941
|
|
Box
36
Folder
27
|
“Streamlining Motion Pictures to Meet a Crisis,” March 28, 1941
|
|
Box
36
Folder
28
|
Academy Awards Dinner, 1941
|
|
Box
36
Folder
29
|
Variety Club Seventh Annual Convention, May 1941
|
|
Box
36
Folder
30
|
“An Open Letter to Franklin D. Roosevelt,” August 2, 1941
|
|
Box
36
Folder
31
|
“The Role of Movies in Morale,” November 1941
|
|
Box
36
Folder
32
|
“Censorship and Propaganda in Motion Pictures,” Saturday Review of Literature, circa 1941
|
|
Box
36
Folder
33
|
Walter Winchell Guest Column, circa 1941
|
|
Box
36
Folder
34
|
“Propaganda in Films,” January 26, 1942
|
|
Box
36
Folder
35
|
Academy Speech, February 26, 1942
|
|
Box
36
Folder
36
|
Anniversary Address, KFWB Radio, March 19, 1942
|
|
Box
36
Folder
37
|
“Against Isolationism,” March 20, 1942
|
|
Box
36
Folder
38
|
Variety Club Pan-American Night, April 6, 1942
|
|
Box
36
Folder
39
|
United Nations Luncheon, May 12, 1942
|
|
Box
36
Folder
40
|
“Is the United States All-Out for War?” September 17, 1942
|
|
Box
36
Folder
41
|
“Movies - The War and After,” September 18, 1942
|
|
Box
36
Folder
42
|
Earl Warren Broadcast, October 16, 1942
|
|
Box
36
Folder
43
|
“Upheaval in Hollywood,” Correspondence, 1942
|
|
Box
36
Folder
44
|
“OWI and Motion Pictures,” Spring 1943
|
|
Box
36
Folder
45
|
“The Motion Picture and the Fight for Freedom,” June 25, 1943
|
|
Box
36
Folder
46
|
“Hollywood, U.S.A.,” USA Magazine, 1943
|
|
Box
36
Folder
47
|
“The Movie of Tomorrow,” circa 1943
|
|
Box
36
Folder
48
|
Writers Congress, 1943
|
|
Box
36
Folder
49
|
“Post-War Is Now,” June 16, 1944
|
|
Box
36
Folder
50
|
Campaign Speeches for Roosevelt, 1944
|
|
Box
36
Folder
51
|
Society of Motion Picture Engineers, May 14, 1945
|
|
Box
36
Folder
52
|
Michael Sheridan, August 28, 1945
|
|
Box
36
Folder
53
|
Hollywood Survey, November 8, 1945
|
|
Box
36
Folder
54
|
“One + One = Two (Billions),” circa 1945
|
|
Box
36
Folder
55
|
Founder's Day, Denver, circa 1945
|
|
Box
36
Folder
56
|
“The Film Way,” post 1945
|
|
Box
36
Folder
57
|
“How We Did Our Own Specific Jobs - The Movies,” Article for Simon and Schuster, circa 1945
|
|
Box
36
Folder
58
|
“America's Secret Weapon,” circa World War II
|
|
Box
36
Folder
59
|
“How Free Do You Want to Be?,” circa World War II
|
|
Box
36
Folder
60
|
“Motion Pictures: A Force for International Cooperation,” post World War II
|
|
Box
36
Folder
61
|
On the Popularity of Westerns, February 26, 1946
|
|
Box
36
Folder
62
|
“Gun and Camera,” May 13, 1946
|
|
Box
36
Folder
63
|
Technicolor News and Views, June 1946
|
|
Box
36
Folder
64
|
Survey Associates Dinner, December 3, 1946
|
|
Box
36
Folder
65
|
Advertising Club Luncheon, April 21, 1947
|
|
Box
36
Folder
66
|
Clare Boothe Luce, May 1, 1947
|
|
Box
36
Folder
67
|
“United States Propaganda,” Fall 1947
|
|
Box
36
Folder
68
|
Letter to Gardner Cowles, December 24, 1947
|
|
Box
37
Folder
1
|
Reference File, 1947
|
|
Box
37
Folder
2
|
Wall Street Journal Article, August 1948
|
|
Box
37
Folder
3
|
Reference File, 1948
|
|
Box
37
Folder
4
|
“Tulsa” Speech, April 12, 1949
|
|
Box
37
Folder
5
|
Article re: George Orwell's 1984, July 1949
|
|
Box
37
Folder
6
|
Reference File, 1949
|
|
Box
37
Folder
7
|
“Donald Duck and World Diplomacy,” March 30, 1950
|
|
Box
37
Folder
8
|
“Wooden Shoes and Silken Slippers,” May 31, 1950
|
|
Box
37
Folder
9
|
28th Annual NIAA Conference, 1950
|
|
Disc 195A
No.
1
|
Council of Motion Picture Organizations Inc., July 26, 1951
|
|
U.S. Mss 136AN
Box
37
Folder
10
|
National Committee for Free Europe Inc., circa 1951
|
|
Box
37
Folder
11
|
Autobiographical Material and Appeals During Trial and Sentencing, May 1952
|
|
Box
37
Folder
12
|
“What I Learned in Prison,” October 1952
|
|
Box
37
Folder
13
|
“What I Found in Jail,” 1953 : See also Riot in Cell Block 11 Reference Files (Box 89-90).
|
|
Box
37
Folder
14-15
|
The Forward Look, June 1955
|
|
Box
37
Folder
16
|
American Booksellers Association, October 12, 1955
|
|
Box
37
Folder
17
|
Farmers Insurance Representatives, September 15, 1955
|
|
Box
37
Folder
18
|
Notes, Material for Speech (On the Movies?), 1956
|
|
Box
37
Folder
19
|
“Hollywood's Finest Hour,” March 3, 1958
|
|
Box
37
Folder
20
|
“Living in an International Goldfish Bowl,” May 8, 1959
|
|
Box
37
Folder
21
|
Reference File, 1950s
|
|
Box
37
Folder
22
|
“It's Here - The Knowledge Explosion,” January 5, 1964
|
|
Box
37
Folder
23
|
Dartmouth Address, June 1966
|
|
Box
37
Folder
24
|
“Back Seat Citizens,” undated
|
|
Box
37
Folder
25
|
“Children and the Theatre,” undated
|
|
Box
37
Folder
26
|
“Edison Defends the Machine Age,” undated
|
|
Box
37
Folder
27
|
Hollywood Reporter Annual, undated
|
|
Box
37
Folder
28
|
“How Free Do You Want to Be?,” undated
|
|
Box
37
Folder
29
|
“Important Fun,” G. Jones Interview of Wanger, undated
|
|
Box
37
Folder
30
|
Motion Picture Engineers, undated
|
|
Box
37
Folder
31
|
“Motion Pictures: A Force for International Cooperation,” undated
|
|
Box
37
Folder
32
|
Quigley Awards, undated
|
|
Box
37
Folder
33
|
For Adlai Stevenson, undated
|
|
Box
37
Folder
34
|
“What Is America's Greatest Need Today?,” undated
|
|
Box
37
Folder
35-36
|
World War I Scrapbook, Wanger's Dictated Notes (Transcription and Dictaphone
Record); with Photos, Military Orders, Service Identification Card and Record, Volumes
1 and 2
|
|
Box
37
Folder
36A
|
World War I Enlistment Certificate, 1917; Pass; Officer's Record Book
|
|
|
Yearbooks
|
|
Box
37
Folder
37
|
Cascadilla Prep School, 1909
|
|
Box
37
Folder
37A
|
Cascadilla Prep School Athletic Letter Certificates, 1909, 1911
|
|
Box
37
Folder
38
|
Dartmouth College, 1914
|
|
Box
38
Folder
1
|
Dartmouth College, 1915
|
|
|
Series: Corporate and Financial Records
|
|
|
Personal and Family Financial Records
|
|
Box
38
Folder
2
|
Abandoned Projects, 1944-1945
|
|
Box
38
Folder
3
|
Charts of Accounts
|
|
Micro 1042
Reel
1
Frame
13-387
|
Account Book and Journal, 1942-1946(Vol. 1) : Lists Cash Received, 1943-1946, and Vouchers, 1942-1945; with Joan Bennett's Accounts, listing Cash Received, 1944-1946; Journal Vouchers, 1942-1945 (original discarded).
|
|
U.S. Mss 136AN
Box
38
Folder
4
|
Appraisals of Personal Property, 1937, 1953, 1956, 1959-1960; Wanger's Library, , undated
|
|
Box
38
Folder
5
|
Audits, 1942, 1947
|
|
Box
38
Folder
5A
|
Bank Books, 1949-1950
|
|
Box
38
Folder
6
|
Bank, Loan, and Investment Statements (Chemical Bank and Trust Company), 1933, 1937-1938, 1941, 1943-1949
|
|
|
Bank Statements
|
|
Box
38
Folder
7-9
|
Regular Commercial Account, September 1942-December 1948, February 1951-December 1953 : May also include records of Walter Wanger Pictures Inc.
|
|
Box
38
Folder
9A
|
Foreign Banks, 1949-1957
|
|
Box
38
Folder
10
|
Guaranty Trust Company of New York, London Branch, 1942-1949
|
|
Box
38
Folder
11
|
Legal Expense Account, with Correspondence, January 1952-May 1953
|
|
Box
38
Folder
12
|
Personal Account, January 1949-December 1950
|
|
Box
38
Folder
13
|
Special Account #1, with Cancelled Checks, September 1942-August 1944
|
|
Box
38
Folder
14
|
Special Account #2, with Cancelled Checks, May 1939-October 1944
|
|
|
Bank Statements and Cancelled Checks
|
|
Box
38
Folder
15-20
|
March-October 1954, December 1963-March 1964
|
|
Box
39
Folder
1-3
|
April-December 1964
|
|
Box
39
Folder
4
|
Bankruptcy Proceedings, Records, 1949-1954
|
|
Box
39
Folder
5
|
Bills for Loan-Outs to Other Studios, September 1945-November 1949
|
|
Box
39
Folder
6
|
Bonds - Record of Bonds Held by New York Trust Company, 1936-1945
|
|
Box
39
Folder
7
|
Bonds - U.S. Government Bonds, 1942-1948
|
|
Box
39
Folder
8-9
|
Breakdown of Accounts, October-December 1954, 1964
|
|
Box
39
Folder
10
|
Budgets, Account Withdrawals, Receipts and Disbursements, 1933
|
|
Box
39
Folder
11
|
Cash Budgets (Accountants Work Sheets), circa 1948-1950
|
|
Micro 1042
Reel
1
Frame
1-12
|
Cash Received, October 1942-December 1943(Vol. 2) : Original discarded after filming.
|
|
Reel
1
Frame
388-800
|
Cash Receipts and Check Register, January 1948-1953(Vol. 3) : Original discarded after filming.
|
|
U.S. Mss 136AN
|
Canadian Cooperation Project
|
|
Box
39
Folder
12
|
Annual Report, April 1949
|
|
Box
39
Folder
13
|
Correspondence, Story Summaries, and Other Papers, January 1945-May 1949, 1951
|
|
Box
39
Folder
14
|
Facilities Available in Canada, September 1948
|
|
Box
39
Folder
15
|
Ideas and Stories for Features and Shorts to be Produced, May 4, 1948
|
|
Box
39
Folder
16
|
Stockshot Index, November 18, 1948
|
|
Box
39
Folder
17
|
Weekly Cash Statements, Including Walter Wanger Pictures Inc. and Other Companies, November 1943-December 1948
|
|
Box
39
Folder
18
|
Check Registers, December 1952-October 1953
|
|
Box
39
Folder
19
|
Cancelled Checks, October 1953-January 1954
|
|
|
Contracts and Agreements
|
|
Box
39
Folder
20
|
Contract Summaries for Wanger, Walter Wanger Pictures Inc., Diana Corporation, and En Corporation/Sierra Pictures Inc., 1945-1949
|
|
Box
40
Folder
1
|
Aktiebolaget Ars - Contract to Act as Representative and Correspondence, 1922-1923
|
|
Box
40
Folder
1A
|
Allied Artists Corp., Ltd., 1921
|
|
Box
40
Folder
2
|
Allied Artists Pictures Corp. - Correspondence and Contracts, 1954-1963
|
|
Box
40
Folder
3
|
Columbia Pictures Corp. - Employment Contracts and Termination of Contracts, 1931-1933
|
|
Box
40
Folder
4
|
Columbia Pictures Corp. - Correspondence re: Contracts, 1955
|
|
Box
40
Folder
5
|
Drew, Paula - Contracts, Loan-Out Agreements, Payroll Records and Correspondence (Including Scripts), 1946-1947
|
|
Box
40
Folder
6
|
Ewing, John (Art Director) - Contract and Payroll Records, 1945-1946
|
|
Box
40
Folder
7
|
Hayward, Susan - Contracts and Loan-Out Agreements, 1945-1949
|
|
Box
40
Folder
8
|
Houser, Mervyn, 1945-1947
|
|
Box
40
Folder
9
|
Ikerd, Percy, 1945-1949
|
|
Box
40
Folder
10
|
Lavery, Emmet (Writer), 1944-1945
|
|
Box
40
Folder
11
|
Lee, John C. (Public Relations), 1943-1944
|
|
Box
40
Folder
12
|
Loew's Inc. (MGM) - Contract Negotiation Documents, 1944-1945
|
|
Box
40
Folder
13
|
Mapleton Productions Inc. - Employment Agreement, 1955
|
|
Box
40
Folder
14
|
Metro-Goldwyn-Mayer Corp., 1933-1934
|
|
Box
40
Folder
14A
|
Nassour, Edward and Joseph Bernhardt, 1949
|
|
Box
40
Folder
15
|
Paley, Jay - Legal Agreements, Correspondence, and Financial Records (With Wanger and Walter Wanger Productions Inc.) 1934-1942
|
|
Box
40
Folder
16
|
Reynolds, Toni - Contracts and Payroll Records, 1946-1947
|
|
Box
40
Folder
17
|
United Artists, 1938
|
|
Box
40
Folder
18
|
Universal, 1942-1948
|
|
Box
40
Folder
19
|
Walter Wanger Productions Inc., 1936-1941
|
|
|
Financial Correspondence
|
|
|
Morgan Maree (with Jess Morgan, Accountant and Business Manager), including Sydney Morse and Co., London
|
|
Box
40
Folder
20-28
|
1954-1963
|
|
Box
41
Folder
1-4
|
1964-1967
|
|
Box
41
Folder
5-7
|
Osborne and Harvey, including Weekly Balances, 1942-1946, 1952
|
|
Box
41
Folder
8
|
Expenditures by Wanger During Trip to France, September-November 1949, and to London, , October-December 1949
|
|
Box
41
Folder
9
|
Expenditures During Italian Trips, June, August-September 1949
|
|
|
Expense Records
|
|
Box
41
Folder
10
|
Personal Expense Record Book (England), May 1960-April 1961
|
|
Box
41
Folder
11
|
Expense and Tax Record, August 1961-August 1962
|
|
Box
41
Folder
12
|
“Diary” of Personal Expenses, 1963
|
|
Box
41
Folder
13
|
“Diary” of Personal Expenses, 1965
|
|
|
Financial Memoranda (Kept by Wanger's Secretaries)
|
|
Box
41
Folder
14-19
|
1955-1961
|
|
Box
42
Folder
1-5
|
1962-January 1967
|
|
Box
42
Folder
6-8
|
General Financial Records, Statements, and Summaries, 1940, 1942-1966
|
|
Box
42
Folder
9
|
Monthly Financial Statements, October 1942-July 1946
|
|
Box
42
Folder
10
|
Financial Statements of Condition, January 1942-December 1945
|
|
Box
42
Folder
11
|
Gift Tax Returns, 1946-1948
|
|
|
Houses, Leases, and Property Agreements
|
|
Box
42
Folder
12
|
Elm Point, Great Neck, Long Island, New York, 1931
|
|
Box
42
Folder
13
|
321 Palisades Beach Road, Santa Monica, California, 1932
|
|
Box
42
Folder
14
|
515 S. Mapleton Drive, Los Angeles, 1936-1950 : Includes Joan Bennett's Records.
|
|
Box
42
Folder
15
|
10451 Bellagio Road, Los Angeles, 1943
|
|
Box
42
Folder
16
|
1421 Stone Canyon Road, Los Angeles, 1958
|
|
Box
42
Folder
17
|
11110 Montana Avenue, Los Angeles, 1960-1961
|
|
Box
42
Folder
18
|
#9 Swan Walk, London, 1960-1961
|
|
Box
42
Folder
19
|
House Search, Los Angeles, 1962
|
|
Box
42
Folder
20
|
345 E. 57th St., New York, 1964-1966
|
|
Box
42
Folder
21
|
Income, 1960
|
|
|
Income Tax Returns
|
|
Box
42
Folder
22-23
|
1920-1933
|
|
Box
43
Folder
1-21
|
1934-1951, 1953, 1955-1957, 1960
|
|
|
Insurance Records
|
|
Box
43
Folder
22
|
Analyses, 1941-1947
|
|
Box
43
Folder
23
|
Cash Values of Policies, 1942-1950
|
|
Box
43
Folder
24
|
Correspondence, 1929-1954
|
|
Box
43
Folder
25
|
Loans on Insurance (Policyholder's Service Bureau, Arthur I. Boreman and Sons), 1934-1950
|
|
Box
43
Folder
26
|
Records of Loans, 1943-1945
|
|
Box
43
Folder
27
|
Policies
|
|
Box
43
Folder
28
|
Automobile Insurance, 1943-1947
|
|
Box
43
Folder
29
|
Fire Insurance (includes Walter Wanger Pictures Inc.), 1944-1950
|
|
Box
43
Folder
30
|
Personal Property Insurance, 1943-1951
|
|
Box
43
Folder
31
|
Public Liability and Property Damage Insurance, 1942-1949
|
|
Box
43
Folder
32
|
Workman's Compensation (includes Walter Wanger Pictures Inc.), 1944-1950
|
|
Box
43
Folder
32A
|
Inventory of Files, January 1956, July 1962
|
|
Box
43
Folder
32A
|
Files from Mitchell, Silberberg and Knupp, March 1965
|
|
|
Miscellaneous Invoices and Payment Authorizations
|
|
Box
43
Folder
33
|
1956-1957
|
|
Box
44
Folder
1-3
|
1961-1964
|
|
Box
44
Folder
4
|
Jamaica Film Production Company Project, 1954
|
|
Box
44
Folder
5
|
Jamaica Harbor and Land Reclamation Development, 1963
|
|
Micro 1042
Reel
2
Frame
1-412
|
Journal, Including Receipts and Disbursements, October 1954-December 1963(Vol. 4) : Original discarded after filming.
|
|
U.S. Mss 136AN
Box
44
Folder
10
|
Journal, 1954-1967
|
|
Box
44
Folder
10
|
Equipment and Depreciation Record, 1953-1966
|
|
|
Lawsuits
|
|
Box
44
Folder
6
|
Joan Bennett Wanger v. Bank of America (Walter Wanger's Bankruptcy and Foreclosure of 515 S. Mapleton Drive Property), 1951-1954
|
|
|
Walter Wanger v. Provincial Cinematograph Theatres, Ltd.(The High Court of Justice, Kings Bench Division, Great Britain)
|
|
Box
101
Folder
1
|
Pleadings, February 16, 1923
|
|
Box
101
Folder
1
|
Letter re: Settlement of Suit, May 30, 1923
|
|
Box
101
Folder
2
|
Brief of Plaintiff, 1923
|
|
Box
101
Folder
3
|
Proof of Plaintiff, 1923, and Defendant's Notice, , May 1923
|
|
|
Records Collected as Evidence
|
|
Box
101
Folder
4
|
Agreement Between PCT, Ltd. and Wanger (To Hire Wanger as Manager, Regent Theatre, Brighton), October 2, 1922; Letter Terminating Agreement, , February 13, 1923
|
|
Box
101
Folder
5
|
Chairman's Conference - Minutes, July 18, 1922-January 2, 1923
|
|
Box
101
Folder
6
|
Comparison of Weekly Admissions at Regent Theatre, Brighton, July 1922-January 1923
|
|
Box
101
Folder
7-8
|
Correspondence (Copies), July 3, 1922-April 17, 1923
|
|
Box
101
Folder
9
|
Film Bookings, Regent Theatre, July 1922-September 1923
|
|
Box
101
Folder
10
|
Managing Director's Agreement, September 13, 1922
|
|
Box
101
Folder
11
|
Organization of PCT, Ltd., July 1922
|
|
Box
101
Folder
12
|
Personnel of PCT, Ltd.
|
|
Box
101
Folder
13
|
Report of the Proceedings of the 13th General Shareholders Meeting of PCT, Ltd., March 27, 1923
|
|
Box
101
Folder
14
|
Theatre Weekly Trading Accounts, July 1921-April 1923
|
|
Box
101
Folder
15
|
Transcription of Shorthand Notes, June 1, 1923
|
|
Box
44
Folder
7
|
Walter F. Wanger v. Paramount Publix Corp., 1932
|
|
Box
44
Folder
8
|
Walter F. Wanger v. Universal Pictures Co. Inc., 1948-1949
|
|
|
Lawyers Mortgage Company
|
|
Box
44
Folder
11
|
General and Reorganization Records, 1937-1949
|
|
Box
44
Folder
12
|
Certificate #18380 - 370 Ft. Washington Avenue, New York, New York, 1937-1947
|
|
Box
44
Folder
13
|
Certificate #19947 - 2280 Grand Avenue, Bronx, New York, 1937-1950
|
|
Box
44
Folder
14
|
Certificate #100036 - 2155 Gleason Avenue, Bronx, New York, 1936-1941
|
|
Box
44
Folder
15
|
Certificate #1000347 - 1220 Shakespeare Avenue, New York, New York, 1936-1950
|
|
Micro 1042
Reel
2
Frame
413-757
|
Ledger, General, 1946-1953(Vol. 5) : Includes records of Walter Wanger, Joan Bennett, and several of Wanger's production companies. Original discarded after filming.
|
|
U.S. Mss 136AN
Box
44
Folder
16
|
Ledger, General, 1954 (Vol. 6)
|
|
Box
44
Folder
9
|
Legal Bills, 1943-1945, 1960-1966
|
|
|
Loans
|
|
Box
44
Folder
17
|
Loans Made by Wanger to Others, 1943-1948
|
|
Box
44
Folder
18
|
Loans from Allied Artists Pictures Corp., 1955
|
|
Box
44
Folder
19
|
Loans from Bank of America to Wanger and to Walter Wanger Pictures Inc., 1944-1949
|
|
Box
44
Folder
20
|
Loan from Joan Bennett, 1948
|
|
Box
44
Folder
21
|
Loans from Chemical Bank and Trust Co. to Wanger and to Walter Wanger Pictures Inc., 1955
|
|
Box
44
Folder
22
|
Loan from Eugene Frenke, 1951
|
|
Box
44
Folder
23
|
Loans from Samuel Goldwyn to Wanger and to Walter Wanger Pictures Inc., 1948-1952
|
|
Box
44
Folder
24
|
Loans from Landau Investment Co. to Wanger and to Walter Wanger Pictures Inc., 1947
|
|
Box
44
Folder
25
|
Loans from Maurice Newton to Wanger and to Walter Wanger Pictures Inc., 1951
|
|
Box
44
Folder
26
|
Loans from Security First National Bank to Wanger and to Walter Wanger Pictures Inc.
|
|
Box
44
Folder
27
|
Loan from Elizabeth Taylor, including Correspondence, 1960-1961
|
|
Box
44
Folder
28
|
Loans from Henry Wanger to Wanger and to Walter Wanger Pictures Inc., 1950, 1956
|
|
|
Oil and Gas Investments
|
|
Box
44
Folder
29
|
Prospecting Reports, Louisiana Gulf Coast, Yegua Seismograph Program, 1946-1947
|
|
Box
44
Folder
30
|
Prospecting Reports, Mayer Prospect, Schleicher and Sutton Counties, Texas (Francis A. Callery), 1947; Statements, , 1952-1954
|
|
Box
44
Folder
31
|
Prospecting Reports, Throckmorton County, Texas (Francis A. Callery), 1946
|
|
Box
44
Folder
32
|
Royalties Records, 1947-1953
|
|
|
Payroll Records, Wanger and Walter Wanger Pictures Inc.
|
|
Box
44
Folder
33-35
|
1945-1950, A-Z
|
|
Box
45
Folder
1
|
1955-1960, 1964
|
|
Box
45
Folder
2
|
Polo Records and Invoices, 1935-1942
|
|
|
Receipts and Disbursements
|
|
Micro 1042
Reel
3
Frame
1-66
|
Record of Receipts and Disbursements, 1954(Vol. 7) : Original discarded after filming.
|
|
U.S. Mss 136AN
Box
45
Folder
3-6
|
Monthly Statements, 1953, April 1954-November 1963
|
|
|
Weekly Statements
|
|
Box
45
Folder
7
|
Wanger, Walter Wanger Pictures Inc. and Other Companies, January 1949-August 1950
|
|
Box
45
Folder
8-12
|
1957-1966 : Includes Wanger and Walter Wanger Pictures Inc.
|
|
Box
45
Folder
13-14
|
Miscellaneous Receipts, 1953, 1955, 1959
|
|
Box
45
Folder
15
|
Safety Deposit Box Contents and Inventories of Important Documents, 1945-1966
|
|
Box
45
Folder
16-17
|
Salary Records (Films), 1941-1955
|
|
Box
45
Folder
18
|
Salary Records (Personal Income), 1956-1964
|
|
Box
45
Folder
19
|
Sale of Films to Allied Artists, 1954(Wanger and Walter Wanger Pictures Inc.)
|
|
Box
45
Folder
20
|
Sale of Picture Rights to Sol Lesser Productions Inc., 1950 : Re: Eagle Squadron, Arabian Nights, Gung Ho, and Salome.
|
|
Box
45
Folder
21
|
Sale of Picture Rights to Trans World Film Inc., 1947-1954
|
|
Box
45
Folder
22
|
Social Security Records, 1964
|
|
|
Stocks and Bonds : See also Bonds (Box 39).
|
|
Box
45
Folder
23
|
Correspondence, 1941-1948
|
|
Box
45
Folder
24
|
Record of Stocks and Bonds Owned, 1941-1945
|
|
Box
45
Folder
25
|
Neustadter Brothers, 1936-1947
|
|
Box
46
Folder
1
|
Paramount, 1929-1931
|
|
Box
46
Folder
2
|
Safety Anti-Dazzle Bulb Syndicate Ltd., 1924-1955
|
|
Box
46
Folder
3
|
Account with Sutro and Co., 1948
|
|
Box
46
Folder
4
|
Statements from Tucker, Anthony and Co., 1944-1949
|
|
Box
46
Folder
5-6
|
Young America Films, 1945-1957
|
|
Box
46
Folder
7
|
Swenson's Livery Service, 1944-1945
|
|
Box
46
Folder
8-11
|
Tax-Deductible Contributions - Correspondence and Receipts, 1938-1954
|
|
Box
46
Folder
12
|
Trust Agreement Between Walter Wanger and Joan Bennett, 1947
|
|
Box
46
Folder
13
|
Wanger, Beatrice, Estate of, 1945-1946
|
|
Box
46
Folder
14
|
Wanger, Justine - Correspondence and Legal Documents, 1929-1950
|
|
Box
46
Folder
15
|
Wanger, Stella - Estate of, 1933
|
|
Box
46
Folder
16
|
Wills and Codicils, Insurance and Estate Papers, 1942-1961
|
|
|
Bena, Melinda Markey Hayden
|
|
Box
46
Folder
17
|
Bank Statements, December 1943-January 1947
|
|
Box
46
Folder
18
|
Financial Records, 1937-1950
|
|
Box
46
Folder
19
|
Bennett, Richard Papers, 1940-1947
|
|
|
Bennett Wanger, Joan
|
|
Box
46
Folder
20
|
Monthly Bank Balances, August 1944-August 1946
|
|
Box
46
Folder
21
|
Cancelled Checks and Statements, Special Account, January 1944-July 1945, June-July 1956
|
|
Micro 1042
Reel
3
Frame
67-93
|
Cash Received, July 1941-December 1943(Vol. 8) : Original discarded after filming.
|
|
U.S. Mss 136AN
Box
46
Folder
22
|
Financial and Miscellaneous Correspondence, 1950-1951
|
|
Box
46
Folder
23
|
Monthly Financial Statements, January 1944-July 1946
|
|
Box
46
Folder
24
|
Statements of Financial Condition, January 1944- December 1945
|
|
Box
46
Folder
25
|
House, Papers re: 1537 Glendon Avenue, 1942-1945
|
|
Micro 1042
Reel
3
Frame
94-360
|
Household Account Book, 1930-1941(Vol. 9) : Records of Cash, Checks, Journal, Bank Statements, Assets, Liabilities, Capital, Revenue, Expenses, including some records regarding Gene Markey and children. : Original discarded after filming.
|
|
U.S. Mss 136AN
Box
46
Folder
26-29
|
Income Tax Returns, 1941-1944
|
|
Box
46
Folder
30
|
Lawsuit - Joan Bennett Wanger v. Alexander and Marion Wilensky(Promissory Note), 1949-1950
|
|
Box
46
Folder
31
|
Life Insurance, 1930, 1939
|
|
Box
47
Folder
1
|
Lists of Important Papers
|
|
Box
47
Folder
2
|
Wine Lists (Joan Bennett Wanger and Walter Wanger), 1939, 1941, 1948
|
|
Box
47
Folder
3
|
Patent Application, 1947-1949
|
|
Box
47
Folder
4
|
Randall, Barbara Bennett, 1943-1950
|
|
Box
47
Folder
5
|
Wanger, Shelley - Financial Records and Correspondence, 1952-1967
|
|
|
Wanger, Stephanie
|
|
Box
47
Folder
6
|
Check Register, 1949-1962
|
|
Box
47
Folder
7
|
Cancelled Checks and Statements, 1949-1961
|
|
Box
47
Folder
8-9
|
Financial Records and Correspondence; Guardianship Records; Tax and Insurance Records, 1946-1966
|
|
Box
47
Folder
10
|
Papers re: 709 Washington Ave. Corp., 1944-1950
|
|
Box
47
Folder
11
|
State of the Union Records, 1945 : See also I'd Rather Be Left Co. Records (Box 48).
|
|
Box
47
Folder
12
|
Wedding to Frederick Guest, 1963-1964
|
|
|
Citadel Pictures
|
|
Box
47
Folder
13
|
Correspondence, Contracts, Related Material, 1950-1951
|
|
Box
47
Folder
14
|
Corporate and Legal Papers, 1946-1952 : Includes Walter Wanger Inc.
|
|
Box
47
Folder
15
|
Financial and Tax Records, 1946-1953
|
|
Micro 1042
Reel
3
Frame
361-415
|
General Ledger, Cash Book and Journal, 1950-1951(Vol. 10) : Original discarded after filming.
|
|
U.S. Mss 136AN
|
Diana Productions, Inc
|
|
Box
47
Folder
16
|
Accounts, Abstracts of Contracts, Miscellaneous Corporate Records, 1945-1948
|
|
|
Correspondence and Memoranda
|
|
Box
47
Folder
17-20
|
1945-June 1947
|
|
Box
48
Folder
1
|
July-December 1947
|
|
Box
48
Folder
2
|
Payroll Records, 1945-1946, A-Z
|
|
|
Eagle-Lion Studios Inc.
|
|
Box
48
Folder
3-4
|
Correspondence and Memoranda, August 1947-May 1950, January 1951
|
|
Box
48
Folder
5
|
Financial and Organizational Records, 1947-1948
|
|
Box
48
Folder
6
|
Legal Agreements, 1947-1948
|
|
Box
48
Folder
7
|
Payment Authorization Requests, 1947-1949
|
|
Box
48
Folder
8
|
Policies, Personnel, and Equipment Inventory, undated
|
|
|
I'd Rather Be Left Company
|
|
Box
48
Folder
9
|
Partnership Agreement and Correspondence, 1945-1946
|
|
Box
48
Folder
10
|
Financial Statements, Legal Documents and Donor Records, 1946-1952
|
|
Box
48
Folder
11-12
|
State of the UnionWeekly Reports, December 1945-February 1948
|
|
|
Marlowe, Ltd.
|
|
Box
48
Folder
13
|
Articles of Association, 1923
|
|
|
Sierra Pictures Inc. (En Corporation)
|
|
Box
48
Folder
14
|
Bank Statements (Production Account), February 1951- January 1955, August 1959-June 1962
|
|
Box
48
Folder
15
|
Contracts with Ingrid Bergman, 1946
|
|
Box
48
Folder
16-17
|
Correspondence and Financial Records, February 1947-1954
|
|
Box
48
Folder
18
|
Income Tax Returns, 1947-1954
|
|
Box
48
Folder
19
|
Statements of Assets and Liabilities, May-September 1947
|
|
|
Societa Anonima Italiana Cinematografica (SAIC)
|
|
Box
48
Folder
20-21
|
Correspondence, June 1936-July 1939
|
|
|
Tec-Scope
|
|
|
Correspondence and Memoranda
|
|
Box
48
Folder
22
|
December 1961-August 1962
|
|
Box
49
Folder
1
|
September 1962-1964
|
|
Box
49
Folder
2
|
Minutes, Memoranda and Reports, March 1962-April 1963
|
|
|
W. Wanger Productions Ltd.
|
|
Box
49
Folder
3
|
Articles of Association, circa 1948
|
|
|
Walter Wanger Inc.
|
|
Box
49
Folder
4
|
Income Tax Returns, 1948-1949
|
|
|
Walter Wanger International
|
|
Box
49
Folder
5-6
|
Bank Statements and Cancelled Checks, 1949-November 1953
|
|
Box
49
Folder
7
|
Correspondence, 1949
|
|
Box
49
Folder
8
|
Correspondence with Eugene Frenke, 1948-1949
|
|
Box
49
Folder
9
|
Correspondence and Contracts with Salta Viertel, 1948-1950
|
|
Box
49
Folder
10
|
Financial Statements and Working Papers, 1949-1950
|
|
Box
49
Folder
11
|
Income Tax Returns, 1948-1949
|
|
Box
49
Folder
12
|
Ledger, Journal, Cash Received, Payroll, 1949
|
|
Micro 1042
Reel
3
Frame
416-426
|
Ledger, and Cash Journal, 1949(Vol. 11) : Original discarded after filming.
|
|
U.S. Mss 136AN
Box
49
Folder
13
|
Legal and Corporate Records, Minutes, 1948-1949
|
|
Box
49
Folder
14
|
Miscellany
|
|
Box
49
Folder
15
|
Payroll and Personnel Records, 1949
|
|
|
Walter Wanger Pictures Inc. : Includes some records of Walter Wanger Productions Inc.
|
|
Box
49
Folder
16
|
Chart of Accounts
|
|
Box
49
Folder
17
|
Audit, 1947
|
|
Box
49
Folder
18-20
|
Balance Sheets and Financial Reports, 1934-1959
|
|
|
Bank Statements and Cancelled Checks
|
|
Box
49
Folder
21
|
General Account, December 1950-May 1954
|
|
Box
49
Folder
22-23
|
Payroll Account, October 1945-August 1951
|
|
Box
49
Folder
24
|
Production Account #1, July 1947-January 1950
|
|
Box
49
Folder
25
|
Production Account #2, July 1948-December 1949
|
|
Box
49
Folder
26
|
Regular Account, October 1942-March 1951
|
|
Box
49
Folder
27-29
|
Cancelled Checks and Statements, March 1955-December 1963
|
|
Box
49
Folder
30
|
Bonds - U.S. Government Bonds, 1942-1945
|
|
Micro 1042
Reel
3
Frame
427-854
|
Cash Received, Check Record, Vouchers, 1934-1945(Vol. 12) : Includes records of Walter Wanger Productions Inc. Original discarded after filming.
|
|
U.S. Mss 136AN
|
Contracts and Legal Agreements
|
|
Box
50
Folder
1
|
Argosy Pictures Corporation Legal Agreement, 1947
|
|
Box
50
Folder
2
|
Campbell, James Lawrence - Contract, Payroll Records, and Correspondence, 1943-1944
|
|
Box
50
Folder
3
|
Columbia Pictures - Employment Agreement, Loan-Outs, and Payroll re: Jacques O'Mahoney, May 1949-July 1950
|
|
Box
50
Folder
4
|
Connor, Whitfield - Contracts and Payroll Records, 1946-1947
|
|
Box
50
Folder
5-6
|
Figaro Inc. - Legal Agreements and Correspondence, April 1956-1959
|
|
Box
50
Folder
7
|
Foley, Rosemary (Secretary) - Contracts and Payroll Records, 1942-1948
|
|
Box
50
Folder
8-11
|
Guilds and Unions, 1942, 1947-1955, 1961
|
|
Box
50
Folder
12
|
Metro-Goldwyn-Mayer Inc. - Contract re: Night of the Short Knivesand Rector of Justin, 1964
|
|
Box
50
Folder
13
|
Parsonett, Marion - Contract and Payroll Records, 1944-1945
|
|
Box
50
Folder
14
|
Pathe Industries Inc. (Eagle-Lion) - Contracts and Correspondence, 1947-1950
|
|
Box
50
Folder
15
|
RKO Radio Pictures - Contracts and Correspondence, 1956, 1959
|
|
Box
50
Folder
16
|
Raine, Norman Reilly - Contracts, Loan-Out Agreements and Payroll Records, 1942-1943
|
|
Box
50
Folder
17
|
Hal Roach Studios Inc. - Contract and Correspondence re: Leasing Studio, 1946-1950
|
|
Box
50
Folder
18
|
Sidney, Sylvia - Contracts, Loan-Out Agreements, Legal and Loan Records and Correspondence, 1935-1941
|
|
Box
50
Folder
19
|
20th Century-Fox - Correspondence re: Contracts, 1963-1965
|
|
Box
50
Folder
20
|
Universal Pictures Co. Inc. - Legal Agreement, 1946
|
|
Box
50
Folder
21
|
Wiggam, Lionel - Contracts, 1945-1947
|
|
Box
50
Folder
22
|
Distribution Agreement with Universal Pictures Co. Inc., 1946-1950
|
|
Box
50
Folder
23
|
Cast and Preproduction Insurance, April 1948-February 1949
|
|
Box
51
Folder
1-2
|
Inventory of Office Files, Prepared for Transfer of Records to University of Wisconsin, circa 1963
|
|
Box
51
Folder
3-4
|
Miscellaneous Invoices and Payment Authorization Slips, 1959-1963
|
|
Box
51
Folder
5
|
Invoices, 1936-1939, 1942(Vol. 13) : Includes records of Walter Wanger Productions Inc.
|
|
Micro 1042
Reel
4
Frame
268-489
|
Ledger, including Eagle-Lion General Ledger, 1948-1954(Vol. 14) : Original discarded after filming.
|
|
U.S. Mss 136AN
|
Loans
|
|
Box
51
Folder
6
|
To Ingrid Bergman, 1947-1949
|
|
Box
51
Folder
7
|
From Columbia Pictures Corp., 1949-1950
|
|
Box
51
Folder
8
|
From Eagle Lion Films Inc. (Secured by Sierra Pictures Inc. Stock), 1948
|
|
Box
51
Folder
9
|
From Edward Lasker; Agreement with Pathe Industries Inc. re: Repayment, 1948-1949
|
|
Box
51
Folder
10
|
From Pacific Finance Corp., February 1947-March 1948
|
|
Box
51
Folder
11
|
Application to Reconstruction Finance Corp. for Loan, 1950
|
|
Box
51
Folder
12
|
From Universal Pictures Co. Inc., 1946
|
|
Box
51
Folder
13-14
|
Minutes, Corporate Papers, and Correspondence, 1934-1960 : Including Walter Wanger Productions Inc.
|
|
Box
105
|
Minute Book, including By-Laws and Dissolution Papers, 1941(Vol. 15) : Including Walter Wanger Productions Inc.
|
|
Box
51
Folder
15-16
|
Personnel and Payroll Records, 1947-1950 1956-1963
|
|
Box
51
Folder
17
|
Pathe Industries Inc. Financial and Stock Statements, 1946-1947
|
|
Box
51
Folder
18
|
Pathe Industries/Eagle Lion Productions Progress Reports, January 24-May 21, 1948
|
|
Box
51
Folder
19-21
|
Receipts, Reimbursements, and Royalties, 1942-1963
|
|
Micro 1042
Reel
4
Frame
491-663
|
Cash Receipts and Disbursements, August 1946-1947(Vol. 16) : Original discarded after filming.
|
|
|
Receipts and Disbursements, Including Journal, 1948-1954(Vol. 17) : Original discarded after filming.
|
|
Reel
4
Frame
664-720
|
Part 1, through Cash Received, Dec. 1949,Acct. CD-17
|
|
Reel
5
Frame
1-384
|
Part 2, Cash Received, Jan. 1950,Acct. CD-18
|
|
Box
52
Folder
1
|
Reorganization Papers, 1946-1950
|
|
Box
52
Folder
2
|
Reports to the Board of Directors, February-May 1948
|
|
|
Tax Returns
|
|
Box
52
Folder
3
|
Corporation Tax Returns, 1934-1950
|
|
Box
52
Folder
4
|
Employer's Tax Returns, 1938-1950
|
|
Box
52
Folder
5-23
|
Income Tax Returns, 1936-1954, 1963-1964
|
|
Box
52
Folder
24
|
Property Taxes, 1956-1964
|
|
Box
52
Folder
25
|
Twentieth Century-Fox, Classified Index of Unproduced Literary Properties Owned, October 23, 1958
|
|
Box
52
Folder
26
|
Wartime Wage Restrictions, 1943-1944
|
|
Box
52
Folder
27
|
Wartime Cooperation with the United States Government, 1940s, and with the Defense Department, , 1954
|
|
|
Walter Wanger Productions Inc.
|
|
Box
52
Folder
28
|
Analysis of General Overhead, 1941
|
|
Box
52
Folder
29
|
Articles of Incorporation and Dissolution Papers; Correspondence and Corporate Papers, 1934-1945
|
|
Box
52
Folder
30
|
Bank Balances, October 1934-March 1935
|
|
Box
52
Folder
31
|
Bank Statements and Cancelled Checks, 1942-1945
|
|
|
Contracts
|
|
Box
52
Folder
32
|
Barrymore, Diana - Contracts and Legal Correspondence, 1942-1943
|
|
Box
52
Folder
33
|
Clurman, Harold, 1937
|
|
Box
52
Folder
34
|
Cooke, Edmund (Public Relations) - Contract and Payroll Records, 1945-1946
|
|
Box
52
Folder
35
|
Cortez, Stanley (Cameraman) - Loan-Out Contracts (Diana Productions Inc.), 1946-1948
|
|
Box
52
Folder
36
|
Gabel, Martin - Contracts, Loan-Out Agreements and Payroll, 1946-1947
|
|
Box
52
Folder
37
|
Gilbert, Doris (Writer) - Contract and Correspondence, 1943
|
|
Box
52
Folder
38
|
Samuel Goldwyn Studios - Legal Agreement and Correspondence, 1940-1941
|
|
Box
52
Folder
39
|
Starling, Lynn, 1934-1936
|
|
Box
52
Folder
40
|
Paramount - Legal Agreements, Lawsuit and Correspondence, 1934-1939
|
|
Box
52
Folder
41
|
United Artists - Legal Agreements, 1936-1941
|
|
Box
52
Folder
42
|
Van Every, Dale, 1934
|
|
Box
53
Folder
1
|
World Screen Plays - Legal Agreement, 1949
|
|
Box
53
Folder
2
|
Financial Statements, 1938, 1942-1943
|
|
Box
53
Folder
3
|
Financial - Vouchers, 1942-1943
|
|
Box
53
Folder
4-5
|
Income Tax Returns, 1934-1936, 1941-1945
|
|
Box
53
Folder
6
|
Inventories of Equipment and Wardrobe, 1934-1936
|
|
Micro 1042
Reel
5
Frame
385-632
|
Journal (Vol. 18) : Cash Received, 1942; Checks Drawn,1942-1943; Invoices, 1942-1943; Jaypay Journal Entries, 1934; Walter Wanger Productions Journal Entries, 1934-1943(includes a few records of Jaypay Pictures Corporation; Jay Paley) : Original discarded after filming.
|
|
U.S. Mss 136AN
Box
53
Folder
7
|
Lawsuit - Ernest B. Schoedsack v. Walter Wanger Productions Inc., 1943
|
|
Box
53
Folder
8
|
Ledger - Invoices, 1942
|
|
Box
53
Folder
9
|
Song Royalties, 1942-1946
|
|
|
Walwa Films, S.A. : See also Walwa Files in Cleopatra Film Production Series (Box 65- ).
|
|
Box
53
Folder
10
|
Financial Correspondence and Papers; Liquidation Papers, 1960-1965
|
|
|
Series: Business Correspondence and Staff Memoranda
|
|
Box
53
Folder
11-13
|
Daily Staff Notes and Lists of Calls to Wanger, December 1947-August 1949
|
|
Box
53
Folder
14-23
|
Telephone Messages, 1956, October 30, 1958-1966
|
|
|
Staff Memoranda
|
|
Box
53
Folder
24
|
Cooke, Edmund, August 1945-August 1946
|
|
Box
53
Folder
25-26
|
Fitch, Francine - Memos to and from Wanger in London, May-December 1960
|
|
|
Fitch, Francine
|
|
Box
53
Folder
27-28
|
January-December 1961
|
|
Box
54
Folder
1-16
|
January 1962-December 1965 : Includes some Appointments and Telephone Messages)
|
|
Box
55
Folder
1-5
|
January-December , 1966 : Memos in Folder 1 Originally Labelled “Not to Be Given to UW”
|
|
|
Foley, Rosemary
|
|
Box
55
Folder
6
|
1937-1945, including Memos of Marian Lemke
|
|
Box
55
Folder
7-11
|
1946-1950
|
|
|
Guth, Percy
|
|
Box
55
Folder
12-14
|
Memos, Distribution and Cost Records, Balances, Loans, and Other Financial Records Kept by the Comptroller, October 1934-April 1942
|
|
Box
55
Folder
15
|
Memos and Accumulated Costs of Scenarios in Progress, June 1936-September 1941
|
|
Box
55
Folder
16-17
|
Kosiner, Harry, August 1938-1940
|
|
Box
56
Folder
1-4
|
McGuire, Jane, 1945-September 1949
|
|
Box
56
Folder
5
|
McNeil, Reta, December 1951-September 1953
|
|
Box
56
Folder
6-10
|
Mercader, George, including some memos of Marie Kirchner, 1946-1954
|
|
Box
56
Folder
11
|
Monson, Mary, 1954
|
|
Box
56
Folder
12
|
Scanlon, Ernest L., 1949-1950
|
|
Box
56
Folder
13
|
Sheridan, Michael (Publicist), June-September 1947
|
|
Box
56
Folder
14
|
Slade, Afton, 1948
|
|
Box
56
Folder
15
|
Slater, M.A., May 1946-September 1947
|
|
Box
56
Folder
16-17
|
Tannenbaum, David, 1946-1948
|
|
|
Producers' Representatives - Correspondence and Film Receipts
|
|
|
Rogers, Budd
|
|
Box
56
Folder
18-21
|
September 1943-July 1944
|
|
Box
57
Folder
1-9
|
August 1944-August 1949
|
|
Box
57
Folder
10-13
|
Producers' Representatives, January 1948-June 1950
|
|
|
Title Registration Bureau - Correspondence and Registrations
|
|
Box
58
Folder
1-6
|
July 1936-December 1941
|
|
Box
58
Folder
7
|
Title Transfer, 1941-1943
|
|
Box
58
Folder
8-13
|
1942-1949
|
|
Box
58
Folder
14
|
Title Registration Committee Members, November 1950-February 1955
|
|
Box
58
Folder
15
|
1950
|
|
Box
59
Folder
1-7
|
1951-1957
|
|
Box
60
Folder
1-10
|
1958-February 1968
|
|
|
Series: Film Production Files
|
|
Box
61
Folder
1
|
Lists of Films Made by Walter Wanger
|
|
|
The Adventures of Hajji Baba
(20th Century-Fox, 1954)
|
|
Box
61
Folder
2
|
Budget and Production Figures, 1954-1955
|
|
Box
61
Folder
3
|
Cast Call Sheets
|
|
Box
61
Folder
4
|
Cast and Staff Lists and Production Schedules
|
|
Box
61
Folder
5
|
Casting, 1953-1954
|
|
Box
61
Folder
6
|
Censorship, 1953-1954
|
|
Box
61
Folder
7
|
Contracts, Legal Papers, and Associated Correspondence, 1952-1954
|
|
Box
61
Folder
8
|
General Correspondence, December 1952-1965
|
|
Box
61
Folder
9
|
Electrical Equipment and Invoices
|
|
Box
61
Folder
10
|
Income Statements, 1957-1960
|
|
Box
61
Folder
11
|
Labor Cost Sheets, 1952-1954
|
|
Box
61
Folder
12
|
Locations
|
|
Box
61
Folder
13
|
Production Reports (Daily), 1954
|
|
Box
61
Folder
14
|
Production - Titles, Music, Set Plans, 1954
|
|
Box
61
Folder
15
|
Publicity and Clippings
|
|
|
Scripts and Screenplays
|
|
Box
61
Folder
16
|
Typescript Screenplay, by Richard Collins, February- March 1953
|
|
Box
61
Folder
17
|
Unrevised Screenplay, by Collins, undated (circa February or March 1953)
|
|
Box
61
Folder
18
|
“Unrevised” Screenplay, by Collins, May 8, 1953
|
|
Box
61
Folder
19
|
Screenplay, by Collins, May 18, 1953
|
|
Box
61
Folder
20
|
Typescript Screenplay, by Collins, May 19, 1953
|
|
Box
61
Folder
21
|
Final Revised Script, by Collins, March 16, 1954
|
|
Box
61
Folder
22
|
Script Revisions (Portions), No Author Listed, March 1954
|
|
Box
61
Folder
23
|
Script Revisions (Annotated), No Author Listed, March 1954
|
|
Box
61
Folder
24
|
Revised Screenplay, by Collins, April 7, 1954
|
|
Box
61
Folder
25
|
Revised Screenplay, by Collins, April 14, 1954
|
|
Box
61
Folder
26
|
Script Revisions (Portions, Annotated), April 1954
|
|
Box
61
Folder
27
|
Wanger's Copy of Old Script, with Rewrites and Eliminations, August 9, 1954
|
|
Box
61
Folder
28
|
Script Revisions and Correspondence re: Revisions, 1953-1954
|
|
Box
61
Folder
29
|
Synopses
|
|
|
“Air Evacuation Nurse” (Story Idea, Unproduced)
|
|
Box
62
Folder
1
|
Notes, Budget, 1944
|
|
|
Aladdin and His Lamp
(Monogram [Allied Artists], 1952)
|
|
Box
62
Folder
2
|
Budget, circa 1950
|
|
Box
62
Folder
2
|
Production Cost Reports, 1951-1952
|
|
Box
62
Folder
3
|
Call Sheets, Shooting Schedule, Music Cue Sheets, Billing Sheet, Staff Sheet, Appointments, 1950-1951
|
|
Box
62
Folder
4
|
Contract with MCA and Correspondence, June 1950-February 1951
|
|
Box
62
Folder
5
|
Correspondence, December 1950-September 1951
|
|
Box
62
Folder
6
|
Income and Cost Statements, 1952-1964
|
|
Box
62
Folder
7
|
News Releases, July-August 1951
|
|
Box
62
Folder
8
|
Publicity, 1952
|
|
|
Scripts and Screenplays
|
|
Box
62
Folder
9
|
Script by Howard Dimsdale, Millard Kaufman and Sam Roeca, undated, with Revisions of , July 19, 1951
|
|
Box
62
Folder
10
|
Script by Dimsdale, Kaufman, and Roeca, undated, with Revisions of , July 23, 1951
|
|
Box
62
Folder
11
|
Script Fragments, No Author Listed, undated
|
|
Box
62
Folder
12
|
“Aladdin's Lamp,” Television Pilot Script, by Howard Dimsdale, circa 1951
|
|
|
Algiers(United Artists,
1938)
|
|
|
Scripts and Screenplays
|
|
Box
62
Folder
13
|
Typescript of Detailed Description and English Dialogue (“Pepe LeMoko”), March 15, 1938
|
|
Box
62
Folder
14
|
Revised Script (“Pepe LeMoko”) by John Howard Lawson (Annotated), April 12, 1938
|
|
Box
62
Folder
15
|
Revised Script (“Pepe LeMoko”) by John Howard Lawson (Annotated with Shooting Dates), April 12, 1938
|
|
Box
62
Folder
16
|
Script (“Pepe LeMoko”), No Author Listed, undated; Negative Cost Report
|
|
Box
62
Folder
17
|
Radio Script and Correspondence, 1938
|
|
|
All Mine to Give(Universal,
1957)
|
|
Box
62
Folder
18
|
Correspondence, Tentative Outline (“The Day They Gave Babies Away”), by Dale and Katherine Eunson, January-September 1956
|
|
|
Anne of the Indies
(“Queen of the Pirates”) (20th Century-Fox, 1951)
|
|
Box
62
Folder
19
|
Contract with Jan Fortune (Writer), 1948
|
|
Box
62
Folder
20
|
Contracts re: Purchase of Options on Story, and Story, 1947-1950
|
|
Box
62
Folder
21
|
Pre-Production Costs, Correspondence, and Saturday Evening PostStory by Herbert Ravenel Sass, 1947-1950
|
|
Box
62
Folder
22
|
Discarded Pages of Jan Fortune Treatment, January 1948
|
|
Box
62
Folder
23
|
Treatments by Guy Endore, March 3, 19, 1949
|
|
|
“Antarctica” (Film Project, Unproduced)
|
|
Box
62
Folder
24
|
Clippings and Correspondence, January 1953-March 1957
|
|
|
“Antigone” (Film Project, not produced by Wanger)
|
|
Box
62
Folder
25
|
Correspondence, July-September 1946
|
|
|
Arabian Nights(Universal,
1942)
|
|
Box
62
Folder
26
|
Audit of Universal Pictures Books, 1947
|
|
Box
62
Folder
27
|
Contract, Correspondence with Universal Pictures, 1942
|
|
Box
62
Folder
28
|
Contracts and Correspondence - Writers, Cast, and Staff, August 1936-October 1942
|
|
Box
62
Folder
29
|
Correspondence re: Title and Credits, January 1937- November 1942
|
|
Box
62
Folder
29
|
Censorship, July 1942-March 1943
|
|
Box
62
Folder
30
|
Distribution Statements, 1943-1954
|
|
Box
62
Folder
31
|
Production and Publicity Correspondence; Grosses, March 1942-April 1943
|
|
Box
62
Folder
32
|
Production Estimates and Schedules, March-October 1942
|
|
Box
63
Folder
1
|
Revised Script by Michael Hogan, June 27, 1942, with Revisions of , August 20, 1942
|
|
Box
63
Folder
2
|
Income Statements of Arabian Nights, Eagle Squadron, Gung Ho, Salome Where She Danced, 1950-1954
|
|
|
Around the World in Eighty Days(This Version Unproduced)
|
|
Box
63
Folder
3
|
Correspondence, Contracts, Treatment by Jacques Thery and John Gay, 1932-1941
|
|
|
“The Ballad and the Source” (Unproduced)
|
|
Box
63
Folder
4
|
Breakdown by Gina Kaus, November 10, 1945
|
|
Box
63
Folder
5
|
Breakdown, December 1949
|
|
Box
63
Folder
6
|
British Censorship Problems, 1950-1953
|
|
Box
63
Folder
7
|
Casting Correspondence, 1947-1959
|
|
Box
63
Folder
8
|
Contracts, Correspondence, and Payroll Records, 1945-1949, 1957
|
|
Box
63
Folder
9
|
General Correspondence, 1945-1966
|
|
Box
63
Folder
10
|
Correspondence with Joseph Schenck and Darryl Zanuck, 1948-1950
|
|
Box
63
Folder
11
|
Distribution Agreement with Universal, 1950
|
|
Box
63
Folder
12
|
Financing and Cost Estimates, 1947-1951
|
|
Box
63
Folder
13
|
Publicity, Title Correspondence, Clipping, 1945-1947
|
|
|
Scripts and Screenplays
|
|
Box
63
Folder
14
|
Radio Scripts by Kay Brown, and Correspondence, May-June 1945
|
|
Box
63
Folder
15
|
Script by Michael Blankfort, From the Novel by Rosamond Lehmann, December 11, 1946
|
|
Box
63
Folder
16
|
Screenplay by Blankfort, March 20, 1947, with Revisions of , March 28, 1947
|
|
Box
63
Folder
17
|
Script by Blankfort (Annotated), September 26, 1947
|
|
Box
63
Folder
18
|
Incomplete First Draft Screenplay by Irmgard Von Cube and Allen Vincent (Annotated), May 23, 1949
|
|
Box
63
Folder
19
|
Script by Von Cube and Vincent, undated
|
|
Box
63
Folder
20
|
“Second Version” Script by Von Cube and Vincent, August 1949
|
|
Box
63
Folder
21
|
Discarded Pages from “Second Version” Script by Von Cube and Vincent, August 1949
|
|
Box
63
Folder
22
|
Story Outlines, Scene Sketch, Treatment, 1945-1957
|
|
Box
63
Folder
23
|
Story Outlines and Notes by Irmgard Von Cube and Allen Vincent, 1949-1950
|
|
|
Treatments
|
|
Box
63
Folder
24
|
First Treatment, by Gina Kaus, From the Novel by Rosamond Lehmann, November 17, 1945
|
|
Box
63
Folder
25
|
Typescript Screen Treatment by William Cameron Menzies, From the Novel by Rosamond Lehmann (Annotated), March 24, 1948, Including Suggested Changes Dated , March 30, 1948
|
|
Box
63
Folder
26
|
Treatment by Menzies, March 24, 1948
|
|
|
Battle Zone(Allied Artists,
1952)
|
|
Box
63
Folder
27
|
Contracts, May-June 1952
|
|
Box
63
Folder
27
|
Production Costs, June 1952-January 1953
|
|
Box
63
Folder
28
|
Correspondence and News Releases, December 1951-October 1953
|
|
Box
64
Folder
1
|
Income Statements, 1953-1963
|
|
Box
64
Folder
2
|
Income and Cost Statements from Battle Zone, Kansas Pacific, Fort Vengeance, 1953-1954
|
|
Box
64
Folder
3
|
Payroll, March-October 1952
|
|
Box
64
Folder
3
|
Accounts Payable, November 1951-September 1952
|
|
Box
64
Folder
4
|
Revised Script, by Steve Fisher, June 7, 1952
|
|
Box
64
Folder
5
|
Script Fragments, undated
|
|
|
“Beauty and the Beast” (Unproduced by Wanger)
|
|
Box
64
Folder
6
|
Correspondence, August 1951
|
|
|
“Bellevue Hospital” (Unproduced)
|
|
Box
64
Folder
7
|
Correspondence, September 1941
|
|
|
“Big Blonde” (Unproduced)
|
|
Box
64
Folder
8
|
Script, “Dorothy Parker's O'Henry Prize Story,” undated : Originally Labelled “Dead File”
|
|
Box
64
Folder
9
|
Script, No Author Listed, undated
|
|
|
Big Brown Eyes(Paramount,
1936)
|
|
Box
64
Folder
10
|
Revised Script, by Raoul Walsh and Bert Hanlon, Based on Stories by James Edward Grant, February 28, 1936
|
|
|
“The Big Eye” (Unproduced)
|
|
Box
64
Folder
11
|
Correspondence, January-March 1950
|
|
|
“The Black Knight” (Produced as Crossed Swords, United Artists, 1954?)
|
|
Box
64
Folder
12
|
Script by Daniel B. Ullman, undated
|
|
|
Blockade(United Artists,
1938)
|
|
Box
64
Folder
13
|
Negative Cost Report; Speech(?), undated
|
|
Box
64
Folder
14
|
Second Draft Continuity (“The River is Blue”), by John Howard Lawson, January 12, 1938
|
|
Box
64
Folder
15
|
Revised Final Script (“The River is Blue”), by Lawson, February 28, 1938
|
|
|
“Border Trumpet” (Unproduced)
|
|
Box
64
Folder
16
|
Correspondence and Contracts, 1956-1960 : File labelled “Dead File”
|
|
|
Canyon Passage(Universal,
1946)
|
|
Box
64
Folder
17
|
Contracts and Correspondence, 1944-1950
|
|
|
Correspondence
|
|
Box
64
Folder
18
|
General, July 1945-September 1947
|
|
Box
64
Folder
19
|
Post-Production, June 1945-March 1948
|
|
|
Costs
|
|
Box
64
Folder
20
|
Financial Statements, 1946-1954
|
|
Box
64
Folder
21
|
Production Costs and Correspondence, 1945-1947
|
|
Box
64
Folder
22
|
Publicity
|
|
Box
64
Folder
23
|
Other Stories by Ernest Haycox, circa 1955
|
|
|
Captain Scarlett(United
Artists, 1953)
|
|
Box
64
Folder
24
|
Income Statements, 1955-1962
|
|
|
The Case Against Mrs. Ames
(Paramount, 1936)
|
|
Box
64
Folder
25
|
Revised Final Script, by Gene Towne and Graham Baker (Annotated), March 11, 1936
|
|
|
Castles in Spain
|
|
Box
64
Folder
26
|
Final Draft Continuity, by Clifford Odets, undated
|
|
Box
64
Folder
27
|
Wardrobe Inventories; Set, Office, Globe, and Materials and Findings Inventories, from Castles in Spain,Vogues of 1938, 52nd Street, I Met My Love Again, Stand-In, and Algiers, August-November 1937
|
|
|
“Cheyenne” (This Version Unproduced)
|
|
Box
64
Folder
28
|
Contracts and Correspondence, January-November 1941, undated
|
|
|
“Citizen Tom Paine” (Unproduced)
|
|
Box
64
Folder
29
|
Contracts and Correspondence, August 1944-November 1945
|
|
|
Cleopatra(20th Century-Fox,
1963)
|
|
|
Academy Awards, 1964
|
|
Box
102
Folder
2
|
Certificate of Nomination
|
|
Box
65
Folder
1
|
Miscellany
|
|
Box
65
Folder
2
|
Banca d'America e d'Italia Account Records (MCL Films and Walwa Films), 1961-1963
|
|
Box
65
Folder
3
|
Budgets and Cost Estimates, 1959-1961
|
|
Box
65
Folder
4
|
Call Sheets, June 1959
|
|
Box
65
Folder
5
|
First Unit Call Sheets, September 1961-July 1962
|
|
Box
65
Folder
6
|
Second Unit Call Sheets, August 1961-July 1962
|
|
Box
65
Folder
7-10
|
Casting, Employment, and Staffing Correspondence, Memos, and Lists, April 1958-1962
|
|
Box
65
Folder
11
|
Censorship, May 1959-November 1960
|
|
Box
65
Folder
12-15
|
Clippings, October 1956-December 1967
|
|
|
Contracts
|
|
Box
65
Folder
16
|
Walter Wanger Pictures Inc. and Twentieth Century-Fox Film Corp., Including Correspondence, October 1958-April 1963
|
|
Box
65
Folder
17-18
|
Other Contracts, Including Walwa, Seven Arts, and Transfer of Rights in the Film, February 1958-December 1965
|
|
|
Correspondence and Memoranda
|
|
Box
65
Folder
19
|
Adler, Buddy, August 1958-July 1960
|
|
Box
65
Folder
20
|
Bautzer, Gregson (Attorney), October 1957-September 1965
|
|
Box
66
Folder
1
|
Famous Artists Agency, October 1958-January 1964
|
|
Box
66
Folder
2
|
Franzero, Carlo Maria (The Life and Times of Cleopatra), Including Legal Papers, December 1955-September 1964
|
|
Box
66
Folder
3
|
Gang, Tyre, Rudin, and Brown (Attorneys), September 1959-April 1964
|
|
Box
66
Folder
4-6
|
General Correspondence, August 1957-1964, undated
|
|
Box
66
Folder
7
|
Goldstein, Robert, May 1960-July 1961
|
|
Box
66
Folder
8
|
Harrison, Rex, June 1960-May 1965
|
|
Box
66
Folder
9
|
Hate and Fan Mail, June 1959-September 1963
|
|
Box
66
Folder
10
|
Ibrahim, Fathi, February 1960-February 1961
|
|
Box
66
Folder
11
|
General Legal Correspondence, October 1958-October 1967
|
|
Box
66
Folder
12
|
Levathes, Peter, October 1960-August 1962
|
|
Box
66
Folder
13
|
Mamoulian, Rouben, November 1959-January 1961
|
|
Box
66
Folder
14
|
Mankiewicz, Joseph L., August 1960-April 1963
|
|
Box
66
Folder
15
|
Merman, Doc, April 1960-December 1963
|
|
Box
66
Folder
16
|
Ogden, Archibald, July 1960-March 1961
|
|
Box
66
Folder
17
|
Paul, Weiss, Rifkind, Wharton, and Garrison (Attorneys), December 1962-April 1966
|
|
Box
66
Folder
18
|
Rogell, Sid, February 1959-June 1963
|
|
Box
66
Folder
19
|
Schreiber, Lew, October 1958-February 1961
|
|
Box
66
Folder
20
|
Seven Arts, December 1962-October 1965
|
|
|
Skouras, Spyros
|
|
Box
66
Folder
21
|
June 1959-May 1961
|
|
Box
67
Folder
1
|
June 1961-August 1962
|
|
Box
67
Folder
2
|
Taylor, Elizabeth, October 1959-June 1964
|
|
Box
67
Folder
3-4
|
Wald, Jerry, March 1958-July 1962
|
|
Box
67
Folder
5
|
Walwa Legal Correspondence, September 1959-December 1964
|
|
Box
67
Folder
6
|
Writers, November 1958-January 1965
|
|
Box
67
Folder
7
|
Darryl and Richard Zanuck, November 1958-September 1964
|
|
Box
67
Folder
8-9
|
Picture Cost Summary Sheets, May 1959-December 1962
|
|
Box
67
Folder
10
|
Story Cost Reports, November 1958-December 1962
|
|
|
Detail Cost Statements, Distribution, Invoices
|
|
Box
67
Folder
11-21
|
May 1959-August 1961
|
|
Box
68
Folder
1-14
|
September 1961-October 1962
|
|
Box
69
Folder
1-3
|
November 1962-November 1963
|
|
Box
69
Folder
4
|
Costumes and Wigs, May 1960-April 1962
|
|
Box
69
Folder
4
|
Wardrobe Plot, April 1961
|
|
Box
69
Folder
4
|
Costume Sketches, April 1961
|
|
Box
69
Folder
5
|
Credits and Titles, August-November 1962
|
|
Box
69
Folder
6
|
Hairdressers (Sydney Guilaroff), May 1960-June 1963
|
|
Box
69
Folder
7
|
Music, August 1961-July 1962
|
|
|
Notes
|
|
Box
69
Folder
8
|
Wanger's Personal Notes, London - re: Delays in Production, 1960-1961
|
|
Box
69
Folder
9
|
Notes, Meeting Notes, and Research, 1958-1962
|
|
Box
69
Folder
10
|
Promissory Notes, 1958-1959
|
|
|
Production Files
|
|
Box
69
Folder
11-13
|
Production, Location, and Art Department Correspondence and Papers, May 1959-1963
|
|
Box
69
Folder
14
|
Production Cross Plot, May 1961
|
|
Box
69
Folder
15
|
Daily Log, October 1961-July 1962
|
|
Box
69
Folder
16
|
General Production Information, March-May 1961
|
|
Box
69
Folder
17
|
Meetings with Buddy Adler, September 1959-June 1960
|
|
Box
102
Folder
1
|
Daily Operations Reports, September 1961-July 1962
|
|
Box
69
Folder
18-19
|
Production Meetings - Minutes, September 1961- June 1962
|
|
Box
69
Folder
20-21
|
Daily Production Reports, September 1961-July 1962
|
|
Box
69
Folder
22
|
Daily Production Reports, Second Unit, November 1961-July 1962
|
|
Box
69
Folder
23
|
Salvage List, April 1961
|
|
Box
69
Folder
24
|
Set Construction Order
|
|
|
Publicity
|
|
Box
69
Folder
25-26
|
Correspondence, January 1961-December 1963
|
|
Box
70
Folder
1
|
General Publicity, February 1959-December 1960
|
|
Box
70
Folder
2
|
Souvenir Booklet, circa 1962
|
|
Box
70
Folder
3
|
Reviews of Weekly Rushes, November 1961-July 1962
|
|
|
Original Story
|
|
Box
70
Folder
4
|
The Life and Times of Cleopatra, by Carlo Maria Franzero (Wanger's Annotated Copy), circa 1958?
|
|
Box
70
Folder
5
|
Cleopatra, by Franzero, 1962
|
|
|
Scripts and Screenplays : See also Writers' Correspondence (Box 67) and Prof. Hugh Gray's Notes on Screenplays (Box 74).
|
|
Box
70
Folder
6
|
List and Distribution of Scripts, 1960, 1961
|
|
Box
70
Folder
7
|
Revised Writer's Working Script, by Ludi Claire, February 11, 1959
|
|
Box
70
Folder
8
|
First Draft Screenplay, by Nigel Balchin, April 24, 1959
|
|
Box
70
Folder
9
|
Revised First Draft Screenplay, by Balchin, May 13, 1959, Including Revisions Dated , June 26, 1959
|
|
Box
70
Folder
10
|
Second Draft Screenplay, by Balchin, June 10, 1959, Including Estimated Timing on Script
|
|
Box
70
Folder
11
|
General Notes, by Ivan Moffat, October 28, 1959
|
|
Box
70
Folder
12
|
Third Draft Screenplay, by Balchin and Dale Wasserman, January 11, 1960, Including All Wasserman Revisions
|
|
Box
70
Folder
13
|
Typescript Extracts from First Script, by Lawrence Durrell, June 1960
|
|
Box
70
Folder
14
|
Typescript Scenes 304-313L, 548-565, No Author Listed, August 1960
|
|
Box
70
Folder
15
|
Typescript Revisions, by M. Brandel, December 12, 1960
|
|
Box
70
Folder
16
|
Typescript First Draft Screenplay, by Sidney Buchman, February 10, 1961
|
|
Box
70
Folder
17
|
Screenplay Outline, from Joseph Mankiewicz, February 16, 1961
|
|
Box
70
Folder
18
|
Typescript Dialogue Script, by Lawrence Durrell, February 24, 1961
|
|
Box
70
Folder
19
|
Outline From the Death of Caesar, by Durrell, Notes by J. Mankiewicz, February 1961
|
|
Box
70
Folder
20
|
Typescript Screenplay, by Sidney Buchman, Incorporating Dialogue by Durrell, Pages 1-67, March 3, 1961
|
|
Box
70
Folder
21
|
Typescript Outline After the Death of Caeser, by Buchman, March 17, 1961
|
|
Box
70
Folder
22
|
Script, by Durrell, April 12, 1961
|
|
Box
70
Folder
23
|
First Draft Screenplay, by Ranald MacDougall, May 9, 1961
|
|
Box
70
Folder
24
|
Notes on Second Draft Screenplay, May-August 1961
|
|
Box
71
Folder
1
|
Second Draft Screenplay, by Ranald MacDougall, August 2, 1961
|
|
Box
71
Folder
2
|
Shooting Script, by Joseph L. Mankiewicz, September 18, 1961, Including Revisions through , July 12, 1962
|
|
Box
71
Folder
3
|
Comparison of Mankiewicz and MacDougall Scripts, November 9, 1961
|
|
Box
71
Folder
4
|
Script, No Author Listed, undated
|
|
Box
71
Folder
5
|
Script Revisions (Fragments), 1960-1962
|
|
Box
71
Folder
6
|
Conquest of Cleopatra Scenes, undated
|
|
Box
71
Folder
7
|
Script Breakdown and Synopsis, January 3, 1961
|
|
Box
71
Folder
7
|
Ideas for New Script, February 4, 1961
|
|
Box
71
Folder
8
|
Script Breakdown (Annotated), circa 1962
|
|
Box
71
Folder
9
|
Suggested Sequence of Master Scenes, by Nigel Balchin (Annotated by Walter Wanger), undated
|
|
Box
71
Folder
10
|
“A Statement Concerning the Writing of Cleopatra,” by Joseph L. Mankiewicz, October 6, 1962
|
|
Box
71
Folder
11
|
Treatment of Mankiewicz's Idea of Script From Pages 1-76 and Sidney Buchman's Version of the End of the Story, as Edited by Lawrence Durrell, February 16, 1961 and March 23, 1961
|
|
Box
71
Folder
12
|
Treatment-Synopsis by G. Byron Sage, November 10, 1958
|
|
Box
71
Folder
13
|
Shooting Schedules, April 1960-July 1962
|
|
Box
71
Folder
14
|
Notes re: Cuts and Changes, 1959-1960
|
|
Box
71
Folder
15
|
Walwa Legal Papers, August 1960-August 1962
|
|
Box
71
Folder
16
|
Walter Wanger's Expenses (Including Lawsuit Material), October 1958-December 1964
|
|
Box
71
Folder
17
|
Weather Forecast in Rome, October-November 1961
|
|
|
Walter Wanger's Diary and My Life With Cleopatra
|
|
Box
71
Folder
18
|
Outline of Diary, by Joe Hyams, 1962
|
|
Box
71
Folder
19-23
|
Annotated Diary, September 1960-June 1962, November 1962
|
|
Box
72
Folder
1
|
Diary Portions re: Elizabeth Taylor, June 1961-August 1962
|
|
Box
72
Folder
2-3
|
Censored Portions of Diary
|
|
|
My Life With Cleopatra, by Walter Wanger and Joe Hyams
|
|
Box
72
Folder
4
|
Paperback Version, June 1963
|
|
Box
72
Folder
5
|
Periodical Version, undated
|
|
Box
72
Folder
6
|
Financial Correspondence, June 1965-July 1965
|
|
Box
72
Folder
7
|
Correspondence, 1962-April 1967
|
|
Tape 1035A
No.
1-4
|
Tape Recorded Interview Between Hyams and Wanger
|
|
U.S. Mss 136AN
Box
72
Folder
8
|
Transcripts of Taped Interview with Joe Hyams (Annotated by Walter Wanger), 1962
|
|
Box
72
Folder
9
|
Transcripts from Tapes, January-March 1962
|
|
Box
72
Folder
10
|
Transcripts of Interview, June 1962
|
|
Micro 966
Reel
4
|
Microfilmed transcripts of Interview from Tapes and Discs, 1962 : 16mm microfilm made for Wanger Lawsuit by Wanger's Attorneys.
|
|
U.S. Mss 136AN
Box
72
Folder
11
|
Rough Draft Introductions and Epilogues, March 7, 1962
|
|
Box
72
Folder
12
|
Prologue, Drafts and Notes, March 1963
|
|
|
Drafts
|
|
Box
72
Folder
13
|
Pages 1-67, September 25, 1958-April 24, 1961
|
|
Box
72
Folder
14
|
October 1958-November 1959, Annotated
|
|
Box
72
Folder
15
|
October 1958-September 1960, Annotated
|
|
Box
72
Folder
16
|
April 25 - September 24, 1961, Annotated
|
|
Box
72
Folder
17
|
September-December 1961, Annotated
|
|
Box
72
Folder
18
|
Pages 1-81, January-March 1962(Later Draft)
|
|
Box
72
Folder
19
|
Pages 1-56, January 18 - June 17, 1962, Annotated
|
|
Box
72
Folder
20-21
|
Miscellaneous Pages, Notes, circa 1963, Annotated
|
|
Box
72
Folder
22-24
|
Notes, February 1959-1963, undated
|
|
Box
72
Folder
25
|
Censored Notes, undated
|
|
|
Walter Wanger v. Twentieth Century-Fox Film Corp., et al., Lawsuit
|
|
Box
73
Folder
1
|
Attorney's Notes re: Suit, 1963
|
|
Box
72
Folder
2
|
Attorney's Outline and Notes for Examination of Spyros Skouras, circa 1964
|
|
Box
72
Folder
3
|
Budget Materials, 1959-1963
|
|
Box
72
Folder
4
|
Casting Records, 1958-1961
|
|
Box
72
Folder
5
|
Complaint, 1962; and Complaint in MCL Films, S.A. v. Twentieth Century-Fox Film Corp., , 1962
|
|
Box
72
Folder
6
|
Clippings re: Darryl F. Zanuck and Fox, 1964
|
|
|
Correspondence and Memoranda
|
|
Box
72
Folder
7
|
General, including Legal Strategy Memoranda, 1963-1964
|
|
Box
72
Folder
8
|
Gang, Tyre, Rudin, and Brown, with Press Coverage of Later Lawsuits, February 1964-December 1967
|
|
Box
72
Folder
9
|
Correspondence, Contract, and Papers re: Elizabeth Taylor's Illnesses and Lateness, 1959-1963
|
|
Box
72
Folder
10
|
Picture Cost Reports, May 1959-December 1962
|
|
Box
72
Folder
11
|
Story Cost Reports, 1957(?)-1962
|
|
|
Depositions
|
|
Box
72
Folder
12
|
Transcript of Wanger's Preliminary Statement, October 1962
|
|
Box
72
Folder
13-21
|
Deposition of Wanger, pp. 1-1330, October-November 1963
|
|
|
Deposition of Spyros Skouras
|
|
Box
72
Folder
22
|
December 1963, pp. 1-108 (with Wanger's Annotated Note Slips)
|
|
Box
74
Folder
1-3
|
February-March 1964, pp. 109-455 (Annotated by Wanger)
|
|
Box
74
Folder
4-5
|
Drafts of Legal Documents
|
|
|
Evidence Gathered for Lawsuit
|
|
Box
74
Folder
6
|
First Cause of Action (Interference with Producer's Prerogatives; SantiFiasco), 1959-1962
|
|
Box
74
Folder
7
|
Second Cause of Action (Breach of Contract for Salary and Expenses), 1961-1964
|
|
Box
74
Folder
8
|
Third Cause of Action (Libel), Exhibit G, 1962-1963
|
|
Box
74
Folder
9
|
Sixth Cause of Action (Justine), 1958-1964
|
|
Box
74
Folder
10
|
Regarding Spyros Skouras Contact with Cleopatra, Interference with Wanger as Producer, 1959-1962
|
|
Box
74
Folder
11
|
Prof. Hugh Gray's Notes on Screenplays, 1959 : See also Writers' Correspondence (Box 67) and Scripts and Screenplays (Box 70-71).
|
|
Box
74
Folder
12
|
Insurance Papers and Correspondence (London Production), 1960-1961
|
|
Box
74
Folder
13
|
Interrogatories to Plaintiff and Responses; Data re: Wanger's Expenses During Cleopatra, Attorney's Notes, 1959-1964
|
|
Box
74
Folder
14
|
Legal Bills, 1959-1962
|
|
Box
74
Folder
15
|
London Production - Papers re: Weather, Lack of Preparedness, Hairdressing, 1960-1961
|
|
Box
74
Folder
16
|
Minutes of Twentieth Century-Fox Board and Executive Committee, August 1959-1962
|
|
Box
74
Folder
17
|
Promissory Notes and Correspondence, December 1958-August 1961
|
|
Box
74
Folder
18
|
Materials re: Reputation of Spyros Skouras, 1961-1963
|
|
Box
74
Folder
19
|
Twentieth Century-Fox Annual Reports, 1958-1962
|
|
Box
74
Folder
20
|
Papers re: University of Wisconsin Deed of Gift, circa 1963
|
|
Box
74
Folder
21
|
Walter Wanger Pictures Inc.-Twentieth Century-Fox Agreement - Attorney's Notes, and Miscellany, 1960-1962
|
|
Box
74
Folder
22
|
Wanger's Legal Notes, 1962-September 1965
|
|
Box
74
Folder
23
|
Brodsky and Weiss, The Cleopatra Papers(Annotated by Lawyers)
|
|
Box
74
Folder
24
|
Wanger and Hyams, My Life with Cleopatra(Annotated by Lawyers) : See also Series entitled Walter Wanger's Diary and My Life with Cleopatra(Box 71-72), and Walter Wanger's Diaries in Diaries, Speeches, Appointment Calendars, Notes, and Other Personal Papers series (Micro 966, Reel 1-3).
|
|
Box
74
Folder
25
|
Materials re: Examination of Darryl F. Zanuck, 1962-1964
|
|
Box
74
Folder
26
|
Wanger-Fox Legal Settlement, December 1962-November 1965
|
|
|
“Comanche” (Unproduced by Wanger)
|
|
Box
75
Folder
1
|
Correspondence, July-August 1951
|
|
|
“Commencement” (Unproduced)
|
|
Box
75
Folder
2
|
Correspondence and Contracts, 1947, 1952-1959
|
|
Box
75
Folder
3
|
Novel From Redbook, by John Klempner, June 1958
|
|
Box
75
Folder
4
|
Reference Material re: Scripps College, 1956
|
|
Box
75
Folder
5-6
|
Typescript Scripts by John Klempner, undated
|
|
Box
75
Folder
7
|
Story Outlines, by Lionel Wiggam, circa 1945, 1948
|
|
Box
75
Folder
8
|
Story Outlines and Notes, 1952-July 1957, undated
|
|
|
“Congratulations, Miss Reilly” (Story Idea)
|
|
Box
75
Folder
9
|
Correspondence and Story Idea, March-April 1938
|
|
|
“Death Valley” (Unproduced)
|
|
Box
75
Folder
10
|
Correspondence, April 1949
|
|
|
“The Doctor's Dilemma” (This Version Unproduced)
|
|
Box
75
Folder
11
|
Correspondence, October 1946-November 1947
|
|
|
“The Doll” (This Version Unproduced)
|
|
Box
75
Folder
12
|
Correspondence and Magazine Article, January 1953-December 1954
|
|
|
“The Duchesse de Langeais” (Unproduced)
|
|
Box
75
Folder
13
|
Budget, May-June 1949
|
|
Box
75
Folder
14
|
Clippings, August 1948-February 1950
|
|
Box
75
Folder
15
|
Contracts and Legal Papers, 1949-1950, 1953, 1958
|
|
Box
75
Folder
16
|
Greta Garbo Contract and Expenses, August 1948-February 1950
|
|
Box
75
Folder
17
|
Max Opels' Contract, July 1949-June 1950
|
|
|
Correspondence
|
|
Box
75
Folder
18-19
|
General, August 1948-1950
|
|
Box
75
Folder
20
|
With MCA (Garbo's Agents), 1949-February 1950
|
|
Box
75
Folder
21
|
Life Insurance for Greta Garbo, July-November 1949
|
|
|
Scripts and Screenplays
|
|
Box
75
Folder
22
|
Incomplete First Draft Script, by Sally Benson, undated
|
|
Box
75
Folder
23
|
Early Scripts, Notes, and Treatments, December 1948-August 1949, undated
|
|
Box
75
Folder
24
|
Script, by Sally Benson (Annotated), undated
|
|
Box
75
Folder
25
|
Draft Script, by Sally Benson, undated
|
|
Box
75
Folder
26
|
Typescript Final Draft Script, by Sally Benson, Including Revisions by Harold Goldman, August 18, 1949
|
|
Box
75
Folder
27
|
Wanger's Copy of Final Script, by Sally Benson, Including Revisions, August 1949
|
|
Box
75
Folder
28
|
Typescript Final Script (French Translation), by Sally Benson, August 23, 1949
|
|
|
“The Dud Avocado” (Unproduced)
|
|
Box
76
Folder
1
|
Contract with Elaine Dundy, November-December 1958
|
|
Box
76
Folder
2
|
Correspondence, September 1958-August 1965
|
|
Box
76
Folder
3
|
Promissory Notes, 1958-1959
|
|
|
Scripts and Screenplays
|
|
Box
76
Folder
4
|
First Draft Screenplay, by Dick Berg, January 6, 1959
|
|
Box
76
Folder
5
|
First Draft Screenplay, by Dick Berg, January 20, 1959
|
|
Box
76
Folder
6
|
Script, No Author Listed, September 18, 1959
|
|
Box
76
Folder
7
|
Script, No Author Listed, October 16, 1959
|
|
Box
76
Folder
8
|
Third Draft Screenplay, by Edith Sommer and Philip Dunne, November 13, 1959, with Revisions of , November 20, 1959
|
|
Box
76
Folder
9
|
Fourth Draft Screenplay, by Edith Sommer and Philip Dunne, November 25, 1959
|
|
Box
76
Folder
10
|
Script, No Author Listed, undated
|
|
Box
76
Folder
11
|
Script, Cast, and Credit Notes, by Dick Berg, April-December 1959
|
|
|
Story Outlines
|
|
Box
76
Folder
12
|
By Dick Berg, December 11, 1958
|
|
Box
76
Folder
13
|
No Author Listed, undated
|
|
|
Lawrence Durrell Novels (The Alexandria Quartet)
|
|
Box
76
Folder
14
|
Chronological Breakdown Index, Prepared by G. Byron Sage, August 5, 1959
|
|
Box
76
Folder
15
|
Correspondence, August 1958-August 1967
|
|
Box
76
Folder
16
|
Notes, Cast Suggestions, undated
|
|
Box
76
Folder
17
|
Publicity, October 1958-December 1967
|
|
Box
76
Folder
18
|
Synopses by G. Byron Sage, of Justine, Balthazar, Mountolive, and Clea, December 1958-January 1959, June 1959
|
|
|
Clea
|
|
Box
76
Folder
19
|
Manuscript of Novel by Lawrence Durrell, Copied May 27, 1959
|
|
|
Justine
|
|
|
Correspondence
|
|
Box
76
Folder
20
|
Employment, December 1958-October 1960
|
|
Box
76
Folder
21
|
Writers Correspondence, January 1959-April 1960
|
|
Box
76
Folder
22
|
Outline and Outline Treatment (“City of Lovers”), by Ivan Moffat, June 29 and July 6, 1959
|
|
Box
76
Folder
23
|
Treatment by Ivan Moffat, January 15, 1960
|
|
Box
76
Folder
24
|
Discarded Pages from Treatment by Ivan Moffat, circa January 1960
|
|
Box
76
Folder
25
|
Summary, Step and Working Outlines, by G. Byron Sage, February 1960
|
|
Box
76
Folder
26
|
Treatment and Script Outline, by Joseph L. Mankiewicz, September 14, 1960
|
|
|
“Dynasty” (Unproduced)
|
|
Box
76
Folder
27
|
Contracts, 1939-1943
|
|
Box
77
Folder
1
|
Contracts with Taylor Caldwell (Janet Reback), 1939
|
|
Box
77
Folder
1
|
Contract with Walter Wanger Pictures Inc.
|
|
Box
77
Folder
1
|
Copyright Correspondence, 1954-1955
|
|
Box
77
Folder
2
|
Correspondence re: Contracts, 1939-1946, 1954-1956
|
|
|
Correspondence
|
|
Box
77
Folder
3
|
General, 1941-1948, 1951, 1956-1957
|
|
Box
77
Folder
4
|
Caldwell, Taylor (Janet Reback) and Martin Reback, 1939-1948, 1955, 1959-1960
|
|
Box
77
Folder
5
|
Wylie, Philip, 1943-1946, 1955
|
|
Box
77
Folder
6
|
Cost Schedule; Audit, 1947, 1965
|
|
|
Scripts and Screenplays
|
|
Box
77
Folder
7
|
Revised First Continuity, by Sheridan Gibney, from the Novel Dynasty of Deathby Taylor Caldwell, February 2, 1940
|
|
Box
77
Folder
8
|
Script by Gibney, September 13, 1941
|
|
Box
77
Folder
9
|
Script by Philip Wylie, December 28, 1943
|
|
Box
77
Folder
10
|
Story Line, by Leon d'Usseau, undated
|
|
Box
77
Folder
11
|
Treatment, Synopsis, Criticism and Analysis of Script, 1939-1941, undated
|
|
|
Eagle Squadron(Universal,
1942)
|
|
Box
77
Folder
12
|
Box Office Reports, June-August 1942
|
|
Box
77
Folder
13
|
Material Breakdown - Bomber B19, by Hurd Barrett, November-December 1940
|
|
Box
77
Folder
14
|
Censorship, January-May 1942
|
|
Box
77
Folder
15
|
Clippings, September 1940-July 1942
|
|
|
Correspondence
|
|
Box
77
Folder
16
|
Employment, December 1940-October 1942
|
|
Box
77
Folder
17
|
Legal Correspondence and Contracts, October 1940-November 1943
|
|
Box
77
Folder
18-19
|
Production - Great Britain, October 1940-November 1941
|
|
Box
77
Folder
20
|
Production - United States, October 1941-April 1942
|
|
Box
77
Folder
21
|
Post-Production, January-December 1942
|
|
Box
77
Folder
22
|
Titles, January 1940-April 1942
|
|
Box
77
Folder
23
|
Writers, May 1940-June 1942
|
|
Box
77
Folder
24
|
Financial - Income Statements, 1942-1954
|
|
Box
77
Folder
25
|
Publicity, Preview, Premiere, October 1940-December 1942
|
|
|
Scripts and Screenplays
|
|
Box
77
Folder
26
|
Continuity and Dialogue, by Norman Reilly Raine, May 29, 1942
|
|
Box
78
Folder
1
|
Second Rough Draft Typescript, by Harold Buckley and Hurd Barrett, January 7, 1941
|
|
Box
78
Folder
2
|
Screenplay, by Norman Reilly Raine, January 27, 1942
|
|
Box
78
Folder
3
|
Script Breakdown, Notes, Pick-Up Shots, 1942
|
|
Box
78
Folder
4
|
Story, by C.S. Forester, circa August 1941
|
|
Box
78
Folder
5
|
Story Outline, by Harry Watt, September 29, 1941
|
|
Box
78
Folder
6
|
Story Synopsis, by Ian Dalrymple, March 1941
|
|
Box
78
Folder
7
|
Synopsis, by Hurd Barrett, December 4, 1940
|
|
|
“The Empress” (Unproduced)
|
|
Box
78
Folder
8
|
Correspondence, September 1954-February 1960
|
|
|
Eternally Yours(United
Artists, 1939)
|
|
Box
78
Folder
9
|
Final Script, by Gene Towne and Graham Baker, undated
|
|
Box
78
Folder
9
|
Negative Cost Report, undated
|
|
|
Every Night at Eight
(Paramount, 1935)
|
|
Box
78
Folder
10
|
Final Budget, 1935
|
|
Box
78
Folder
11
|
Working Script, No Author Listed, May 20, 1935
|
|
|
“Evita” (Unproduced by Wanger)
|
|
Box
78
Folder
12
|
Correspondence, January 1960-October 1965
|
|
|
“The Fall” (Unproduced)
|
|
Box
78
Folder
13
|
Clippings, February 1957-July 1960
|
|
Box
78
Folder
14-16
|
Contracts and Option Agreements and Correspondence, 1957-1964
|
|
Box
78
Folder
17
|
Correspondence, February 1957-May 1964
|
|
Box
78
Folder
18
|
Locations in Amsterdam, September 1958-July 1959, undated
|
|
|
Fatal Lady(Paramount,
1936)
|
|
Box
78
Folder
19
|
Revised Final Script (“Brazen”), by Samuel Ornitz, January 20, 1936, with Revisions of , February 20, 1936
|
|
|
Fifty-Second Street(United
Artists, 1937)
|
|
Box
78
Folder
20
|
Revised Final Script, by Grover Jones, June 22, 1937, with Annotations and Added Scenes, , July 23, 1937
|
|
Box
78
Folder
20
|
Negative Cost Report, undated
|
|
|
“Fight For Life” (Unproduced)
|
|
Box
78
Folder
21
|
Correspondence and Proposed Treatment, February 1948-March 1949
|
|
|
“The First and the Last” (Unproduced)
|
|
Box
78
Folder
22
|
Correspondence, 1947
|
|
|
“Flight Nurse” (This Version Unproduced)
|
|
Box
78
Folder
23
|
Correspondence and Clippings, October 1943-May 1945
|
|
Box
78
Folder
23
|
Preliminary Treatment (“Sixty Hours from Home”, by Emmet Lavery, April 27, 1944
|
|
|
Foreign Correspondent
(United Artists, 1940)
|
|
Box
78
Folder
24
|
First Continuity (“Personal History”), by Alma Reveille, January 10, 1940, with Revisions of , January 24, 1940
|
|
Box
78
Folder
25
|
Wanger's Annotated Shooting Script (“Personal History”), No Author Listed, June 5, 1940
|
|
Box
78
Folder
25
|
Negative Cost Report, undated
|
|
|
Fort Vengeance(Allied
Artists, 1953)
|
|
Box
78
Folder
26
|
Correspondence, Shooting Schedule, Production Costs, Income Statements (“The Royal Mounted Police”), 1951-1962
|
|
Box
78
Folder
27
|
Script, by Dan Ullman, circa 1952
|
|
|
“Fortunes of Monte Cristo” (Unproduced)
|
|
Box
78
Folder
28
|
Correspondence, Budget, 1951
|
|
|
“The Fourth World” (Unproduced)
|
|
Box
79
Folder
1
|
Clippings, 1950-February 1958
|
|
Box
79
Folder
2
|
Contract and Correspondence, 1956
|
|
Box
79
Folder
3
|
Correspondence and Story Outline, March 1956-March 1966
|
|
|
“Frontier Knight”/“Galahad of the Border”
(Unproduced)
|
|
Box
79
Folder
4
|
Synopsis, by Paul Schofield, February 1939
|
|
|
Gaily, Gaily(Another Version
Produced by United Artists, 1969)
|
|
Box
79
Folder
5
|
Clippings, 1966-1967
|
|
|
Contracts
|
|
Box
79
Folder
6
|
Embassy Pictures Corp., November 30, 1964
|
|
Box
79
Folder
7
|
Purchase Agreements with Ben and Rose Hecht, 1964-1965
|
|
|
Correspondence
|
|
Box
79
Folder
8
|
With Actors and Agents, April 1964-March 1967
|
|
Box
79
Folder
9
|
Ginnes, Abe, February 1964-December 1967
|
|
Box
79
Folder
10
|
Hecht, Ben and Rose, December 1963-December 1967
|
|
Box
79
Folder
10
|
Title Registration, May-October 1964
|
|
Box
79
Folder
11
|
Legal Correspondence, including Expenses, February 1964-January 1968
|
|
Box
79
Folder
12
|
Final Screenplay by Abram S. Ginnes, undated
|
|
Box
79
Folder
13
|
Original Story by Ben Hecht, 1963
|
|
Box
79
Folder
14
|
Treatment by Abram S. Ginnes, April 1964
|
|
Box
79
Folder
15
|
Walter Wanger's Notes, November 1967
|
|
|
“The Gang's All Here” (This Version Unproduced)
|
|
Box
79
Folder
16
|
Memoranda from Lawrence and Lee, March 1960
|
|
|
General Motors Film Idea (Unproduced)
|
|
Box
79
Folder
17
|
Correspondence, August-October 1940
|
|
|
“Gibraltar” (Unproduced)
|
|
Box
79
Folder
18
|
Correspondence and Synopsis, May 1939
|
|
|
Gilda(Columbia,
1946)
|
|
Box
79
Folder
19
|
Treatment by E.A. Ellington, circa 1944
|
|
|
“The Gingko Tree” (Unproduced)
|
|
Box
79
Folder
20
|
Correspondence and Summary, October 1957-July 1959
|
|
|
“The Girl With the Swansdown Seat” (Unproduced)
|
|
Box
79
Folder
21
|
Correspondence, May-August 1956
|
|
|
“The Gouffe Case” and “Big Brass Band”
(Unproduced)
|
|
Box
79
Folder
22
|
Correspondence, 1955-1956, 1964-1965
|
|
|
Grand Junction Project (Unproduced)
|
|
Box
79
Folder
23
|
Correspondence, August 1948
|
|
|
“The Greatest Raid of All” (Unproduced) : Labeled “Dead File”
|
|
Box
79
Folder
24
|
Correspondence, Clippings, July 1960-October 1965
|
|
|
“A Grue of Ice” (Unproduced)
|
|
Box
79
Folder
25
|
Correspondence, December 1962-January 1963
|
|
|
Gung-Ho!(Universal,
1943)
|
|
Box
79
Folder
26
|
Cast, Staff, Writers, Credits, March-December 1943
|
|
Box
79
Folder
27
|
Censorship, September 1942-September 1943
|
|
Box
79
Folder
28
|
Clippings and Publicity, December 1943-January 1944
|
|
Box
79
Folder
29
|
Contracts and Correspondence, 1943
|
|
|
Correspondence
|
|
Box
79
Folder
30
|
Pre-Production, September 1942-October 1943
|
|
Box
79
Folder
31
|
Post-Production, November 1943-August 1946
|
|
Box
79
Folder
32
|
With Lt. Col. Evans F. Carlson; Speech, Biographical Sketches, August 1942-November 1944
|
|
Box
79
Folder
33
|
With Lt. Wilfred S. LeFrancois, March-December 1943
|
|
Box
79
Folder
34
|
Cost and Income Statements, 1943-1954
|
|
Box
79
Folder
35
|
Publicity, Program, Music, Preview, Radio, November 1943-February 1944
|
|
|
Scripts and Screenplays
|
|
Box
79
Folder
36
|
Continuity and Dialogue, December 8, 1943
|
|
Box
79
Folder
37
|
Typescript Original Story (“The Makin Episode”), by Lt. W.S. LeFrancois, U.S.M.C., undated
|
|
Box
79
Folder
38
|
Screenplay by Lucien Hubbard, May 7, 1943
|
|
Box
79
Folder
39
|
Screenplay by Hubbard, July 7, 1943, with Revisions of , July 27, September 16, 1943
|
|
Box
79
Folder
40
|
Script by LeFrancois, September 23, 1943
|
|
|
“Habona” (“The Builder”) (Unproduced)
|
|
Box
80
Folder
1
|
Synopsis, by Rose Minte and Lillian Bret Harte, circa 1931
|
|
|
Alexander Hamilton Project (Unproduced)
|
|
Box
80
Folder
2
|
Correspondence and Clippings, January 1948-September 1949
|
|
|
“Harvey” (Unproduced by Wanger)
|
|
Box
80
Folder
3
|
Correspondence, March 1939-May 1947
|
|
|
Her Master's Voice
(Paramount, 1936)
|
|
Box
80
Folder
4
|
First Draft Script (Labeled “Exactly as Filmed”), by Dore Schary (Annotated), September 18, 1935
|
|
|
History Is Made at Night
(United Artists, 1937)
|
|
Box
80
Folder
5
|
Final Revised Script, by Gene Towne and Graham Baker, January 3, 1937
|
|
Box
80
Folder
5
|
Negative Cost Report; Staff List, December 1936
|
|
|
“Hitler's Women” (Unproduced)
|
|
Box
80
Folder
6
|
Story Idea, undated
|
|
|
The House Across the Bay
(United Artists, 1940)
|
|
Box
80
Folder
7
|
Revised Final Script by Kathryn Scola, October 11, 1939
|
|
Box
80
Folder
7
|
Negative Cost Report, undated
|
|
|
I Met My Love Again(United
Artists, 1938)
|
|
Box
80
Folder
8
|
Revised Script, by Arthur Ripley, Joshua Logan, and David Hertz, June 23, 1937
|
|
Box
80
Folder
8
|
Negative Cost Report; Staff List, June 1937
|
|
|
I Want to Live!(United
Artists, 1958)
|
|
Box
80
Folder
9
|
Budget, Production Costs and Other Expenses, February- September 1958
|
|
Box
80
Folder
10
|
Call Sheets, March-July 1958
|
|
Box
80
Folder
11
|
Casting Lists, February-May 1958
|
|
Box
80
Folder
12
|
Censorship, March-August 1958
|
|
Box
80
Folder
13-15
|
Contracts and Releases, August 1956-1958
|
|
|
Correspondence
|
|
Box
80
Folder
16-20
|
General, 1957-1960
|
|
Box
80
Folder
21
|
Academy Award Congratulations, March-May 1959
|
|
Box
80
Folder
22
|
Hayward, Susan, 1957-1959
|
|
Box
80
Folder
23
|
Screenings, September 1958-February 1959
|
|
|
Legal Correspondence
|
|
Box
80
Folder
24-26
|
February 1957-April 1958
|
|
Box
81
Folder
1-2
|
May 1958-October 1960
|
|
Box
81
Folder
3-4
|
Montgomery, Ed, December 1956-March 1960
|
|
Box
81
Folder
5
|
Barbara Graham's Correspondence with Al Matthews (Copies), September 1954-May 1955
|
|
Box
81
Folder
6-7
|
Income Statements, July 1959-January 1960, July 1961-December 1962
|
|
Box
81
Folder
8
|
Music, 1958-1959
|
|
Box
104
|
Preview Cards
|
|
Box
81
Folder
9
|
Private Screening, September 30, October 6, 8, 1958; Program and Bookings
|
|
Box
81
Folder
10
|
Production Reports, March-June 1958
|
|
|
Publicity
|
|
Box
81
Folder
11-12
|
Background Information and Clippings, 1953-1959
|
|
|
Clippings
|
|
Box
81
Folder
13
|
Pre-Release, April 1957-October 1958
|
|
Box
81
Folder
14
|
Release, November 1958
|
|
Box
81
Folder
15-16
|
General Clippings, December 1958-April 1959
|
|
Box
81
Folder
17
|
LifeMagazine Crime Series, circa 1957
|
|
Box
81
Folder
18
|
Foreign Clippings, November-December 1958
|
|
Box
81
Folder
19
|
Correspondence, 1957-1958
|
|
Box
81
Folder
20
|
Press Package Feature Stories
|
|
Box
81
Folder
21
|
Publicity Tour, 1958
|
|
|
Reference and Research Materials
|
|
Box
81
Folder
22-23
|
Character Sketches of Barbara Graham, Mabel Monahan, Iris Salter, Emmett Perkins and Jack Santo; and Notes, by Sigmund Fritschel, undated
|
|
Box
81
Folder
24
|
Description of the Graham Case (“Lost Woman”), by Marcel Frym, J.D., undated
|
|
Box
81
Folder
25
|
Statement of John L. True to San Francisco Police (copy), June 4, 1953
|
|
Box
81
Folder
26
|
Shooting Schedules, March-May 1958
|
|
Box
81
Folder
27
|
Original Story - Book by Tabor Rawson, 1958
|
|
Box
81
Folder
28
|
French Translation (Je Veux Vivre) of Rawson's Book by F.M. Watkins, 1958
|
|
|
Scripts and Screenplays
|
|
Box
81
Folder
29
|
Original Story (The Barbara Graham Story), by Ed Montgomery, April 14, 1957
|
|
Box
81
Folder
30
|
Story (The Barbara Graham Story), by Ed Montgomery, April/May 1957
|
|
Box
81
Folder
31
|
Script Revisions (Annotated) (“The Story of B.G.”), part 1, by Don Mankiewicz, July and August 1957
|
|
Box
81
Folder
32
|
Typescript First Draft Script (“The Story of B.G.”), by Mankiewicz, August 1957, with Revisions
|
|
Box
82
Folder
1
|
Typescript Revisions (“The Story of B.G.”), labeled “Obsolete, Don M. Working Copy,” by Mankiewicz, September 1957
|
|
Box
82
Folder
2
|
Typescript Revisions (“The Story of B.G.”), labeled “First Draft,” Second Revision, by Mankiewicz, September 17, 1957
|
|
Box
82
Folder
3
|
Typescript Revisions (“The Story of B.G.”), part 2, by Mankiewicz (Annotated), 1957
|
|
Box
82
Folder
4
|
Typescript Revised Draft Screenplay (“Barbara”), by Mankiewicz (Annotated), September 1957
|
|
Box
82
Folder
5
|
Typescript Second Revised Screenplay (“Barbara”), by Mankiewicz, November 1957
|
|
Box
82
Folder
6
|
Revised Pages (“The Story of Barbara Graham”), by Mankiewicz, circa 1957
|
|
Box
82
Folder
7
|
First Estimating Draft (“Barbara”), by Everett De Baum, December 1957-January 1958
|
|
Box
82
Folder
8
|
Typescript First Draft (“The Barbara Graham Story”), Part I, by Nelson Gidding, January 23, 1958
|
|
Box
82
Folder
9
|
Typescript First Script (“The Barbara Graham Story”), Part I, by Gidding, January 30, 1958-February 25, 1958, with Revisions
|
|
Box
82
Folder
10
|
First Mimeo Estimating Script (“The Barbara Graham Story”), by Gidding, February 3, 1958, with Revisions and Annotations
|
|
Box
82
Folder
11
|
Final Shooting Script (I Want to Live!), by Gidding, March 14, 1958, with Annotations and Revisions
|
|
Box
82
Folder
12
|
Script Portions (“The Barbara Graham Story”), by Gidding, March and April 1958
|
|
Box
82
Folder
13
|
Script (“The Case of Barbara Graham”), by Edward S. Montgomery, undated
|
|
Box
82
Folder
14
|
Other Script Pages
|
|
Box
82
Folder
15
|
Wanger's Personal Notes, including Titles, 1957-1958
|
|
Box
82
Folder
16
|
Barbara Graham Material and Notes of Everett De Baum, November and December 1957
|
|
Box
82
Folder
17
|
Staff Lists and Correspondence, October 1956-September 1958
|
|
Box
82
Folder
18
|
Step Outline and Notes, by Don Mankiewicz, 1957
|
|
Disc 195A
No.
2
|
Robert Wise: Thoughts on Trial Scenes; and Wanger Letters, 1958 March?
|
|
Tape 1035A
No.
5
|
Tape user copy of disc
|
|
U.S. Mss 136AN
|
“If I Loved You” (Unproduced)
|
|
Box
82
Folder
19
|
Correspondence and Contracts, 1945-1948
|
|
|
“The Illusionist”/“L'Illusionniste”
(Unproduced)
|
|
Box
82
Folder
20
|
Typescript Story (“The Illusionist”), by Walter Wanger, Adapted by Rolf Passer, with Correspondence and Affidavit, November 1938
|
|
Box
82
Folder
21
|
Script (“The Magician,” or “L'Illusionniste”) by Sacha Guitry, Translated by Harold Clurman, undated
|
|
|
“The Immaculate Mind of Francesca Lundeen”
(Unproduced)
|
|
Box
82
Folder
22
|
Correspondence, December 1962-March 1963
|
|
|
“Instant Gold” (Unproduced)
|
|
Box
82
Folder
23
|
Contracts, March 1965
|
|
|
The Invasion of the Body Snatchers(Allied Artists, 1956)
|
|
Box
82
Folder
24
|
Budget and Production Reports, February 1955-February 1956
|
|
Box
82
Folder
25
|
Contracts and Legal Correspondence, 1954-1959
|
|
Box
82
Folder
26
|
Correspondence, January 1954-June 1966
|
|
Box
83
Folder
1
|
Labor Distribution Reports, January 1955-February 1956
|
|
Box
83
Folder
2
|
Wanger's Notes, January 1955-February 1956
|
|
Box
83
Folder
3
|
Plans for Opening Narration, June-September 1955
|
|
Box
83
Folder
4
|
Publicity, November 1954-April 1958
|
|
|
Scripts and Screenplays
|
|
Box
83
Folder
5
|
Script (“The Body Snatchers”) by Daniel Mainwaring, from the Serial by Jack Finney, February 10, 1955, with Revisions
|
|
Box
83
Folder
6
|
Final Revised Script (“The Body Snatchers”), by Mainwaring, March 17, 1955
|
|
Box
83
Folder
7
|
Final Revised Script (“The Body Snatchers”), by Mainwaring (Annotated), March 17, 1955, with Revisions of , March 25, 1955, Marked for Shooting; Including Staff Sheets, Locations, Cast Sheets, Shooting Schedule, Cover Set Sheet
|
|
Box
83
Folder
8
|
Script Fragments, No Author Listed (Annotated), March 1955
|
|
Box
83
Folder
9
|
Original Story (“A Fall of Small Frogs”), by Jack Finney, undated
|
|
|
Joan of Arc(RKO,
1948)
|
|
Box
83
Folder
10
|
Correspondence, Contracts, Script Fragments, 1948-1961
|
|
Box
83
Folder
11
|
Financial Statements, March 1949-December 1965
|
|
|
Kansas Pacific(Allied
Artists, 1953)
|
|
Box
83
Folder
12
|
Correspondence, June-July 1952
|
|
Box
83
Folder
12
|
Call Sheets, July 1952
|
|
Box
83
Folder
13
|
Income Statements, 1953-1962
|
|
Box
83
Folder
14
|
Payroll, December 1951-September 1952
|
|
Box
83
Folder
14
|
Accounts Payable, March-September 1952
|
|
Box
83
Folder
15
|
Production Costs, July 1952-January 1953; Labor Distribution, , October 1952-January 1953; Daily Report, , July 1952
|
|
Box
83
Folder
16
|
Script by Dan Ullman, undated
|
|
Box
83
Folder
17
|
Revised Script by Ullman (Annotated), undated
|
|
|
Ladies Courageous
(Universal, 1944)
|
|
Box
83
Folder
18
|
Cast, Title, Censorship, Clippings, Scenes, September 1942-December 1943
|
|
Box
83
Folder
19
|
Contracts and Correspondence, January-October 1943
|
|
|
Correspondence
|
|
Box
83
Folder
20
|
General Correspondence, August 1942-October 1944
|
|
Box
83
Folder
21
|
Butterfield, Allyn, May 1943-February 1944
|
|
Box
83
Folder
22
|
Gilbert, Doris, January-June 1943
|
|
Box
83
Folder
23
|
Income Statements, 1944-1953
|
|
Box
83
Folder
24
|
Publicity and Exploitation Manual, 1944
|
|
Box
83
Folder
25
|
Research Notes of Doris Gilbert, January-February 1943
|
|
|
Scripts and Screenplays
|
|
Box
83
Folder
26
|
Continuity and Dialogue, February 28, 1944
|
|
Box
83
Folder
27
|
Revised Final Screenplay (“When Ladies Fly”), by Norman Reilly Raine and Doris Gilbert, August 12, 1943, with Revisions of , September 15, 1943
|
|
|
The Lady in the Iron Mask
(20th Century-Fox, 1952)
|
|
Box
83
Folder
28
|
Budget, Shooting Schedule, Production Reports, October-November 1951
|
|
Box
83
Folder
29
|
Cast Sheet, Call Sheet, October 1951
|
|
Box
83
Folder
30
|
Correspondence and Contracts (“The Queen's Men”), April 1951-May 1955
|
|
Box
84
Folder
1-3
|
Income Statements, November 1952-August 1959
|
|
|
Scripts and Screenplays
|
|
Box
84
Folder
4
|
Revised Script, No Author Listed, August 15, 1951
|
|
Box
84
Folder
5
|
Revised Script, No Author Listed, September 12, 1951
|
|
Box
84
Folder
6
|
Revised Script, No Author Listed, October 9, 1951, with Shooting Schedule
|
|
|
“The Laguardia Story“ (Unproduced Film Project)
|
|
Box
84
Folder
7
|
Correspondence, October 1947-May 1948
|
|
|
“Laurette” (Unproduced)
|
|
Box
84
Folder
8
|
Correspondence, February-March 1961
|
|
|
“The Lion” (Not produced by Wanger)
|
|
Box
84
Folder
9
|
Correspondence, Clippings, Agreements, July 1959-August 1964
|
|
|
“The Little Shepherd of Kingdom Come” (Not Produced by
Wanger)
|
|
Box
84
Folder
10
|
Correspondence re: Story Purchase, 1947
|
|
|
“The Lonely Road” (Unproduced)
|
|
Box
84
Folder
11
|
Correspondence and Treatment by George Worthing Yates, January 1946-June 1947
|
|
|
The Long Voyage Home(United
Artists, 1940)
|
|
Box
84
Folder
12
|
Wanger's Annotated Copy of the Revised Final Script, by Dudley Nichols, from the Original by Eugene O'Neill, May 13, 1940
|
|
Box
84
Folder
12
|
Negative Cost Report, November 1940
|
|
|
The Lost Moment(Universal,
1947)
|
|
Box
84
Folder
13
|
Daily Box Office Reports, October-December 1947
|
|
Box
84
Folder
14
|
Contracts, Correspondence, and Payroll, January-November 1947
|
|
Box
84
Folder
15
|
Correspondence, January 1947-October 1949 : Includes Earlier Titles: “Lost Love” and “Aspern Papers”
|
|
|
Costs
|
|
Box
103
Folder
3
|
Picture Cost Statements, February-December 1947
|
|
Box
103
Folder
4
|
Weekly Cost Summaries, March 1947-January 1949
|
|
Box
84
Folder
16
|
Weekly Cost Statement to Universal, March-December 1947
|
|
Box
84
Folder
17
|
Credits and Censorship, January-September 1947
|
|
Box
84
Folder
18
|
Income Statements, December 1947-September 1953
|
|
Box
84
Folder
19
|
Loans and Mortgages - Papers and Correspondence, 1947-1951
|
|
Box
84
Folder
20
|
Preview Analysis, September-October 1947
|
|
Box
84
Folder
21
|
Production Reports, Shooting Schedule, March-September 1947
|
|
Box
84
Folder
22
|
Publicity, October-December 1947
|
|
|
Scripts and Screenplays
|
|
Box
84
Folder
23
|
Final Screenplay (“The Lost Love”), by Leonardo Bercovici, from the Novel The Aspern Papers, by Henry James, January 29, 1947
|
|
Box
84
Folder
24
|
Screenplay, by Bercovici, undated
|
|
|
“The Man from Nowhere, or, The Reluctant Saint” (Not produced by
Wanger)
|
|
Box
84
Folder
25
|
Second Draft Script, by Daniel Mainwaring, Based on the Story by Hardy Kruger and Mainwaring, September 6, 1962
|
|
|
“The Man from Snake River” (Unproduced)
|
|
Box
84
Folder
26
|
Clippings, November 1954-May 1955
|
|
Box
85
Folder
1
|
Contracts, December 1954-May 1955
|
|
Box
85
Folder
2
|
Correspondence, September 1954-March 1960
|
|
Box
85
Folder
3
|
Labor Distribution Reports, June-July 1955
|
|
Box
85
Folder
4
|
Research and Reference Materials, April 1953-June 1956
|
|
|
Scripts and Screenplays
|
|
Box
85
Folder
5
|
First Draft, No Author Listed, May 25, 1955
|
|
Box
85
Folder
6
|
First Draft, Incomplete, by Richard Collins, June 27, 1955
|
|
Box
85
Folder
7
|
Typescript First Draft Script, by Collins, July 16, 1955, with Revisions of , August 1, 1955
|
|
Box
85
Folder
8
|
Original Story - Adventures in Politics, by Richard L. Neuberger, 1954(Wanger's Marked Copy)
|
|
Box
85
Folder
9
|
Story Presentation (“The Neuberger Story”), by Kay Lenard, January 1956
|
|
|
“The Man with the Miraculous Hands” (Unproduced)
|
|
Box
85
Folder
10
|
Correspondence, April-July 1961
|
|
|
“The Man with Two Shadows” (Unproduced)
|
|
Box
85
Folder
11
|
Script, by Robin Maugham, undated
|
|
|
Mary Burns, Fugitive
(Paramount, 1935)
|
|
Box
85
Folder
12
|
Final Cost Budget, 1935
|
|
Box
85
Folder
13
|
Revised Final Shooting Script, No Author Listed, August 24, 1935
|
|
Box
85
Folder
14
|
Revised Final Shooting Script, No Author Listed, August 28, 1935, with Revisions of , October 4, 1935
|
|
|
“Mona Lisa” (Unproduced Film Project)
|
|
Box
85
Folder
15
|
Correspondence and Outlines (“The Smile”), by Bernard C. Shoenfeld, March-June 1953
|
|
|
The Moon's Our Home
(Paramount, 1936)
|
|
Box
85
Folder
16
|
Final Cost Budget, 1935
|
|
Box
85
Folder
17
|
Revised Final Script, by Isabel Dawn and Boyce DeGaw, January 30, 1936
|
|
|
Navy Wife(Allied Artists,
1956)
|
|
Box
85
Folder
18
|
Contracts and Correspondence, January 1954-December 1955
|
|
Box
85
Folder
19
|
Correspondence, March 1954-November 1956
|
|
Box
85
Folder
20
|
Labor Distribution Reports, November 1954-May 1956
|
|
Box
85
Folder
21
|
Production Reports and Costs; Shooting Schedules, June-December 1955
|
|
Box
85
Folder
22
|
Publicity, October 1955-June 1956
|
|
|
Scripts and Screenplays
|
|
Box
85
Folder
23
|
First Draft Screenplay (“Mother-Sir!”), by Kay Lenard, From the Novel by Tats Blain, May 16, 1955
|
|
Box
85
Folder
24
|
Revised Script by Lenard, circa November 1955
|
|
Box
86
Folder
1
|
Revised Script (Annotated), by Lenard, circa November 1955
|
|
Box
86
Folder
2
|
Original Story - Mother-Sir!by Tats Blain, 1951(Wanger's Annotated Copy)
|
|
Box
86
Folder
3
|
Story Treatments, October 1954
|
|
|
A Night in Paradise
(“Peacock's Feather”) (Universal, 1946)
|
|
Box
86
Folder
4
|
Correspondence, June 1944-July 1946
|
|
Box
85
Folder
5
|
Income Statements, October 1944-May 1954
|
|
Box
85
Folder
6
|
Production Files, Script Notes, Container, Correspondence, Narration Scripts, July 1934-July 1946
|
|
Box
85
Folder
7
|
Script by Ernest Pascal, November 20, 1944, with Revisions through , March 20, 1945
|
|
|
“Night of the Short Knives” (Unproduced)
|
|
Box
86
Folder
8
|
Synopsis of Galleys of Novel by Burke Wilkinson, June 15, 1964
|
|
Box
86
Folder
9
|
Script, No Author Listed, from the Book by Wilkinson, March 29, 1965
|
|
Box
86
Folder
10
|
Script (Annotated), No Author Listed, April 6, 1965
|
|
Box
86
Folder
11
|
Revised Script, by John Hopkins, June 1966
|
|
Box
86
Folder
12
|
Script (Annotated), No Author Listed, August 1966- with Henry Sandoz Letter re: Locations and Hardware, , July 9, 1966
|
|
Box
86
Folder
13
|
Script, by Henry Sandoz, August 1966
|
|
Box
86
Folder
14
|
Draft Story Line, by Robert D. Graff, August 19, 1965
|
|
Box
86
Folder
15
|
Treatment for Screenplay, by John Hopkins, November 29, 1965
|
|
Box
86
Folder
16
|
Treatment for Screenplay, by Hopkins, February 10, 1966
|
|
|
“Not the Glory” (Unproduced)
|
|
Box
86
Folder
17
|
Correspondence and Outline (“A Close Call”), by Francis Thorens, November 1955-July 1957
|
|
|
“Notre-Dame des Desempares” (Unproduced)
|
|
Box
86
Folder
18
|
Correspondence, April 1960-February 1967
|
|
Box
86
Folder
19-21
|
Typescript English Translation of the Novel by Christian Murciaux, Parts I-III, October 1962
|
|
|
“Omar Khayyam” (Not Produced by Wanger)
|
|
Box
87
Folder
1
|
Correspondence and Story Ideas, December 1951-October 1953
|
|
|
Palm Springs(Paramount,
1936)
|
|
Box
87
Folder
2
|
Revised Final Script, by Joseph A. Fields, January 2, 1936
|
|
|
Pan American Airways Film Project (Unproduced)
|
|
Box
87
Folder
3
|
Correspondence and Clippings, December 1940-June 1943
|
|
|
“Phi Beta Legs” (Unproduced)
|
|
Box
87
Folder
4
|
Story Outline, by Karen de Wolf; Agreement, 1951
|
|
|
Police Department Project (Unproduced)
|
|
Box
87
Folder
5
|
Correspondence, September 1955-October 1958
|
|
|
The President Vanishes
(Paramount, 1935)
|
|
Box
87
Folder
6
|
Final Cost Budget, 1934; Release Dates
|
|
Box
87
Folder
7
|
Script, No Author Listed, 1934
|
|
|
The President Vanishesand Private Worlds
|
|
Box
87
Folder
8-10
|
Cost and Distribution Statements, September 1934-January 1940
|
|
|
Private Worlds(Paramount,
1935)
|
|
Box
87
Folder
11
|
Final Cost Budget, 1935
|
|
Box
87
Folder
12
|
Final Script, by Gregory La Cava, December 28, 1934
|
|
|
Public Health Film (Unproduced)
|
|
Box
87
Folder
13
|
Correspondence, February-September 1948
|
|
|
“Queen of the Universe“(Unproduced)
|
|
Box
87
Folder
14
|
Correspondence, Contracts, and Payroll, May 1951-November 1956
|
|
Box
87
Folder
15
|
Ideas and Story Outline, by Ben Hecht, circa 1954
|
|
Box
87
Folder
16
|
First Draft Script, by Sherman L. Lowe, from a Story by Ben Hecht, undated
|
|
Box
87
Folder
17
|
Revised Draft Script, by Lowe, undated
|
|
|
“Raft O' Glory” (Unproduced)
|
|
Box
87
Folder
18
|
Correspondence, December 1942-April 1944
|
|
|
The Reckless Moment
(Columbia, 1949)
|
|
Box
87
Folder
19
|
Breakdown Schedules, July-September 1948
|
|
Box
87
Folder
20
|
Budgets, 1947-1949
|
|
Box
87
Folder
21
|
Call Sheets, January-June 1949
|
|
Box
87
Folder
22
|
Contracts, Correspondence, and Payroll Records, 1948-1950
|
|
Box
87
Folder
23
|
Contract - Production, and Distribution Agreement with Pathe Industries Inc., June 22, 1948
|
|
Box
87
Folder
24-25
|
Correspondence, 1947-1950
|
|
Box
87
Folder
26
|
Costs, Weekly Preproduction, 1948
|
|
Box
87
Folder
27
|
Distribution Statements, 1949
|
|
Box
87
Folder
28
|
Income Statements, Loan Payments, Notice of Default and Notice of Sale of Picture, November 1949-December 1954
|
|
Box
88
Folder
1
|
Production - Assistant Director's Daily Report, 1949
|
|
|
Scripts and Screenplays
|
|
Box
88
Folder
2
|
Typescript First Draft Script (“The Blank Wall”), by Robert E. Kent, December 5, 1947
|
|
Box
88
Folder
3
|
Typescript First Draft Script (“The Blank Wall”), by Leopold Atlas, December 24, 1947
|
|
Box
88
Folder
4
|
Typescript First Draft Script (“The Blank Wall”), by Mel Dinelli, February 6, 1948
|
|
Box
88
Folder
5
|
Revised Draft Script (“The Blank Wall”), by Dinelli, March 8, 1948, with Revisions of , April 23, 1948
|
|
Box
88
Folder
6
|
First Draft Script (“The Blank Wall”) (Annotated), by Dinelli, April 28, 1948
|
|
Box
88
Folder
7
|
Typescript Screenplay (“The Blank Wall”), by DeWitt Bodeen, October 28, 1948
|
|
Box
88
Folder
8
|
First Estimating Draft Script (“The Blank Wall”), by Henry Garson and Robert Soderberg, February 1, 1949
|
|
Box
88
Folder
9
|
Final Draft Script (“The Blank Wall”), by Carson and Soderberg, Annotated with Revised Pages, March 1, 1949
|
|
Box
88
Folder
10
|
Revised Final Draft Script (“The Blank Wall”), by Carson and Soderberg, March 11, 1949, with Revisions of , April 7, 1949; Marked for Shooting
|
|
Box
88
Folder
11
|
Revised Final Draft Script (“The Blank Wall”), by Carson and Soderberg, March 11, 1949, with Revisions of , May 2, 1949
|
|
Box
88
Folder
12
|
Shooting Schedules, 1949
|
|
Box
88
Folder
13
|
Story Outlines, Suggested Changes, Revised Pages, Preview Results, 1947-1949
|
|
Box
88
Folder
14
|
Vouchers, 1949
|
|
|
“The Rector of Justin” (Unproduced)
|
|
|
Scripts and Screenplays
|
|
Box
88
Folder
15
|
First Draft Script, by Samuel Taylor, Based on the Book by Louis Auchincloss, March 8, 1965
|
|
Box
88
Folder
16
|
Second Draft Script, by Taylor, April 1, 1965
|
|
Box
88
Folder
17
|
Script, by Taylor, April 1, 1965
|
|
Box
88
Folder
18
|
Script, by Taylor, August 25, 1965
|
|
|
Reign of Terror(Eagle Lion,
1949)
|
|
Box
88
Folder
19
|
Breakdown Schedule, Revised Final, June 19, 1948
|
|
Box
88
Folder
19
|
Set List, March 27, 1948
|
|
Box
88
Folder
20
|
Production Budget and Final Cost Accounting, 1948
|
|
Box
88
Folder
21
|
Contracts and Correspondence, 1947-1949
|
|
Box
88
Folder
22
|
Production Cost Statements, Weekly, 1948-1949
|
|
Box
89
Folder
1
|
Income and Distribution Statements, 1948-1954
|
|
Box
89
Folder
2
|
Post-Production, April 1948-August 1949
|
|
Box
89
Folder
3
|
Production Reports, Daily, August-September 1948
|
|
Box
89
Folder
4
|
Revised Final Script (“The Bastille,” “The Black Book”), by Philip Yordan, Original Story by Aeneas MacKenzie, June 17, 1948
|
|
Box
89
Folder
5
|
Discarded Script Pages, by Philip Yordan, 1948
|
|
|
“Rena' s Way” (Unproduced)
|
|
Box
89
Folder
5A
|
Correspondence and Summary of Novel by Victoria Morhaim, July 1959-April 1960
|
|
|
Riot in Cell Block 11
(Allied Artists, 1954)
|
|
Box
89
Folder
6
|
Budget, Cost Records, July-November 1953; Audit, , June 1957
|
|
Box
89
Folder
7
|
Call Sheets, August-September 1953
|
|
Box
89
Folder
8
|
Contracts and Correspondence, 1953
|
|
|
Correspondence
|
|
Box
89
Folder
9-13
|
General, January 1953-1959
|
|
Box
89
Folder
14
|
Inter-Office Memoranda and Trip Sheets, April 1953-June 1954
|
|
Box
89
Folder
15
|
Legal, 1953
|
|
Box
89
Folder
16
|
Lookand PageantMagazines, Fall 1953
|
|
Box
89
Folder
17
|
Walter and Peg McGraw, March 1953-November 1954
|
|
Box
89
Folder
18
|
Miscellaneous Prison Related Correspondence, 1952-1954
|
|
|
Edinburgh Film Festival
|
|
Box
89
Folder
19
|
Clippings, Programs, Invitations, August 21-29, 1954
|
|
Box
89
Folder
20
|
Correspondence, August 20-September 2, 1954
|
|
Box
89
Folder
21
|
Correspondence (also re: Venice Film Festival), May-December 1954
|
|
Box
89
Folder
22
|
Employment Applications, June-August 1953, February 1954
|
|
Box
89
Folder
23
|
Income Statements, 1958
|
|
Box
89
Folder
24
|
Labor and Equipment Costs, June 1953-February 1954
|
|
Box
89
Folder
25
|
Music and Music Cue Sheet, December 1953
|
|
Box
89
Folder
26
|
Production Reports, August-October 1953
|
|
|
Publicity and Publicity Correspondence
|
|
Box
89
Folder
27
|
General, August 1953-April 1954, August 1954
|
|
Box
89
Folder
28
|
With Morgan and Brenon, January-March 1954
|
|
Box
89
Folder
29
|
Promotional Tours, 1954
|
|
Box
89
Folder
30
|
Clippings, Publicity, Reviews, July 1953-April 1955
|
|
|
Reference and Research Material
|
|
Box
89
Folder
31-33
|
Clippings and Background Information About Prisons, 1946-1954
|
|
Box
89
Folder
34-35
|
Other Reference Material, 1943-1954
|
|
Box
89
Folder
36
|
Wanger's Impressions of Jail and Going to Jail, undated
|
|
Box
89
Folder
37
|
Wanger's Prison Writings
|
|
Box
90
Folder
1
|
Wanger's Writings on Prison, this Movie, and Rehabilitation
|
|
Box
90
Folder
2
|
Honor Farm Rules
|
|
Box
90
Folder
3
|
Phoenix Plan Materials, 1952
|
|
Box
90
Folder
4
|
Writings and Letters of Prisoners; Sketches, undated
|
|
|
Scripts and Screenplays
|
|
Box
90
Folder
5
|
Typescript First Draft Screenplay (“Riot”), Incomplete, First Sequence Only, by Richard Collins, April 29, 1953
|
|
Box
90
Folder
6
|
Typescript Draft Script (“Riot”) (Annotated), by Collins, June 1, 1953
|
|
Box
90
Folder
7
|
First Draft Script (“Riot”) (Annotated), by Collins, June 2, 1953
|
|
Box
90
Folder
8
|
Revised Script, by Collins, June 29, 1953
|
|
Box
90
Folder
9
|
Revised Script, by Collins, June 29, 1953, with Revisions of , July 21, 1953
|
|
Box
90
Folder
10
|
Revised Script Pages, Annotated, Incomplete; No Author Listed, July 13, 1953
|
|
Box
90
Folder
11
|
Draft Script Pages, Annotated, Incomplete, No Author Listed, August 5, 1953
|
|
Box
90
Folder
12
|
Final Shooting Script, No Author Listed, August 5, 1953
|
|
Box
90
Folder
13
|
Revised Final Shooting Script, No Author Listed, August 5, 1953, with Revisions of , August 13, 1953
|
|
Box
90
Folder
14
|
Revised Script Pages, Annotated, Incomplete, No Author Listed, August 15, 1953, October 15, 1953
|
|
Box
90
Folder
15
|
Script Pages (Annotated) and Correspondence with Richard Collins, June-October 1953
|
|
Box
90
Folder
16
|
Staff, Cast, and Shooting Schedule, Prop and Canteen List, Reel Description, August 1953
|
|
Box
90
Folder
17
|
Titles and Proposed Titles
|
|
|
Rocket to the Moon Project (Unproduced)
|
|
Box
90
Folder
18
|
Correspondence, February 1946
|
|
|
“The St. Moritz Affair” (Unproduced)
|
|
Box
90
Folder
19
|
Clippings and Correspondence, January-July 1957
|
|
|
Salome, Where She Danced
(Universal, 1945)
|
|
Box
90
Folder
20
|
Continuity with Dialogue, 1944
|
|
Box
90
Folder
21
|
Contract, Correspondence, and Payroll of Laurence Stallings, 1944-1950
|
|
Box
90
Folder
22
|
Correspondence and Miscellany, 1943
|
|
Box
90
Folder
23
|
Income Statements, including Grosses, 1945-1954
|
|
Box
90
Folder
24
|
Production Correspondence, Music, Casting, January 1944-October 1945
|
|
Box
90
Folder
25
|
Post-Production Correspondence, January 1944-September 1945
|
|
Box
90
Folder
26
|
Production Reports, January 1945; Final Cost Sheet, , April 1945
|
|
Box
90
Folder
27
|
Publicity Brochure
|
|
|
Scripts and Screenplays
|
|
Box
90
Folder
28
|
Script, by Laurence Stallings, September 12, 1944; with Revisions of , September and October 1944
|
|
Box
90
Folder
29
|
Script Notes, Correspondence, April 1944-March 1946
|
|
|
Scarlet Street(Universal,
1945)
|
|
Box
90
Folder
30
|
Continuity Breakdown, July 23, 1945
|
|
Box
90
Folder
31
|
Budget Estimates, July 1945
|
|
|
Censorship
|
|
Box
90
Folder
32
|
Lawsuit Briefs, Universal v. City of Atlanta, March-May 1946
|
|
Box
90
Folder
33
|
Lawsuit Correspondence, June 1945-October 1946
|
|
Box
90
Folder
34
|
Clippings, September 1945-July 1946
|
|
Box
91
Folder
1
|
Contracts, February 1945-January 1951
|
|
Box
91
Folder
2
|
Correspondence, January 1945-October 1947
|
|
Box
91
Folder
3
|
Income Statements, May 1948-May 1954
|
|
Box
91
Folder
4
|
Lawsuit, Diana Productions Inc. v. Fidler, December 1945-March 1947
|
|
Box
91
Folder
5
|
Post-Production Correspondence, May 1944-June 1946
|
|
|
Scripts and Screenplays
|
|
Box
91
Folder
6
|
Revised Final Script, by Dudley Nichols, July 18, 1945
|
|
Box
91
Folder
7
|
Continuity and Dialogue Script, by Nichols, December 17, 1945
|
|
|
Albert Schweitzer Memorial Project (Unproduced)
|
|
Box
91
Folder
8
|
Clippings and Correspondence, January 1949-January 1950
|
|
|
Secret Beyond the Door
(Universal, 1948)
|
|
Box
91
Folder
9
|
Contracts and Correspondence re: Purchase, December 1945-September 1946
|
|
Box
91
Folder
10
|
Employment, January 1946-April 1947
|
|
Box
91
Folder
11
|
Post-Production Correspondence, September 1946-April 1948
|
|
Box
91
Folder
12
|
Production, Legal, Budget, Costs, January 1946-February 1948
|
|
Box
91
Folder
13
|
Final Shooting Script, by Silvia Richards, Based on a Story by Rufus King, undated, with Changes Dated , February 7, 1947
|
|
Box
91
Folder
14
|
RedbookNovelization, by Rufus King, December 1945
|
|
Box
91
Folder
15
|
Story Outline, Correspondence, Notes, December 1945- October 1947
|
|
|
“Shalimar” (Unproduced)
|
|
Box
91
Folder
15A
|
Story Outline (Annotated), by Leon Gutterman and Reed Johnston, undated
|
|
|
Shanghai(Paramount,
1935)
|
|
Box
91
Folder
16
|
Final Cost Budget, 1935
|
|
Box
91
Folder
17
|
Financial Statements, 1936-1938 : Also includes Financial Statements for Smart Girl, Every Night at Eight, Mary Burns, Fugitive, Her Master's Voice, Trail of the Lonesome Pine, The Case Against Mrs. Ames, The Moon's Our Home, Big Brown Eyes, Fatal Lady, Palm Springs, and Spendthrift.
|
|
Box
91
Folder
18
|
Final Shooting Script, No Author Listed, April 26, 1935
|
|
|
“The Sinner, A Story of Mary Magdalene” (Unproduced)
|
|
Box
91
Folder
19
|
Correspondence and Contracts with Charles O'Neill; Correspondence and Treatment, by Jean Renoir, May 1946-January 1947
|
|
|
Slave Market Project (Unproduced)
|
|
Box
91
Folder
20
|
Story Outline, by Geoffrey Homes, undated
|
|
Box
91
Folder
20
|
Correspondence, February 1959-February 1963
|
|
|
Slightly Honorable(United
Artists, 1940)
|
|
Box
91
Folder
21
|
Revised Shooting Script (“Send Another Coffin”), by Ken Englund, Adapted by John Lay and Robert Tallman, August 25, 1939, with Retakes of , October 18, 1939
|
|
Box
91
Folder
21
|
Negative Cost Report, undated
|
|
|
Smart Girl(Paramount,
1935)
|
|
Box
91
Folder
22
|
Final Cost Budget, 1935
|
|
Box
91
Folder
23
|
Revised Working Script, No Author Listed, May 22, 1935
|
|
|
Smash-Up - The Story of a Woman(Universal, 1947)
|
|
Box
91
Folder
24
|
Audit, June 1948
|
|
Box
91
Folder
25
|
Continuity Index, June 1946
|
|
Box
91
Folder
26
|
Contracts and Correspondence, August 1945-January 1947
|
|
Box
91
Folder
27
|
Correspondence (“Angelica”), July 1945-December 1947
|
|
Box
91
Folder
28
|
Credits and Censorship, April 1946-May 1947
|
|
Box
92
Folder
1
|
Income and Box Office Statements, February 1947-May 1954
|
|
Box
91
Folder
2
|
Music - “Life Can Be Beautiful”
|
|
Box
91
Folder
3
|
Publicity, June 1946-June 1947
|
|
|
Scripts and Screenplays
|
|
Box
91
Folder
4
|
Revised Final Script, by John H. Lawson, from a Story by Dorothy Parker and Frank Cavett, May 15, 1946; including Revised Final Changes
|
|
Box
91
Folder
5
|
Script Notes and Changes, April-November 1946
|
|
Box
91
Folder
6
|
Shooting Schedules, 1946
|
|
|
“The Snow Queen”(This Version Unproduced
|
|
Box
92
Folder
7
|
Correspondence and Two Treatments by Robert Thom and Edward DeBlasio, July-August 1964
|
|
|
“So Gallantly Gleaming” (Unproduced)
|
|
Box
92
Folder
8
|
Clippings, May 1946-April 1959
|
|
Box
92
Folder
9
|
Contracts, July 1939-November 1941
|
|
Box
92
Folder
10
|
Copyright, April 18, 1955
|
|
Box
92
Folder
11
|
Correspondence, September 1939-August 1964
|
|
|
Scripts and Screenplays
|
|
Box
92
Folder
12
|
Outline for Opening, by Harvey Thew and Peter Ordway, August 9, 1939
|
|
Box
92
Folder
13
|
First Rough Draft Script, by Sonya Levien (Annotated), December 2, 1939
|
|
Box
92
Folder
14
|
First Rough Draft Script, by Levien, December 2, 1939, with Revisions of , April 1940
|
|
Box
92
Folder
15
|
Script, by Levien, with Revisions of April 18, 1940
|
|
Box
92
Folder
16
|
Script, by Levien, undated
|
|
Box
92
Folder
17
|
Script Pages, by Levien, pp. 121-209 (end), with Character Description and Other Material
|
|
|
Annotated Script Pages, by Levien
|
|
Box
92
Folder
18
|
pp. 1-31 (School and Courtship Sequences), November 1939
|
|
Box
92
Folder
19
|
pp. 32-48 (Marriage Sequence), undated
|
|
Box
92
Folder
20
|
pp. 49-55 (Family Reconciliation Sequence), undated
|
|
Box
92
Folder
21
|
pp. 56-62 (St. Louis Sequence), January 1940
|
|
Box
92
Folder
22
|
pp. 63-65 (Letter Sequence), pp. 66-75 (Pres. Tyler Sequence), and pp. 76-81 (Homecoming Sequence), undated
|
|
Box
92
Folder
23
|
pp. 82-120 (Report Sequence), January 27, 1940
|
|
Box
92
Folder
24
|
pp. 121-130 (Pres. Polk Sequence), February 1940
|
|
Box
92
Folder
25
|
pp. 130-137 (Mrs. Benton's Death Sequence) and pp. 138-147 (Fort Sutter Sequence)
|
|
Box
92
Folder
26
|
pp. 148-156 (Monterrey Sequence) and pp. 157-168 (Jessie and Pres. Polk Sequence)
|
|
Box
92
Folder
27
|
pp. 169-177 (Cahuenga Sequence) and pp. 178-185 (Kit Carson Comes to Washington)
|
|
Box
92
Folder
28
|
pp. 186-203 (Court Martial Sequence) and pp. 204-209 (Benton Home/Ending Sequence)
|
|
Box
92
Folder
29
|
Story, by Harvey Thew and Peter Ordway, undated
|
|
Box
92
Folder
30
|
First Treatment, by Thew and Ordway, undated
|
|
Box
92
Folder
31
|
Memorandum, August 3, 1939, and Revised Treatments, , January 21, 1947, undated
|
|
|
Soldier of Fortune(Not
Produced by Wanger? Another Version Produced by 20th Century-Fox, 1955)
|
|
Box
92
Folder
32
|
Story Outline, by Jay Simms, undated
|
|
|
“Soul of Paris” (Unproduced)
|
|
Box
93
Folder
1
|
Contracts, Correspondence, and Partial Treatment, No Author Listed, January-April 1950
|
|
|
South African Project (Unproduced)
|
|
Box
93
Folder
2
|
Correspondence, September-November 1948
|
|
|
South American Project (Unproduced)
|
|
Box
93
Folder
3
|
Correspendence, March 1939-October 1940
|
|
|
Spendthrift(Paramount,
1936) : See also Box 92, Folder 17.
|
|
Box
93
Folder
4
|
Dialogue Continuity, by George Marion, Jr. and Al Santell, undated
|
|
Box
93
Folder
5
|
Revised Final Continuity (“As Shot”), Original Story by Eric Hatch, Screenplay by Raoul Walsh and Bert Hanlon, May 5, 1936
|
|
|
Stagecoach(2 Versions, 1939
Version by United Artists)
|
|
Box
93
Folder
6
|
Correspondence, May 1957-October 1965
|
|
Box
93
Folder
7
|
Negative Cost Report, December 1938
|
|
Box
93
Folder
8
|
Revised Final Script, by Dudley Nichols, November 11, 1938
|
|
|
Stand-In(United Artists,
1937)
|
|
Box
93
Folder
9
|
Revised Final Script, by Gene Towne and Graham Baker, July 16, 1937
|
|
Box
93
Folder
9
|
Negative Cost Report; Staff Sheet, June 1937
|
|
|
“The Story of Cyllene” (Unproduced)
|
|
Box
93
Folder
10
|
Correspondence, July-August 1946
|
|
|
The Story of I.G. Farben Project (Unproduced)
|
|
Box
93
Folder
11
|
Clippings, December 1945-January 1946
|
|
|
Sundown(United Artists,
1941)
|
|
Box
93
Folder
12
|
Final Script, No Author Listed, undated
|
|
Box
93
Folder
13
|
Revised Final Script; No Author Listed, August 16, 1941(Wanger's Annotated Copy, Annotated for Shooting)
|
|
|
“Sylva” (Unproduced)
|
|
Box
93
Folder
14
|
Correspondence, Contract, and Treatment, February 16, 1963, by Dalton Trumbo, , February-November 1963
|
|
|
“Take the Stand, Mrs. Langtry” (Unproduced)
|
|
Box
93
Folder
14A
|
Correspondence and CosmopolitanStory, November 1954-February 1956
|
|
|
Tangier(Universal,
1946)
|
|
Box
93
Folder
15
|
Clippings, March-December 1956
|
|
Box
93
Folder
16
|
Correspondence with Billy Grady, October 1952-July 1954; “One Passage East,” by Billy Grady
|
|
Box
93
Folder
17
|
Legal Correspondence and Contracts, December 1952-September 1959
|
|
Box
93
Folder
18
|
Outlines (“Tanja”) by Gerald Kersh and Correspondence, February 1956
|
|
Box
93
Folder
19
|
Outline and Alternate Beginnings
|
|
Box
93
Folder
20
|
Outline and Treatment (“Incident in Tangier”), by Edwin Blum, with Annotations, March 1956
|
|
Box
93
Folder
21
|
Treatment (“Tanja”), by Blum, with Annotations and Correspondence, March-April 1956
|
|
Box
93
Folder
22
|
Treatment (“The Tangier Story”), undated
|
|
|
Tap Roots(Universal,
1948
|
|
Box
93
Folder
23
|
Audits, May 1948-October 1949
|
|
Box
93
Folder
24
|
Budget, 1947
|
|
Box
93
Folder
25
|
Contracts, Correspondence, and Payroll, November 1946-October 1950
|
|
Box
93
Folder
26
|
Correspondence, October 1946-October 1949
|
|
Box
93
Folder
27
|
Correspondence with Writers, Synopsis, and Narration, December 1944-September 1964
|
|
Box
93
Folder
28
|
Cost Summaries, Weekly (Universal), April 1947-January 1949
|
|
Box
93
Folder
29
|
Cost Summaries, Weekly (Universal Estimating Department), June-October 1947
|
|
Box
93
Folder
30
|
Cost Summaries, Weekly (Paid by Walter Wanger Pictures Inc.), May 1947-March 1948
|
|
Box
93
Folder
31
|
Income Statements, July 1948-October 1953
|
|
Box
93
Folder
32
|
Loans From Bank of America, May 1947-December 1949
|
|
Box
93
Folder
33
|
Music Set Ups, Set Lists, Added Scenes, 1947
|
|
Box
93
Folder
34
|
Production Reports, Daily, May 1947
|
|
Box
93
Folder
35
|
Publicity, Box Office Receipts, Audience Research, February 1947-January 1949
|
|
Box
94
Folder
1
|
Final Shooting Script, by Alan LeMay, May 8, 1947
|
|
Box
94
Folder
2
|
“Screenwriter's Doodles,” circa April 1947
|
|
Box
94
Folder
3
|
Shooting Schedules, May 1947
|
|
|
“Terry and the Pirates” (Unproduced)
|
|
Box
94
Folder
4
|
Correspondence and Contracts, August 1940-September 1945
|
|
|
3-D Follies Project (Unproduced)
|
|
Box
94
Folder
5
|
Correspondence, Drafts, Ideas, March-May 1953
|
|
|
“Time Out for Ginger” (Unproduced)
|
|
Box
94
Folder
6
|
Correspondence, December 1956-May 1957
|
|
|
To the People of the United States(U.S. Public Health Service, 1944 or 1945)
|
|
Box
94
Folder
7
|
Estimated Budget, 1943
|
|
Box
94
Folder
7
|
Invoices and Costs re: Production, 1943-1944
|
|
Box
94
Folder
8
|
Contracts, 1943-1944
|
|
Box
94
Folder
9-10
|
Correspondence, November 1942-April 1945
|
|
Box
94
Folder
11
|
Miscellany, April 1942-1944
|
|
Box
94
Folder
12
|
Scripts (Annotated), April 1942-January 1944
|
|
|
“Top Dog” (Unproduced)
|
|
Box
94
Folder
13
|
Correspondence, August 1956-December 1957; Notes
|
|
Box
94
Folder
14
|
Story Outline, Adapted by Monte Brice, October 19, 1957
|
|
|
Trade Winds(United Artists,
1938)
|
|
Box
94
Folder
15
|
Cost Report, December 31, 1938; Correspondence, , September 1938; Negative Cost Report, , undated
|
|
Box
94
Folder
16
|
First Rough Draft Script, by Tay Garnett, July 8, 1938
|
|
Box
94
Folder
17
|
Revised Final Script, by Dorothy Parker, Alan Campbell, and Frank R. Adams, September 26, 1938, with Retakes of , October 26, 1938
|
|
|
Trail of the Lonesome Pine
(Paramount, 1936)
|
|
Box
94
Folder
18
|
Final Cost Budget, 1935
|
|
Box
94
Folder
19
|
Reviews, 1936
|
|
Box
94
Folder
20
|
Final Draft Continuity, October 9, 1935, with Revisions of , October 18, 1935
|
|
|
Tulsa(Eagle Lion,
1949)
|
|
Box
94
Folder
21
|
Breakdown Schedule, Production Report, Proclamations, 1948
|
|
Box
94
Folder
22
|
Budget, Production, June 1948
|
|
Box
94
Folder
23
|
Clippings, 1949
|
|
Box
94
Folder
24
|
Contracts, January-July 1948
|
|
|
Correspondence
|
|
Box
94
Folder
25
|
General, May 1947-September 1949
|
|
Box
94
Folder
26-27
|
Production, Title, and Premiere Correspondence, November 1947-1949
|
|
Box
94
Folder
28
|
Weekly Cost Statement to Eagle Lion, January 1948-October 1949
|
|
Box
95
Folder
1
|
Weekly Summary of Costs, January 1948-March 1949
|
|
Box
95
Folder
2
|
Financial Statements, October 1951-November 1953
|
|
Box
95
Folder
3
|
Income Statements and Loan Repayment Tickets, June 1949-January 1954
|
|
Box
95
Folder
4
|
Invoices, June-August 1948
|
|
Box
95
Folder
5
|
Daily Production Reports, May-October 1948
|
|
Box
95
Folder
6
|
Publicity and Advertisements, March 1949
|
|
Box
95
Folder
7
|
Research Materials, November 1947-September 1948
|
|
Box
95
Folder
8
|
Story Outline, No Author Listed, February 12, 1948
|
|
Box
95
Folder
9
|
Revised Final Script, by Frank Nugent and Curtis Kenyon, June 10, 1948, with Revisions of , August 30, 1948
|
|
|
“Uncle Wiggily in Connecticut” (Unproduced)
|
|
Box
95
Folder
10
|
Typescript Second Draft Screenplay, March 11, 1949
|
|
|
“Underdog” (Unproduced)
|
|
Box
95
Folder
11
|
Correspondence and Contract, 1955-October 1956
|
|
|
Underworld U.S.A.(Not
Produced by Wanger. Another Version Produced by Columbia, 1961)
|
|
Box
95
Folder
12
|
Clippings, September 1955-September 1958
|
|
Box
95
Folder
13
|
Correspondence, August 1955-August 1959
|
|
Box
95
Folder
14
|
Treatment, by Joel Sayre, July 10, 1956
|
|
|
Vietnam Project (Unproduced)
|
|
Box
95
Folder
15
|
Miscellany, May-June 1962
|
|
|
Vogues of 1938(United
Artists, 1937)
|
|
Box
95
Folder
16
|
Revised Final Script by Bella and Samuel Spewack, July 16, 1937
|
|
Box
95
Folder
16
|
Negative Cost Report, undated
|
|
|
Charles A. Ward Story (Unproduced)
|
|
Box
95
Folder
17
|
Clippings and Correspondence, June 1955-July 1959
|
|
|
“The Washington Flyer” (Unproduced)
|
|
Box
95
Folder
18
|
Contracts, 1946
|
|
|
We've Never Been Licked
(Universal, 1943)
|
|
Box
95
Folder
19
|
Clippings, July 1942-1943
|
|
|
Correspondence
|
|
Box
95
Folder
20-22
|
General, May 1942-March 1945
|
|
Box
95
Folder
23
|
Promotional Letters, November-December 1942
|
|
Box
95
Folder
24
|
Income Statements, October 1943-May 1954
|
|
Box
95
Folder
25
|
Screenplay, by Norman Reilly Raine and Nick Grinde, November 2, 1942, with Revisions of , February 1, 1943
|
|
|
Winchester '73(Not Produced
by Wanger. Another version produced by Universal, 1950)
|
|
Box
95
Folder
26
|
Correspondence and Story Outline, by Stuart N. Lake, January 1946-August 1947
|
|
|
Winter Carnival(United
Artists, 1939)
|
|
Box
95
Folder
27
|
Revised Final Script, by Budd Schulberg, Maurice Rapf, and Lester Cole, May 19, 1939
|
|
Box
95
Folder
27
|
Negative Cost Report, undated
|
|
|
“A Woman Loves Once” (Unproduced)
|
|
Box
96
Folder
1
|
Contracts, March 1935-November 1941
|
|
Box
96
Folder
2
|
Treatment, Adaptation by Louis Stevens, From the Novel by Michael Arlen, undated
|
|
|
“The World and Little Willie” (Unproduced)
|
|
Box
96
Folder
3
|
Correspondence, April-July 1948
|
|
Box
96
Folder
4
|
Cost Statements, May-July 1948
|
|
|
“Yellow Knife” (Unproduced)
|
|
Box
96
Folder
5
|
Budget, Payroll, and Accounts Payable, January 1951-May 1952
|
|
Box
96
Folder
6
|
Clippings, July-November 1951
|
|
Box
96
Folder
7
|
Contracts and Correspondence, August 1951-December 1955
|
|
Box
96
Folder
8
|
Correspondence, 1950-October 1957
|
|
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Scripts and Screenplays
|
|
Box
96
Folder
9
|
Typescript, No Author Listed, December 12, 1951
|
|
Box
96
Folder
10
|
Typescript First Draft, by John Tucker Battle, undated
|
|
Box
96
Folder
11
|
Script, by Battle, with Revisions by Dan Ullman, undated
|
|
Box
96
Folder
12
|
Typescript Script, No Author Listed, with Revisions by Edward Bends, undated
|
|
Box
96
Folder
13
|
Typescript Script (“The Puguan”), No Author Listed, undated
|
|
Box
96
Folder
14
|
Script Revisions, No Author Listed, undated
|
|
Box
96
Folder
15-16
|
Script Fragments (Annotated), No Author Listed, undated
|
|
Box
96
Folder
17
|
Original Story in Saturday Evening Post, by Robert Ormond Case, June 1951
|
|
Box
96
Folder
18
|
Story (“Buccaneer of the Barrens”), by Case, undated
|
|
|
Treatments
|
|
Box
96
Folder
19
|
“New Treatment,” by Case, May 4, 1951
|
|
Box
96
Folder
20
|
Screen Treatment, by Case, February 23, 1953
|
|
Box
96
Folder
21
|
Treatment (“Buccaneer of the Barrens”), by Sidney Franklin, Jr., February 18, 1954
|
|
Box
96
Folder
22
|
Empirical Treatment (“The Buccaneer of the Barrens”), by John Tucker Battle, undated
|
|
Box
96
Folder
23
|
Treatment (“Buccaneer of the Barrens”) by Case, undated
|
|
|
You Only Live Once(United
Artists, 1937)
|
|
Box
96
Folder
24
|
Revised Script (Annotated), by Gene Towne and Graham Baker, undated
|
|
Box
96
Folder
25
|
Revised Final Script, by Gene Towne and Graham Baker, January 8, 1937
|
|
Box
96
Folder
25
|
Negative Cost Report, undated
|
|
Box
96
Folder
26-27
|
Story Ideas and Synopses, Titles A-Z, 1946-1949; Clippings, , December 1936-January 1937
|
|
Box
96
Folder
28
|
“Dead File” - Miscellaneous Film Ideas, August 1949-January 1961
|
|
|
Series: Television and Theater Files
|
|
|
Boys Town Project
|
|
Box
97
Folder
1
|
Correspondence, November 1956
|
|
|
“Close-Up” Variety Show
|
|
Box
97
Folder
2
|
Synopsis, September 1956
|
|
|
“Crime Classics” Project
|
|
Box
97
Folder
3
|
Synopsis, November 1956
|
|
|
“Deal a Blow” Project
|
|
Box
97
Folder
4
|
Correspondence and Script for “Chrysler Corporation Presents,” by Robert Dozier, August 1955-June 1956
|
|
|
“Dynamite” Project
|
|
Box
97
Folder
5
|
Clippings, April 1955-May 1958
|
|
Box
97
Folder
6
|
Correspondence, August 1956-May 1961
|
|
Box
103
Folder
1
|
Pilot Script and Story Outlines, 1958
|
|
Box
103
Folder
2
|
Presentation, 1958
|
|
|
“Hollywood House Party”
|
|
Box
97
Folder
7
|
Contract, 1951
|
|
|
“If I Were President”
|
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Box
97
Folder
8
|
Correspondence and Synopsis, 1957
|
|
|
“Jack and the Beanstalk” Project
|
|
Box
97
Folder
9
|
Correspondence and Clippings, November 1955-December 1956
|
|
Box
97
Folder
9
|
Short Story, No Author Listed, circa 1956
|
|
|
“Jungle Princess” Project
|
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Box
97
Folder
10
|
Correspondence and Contracts, July 1950
|
|
|
“Planet Earth”
|
|
Box
97
Folder
11
|
Synopsis, May 1956
|
|
|
“The Quest” Project
|
|
Box
97
Folder
12
|
Story Outline and Correspondence, August-September 1956
|
|
|
“Radar 1956” Project
|
|
Box
97
Folder
13
|
Rough Outlines, by Walter Wanger and Dana Tasker, September 1956
|
|
|
“Stagecoach” Project
|
|
Box
97
Folder
14
|
Correspondence, Presentation, and Story Outline, May-August 1957
|
|
|
“Steve Canyon” Project
|
|
Box
97
Folder
15
|
Correspondence, September 1951-October 1965
|
|
Box
97
Folder
16
|
Miscellaneous Correspondence Regarding Various Television Properties, September 1956-1961
|
|
|
Parlor Story(Play) (New
York, Biltmore Theatre, 1947)
|
|
Box
97
Folder
17
|
Correspondence, Partnership Agreement, Income, 1946-1951
|
|
|
Series: Other Papers
|
|
Box
97
Folder
18
|
BBDO Convention - Records, 1956
|
|
Box
97
Folder
19
|
Conference on Cultural Affairs and Foreign Relations, Los Angeles - Records, 1962
|
|
Box
97
Folder
20
|
Greater Los Angeles Plans Inc., 1945-1949
|
|
Box
97
Folder
21
|
Magic Lantern Process, June 1961
|
|
Box
97
Folder
22
|
Miscellany, 1920-1965
|
|
Box
97
Folder
23
|
Record of J. Arthur Rank Films in the United States, 1948
|
|
|
Series: Free World Association Records
|
|
Box
97
Folder
24
|
Advertisements and Copy, 1944
|
|
Box
97
Folder
25-26
|
Americans United for World Organization - Correspondence, Press Releases, and
General Papers, 1944-1945
|
|
Box
97
Folder
27
|
Board of Directors Correspondence, 1944-1945
|
|
Box
97
Folder
27
|
Minutes of Board of Directors and Free World Association, Hollywood Section, 1943-1945
|
|
Box
97
Folder
28
|
Commission to Study the Organization of Peace, 1944
|
|
Box
97
Folder
29
|
Committee for Interracial Progress, 1944
|
|
Box
97
Folder
30
|
“Complaints,” 1944-1945
|
|
|
Correspondence, General
|
|
Box
97
Folder
31-33
|
March 1943-November 1944
|
|
Box
98
Folder
1-2
|
December 1944-August 1945
|
|
|
Council for Democracy
|
|
Box
98
Folder
3
|
Briefs for Broadcasters Project, 1944-1945
|
|
Box
98
Folder
4
|
Other Papers, 1943-1945
|
|
Box
98
Folder
5
|
“Write Now,” 1944-1946
|
|
|
Financial Records
|
|
Box
98
Folder
6
|
Banking and Loan Records, 1944-1945
|
|
Box
98
Folder
7
|
Contributions and Fund Raising, 1943-1945
|
|
Box
98
Folder
8
|
Miscellaneous Invoices, 1943-1945
|
|
Box
98
Folder
9
|
Petty Cash Records, 1944-1945
|
|
Box
98
Folder
10
|
Freedom House, 1944
|
|
Box
98
Folder
11
|
Hollywood Free World Association Progress Reports, 1944-1945
|
|
Box
98
Folder
11
|
Los Angeles Free World Association, 1944
|
|
Box
98
Folder
12
|
Leases and Correspondence, 1943, 1945
|
|
Box
98
Folder
13
|
Legislation Research Committee Papers, 1944-1945
|
|
Box
98
Folder
14
|
Lists of Names, 1944-1945
|
|
Box
98
Folder
15
|
Lists of National Committee Members, 1943, undated
|
|
|
Membership Records
|
|
Box
98
Folder
16-17
|
Applications and Correspondence, Last Names, A-Z
|
|
Box
98
Folder
18
|
Committee Records, 1944
|
|
Box
98
Folder
19
|
Membership and Other Lists, 1943-1944, undated
|
|
Box
98
Folder
20
|
Membership Meeting, Annual, 1944
|
|
Box
98
Folder
21
|
Miscellany, 1944-1945
|
|
Box
98
Folder
22
|
National Citizens Political Action Committee, 1944
|
|
|
Other Organizations
|
|
Box
98
Folder
23-27
|
A-F, 1944-1945
|
|
Box
99
Folder
1-2
|
G-U, 1944-1945
|
|
Box
99
Folder
3
|
Town Hall, 1944
|
|
Box
99
Folder
4
|
V-W, 1944-1945
|
|
Box
99
Folder
5
|
Personnel Records and Reports, 1944-1945
|
|
Box
99
Folder
6
|
“Questionable” Organizations, 1943-1945
|
|
Box
99
Folder
7
|
Radio Bureau Minutes of Meetings, Correspondence, and Papers, 1944-1945
|
|
Box
99
Folder
8
|
Radio Show Proposed Scripts and Ideas, 1944-1945
|
|
|
Radio Scripts
|
|
Box
99
Folder
9
|
1943-April 1944
|
|
Box
100
Folder
1
|
July 1944-1945
|
|
Box
100
Folder
2
|
Reservations for Hepburn Meeting, undated
|
|
Box
100
Folder
3
|
Speeches and Articles, 1942-1945
|
|
Box
100
Folder
4
|
Statements of Principle and Drafts, 1944-1945
|
|
Box
100
Folder
5
|
Subscriptions to Free World, 1943-1945
|
|
Box
100
Folder
6
|
Walter Wanger Speech and Miscellany, 1944
|
|
Audio 1035A
|
Series: Audio Recordings
|
|
Audio
1035A/1-4
|
Interview between Hyams and Wanger, undated
|
|
Audio
1035A/5
|
Council of Motion Picture Organizations Inc., 1951 July 26 : Original: Disc 195A/1
|
|
Audio
1035A/6
|
Robert Wise: Thoughts on Trial Scenes; and Wanger Letters, 1958 March? : Original: Disc 195A/2
|
|
Audio
1035A/7
|
Side 1, circa 1961 : Cable to Joseph L. Mankiewicz, Cleofox Rome, assigning responsibility for the marking
and correction of script for Cleopatra, and to include sharp notes on the script pages
126-180; conversation with Peter Levathes and Spyros Skouras mentioned, both in
agreement for providing "anything toward the ease of... responsibility" for
Mankiewicz.
|
|
Audio
1035A/8
|
Side 1, circa 1961 : Cable to Joseph L. Mankiewicz, Cleofox Rome, mentions "Merman matter", recites dates
for the execution, sketches, fitting, and shipping of costumes by Irene Sharaff for
Cleopatra, ordering of more costumes for Elizabeth Taylor mentioned; recites dates for
Leon Shamroy.
|
|
Audio
1035A/9
|
Side 2, 1961 April 26 : Personal errands as well as errands and appointments for Shelley Wanger. Scheduling
and reminders of appointments and phone calls. Cable to Sid Rogell in London: asks for
"Bougerelli" arrival. Notes discussions with Al Hayes and Ed Henry. Long note to
[Joseph L.] Mankiewicz: situation on writers, Ernie Lehman, John Patrick, Ted Strauss,
and Al Hayes. Talks about MCA, Al Hayes treatment and looking for another writer and
about talking to Irene Sharaff and Jess Dean; Mike Kidd also interested in working
with Mankiewicz.
|
|
Audio
1035A/10
|
Side 2, 1961 April 26 : Long letter to Sid Rogell in London mentioning Rogell's son Tony; unrest on the lot;
[Robert] Goldstein, Mr. & Mrs. Eddie Fisher, Joe Mankiewicz, and Donahue; Leo
McCarey having great ideas for his picture and the cameraman situation; David
Hempstead over the production, looking to get a top choreographer and costume
designer; congratulates him on a production. Written on disc: Rogell London.
|
|
Audio
1035A/11
|
Side 1, 1961 April 27 : Scheduling and reminders of appointments and phone calls, including with accountant
Jess Morgan to discuss his will and taxes. Long letter to Gilbert Miller mentioning
plans for exterior and interior shooting of Cleopatra, congratulates him for a theatre
production [Dolce Vita] and its reception. Short note to Sid Rogell about Skouras not
listening to Wanger. Letter to New York Times publisher Arthur Hayes Sulzberger on his
resignation as editor/publisher, mentioning old-fashioned thinking of the majority of
newspapers in the country, and agreeing with his attitude toward youth. Asks for
synopsis on book titled "A Heartless Light" by Gerald Green to speak to Mr. Strauss
about it.
|
|
Audio
1035A/12
|
Side 1, 1961 April 28 : Scheduling and reminders of appointments, phone calls, and errands, including with
accountant Jess Morgan. Short letter to Martin Gang, to meet with him. Short letter to
Edward Beddington-Behrens, regarding Buckhol situation for English and American
publication. Letter to Sid Rogell in London, having talked with Rogell's son Tony;
talked about big meeting with Merman and Goldstein deciding for travel to Italy first,
then Egypt, then back to the US. Notes to speak with Hyman and Stillman. Short thank
you note to Ingo Preminger. Short note to Stephanie Wanger.
|
|
Audio
1035A/13
|
Side 1, 1961 May 1 : Scheduling and reminders of appointments and phone calls. Personal expenses
mentioned. Long letter to daughter Stephanie [Wanger], mentioning a soon to be made
decision on a house with Shelley [Wanger]; a possible trip to Italy; travel to
Hartford for Stephanie's commencement in about six weeks; advice toward someone named
Henrietta; to attach a New York Times article to the letter; and a quote in the letter
"there is nothing definite in the world of Fox". Short letter to Sol Lesser. Short
letter to Ms. Ruby. Other short correspondences.
|
|
Audio
1035A/14
|
Side 1, 1961 May 2 : Scheduling and reminders of appointments and phone calls. A short personal letter to
Mrs. Daphne Megus. Short personal note to Judy McHugh. A long letter to Sid [Rogell],
about the Raimundo family and issues with the house and expenses, insurance figures
and getting losses organized to the proper sum; mentions Cleopatra, trying to get
things organized for interior and exterior locations, exterior location to be setup in
Italy, then travel to Egypt after; Skouras mentioned, giving him "the same treatment";
big news about Peter Levathes being put in charge of physical operation "whatever that
means" he says; mentions visiting Jack Gold; mentions Carlo Ponti's production Madam
Sanjay and Peter Finch; Mrs Romando production; Tony & his life; David Hempstead.
Other short correspondences.
|
|
Audio
1035A/15
|
Side 1, 1961 May 3 : Scheduling and reminders of appointments and phone calls, including with Woody Irwin.
Long letter to Sid Rogell mentioning Peter Levathes to be in charge of physical
operations speculating that this is a possible step toward showing the board of
directors and the shareholders that Skouras is doing something to strengthen the
studio operation that lost $15,000,000; discusses a meeting with Skouras and Levathes
regarding shooting schedule; mentions current proposed schedule for Cleopatra during
the months of July to December; travel to Rome in September is mentioned, then to
Egypt, than back to the US studios; mentions morale of studios is terrible. Schedule
appointment with Irene Sharaff. Short letter to Kenneth Hyman mentions Ray Stark and a
meeting about the next two and a half years.
|
|
Audio
1035A/16
|
Side 2, 1961 May 3 : Letter for Helen in London about completing letters, expense book, and appreciation
for service.
|
|
Audio
1035A/17
|
Side 2, 1961 May 4 : Note to Jess Morgan, thanking him for checks, including a check to Elizabeth Taylor.
Scheduling and reminders of appointments and phone calls, including MCA regarding
Peter Ustinov, Irene Sharaff, Jack Gold, and others. Mentions his taking of a house,
and to move soon. Long letter to Sid Rogell recited, mentioning that life is better in
London; mentions big meeting with producers Robert Goldstein introducing Peter
Levathes on Cleopatra; Spyros Skouras "railroading" them to start the picture and his
disappointment, "tremendous pressure being put on Skouras" by board to begin picture;
mentions that he has taken up a house so that Shelley Wanger doesn't stay at a hotel;
mentions Berman and new wardrobe for Elizabeth Taylor; mentions that "Joe" is on
treatment. Letter about putting a book to picture.
|
|
Audio
1035A/18
|
Side 2, 1961 May 5 : Scheduling and reminders of appointments and phone calls, including Johnny Johnston.
Note to Mortimer Hall congratulating him on recent production success. Short letter to
Paul Shyre congratulating him on production. Elizabeth Taylor mentioned twice.
|
|
Audio
1035A/19
|
Side 1, 1961 May 8 : Personal letter to Joan Bennett recited, describing house and living; talking of
daughters; mentions "studio situation"; also describes film shoot in Italy &
Egypt. Letter to Ms. Fergusen recited about Stephanie Wanger. Written on disc: Mozs
ww.
|
|
Audio
1035A/20
|
Side 1, 1961 May 8 : Personal scheduling about house and cleaning tasks. Asks to call Walt Disney
secretary, about Gerald Durrell books, specifically My Family and Other Animals by
Gerald Durell, and The Ring of Bright Water by Gavin Maxwell. Scheduling and reminders
for appointments and phone calls, including Woody Irwin and Susan Hayward. Personal
expenses mentioned. Note to speak to Owen Mclean about various actors and parts.
Scheduling of various business discussions and appointments, among them Charles
Feldman, Irene Sharaff, John Michael, and Jess Morgan. Wire to Stephanie Wanger
recited. Short note to Joan Bennett recited. Also includes request for copy of "Not to
the Sweet", a short story by Tristan Caughan (sp?)
|
|
Audio
1035A/21
|
Side 1, 1961 May 9 : Talks about purchase of a car. Letter to Joseph Mankiewiez recited about Cleopatra
wardrobe and expenses for Irene Sharaff.
|
|
Audio
1035A/22
|
Side 2, 1961 May 9 : Notes to take to Woody Irwin about Elizabeth Taylor deal. Scheduling and reminder of
appointments and phone calls, including with Jerry Ward, Peter Levathes, Joseph L.
Mankiewicz. Memo on scheduling for the trip East for Stephanie's commencement in
Hartford and travel plans. Letter to Stephanie recited about speech and honors. Letter
to Ms. Fergusen about Stephanie Wanger. Short note to Lou Greenspan.
|
|
Audio
1035A/23
|
Side 1, 1961 May 10 : Short memo to Mankiewicz regarding meeting.
|
|
Audio
1035A/24
|
Side 1, 1961 May 10 : Various personal notes and appointments scheduled. Shelley Wanger appointment noted.
Note to Ted Strauss about possible production for "Eye Witness" by Jon Stephen
Strange. Scheduling of appointments, including Mankiewicz about script. Letter to
Hella about accounts book.
|
|
Audio
1035A/25
|
Side 1, 1961 May 11 : Scheduling of appointments and phone calls, including Peter Levathes, Ranald
MacDougall; "Man with Miraculous Hands" for possible production. Short letter to Y.
Frank Freeman recited, Cleopatra mentioned.
|
|
Audio
1035A/26
|
Side 2, 1961 May 12 : Scheduling of appointments and phone calls. Personal letter to Stephanie Wanger
recited; mentions Elizabeth and Eddie's second anniversary party. Mentions Shelley
Wanger. Personal expenses mentioned. Note to send memo to Ted Strauss. Letter to
Edward Beddington-Behrens recited. Long letter to Sid Rogell recited, mentioning
"Night Out" film production, mentioning a lot about Peter Levathes' installation,
production of Mrs. Raimondo; "Leo McCarey situation" mentioned, "David Hempstead
situation".
|
|
Audio
1035A/26
|
Side 1, 1961 May 12 : Continuation of letter to Sid Rogell, mentioning Shelley Wanger. Also notes a couple
of personal and business expenses.
|
|
Audio
1035A/27
|
Side 1, 1961 May 12 : Memorandum to Ted Strauss about script regarding Ranald MacDougall deal and Ed Henry.
Memorandum to Peter Levathes recited about Irene Sharaff deal for costumes. Written on
disc: M + T.
|
|
Audio
1035A/28
|
Side 2, 1961 May 15 : Telegram to Peter Levathes recited about 20th Century Fox proposing theater be
erected in 1964 for world's fair. Written on disc: P.L.
|
|
Audio
1035A/29
|
Side 1, 1961 May 15 : Short note to Martin Quigley recited, mentioning Joan of Arc situation. Scheduling of
appointments and phone calls, including Z Wayne Griffin about tickets, Gary Cooper
funeral plans and note to call Groucho Marx. Personal expenses mentioned. Short note
to James A. FitzPatrick recited. Letter to Hela recited. Other short correspondences,
production location of Cleopatra mentioned. Notes to call Dick Dittinger, Richard A.
McGee, and Dr. Frimm.
|
|
Audio
1035A/30
|
Side 1, 1961 May 16 : Scheduling of appointments. Letter to John Wayne recited, mentioning The Economist,
American trailblazers. Discusses possible film projects. Notes on personal errands.
Letter to Susan recited. Short note to John McCure recited.
|
|
Audio
1035A/31
|
Side 1, 1961 May 17 : Scheduling and reminders of appointments and phone calls. Personal expenses
mentioned. Traveling to Las Vegas trip for Eddie Fisher "opening". Letter to Joan
Bennett recited. Letter to Stephanie recited.
|
|
Audio
1035A/32
|
Side 1, 1961 May 18 : Letter to Spyros Skouras recited, about Fox meeting and Cleopatra. Letter to Sid
Rogell recited, about Las Vegas trip, about Cleopatra including the film shooting and
Irene Sharraff for costumes, "the Berman situation", and Fox meeting. Scheduling.
|
|
Audio
1035A/33
|
Side 1, 1961 May 19 : Insurance book for Mrs. Wanger mentioned, needed for appraisal meeting. Bookings for
New York and Connecticut trip for Stephanie's commencement. Scheduling of appointments
and discussions, including Ranald MacDougall and Jess Morgan. Letter to Ms. Ferguson
about Stephanie's illness. Wire to Stephanie regarding illness. Meeting with Kellogg
and Ranald MacDougall for sketches. Scheduling production meeting with Elliot Brown,
Ed Graves, Herman Blumenthal, and Bill Abbott. Personal letter to Mrs. May Raimundo
recited. Cleopatra scenes and costuming talked about briefly, to discuss.
|
|
Audio
1035A/34
|
Side 1, 1961 May 19 : Letter to hosts of a party, Mr. and Mrs. Ferrera, recited. Note to Eddie Fisher
recited congratulating him for his work. Note to Eddie Reuben recited. Bookings for
New York and Connecticut for commencement in June. Letter to Lee Steiner, putting in a
good word for editor and producer David Hempstead, to help in Italy.
|
|
Audio
1035A/35
|
Side 1, 1961 May 22 : Expenses about clothes fitting and Sid Rogell bill. Scheduling and reminder of
appointments for phone calls and meetings, including Martin Gang and Harold Anderson.
Randy (Ranald) MacDougall contract for dates on script mentioned. Personal letters.
Short letter to Lawrence Durrell recited about Cleopatra picture in Italy and notes.
Memo to wardrobe department about costuming for Elizabeth Taylor. Recites list of
films to watch, including Julius Caesar, Psycho, and Town Without Pity. To talk to Mr.
Wolf about "Man with the Miraculous Hands". Letter to Susan Hayward, talking about
make-up for Elizabeth Taylor on Cleopatra. Polio booster shot for Stephanie. Expenses
for Elizabeth Taylor. Personal errands recited. Enlargements made for Mankiewicz.
|
|
Audio
1035A/36
|
Side 1, 1961 May 22 : Letter to Martin Quigley recited, about Skouras' Fox meeting; about Sid Rogell,
Cleopatra; about Joan of Arc. Short letter to Alec Waugh. Short note to Paul Shyre.
Short note to Howard Dimsdale. Short letter to a university press. Other short
correspondences. Written on disc: A+T.
|
|
Audio
1035A/37
|
Side 2, 1961 May 23 : Notes on purchasing furniture for Shelley Wanger. Plans for Stephanie Wanger's
Birthday.
|
|
Audio
1035A/38
|
Side 2, 1961 May 23 : Letter to Stephanie Wanger recited, about college and home visit. Short note to Jack
Gold recited. Note to Harry Wanger recited, briefly talking about Cleopatra: "I think
it will be one of the greatest pictures ever made". Short letter to Irene Sharaff
recited, mentioning arrangement for Elizabeth Taylor. Other short correspondences.
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|
Audio
1035A/39
|
Side 1, 1961 May 24 : Letter to Sid Rogell recited about Cleopatra, mentioning shooting schedule and
Elizabeth Taylor's health. Mentions "American Service Friends Committee", a charitable
organization. Letter to Anne Moore, mentioning Arthur Wagner's book. Short letter to
Martin Quigley about Joan of Arc. Letter to Spyros Skouras recited regarding the "Man
with the Miraculous Hands", defending greatly the story. Other short
correspondences.
|
|
Audio
1035A/40
|
Side 2, 1961 May 26 : Memorandum to Ted Strauss recited about "A Shooting Star". Note to Mrs. Wanger
recited about Shelley Wanger. Scheduling and reminders of appointments and phone
calls.
|
|
Audio
1035A/41
|
Side 1, 1961 May 26 : Short letter to Martin Quigley recited. Letter to Stephanie recited, Tom Mankiewicz
mentioned. Letter regarding the JBS movement. Personal errands mentioned. Written on
disc: (2).
|
|
Audio
1035A/42
|
Side 1, 1961 May 29 : Scheduling and reminders of appointments and phone calls. Personal expenses
mentioned. Notes to Randy [Ranald MacDougall] recited. Short note to Ms. Ferguson
recited. Letter about a book that deals with the legal aspects of a war criminal.
Reminder to schedule appointment for Stephanie to take driving lessons.
|
|
Audio
1035A/43
|
Side 1, 1961 May 31 : Scheduling and reminders of appointments and phone calls. Mentions that he made a
call to Governor Brown. Notes to Ranald MacDougall recited. Note to Marty Durow. Note
to Sid Rogell. Other short correspondences.
|
|
Audio
1035A/44
|
Side 2, 1961 June 1 : Letter to Mrs. May Raimundo recited, regarding plans to go to Italy. Letter to Sid
Rogell.
|
|
Audio
1035A/45
|
Side 1, 1961 June 5 : Confirmation of flights and transportation for Hartford commencement for Shelley and
Mrs. Wanger. Note about car repair. Note to Pete Montimuros (?) regarding Mrs. Wanger.
Wire of condolences to George S. Carlton recited.
|
|
Audio
1035A/46
|
Side 1, 1961 June 5 : Scheduling and reminders of appointments and phone call. Note to Owen Mclean recited,
regarding the need for English actors and a casting director in London.
|
|
Audio
1035A/47
|
Side 1, 1961 June 5 : Telegram to C.D. Jackson recited, congratulating him.
|
|
Audio
1035A/47
|
Side 2, 1961 June 5 : Letter to Richard McGee recited, regarding ideas for a television program. Letter to
Shirley Anne Field recited, complementing her and talking about her career. Note to
Jess Morgan recited, regarding finances. Other correspondences.
|
|
Audio
1035A/48
|
Side 1, 1961 June 7 : Long letter to Joseph L. Mankiewicz recited, regarding script and going through
scenes that could be eliminated; mentions MacDougall and Skouras; change of plans for
Elizabeth Taylor along with Eddie Fisher; question of who will play Caesar; regarding
casting, Mclean mentioned. Personal scheduling and appointments mentioned.
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|
Audio
1035A/49
|
Side 1, 1961 June 8 : Note to Ranald MacDougall recited regarding finishing script through to
"assassination" scene. Note to Spyros Skouras recited regarding the story "Shooting
Star" for Joanne Woodward. Personal expenses mentioned. Personal scheduling.
|
|
Audio
1035A/50
|
Side 1, 1961 June 13 : correspondences. Scheduling and reminders of appointments, including with MacDougall
& Mankiewicz.
|
|
Audio
1035A/51
|
Side 1, 1961 June 13 : Memorandum to Peter Levathes recited regarding the proposed international convention.
Written on disc: P. Levathes.
|
|
Audio
1035A/52
|
Side 2, 1961 June 14 : Talks about convention, the event, and proposes his ideas for the film industry.
|
|
Audio
1035A/52
|
Side 1, 1961 June 14 : Continues talking about his ideas for the film industry regarding the convention.
Written on disc: convention.
|
|
Audio
1035A/53
|
Side 1, 1961 June 15 : Scheduling and reminders of appointments and phone calls. Note to Doc Merman recited,
Mankiewicz and Leon Shamroy mentioned.
|
|
Audio
1035A/54
|
Side 1, 1961 June 16 : Family situations. Personal expenses mentioned. Scheduling and reminders of
appointments and phone calls. Letter to Ted Halworth recited.
|
|
Audio
1035A/55
|
Side 2, 1961 June 16 : Letter to Dr. Wallace Sterling at Stanford University, regarding Stephanie Wanger and
future educational plans. Written on disc: Stanford.
|
|
Audio
1035A/56
|
Side 1, 1961 June 19 : Short letter to Y. Frank Freeman recited. Scheduling and reminders of appointments
and phone calls. Personal expenses mentioned. Short thank you letters regarding
Father's day.
|
|
Audio
1035A/57
|
Side 1, 1961 June 19 : Letter to Mrs. Kenneth Tyman regarding film screening. Other short correspondence.
Written on disc: eve.
|
|
Audio
1035A/58
|
Side 1, 1961 June 20 : Scheduling and reminders of appointments and phone calls. Personal expenses
mentioned. Short letter to Heller about Dictaphone and some finances.
|
|
Audio
1035A/59
|
Side 1, 1961 June 21 : Scheduling and reminders of appointments and phone calls.
|
|
Audio
1035A/60
|
Side 1, 1961 June 22 : Scheduling and reminders of appointments and phone calls. Personal expenses
mentioned. Short note to Owen Mclean recited regarding casting. List of people for
casting mentioned. Short note to Peter Levathes recited.
|
|
Audio
1035A/61
|
Side 1, 1961 June 23 : Notes for Cleopatra recited - Irene Sharaff for costumes, also recites schedule for
Cleopatra staff and cast, including accommodations for Egypt & Rome. Short memo to
Owen McLean recited. Short note to Ted Strauss recited regarding script synopsis.
Short note to Peter Levathes recited. Errands and appointments noted.
|
|
Audio
1035A/62
|
Side 1, 1961 June 26 : Scheduling and reminders of appointments and phone calls. Short letter to Mrs.
Raimundo recited. Short note to Spyros Skouras regarding publicity director.
|
|
Audio
1035A/63
|
Side 1, 1961 June 27 : Scheduling and reminders of appointments and phone calls, including Jack Smith about
convention, Eddie Fisher meeting. Letter to Christian A. Herter at Atlantic Council
recited about helping out in some way. Letter to Henry Mayers regarding the Cold War
Council.
|
|
Audio
1035A/64
|
Side 2, 1961 June 28 : Personal expenses mentioned. Scheduling and reminders of appointments and phone
calls. Memorandum to Ted Strauss recited regarding a synopsis for "Spirit Lake" motion
picture. Mentions "The Changeling" play.
|
|
Audio
1035A/65
|
Side 1, 1961 June 30 : Daughters talked about. Scheduling and reminders of appointments and phone calls.
Personal letter to Mr. & Mrs. Luthie recited regarding their hosting of Stephanie
Wanger. Note to Peter Levathes about studio organization.
|
|
Audio
1035A/66
|
Side 1, 1961 July 3 : Memorandum to Joseph L. Mankiewicz recited, material in the book "Slaves of Timbuktu"
talked about as possibility to put to picture or play. Letter mentioning Peter
Levathes as a "man of integrity" and "able to do what is necessary", Goldstein's
"complete elimination", and Moskowitz being "a cancer" and "a menace to any progress";
mentions scheduling and expenses of Cleopatra.
|
|
Audio
1035A/67
|
Side 1, 1961 July 5 : Short letter to Denny Morrison regarding casting. Scheduling and reminders of
appointments and phone calls. Letter to Kenneth Hyman recited, talks about production
plans for Cleopatra, and good word about Peter Levathes. Note to Peter Levathes
recited. Personal expenses mentioned.
|
|
Audio
1035A/68
|
Side 1, 1961 July 5 : Personal expenses mentioned. Scheduling and reminders of appointments and phone
calls, including John Michael.
|
|
Audio
1035A/69
|
Side 1, 1961 July 6 : Letter to Bernie recited.
|
|
Audio
1035A/70
|
Side 2, 1961 July 7 : Scheduling and reminders of appointments and phone calls, including with Mr.
Weinstein and Arthur Jacobs. Letter to Johnny Johnston recited regarding Cleopatra
costume and casting organization, and accommodations in Rome. Notes to himself
recited.
|
|
Audio
1035A/71
|
Side 1, 1961 July 7 : Letter to Jerry Wald recited. Letter to Mrs. Raimundo.
|
|
Audio
1035A/72
|
Side 1, 1961 July 10 : Notes for Roddy McDowall recited, on Cleopatra including specific scenes. Short
letter to Frank Cooper. Short note to Henry Ginsberg. Other correspondences. Letter to
John Peticari regarding plans for accommodations in Italy, and college plans for
Stephanie.
|
|
Audio
1035A/73
|
Side 1, 1961 July 10 : Letter to Johnny [Johnston] recited, concerning money in Rome, mentioning costumes in
Cleopatra. Short letter to Sid Rogell recited. Letter to Shirley Anne Field. Written
on disc: AFT.
|
|
Audio
1035A/74
|
Side 1, 1961 July 11 : Personal letter to Ella Wanger and Harry Wagner (brother and sister) recited.
Scheduling and reminders of appointments and phone calls, including Jess Morgan and
Martin Gang. Expenses mentioned.
|
|
Audio
1035A/75
|
Side 2, 1961 July 12 : Thank you letters recited for Birthday wishes, including to Elizabeth Fitzgerald and
Justine [Wanger].
|
|
Audio
1035A/75
|
Side 1, 1961 July 12 : Memo to Ted Strauss
|
|
Audio
1035A/76
|
Side 1, 1961 July 12 : Thank you letters recited for Birthday wishes. Long memorandum to Peter Levathes,
mentioning campaigning for Cleopatra, Charles Einfeld mentioned in relation to Ms.
Weber. Written on disc: AFT.
|
|
Audio
1035A/77
|
Side 1, 1961 July 13 : Scheduling and reminders.
|
|
Audio
1035A/78
|
Side 1, 1961 July 14 : Personal expenses mentioned. Scheduling and reminders of errands, appointments and
phone calls. Note to Pete Montemuros recited regarding air conditioner.
|
|
Audio
1035A/79
|
Side 2, 1961 July 14 : Letter to Ted Strauss recited, mentioning shooting in Italy. Short note to Dorothy
Spencer recited.
|
|
Audio
1035A/80
|
Side 1, 1961 July 14 : Letter to Peter Levathes to discuss the preliminary advertising plans for Cleopatra,
production to be taking place soon, also preliminary announcements to discuss
soon.
|
|
Audio
1035A/81
|
Side 1, 1961 July 17 : Scheduling and reminders of appointments and phone calls. Personal expenses recited.
Notes. Schedule planning for Cleopatra. Letter to president of national television
company. Letter about new Dictaphone. Letter to Bert Clarke recited, bringing a
picture to his attention. Letter to Thomas Stanford recited, mentioning setup for
Cleopatra. Letter to Edward Beddington-Behrens. Note to Edgar A. Manning Jr. on status
of Joan of Arc. Letter about production in Pakistan. Other correspondences.
|
|
Audio
1035A/82
|
Side 1, 1961 July 17 : Letter recited about cast for Cleopatra. Scheduling and reminder of appointments and
phone calls.
|
|
Audio
1035A/83
|
Side 1, 1961 July 18 : Short letter to Mrs. Raimundo recited. Notes on [Irene] Sharaff and costumes talked
about. Cable to Johnson at Cleofox Rome about villas for the Fishers. Letter to Israel
Sieff recited, asking about role for Caesar, and a book to set to film.
|
|
Audio
1035A/84
|
Side 1, 1961 July 20 : Notes regarding conversation with Joseph Mankiewicz about Waxman deal, casting issues
and publicity for Cleopatra. Letter to Julio Pascarelli about Cleopatra merchandising
in Rome.
|
|
Audio
1035A/85
|
Side 2, 1961 July 20 : Short personal notes to Siegi Sessler, Babett Green, Nicholas Damascus and Maurice
Newton recited. Letter to Al Matthews. Scheduling of appointments and phone calls.
|
|
Audio
1035A/86
|
Side 1, 1961 July 24 : Long letter to Joseph Mankiewicz recited discussing Cleopatra, including costumes,
dates, casting.
|
|
Audio
1035A/87
|
Side 1, 1961 July 25 : Scheduling and reminders of appointments and phone calls. Funds to Dartmouth. Note to
Johnny Johnston recited. Other short correspondences.
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|
Audio
1035A/88
|
Side 2, 1961 July 26 : Letter to Giuseppe Amato regarding shooting of picture in Rome, and congratulations
on La Dolca Vita. Letter to Carl Beier regarding possible upcoming film project. Other
short correspondences recited.
|
|
Audio
1035A/89
|
Side 1, 1961 July 27 : Long letter to Joseph L. Mankiewicz recited about Cleopatra, regarding script draft
changes, discussion of actors for parts, shooting dates, budgets, progress of
costuming, and storyboarding.
|
|
Audio
1035A/90
|
Side 1, 1961 July 28 : Letter to Gilbert Miller recited regarding progress of Cleopatra. Other short
correspondences.
|
|
Audio
1035A/91
|
Side 2, 1961 July 31 : Personal letter to Eddie Fisher recited. Letter to Edward Beddington-Behrens.
Personal expenses mentioned. Plans for personal care in Rome. Scheduling and reminders
of appointments and phone calls. Other correspondences.
|
|
Audio
1035A/92
|
Side 2, 1961 August 1 : Letter to Joseph L. Mankiewicz about casting for Eiras role.
|
|
Audio
1035A/92
|
Side 1, 1961 August 1 : Short letter to Joseph L. Mankiewicz (abruptly ends).
|
|
Audio
1035A/93
|
Side 1, 1961 August 7 : Letter to Julio recited regarding travel plans to Rome and acquiring a
Dictaphone.
|
|
Audio
1035A/94
|
Side 2, 1961 August 7 : Plans and arrangements for travel to Rome. Memorandum to Peter Levathus recited,
about doctors to accommodate Elizabeth Taylor.
|
|
Audio
1035A/95
|
Side 1, 1961 August 7 : Personal Scheduling
|
|
Audio
1035A/96
|
Side 2, 1961 August 7 : Plans for travel to Rome. Synopsis for books. Memorandum to Ted Strauss recited about
a subject to put to picture. Memorandum to Eddie Fisher about trip to Rome. Reminders.
Scheduling of appointments and phone calls.
|
|
Audio
1035A/97
|
Side 2, 1961 August 8 : Letter about Stephanie and Shelley Wanger recited. Written on disc: Mozsul.
|
|
Audio
1035A/98
|
Side 1, 1961 August 8 : Scheduling of appointments. Personal correspondence.
|
|
Audio
1035A/99
|
Side 1, 1961 August 8 : Plans and arrangements for shipping belongings to Rome.
|
|
Audio
1035A/100
|
Side 1, 1961 August : Long letter to Joseph L. Mankiewicz recited about Mankiewicz's interview; publicity
about picture; Einfield mentioned along with new members of the board; also about
costumes; dates of people getting to Rome for Cleopatra; costumes for Burton; about
script; script persued by Peter Levathes; Levathus is also money conscious due to
board members who have an "orthodox view about the operation"; Skouras mentioned.
|
|
Audio
1035A/101
|
Side 1, 1961 August 8 : Scheduling and reminders of appointments and phone calls. Reminder to call about
Elizabeth Taylor costumer fitting. Letter to Peter Levathes recited about script, and
upcoming work to reduce script to 220 pages.
|
|
Audio
1035A/102
|
Side 1, 1961 August 9 : Long letter to Joseph L. Mankiewicz recited, expressing his opinions on characters
and script for Cleopatra; updates on expenses for costumes. Gould is out of chairman
of operating committee.
|
|
Audio
1035A/103
|
Side 2, 1961 August 9 : Personal expenses. Scheduling and reminders of appointments and phone calls.
|
|
Audio
1035A/104
|
Side 1, 1961 August 10 : Treves speaking about how to benefit Fox better.
|
|
Audio
1035A/105
|
Side 2, 1961 August 10 : Note to Arthur Jacobs recited, talking about discontent on biography. Long letter to
Joseph L. Mankiewicz recited about the Cleopatra script, going through details of what
Wanger would like changed.
|
|
Audio
1035A/106
|
Side 2, 1961 August 10 : Scheduling and reminders of appointments and phone calls. Notes to write down,
including concern about publicity. Other correspondences recited, including letter to
Ms. Hariet, Meg about Ms. Fisher
|
|
Audio
1035A/107
|
Side 2, 1961 August 11 : Personal expenses recited. Letter to Mr. John recited about promotional items. Other
correspondences.
|
|
Audio
1035A/108
|
Side 1, 1961 August 11 : Asking for file about Elizabeth Taylor's fittings.
|
|
Audio
1035A/109
|
Side 1, 1961 August 14 : Note to Gore Vidal recited. Scheduling and reminders of appointments and phone calls.
Long letter to Peter Levathes recited about company negotiations on Hayley Mills
upcoming pictures; about company distribution; about ideal changes to both Fox's
internal dealings and its dealings with actors; calling for more honesty and respect.
Indicated on disc: Part I.
|
|
Audio
1035A/110
|
Side 1, 1961 August 14 : Notes for errands. Notes for Peter Levathes recited. Long letter to [Peter] Levathes
recited about Cleopatra in Egypt and how to protect members financially. Note to
Joseph L. Mankiewicz recited about script. Indicated on disc: Part II.
|
|
Audio
1035A/111
|
Side 1, 1961 August 15 : Note to Owen McLean recited. Scheduling and reminders of appointments and phone
calls.
|
|
Audio
1035A/112
|
Side 1, 1961 August 15 : Scheduling, arrangements, and notes.
|
|
Audio
1035A/113
|
Side 1, 1961 August 15 : Letter regarding arrangement for Dictaphone machine recited.
|
|
Audio
1035A/114
|
Side 1, 1961 August 16 : Scheduling and reminders of appointments and phone calls, as well as errands. Short
letter to Martin Quigley recited regarding an audience with the Pope while in Rome.
Note to Peter Levathes recited on Cleopatra.
|
|
Audio
1035A/115
|
Side 1, 1961 August 17 : Short notes to write down, travel and accomodation arrangements.
|
|
Audio
1035A/116
|
Side 1, 1961 August 18 : Short notes, and scheduling of appointments.
|
|
Audio
1035A/117
|
Side 2, 1961 August 18 : Letter to Joseph L. Mankiewicz recited regarding script and shooting timetable, talks
of Irene Sharaff (good words); discusses some casting issues, and speaks of Rogell to
represent the company.
|
|
Audio
1035A/118
|
Side 1, 1961 August 21 : Letter to Joseph L. Mankiewicz about not depending on Egypt.
|
|
Audio
1035A/119
|
Side 2, 1961 August 21 : Arrangements and errands for travel to Rome. Review of conversation with Mankiewicz
regarding accommodations in Rome for John Campbell, Harry Martin, Rex Harrison and
others. Reminder of discussion with Jess Morgan.
|
|
Audio
1035A/120
|
Side 2, 1961 August 23 : Note for errands.
|
|
Audio
1035A/121
|
Side 1, 1961 August 23 : Short correspondence.
|
|
Audio
1035A/122
|
Side 1, 1961 August 24 : Arrangements and personal expenses mentioned. Short note to Ted Strauss about
returned scripts. Letter to David Selznick recited about possible director for
picture. Other short correspondences.
|
|
Audio
1035A/123
|
Side 1, circa 1961 : Letter to Newton Thompson about Stephanie Wanger's travels. Letter to Andrew Martom
about letter to Sid Rogell. Scheduling and reminders of phone calls. Letter about an
author from Pakistan. Other correspondences.
|
|
Audio
1035A/124
|
circa 1962
|
|
Audio
1035A/125
|
Side 2, circa 1955 : Short letter to William C. McMillan recited. Scheduling and reminders of appointments
and phone calls. Short letter to Senator Richard Neuberger recited. Letter to C.J.
Latta recited regarding upcoming science fiction picture.
|
|
Audio
1035A/126
|
Side 1, circa 1955 : Short letter to Richard McGee recited. Short letter to Kay Lanard recited. Scheduling
and reminders of appointments and phone calls. Short note to Archie "the bear"
recited. Letter to Jack [Lewis?] recited. Other correspondences.
|
|
Audio
1035A/127
|
Side 1, circa 1955 : Scheduling and reminders of appointments and phone calls. Notes about scripts for Mr.
Gardner.
|
|
Audio
1035A/127
|
Side 2, circa 1955 : Short note recited to Clem Post regarding Ms. Bennett. Letter to James Brewster
regarding movie reviews and visit. Letter to Mr. Newsom recited. Letter to "Susan"
regarding personal issues recited. Letter to Mr. Nations recited. Personal expenses
mentioned. Scheduling and reminders of appointments and phone calls. Other
correspondences.
|
|
Audio
1035A/128
|
Side 2, circa 1955 : Note to brother Harry Wanger recited. Note to Dana Tasca recited. Note to Weldon
Beckett. Wire sent to Gordon Knox. Note to Bill Rosenson recited. Note to Paige "Gus"
Brown recited. Letter to Carminn Jones. Note recited to Ed Ainsworth at the Los
Angeles Times. Letter to Senator Richard Neuberger recited. Note recited for Robin
Moore about project. Letter to someone at Rockefeller center. Other
correspondences.
|
|
Audio
1035A/129
|
Side 2, 1955 May 5 : Letter to Walt Disney recited. Notes. Scheduling and reminders of appointments and
phone calls. Other correspondences.
|
|
Audio
1035A/129
|
Side 1, 1955 May 10 : Letter to Spyros Skouras recited, Marilyn Monroe picture negotiation situation
mentioned. Letter recited to Paul Nations. Letter to Mrs. Harry Wanger recited
regarding her recent hospital visit and ideas.
|
|
Audio
1035A/130
|
Side 1, 1955 May 19 : Scheduling and reminders of appointments and phone calls. Memorandum to Jess Morgan
recited, expenses mentioned, as well as upcoming stories and scripts. Letter to
Dorothy McCann recited. Short note to John Crosby. Other correspondences. Note to Etta
and Harry Wanger recited. Other notes recited.
|
|
Audio
1035A/130
|
Side 2, 1955 May 23 : Scheduling and reminders of appointments and phone calls. Request to send script to
Dick Hermance. Letter recited to Dorothy McCann regarding recently watched picture.
Note to Harry Bolillis at General Mills recited regarding speech. Letter to James
Duffy, Jr. recited. Other correspondences.
|
|
Audio
1035A/131
|
Side 1, 1955 May 16 : Scheduling and reminders. Short letter recited to Dr. Jack Smith thanking him for his
thoughts during his illness. Letter to John O'Hara about recent work. Short letter to
General Sarnoff recited. Short letter to Walter Winchell. Letter to Don Siegel recited
regarding music deal. Letter recited to Sergio Valencia. Letter recited to Kevin
McCarthy. Letter to John Daly. Letter to Paul Palmer recited. Letter recited to H.
Bruce McClain. Other correspondences.
|
|
Audio
1035A/131
|
Side 2, 1955 May 20 : Scheduling and reminders. Note recited to Jess Morgan. Other correspondences.
|
|
Audio
1035A/132
|
Side 1, 1955 May 27 : Notes. Letter to Ann Watkins recited. Letter to Alex Par recited. Note to Chet
Huntley recited. Letter to Bill Rosenson recited. Other correspondences.
|
|
Audio
1035A/132
|
Side 2, 1955 May 25 : Notes. [content inaudible]
|
|
Audio
1035A/133
|
Side 1, 1955 May 24 : Letter to Mr. Goldsmith recited regarding obtaining perfumed flannels from Europe.
Note to David Sarnoff's secretary. Telegram to Judith Gardan. Appointments and
errands. Letter recited by Mrs. Wanger "to Charvet et Fils" inc. Letter recited to
Allen Mobry regarding script. Other correspondences.
|
|
Audio
1035A/133
|
Side 2, 1955 May 26 : Note to Paul Palmer recited. Letter to Jim Riley recited. Notes, errands, and other
correspondences.
|
|
Audio
1035A/134
|
Side 1, 1955 May 29 : Notes. Scheduling and reminders of phone calls. Expenses mentioned. Letter recited
regarding "The Queen of the Universe" and its development of the television series as
"Out of this World". Letter to Dick [Richard] Hermance recited. Letter to Jess Morgan
recited. Other correspondences.
|
|
Audio
1035A/135
|
Side 1, 1955 June 7 : Letter to Helen Morgan recited. Letter to Harriet S. Keith recited. Letter to Norman
Chandler recited. Notes for speech to be given in St. Paul - on moral leadership and
industry development, politics. Other correspondences.
|
|
Audio
1035A/135
|
Side 2, 1955 June 6 : Cannot determine what is being said up until 00:04:09. Letter about TV program.
Letter to Warner Bros. studios. Errands. Other correspondences.
|
|
Audio
1035A/136
|
Side 1, 1955 June 10 : Cannot determine what is being said up until 00:02:12. Letter to Bill [unidentified] recited regarding resignation. Scheduling and reminders of phone calls,
appointments and correspondences. Other correspondences.
|
|
Audio
1035A/136
|
Side 2, 1955 June 8 : Recites parts of final draft of speech to be given at St. Paul, Minnesota.
|
|
Audio
1035A/137
|
Side 1, 2015 June 15 : Scheduling and reminders of appointments and phone calls with Walter Mirisch, Sam
Jaffee, and others. Note to Greg Boucher. Errands. Correspondences.
|
|
Audio
1035A/137
|
Side 2, 1955 June 13 : Long personal letter to Ella and Harry in England recited. Letter to George [Seaten?]
recited. Harriet S. Keith mentioned about speech in St. Paul, Minnesota. Letter to
Maxwell shoe company recited. Letter of resignation of director to Milton [Mount?].
Letter to E.F. McDonald recited. Other correspondences.
|
|
Audio
1035A138
|
Side 1, 1955 June 22 : Cannot determine what is being said up until 00:02:20. Letter to Jules [Raucourt?]
recited. Other short correspondences.
|
|
Audio
1035A/138
|
Side 2, 1955 June 14 : Letter to Dr. Cole in California recited. Letter to Chet [Huntley?] recited. Letter
to David [Lawrence?] recited. Letter about a new picture. Letter to Harry [Ackerman?]
at CBS recited. Notes about his "War of the Worlds" broadcast. Letter to Dr. Peter
Winter recited. Other correspondences.
|
|
Audio
1035A/139
|
Side 1, circa 1955 : Notes about screenplay. Scheduling. Memorandums. Notes.
|
|
Audio
1035A/139
|
Side 2, 1955 May 9 : Speech notes for St. Paul, Minnesota. Written on disc: June 19th Speech Notes.
|
|
Audio
1035A/140
|
Side 1, 1955 June 27 : Letter to Alex [Par?] recited. Letter to Charles [Ward?] recited. Scheduling and
reminders. Letter to D.B. [Thornburn?] at JWT company recited. Letter to Chet
[Huntley?] recited. Short letter to John Flinn recited. Short letter to Carl Byoir
recited. Expenses briefly mentioned for trip to St. Paul, Minnesota. Other
correspondences.
|
|
Audio
1035A/140
|
Side 2, 1955 June 24 : Multiple letters of appreciation recited about the meeting in St. Paul Minnesota,
including letter to [Page] "Gus" Browne.
|
|
Audio
1035A/141
|
Side 1, 1955 July 5 : Cannot determine what is being said up until 00:02:11. Scheduling and reminders.
Notes. Letter to Henry [Ginsberg?] recited. Other correspondences.
|
|
Audio
1035A/141
|
Side 2, 1955 July 11 : Multiple letters of appreciation on his Birthday wishes. Note to Henry [Taylor?]
recited. Letter to Bill [Rosenson?] recited. Other correspondences.
|
|
Audio
1035A/142
|
Side 1, 1955 July 13 : Note to Paul [Palmer?] recited. Note to Bruce [Barton?] recited. Letter to General
Paul [Zuckerman?] recited. Note to Victor [Rissel?] recited. Note to Maurice [Newton?]
recited. Other correspondences.
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Side 2, 1955 July 5 : Memorandum regarding "The Body Snatchers" recited, mentioning re-editing, retakes,
refinements, changing music segments, campaigning etc. Written on disc: Body Snatchers
Memo.
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Side 1, 1955 July 14-15
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Side 2, 1955 July 18 : Letter to [J.D.?] Danforth recited regarding closed-circuit television. Notes.
Expenses briefly mentioned. Letter to Phil [Murdock?] recited. Letter to Walter
[Mirisch?] recited. Letter to Frank [Wilson?]. Long note recited to Harry
[Louis?].
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1035A/144
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Side 1, 1955 July 20 : Letter to Lou [Shriver?] at Fox recited. Memorandum about John Cameron Swayze.
Scheduling and reminders of phone calls. Note to Bill [Rosenson?] recited. Cable
recited to James [Wolf?]. Note to Walt Disney recited. Leonard Goldenson head of
Paramount.
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Audio
1035A/144
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Side 2, 1955 July 21 : Note to Carroll Righter recited. Note to Dr. Arthur [Kunz?] recited. Letter to Bill
[unidentified] recited. Note to Bruce [Barton?]. Note to Bill [Rosenson?]
recited. Other correspondences.
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1035A/145
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Side 1, 1955 July 24 : Letter to Page Browne recited. Note to Jess Morgan recited. Other
correspondences.
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Side 2, circa 1955 : Very short memo.
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Side 2, 1955 July 26 : Letter to Paul [Coates?] recited. Letter to [Lowell?] Thomas recited. Letter to
[Norton?] [Richie?] regarding "Body Snatchers". Letter to "Research Institute of
America" recited. Letter to Leo Cherne recited, head of Research Institute of America.
Letter to Charles A. Ward recited. Letter to [Marshal E.?] [Johnson?] at Green Acres
Inc. Letter to [Hirosi?] [Karawatsky?] recited. Teletype to [Rosenson?] recited.
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1035A/147
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Side 1, 1955 July 26 : Joan Bennett reciting letters; to Mr. Jerry Pickman at Paramount Pictures Inc., to
Howard [Hayne?] at Paramount Pictures Inc., to Arnold Van Leer at Paramount Film
distributing center, to Ralph Buring at Paramount Film Distribution Corporation, to
Page Browne. Written on disc: Mrs. Wanger. Paramount and Page Browne.
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1035A/147
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Side 2, 1955 August 2 : Personal expenses briefly mentioned. Letter to Israel [Seith?] recited. Letter to
[Jim Brewster?]. Letter to H.W. [Morrison?] recited. Note to Hilton recited. Other
correspondences.
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Audio
1035A/148
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Side 1, 1955 August 11 : Notes regarding "Jack and the Beanstalk". Letter to Mr. [Ward?].
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Side 2, 1955 August 8 : Notes. Note to Spyros Skouras recited. Letter to [Bill Rosenson?] recited. Note to
Jerry [Wahls?] recited. Note to Harry [Lou?] recited. Letter to Arthur [Kunz?]
recited. Letter to Will [Turnberg?] recited. Letter to George [Sharp?] recited. Letter
to brother recited. Other correspondences.
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Side 1, 1955 August 11 : Letter to Eddie [Arbenson?] recited. Letter to Anne [Baxter?] recited. Scheduling and
reminders of appointments and phone calls. Note to Jim [Molvy?] recited. Long letter
to "Gus" regarding the planning of lectures and Philadelphia hotel.
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Side 2, 1955 August 9 : Notes about lectures and "Notradame games", mentioning Page Browne. Letter to Page
Browne recited. Other correspondences.
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1035A/150
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Side 1, 1955 August 16 : Financial notes. Letter to Paul [Cinque?] at Paramount. Letter to Frank Folsom
negotiating projectors. Letter of condolence to Martin Quigley. Letter to [Laurel
Thomas?]. Notes to Daphne about Henry Lewis and [the Paulies?]. Message for Johnny
Joseph. Letter to brother Harry [Wanger?] to say thank you for gifts and discuss
finances. Letter to Marion Davies. Letter to Ralph [Austria?] regarding the electronic
hand and vitascan. Letter to Robert [Hajag?]. Letter to Page Browne regarding Tony
Martin's possible performance at the Flamingo Hotel on New Year's Eve. Letter to
William Rosensohn regarding brochure design and closed circuit television.
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Audio
1035A/151
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Side 1, 1955 August 16 : Financial notes regarding phone call to Bill Rosensohn. Letter to David Niven
pitching television show. Letter to [Les Sampson?] regarding navy film. Letter to Mr.
and Mrs. Wanger to say thank you for gifts. Letter to Paul Garrett suggesting use of
Sheraton closed circuit television for Motorama. Letter to Carlisle "Mack"
MacDonald.
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Audio
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Side 2, 1955 August 18 : Letter to Carl [Dentz?] regarding Interlochen. Letter to [Jeff/Jess?] regarding taxes
and stocks. Letter to Robert Schmelzer of BBDO about brochure design. Letter to
Rosensohn about brochure design. Letter to Henry [Lesser?]. Letter to Jimmy Wolf
discussing "women" pictures. Letter to [Ori Gould?]. Letter to Mrs. [McGonagill?],
secretary of [Mr. Ward?]. Letter to Myron Kirk. Requests address for Preston
Hitchcock. Letter to brother.
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Audio
1035A/152
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Side 1, 1955 August 22 : Letter to Bill Rosensohn discussing RCA color broadcasting deal. Letter to Carl
discussing a deal between Reader's Digest and Sheraton. Letter to Beatrice [Cardon?]
to say Joan Bennett does not have any relatives in England. Requests contact
information for the Edinburgh Film Festival.
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Audio
1035A/152
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Side 2, 1955 August 19 : Letter to Bernard Baruch. Letter to Bill Rosensohn regarding NBC's color broadcasting
experiment. Letter to Will [Turnbladt?]. Letter to Paul Palmer. Letter to George
Gallup regarding Sheraton closed circuit television.
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Audio
1035A/153
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Side 1, 1955 August 29 : Notes on rights to Tangier. Note to Bill Ransom. Call to Wanda regarding bills.
Letter to Martin. Letter and memo to Steve [Brody?]. Letter to Bill Rosensohn. Call to
Hoffman Factory Service. Letter to Stuart Heisler. Note to William B. Miller. Note to
Richard Carrington. Scheduling calls to Mary Baker and Frankie.
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Side 2, 1955 September 5 : Financial notes. Note to Mrs. Putnam. Letter to [DeBon?]. Mentions [Pay As You Exit?]
script. Errands and bills. Letter to Max [Sheranstein?]. Notes on Body Snatchers.
Scheduling calls to Bob [Schwartz?], [BoDean?] and Henry Lewis. Letter to American
Council to Improve Our Neighborhoods. Letter to Dr. Nathan M. Pusey. Letter to
Theodore [Seivrt?]. Letter to Ben Benjamin pitching a project for Burt Lancaster.
Telegram to Mr. and Mrs. Frank Lloyd. Letter to Max [Youngstein?] mentioning
Underworld, U.S.A. Scheduling calls to Henry [Rogers?], [Preminger?] and [Swanee?].
Letter to Rosensohn. Notes on Body Snatchers. Shelley dictates a message to [Daphne?].
Notes to Rosensohn.
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1035A/154
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Side 1, 1955 August 24 : Note to Jennifer Jones regarding Love is a Many-Splendored Thing. Letter to Ilya
Lopert regarding Summertime. Letter to Steve Broidy Letter to Martin. Note on
Tangier.
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Audio
1035A/154
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Side 2, 1955 August 31 : Letter to Dick [Hermantz?]. Letter to Melinda. Scheduling of calls to Curtis Brown
and the William Morris office.
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Audio
1035A/155
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Side 1, 1955 August 25 : Notes on Better Off Dead. Scheduling of personal appointments. Scheduling calls to
Alfred Knopf and [Bodean?]. Letter to [Neil F. Parks?]. Letter to Jim Brewster. Letter
to Senator Richard Neuberger. Letter to Morgan. Memo to [myself?] regarding Body
Snatchers. Addition to memo to Morgan [Marie?].
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Audio
1035A/155
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Side 2, 1955 August 31 : Letter to Bruce Barton regarding Anne Lindbergh's Gift from the Sea. Letter to Howard
[Quintin?]. Note to Paul Gregory. Note to [Ivan?]. Note to Preston Hotchkiss. Call to
Dick [Herbertz?]. Note to George [Yarsley?].
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Audio
1035A/156
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Side 1, 1955 September 9 : Call Morgan office. Financials and scheduling. Send a note to [Hermantz?] regarding
Ray Bradbury and Orson Welles. Letter to [Don Siegel?]. Letter to Giorgio [Usieli?].
Letter to Mr. [Nations?]. Financials to Jess Morgan. Note to Henry Lewis. Note to
Steve Broidy. Note to Mrs. Herbert [Baird?]. Note to Jack Wrather. Note to Martin
Quigley.
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Audio
1035A/156
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Side 2, undated : Note to Frank Folsom. Telegram to Paul Muni. Note to Jack Fox. Letter to Richard H.
[Pathe?]. Letter to Ralph [Austrium?]. Letter to Mr. [Grierman?]. Letter to H.M.
Smith.
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Audio
1035A/157
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Side 1, 1955 September 26 : Scheduling. Mentions Underworld, U.S.A and Mother, Sir! Note to Dore Schary mentions
Trial and The [Neuberger?] Story. Memo to Morgan Maree mentions Joan of Arc. Note to
Chief W.H. Parker. Letter to Alan C. Collins mentions Underworld, U.S.A. Note to
Charles Ward. Note to Sam Engel. Wire to Maurice Newton. Wire to A.L. Bienstock.
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1035A/157
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Side 2, 1955 September 14 : Details of Dozier contract. Letter to Jerry Wald. Wire to Frank Freeman. Letter to
[Alma Rodan?]. Letter to Ivan [M?]. Forward Steve Broidy memo. Letter to Carl. Call to
Max Youngstein.
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Audio
1035A/158
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Side 1, 1955 September 15 : Articles for Rosensohn. Telegram to George [Usieli?]. Letter to Mrs. Sam Genis.
Letter to Ginger Rogers. Letter to George Murphy. Letter to Richard [Neuberger?]. Note
to Jason Lindsey. Letter to Charles Ward.
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Audio
1035A/158
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Side 2, 1955 September 19 : Letter to George Stevens. Letter to Major Alexander Peter DeSeversky. Letter to John
Juedel. Note to Mr. [Levy?]. Letter to J Davis Danforth. Letter to Page Brown.
Register the title Cavalcade of Crime.
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1035A/159
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Side 1, 1955 September 20 : Letter to John Dickey. Letter to Carl Detzer. Letter to [Lord R. Sever?]. Telegram to
Frank Sinatra.
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Audio
1035A/159
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Side 2, 1955 September 23 : Mentions book to give the art director of Mother, Sir! Letter to Bob. Send a copy of
the letter to Bill Dozier and Steve Broidy. Letter to Raoul Walsh. Letter to Sergeant
Dietrich.
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Audio
1035A/160
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Side 1, 1955 September 22 : Call to Walter Mirisch's secretary regarding the Dozier project. Call to Leo Jaffe.
Call to Dore Schary. Send Edinburgh Festival material to Sam Engel. Telegram to Mrs.
Robert Riskin. Note to Mr. [Nations?]. Call Pittinger's office.
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Audio
1035A/160
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Side 2, 1955 September 16 : Letter to Ernest [Scanlon?]. Letter to Palmer Hoyt. Call Barron Hilton and Russell
Birdwell.
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Audio
1035A/161
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Side 1, 1955 October 4 : Letter to Bill Rosensohn. Letter to Alan Collins mentions Underworld, U.S.A. Letter
to Gus. Note to Ralph [Austin?]. Letter to Senator Dick Neuberger. Letter to Ilka
Chase. Letter to Maurice.
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Audio
1035A/161
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Side 2, 1955 September 26 : Letter to Walter mentions titles registered as alternates for Invasion of the Body
Snatchers. Send copies of letter to Harold Mirisch and Steve Broidy. Memo to Jess
Morgan.
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Audio
1035A/162
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Side 1, 1955 October 5 : Memo to Dr. Frem. Notes for bookseller speech. Send President Dickey's speech to
Harold Mirisch. Note to Helen Morgan. Letter to Bill Rosensohn. Letter to Abe
Schneider. Letter to Goldstein. Letter to [Dore?]. Letter to President John Dickey.
Letter to [Gene?]. Letter to Norton [Richie?]. Copy to be sent to Steve Broidy.
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1035A/162
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Side 2, 1955 October 10 : Call Cole Porter. Call to Ben Hecht. Call to Beverly Hills Hardware Store. Letter to
Bill Rosensohn. Inquire about Robert E. Young and Shelley Jackson for Mother, Sir!
Call Lewis Milestone and Dorsey Miller. Note to Page Brown. Letter to Buddy Adler
regarding a potential projects for Marilyn Monroe, including Queen of the Universe.
Forward article to Bill Rosensohn.
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1035A/163
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Side 1, 1955 October 14 : Letter to [Abe?]. Letter to Humphrey Bogart, Morgan Maree and John Flynn regarding a
possible preface for a book. Letter to Ms. [Alvinita?] Parker.
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1035A/163
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Side 2, undated : Scheduling calls to Ingo Preminger, Dave Selznick's Office, and Buddy Adler in
regards to Queen of the Universe, Frank Tashlin. Letter from Joan Bennett to Johnny
Robinson of Lewiston, Maine. Letter to Bill Rosensohn. Letter to Bill Henry.
Scheduling calls to [Wes Haden?] and Lewis Milestone. Letter to [Hammerson Fitch
Armstrong?]. Scheduling call to Irving Lazar.
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Audio
1035A/164
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Side 1, 1955 October 19 : Letter to Joseph F. Dinneen. Letter to Jim [B?] mentions Body Snatchers, Mother,
Sir!, Underworld, U.S.A. Letter to Billy Wilder regarding DuMont camera. Letter to
Ilka Chase regarding her manuscript. Letter to [unidentified] Meter Company. Letter to
Carl. Letter to Helen [Fishbrook?] Hector mentioning "Gift of the Sea" by Anne
Lindbergh. Letter to William McMillan.
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1035A/164
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Side 2, 1955 October 24 : Errands and scheduling, meeting with [Les Sampson?] to discuss Body Snatchers. Script
changes to Japan film. Letter to Stanley High. Letter to Buddy regarding Jane Eyre
film. Letter to Maurice Evans regarding Alice in Wonderland. Letter to Cathryn Roberts
Dye.
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Audio
1035A/165
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Side 1, 1955 October 20 : Note to Sam Engel. Note to Jack Garber. Letter to Page. Letter to H.M. Smith. Note to
Bill Rosensohn. Condolence wire to family of John Hodiak. Scheduling calls to Larry
Harvey, Preminger and Steve [Chiling?].
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Audio
1035A/165
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Side 2, 1955 October 25 : Note to Dore Schary. Scheduling. Letter to John [Rose?]. Letter to Goodman Ace
regarding his The Book of Little Knowledge.
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Audio
1035A/166
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Side 1, 1955 October 29 : Memo regarding Ray Lindsey and the Japan film. Scheduling calls with [Ren Kube?],
Joel Sayre, Mary Baker and Mike Todd's office.
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Audio
1035A/166
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Side 2, 1955 October 26 : Financials and scheduling. Letter to Alan Collins mentions Mother, Sir! Call
Wilkerson.
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Audio
1035A/167
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Side 1, 1955 October 30 : Scheduling. Get Underworld, U.S.A. script back from Mary Baker. Wire to Mr. and Mrs.
Leon Shamroy. Call Rod Serling. Call Wineberg's secretary. Letter to Page Brown.
Letter to Joan Williams. Letter to Bill Rosensohn. Letter to David Stillman regarding
potential film with Bette Davis and Deborah Kerr.
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Audio
1035A/167
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Side 2, 1955 November 1 : Letter to Ilka. Letter to Mrs. Henry Wanger mentions Mother, Sir! Call to Mr.
[Rifkin?]. Note to Walter Mirisch. Call to Jess Morgan. Memo to Steve Broidy, Harold
Mirisch and Walter Mirisch regarding Sergeant Reckless. Teletype and letter to Bill
Rosensohn.
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Audio
1035A/168
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Side 1, 1955 November 8 : Letter to Florabel Muir. Scheduling calls. Letter to Zizi.
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Audio
1035A/168
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Side 2, undated : Letter to Gus.
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Audio
1035A/169
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Side 1, 1955 November 7 : Letter to Harry. Letter of reference for Hoffman. File church bulletin with
Underworld, U.S.A. materials. Letter to Mr. [Maurry?]. Note to David Stillman. Letter
from Joan Bennett to Henri Bendel. Card to Jason Lindsey. Note to Weed Espy. Letter to
Madame Claudia M. [Deju?].
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Audio
1035A/169
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Side 2, 1955 November 1 : Continuation of letter to Bill Rosensohn?
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Audio
1035A/170
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Side 1, 1955 November 10 : Letter to John [unidentified]. Letter to Bill Rosensohn. Changes to letter to
Gus Brown. Telegram to William Dozier.
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1035A/170
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Side 2, undated : Letter to Weed.
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Audio
1035A/171
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Side 1, 1955 November 16 : New York Times clippings in the Body Snatchers file. Note to Humphrey Bogart. Note to
Jerry [Wald?]. Forward weekly progress to Dr. Frem. Contact the church about flowers.
Note to Milton Pickman. Note to Mary Baker regarding Jack and the Beanstalk. Note to
Jess Morgan mentions Mother, Sir! Mentions Underworld, U.S.A.
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1035A/171
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Side 2, 1955 November 12 : Financials. Letter to [Zachary Lys?] Alan. Scheduling. Send Body Snatchers review to
John Flynn. Note to Alan Curtis. Note to Eddie Dmytryk.
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Audio
1035A/172
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Side 1, 1955 November 22 : Continuation of previous letter.
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Audio
1035A/172
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Side 2, 1955 November 29 : Memo to John Flynn. Letter to Mr. McDonald. Another note to John Flynn regarding Body
Snatchers. Letter to Dick. Letter to [Burt Wells?]. The end of this recording is
particularly distorted.
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Audio
1035A/173
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Side 1, 1955 November 30 : Scheduling. Request for past correspondence with Jess Morgan. Call to Mr. Ellis about
car repair. Note to Don Hoffman.
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Audio
1035A/173
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Side 2, 1955 November 28 : Financial notes. Flowers sent to Mrs. John Wayne. Call Burt [Wells?]. Letter to
[Bacall?]. Letter to [Carl Lapham?]. Letter to Victor Rosen. Wire to Mr. Hutchins.
Memo to Jess Morgan and Steve Broidy regarding Reckless. Letter to Jerry [Wall?].
Letter to Page. Letter to Carl [Detson?].
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Audio
1035A/174
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Side 1, 1955 December 5 : Letter to [Ira Hope?]. Letter to Merle Reeves. Letter to Burt Hendrickson regarding
Mother, Sir! Letter to Maria [Donovan?]. Letter to Ted [Mofkin?]. Letter to Joe
[Rifkin?] regarding Mother, Sir! Scheduling calls to Ned [Baum?] and Dore Schary.
Letter to George Allen. Letter to Bill Rosensohn.
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Audio
1035A/174
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Side 2, 1955 December 5 : Telegram to Committee on Water Resources and Power. Materials to be filed regarding
Underworld, U.S.A. Call to Dr. [Hutchins?]. Mentions Blockade script. Letter to Eddie
Dmytryk. Letter to Gary Merrill. Letter to Graham [Kissingberry?], mentions Mother,
Sir! Scheduling. Note to Henry J. Taylor. Call to [Jay and Arnold Wells?]. Scheduling
of a screening. Letter to Bill Rosensohn. Teletype to Page Browne. Letter to Gary
Merrill, mentions Mother, Sir! Letter to Judy. Letter to Maurice Manson. Letter to
Shirley Yamaguchi. Form letter to John Craven, Carol Veazie and Robert Nichols. Letter
to Jason Lindsey regarding Mother, Sir! Letter to Ed Burns. Letter to [Al?] regarding
Mother, Sir! Letter to Rex Bailey. Letter to Buddy [Gergin?]. Letters to Eddie Mayer
Jr., Howard Joslin, Ned Dobson, Lt. Commander [unidentified], Charles [Bohard?], Dave
Milton, construction, set decorator, lead man, lighting, script girl, and
cameraman.
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Audio
1035A/175
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Side 1, 1955 December 12 : Note to Freeman [Bosman?]. Call to Bob Hutchins office. Call to [Wineberg?] regarding
the Reckless contract. Call to Mr. Otto at the Wiltern Theater. Letter to George
Allen. Note to Bill Rosensohn. Letter to Richard Murphy c/o Harold Rose at Famous
Artists. Note to Freedman at Jaffe office. Teletype to Rosensohn. Letter to Bill
Henry. Updating of Christmas list. Letter to [Gene Frankie?]. Addition to Rosensohn
letter.
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Audio
1035A/175
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Side 2, 1955 December 14 : Letter to Page Browne. Scheduling. Letter to Loyd Wright.
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Audio
1035A/176
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Side 1, 1955 December 9 : Memo to Walter Mirisch, with a copy to Harold Mirisch and Steve Broidy, regarding
Invasion of the Body Snatchers. This memo also mentions Riot.
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Audio
1035A/176
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Side 2, 1955 December 15 : Note to Jess Morgan regarding Body Snatchers. Scheduling. Letter to Robert S.
[Schlek?]. Letter to Page Browne. Note to [Robert Moore?] mentioning Underworld and
Reckless. Note to Allen [Collin?] regarding Underworld and Reckless, with copies to
Steve Broidy and [Wineberg?]. Letter to Frank [unidentified]. Scheduling and
finances. Teletype to brother. Memo to Jess Morgan. Wire to Bing Crosby, Ed
[Crowley?], Joe [Rifkin?] and Barbara Stanwyck. Letter to CJ [Latter?]. Letter to John
and James Wolf. Letter to [Joel Sayre?]. Wire to Spyros Skouras.
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Audio
1035A/177
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Side 1, 1956 January 11 : Note to Walt Disney. Note to John Flynn regarding Invasion of the Body Snatchers.
Call to [Hermance?]. Scheduling. Calls to Eddie Lasky and Wes Haden. Note to Marvin
[Skenk?] regarding Bad Day at Black Rock. Call to Harold [Hecht?] and [Alma
Rodan?].
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Audio
1035A/177
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Side 2, 1956 January 13 : Finances. Note to Norman Wilson at the Edinburgh Film Festival. Letter to Dick
Pittinger. Scheduling to contact Mike Curtiz, Bill [Schiffen?] and Mr. Birdwell.
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Audio
1035A/178
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Side 1, 1956 January 31 : Letter to Gilbert Miller. Letter to Leslie Paffrath. Letter to Dr. James T. Shotwell.
Copy of Paffrath letter sent to Rosensohn. Letter to Alec [Audre?]. Letter to [Eivan
Goldsmith?]. Letter to Bishop [Sheehan?]. Letter to Charlie Schwartz. Letter to [S
Huart?]. Letter to Terence Rattigan. Letter to Ernest Henderson. Note to Page Browne.
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Audio
1035A/178
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Side 2, 1956 January 31 : Note to Page Browne continued from side one.
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Audio
1035A/179
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Side 1, undated : Mentions Underdog manuscript. Note to Page Browne. Letter to [DeForge Mills?].
Scheduling. Note to William [unidentified]. Letter to George M. [Spidell?].
Letter to Bruce [Campell?]. Teletype to Sheraton. Letter to Shawn [Meanie?]. Letter to
Abe Bienstock. Letter to Ed Harris. Letter to Dr. Karl Menninger regarding his article
A Letter to Men in Prison.
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Audio
1035A/179
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Side 2, 1956 February 6 : Wire to Ms. Higginbottom at Photoplay. Note to Alistair Cooke. Mentions invitation to
Carousel opening. Finances regarding Mother, Sir! Book review sent to [Joel Sayre?].
Letter to Darryl Zanuck. Scheduling call to William Joyce. Finances. Scheduling call
to Eva Marie Saint. Mentions While the City Sleeps and Inside Detroit. Letter to Tony
Martin. Letter to Ted [Bonay?]. Return script to Frank Cooper. Letter to [Baron
Polan?]. Letter to Bernie [Fines?]. Scheduling calls to Dr. [Frem?] and Judge
[Pecht?]. Letter to Buddy Adler. Letter to Ed Murrow. Scheduling call to Ed
[Crowley?].
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Audio
1035A/180
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Side 1, 1956 February 14 : Call Ford dealer. Letter to Ilya Lopert regarding Richard the Third. Mentions
Carousel opening. Letter to Bill Dozier. Note to Carol [Case?]. Note to [Werner
Johnson?]. Mentions filing Underworld, U.S.A. materials. Call John Flynn regarding
Body Snatchers. Mentions While the City Sleeps and Inside Detroit. Wire to Ernest
Heyn. Note to [Philip Wiley?]. Letter to [Jess?]. Letter to Sam Goldwyn Jr.
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Audio
1035A/180
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Side 2, 1956 February 13 : Financials. Letter to [Edward T. Curtis?]. Call Mr. Richardson. Call Ernest Heyn.
Call Mrs. Kirk Douglas. Call Sam Jaffe about Mark Robeson. Make an appointment with
Joel Sayre. Note to Graham Kissingberry. Letter to Mrs. [Blaine?]. Letter to Samuel D.
[unidentified]. Letter to Michael Sheraton. Letter to Bill. Call to Phil
[Girsch?].
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Audio
1035A/181
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Side 1, 1956 February 24 : Letter to Dan E Kimball. Letter to Nat Goldstone mentions The Actor and To Walk the
Night. Errands. Letter to George Fox Jr. Scheduling. Letter to Sam Burkett. Forwarding
of letters to Greg [Bartzer?] and Dr. Marcel [Frem?].
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Audio
1035A/181
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Side 2, 1956 February 22 : Calls to Sandy Abrams and Russell Birdwell. Note to Alfred Knopf pitching Henry
Mencken picture and mentioning The Underdog. Letter to [Kirsch?]. Letter to William G
[Cochren?]. Call to MCA.
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Audio
1035A/182
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Side 1, 1956 February 27 : Scheduling call to William Joyce. Letter to Edward Robinson at the ANTA Theater.
Letter to James F Real. Letter to Robert D [Loken?]. Letter to William Joyce. Letter
to Bill Rosensohn. Call to John Wayne's office. Letter to Edward [Lasker?]. Letter to
Ben Duffy. Letter to Dave Danforth. Letter to Oscar Levant.
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Audio
1035A/182
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Side 2, 1956 March 2 : Letter to Robert Moore Jr. Letter to Helen Morgan mentions Invasion of the Body
Snatchers. Letter to George [Burroughs?] mentions Body Snatchers. Copy of Bob
[Lochen?] letter forwarded to Rosensohn. Letter to Bob [Loken?] mentions Contrary
Pleasure and Crime in the Streets. Note to Mr. Browne's secretary. Financial notes.
Wire to Bogart.
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Audio
1035A/183
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Side 1, 1956 March 5 : Note to Bill Dozier mentions The Day They Gave Babies Away. Note to Bill Rosensohn.
Scheduling call to Ed [Crowley?]. Scheduling. Meeting with Mr. Real. Scheduling call
to Skouras. Letter to brother. Letter to Mr. [Poster?]. Note to [Nat and Richie?].
Letter to Jerry. Scheduling calls to Russell Birdwell and Elizabeth [McCloy?].
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Audio
1035A/183
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Side 2, 1956 February 29 : Letter to Bill mentions The Day They Gave Babies Away and Tangier Story. Letter to
Seymour Stern mentions Rebel Without a Cause. Note to Bill Rosensohn. Call to Henry
Costa. Letter to Harry Wanger. Memo to Bill Rosensohn. Call to [Max Mellinkoff?].
Letter to [Baron Poe?]. Letter to [Mr. Ramington Good?]. Letter to Miles Connolly.
Note to Al Bloomingdale.
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Audio
1035A/184
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Side 1, 1956 March 12 : Telegram to Mr. and Mrs. Jerry Pickman. Call to Al Horowitz. Scheduling. Mention of
Dorothy Thompson's Dawn's Early Light. Letter to Bill. Call to the Occidental
librarian. Letter to Ed Hartman. Letter to Page Browne. Letter to Alfred Knopf in
reference to the Henry Mencken picture. Letter to [Bill Nut?] mentions The Man Who
Rocked the Boat. Letter to James Reston. Letter to Bill Dozier. Financial notes.
Scheduling calls to Allied Artists and [Ed Crowley?].
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Audio
1035A/184
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Side 2, 1956 March 9 : Letter to Malcolm Stewart. Note to Ingo Preminger. Call to Dr. Frank Williams. Letter
to Harold Quinton. Letter to Ted Stauffer. Letter to brother. Scheduling. Letter to
[Elsie Lee?]. Note to Max [unidentified]. Mentions Joel Sayre and the Underworld
U.S.A. treatment. Note to [Flora Scheffield?]. Note to Robert D [Loken?]. Note to
Albert [Yaeger?].
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Audio
1035A/185
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Side 1, 1956 March 15 : Letter to brother Harry. Letter to Ed Morrow. Letter to Mrs. Walter [Stettheimer?].
Letter to [unidentified]. Letter to Bill Rosensohn. Scheduling.
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Audio
1035A/185
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Side 2, 1956 March 14 : Letter to Bill Rosensohn. Letter to Gifts by Jill. Letter to Abraham L Bienstock.
Call to Mrs. Kirk Douglas. Letter to Andrew Stone mentions Terror in the Night. Call
to Columbia. Addition to the Bill Rosensohn letter. Letter to Charlie Feldman. Letter
to Dorothy Thompson. Call to Mr. Burkett. Scheduling.
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Audio
1035A/186
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Side 1, 1956 April 9 : First dictation after suffering a heart attack. Filing of Body Snatchers clippings.
Note to Ed [Rowley?]. Note to Bill Rosensohn. Note to Neil H McElroy. Note asking to
will his eyes to a hospital. Financials. Note to brother and sister. Letter to A.L.
Bienstock.
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Audio
1035A/186
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Side 2, 1956 March 19 : Letter to brother Harry. Letter to Bill Rosensohn. Errands and scheduling. Call to
Richardson. Call to Miss. [McCloy?]. Call to [Hanley?]. Requests price for the book
Birdman of Alcatraz. Letter to [Wilkinson?]. Scheduling including tickets for
Alexander the Great. Letter to Bill Dozier. Letter to Mr. Quinton. Announcement of the
securing of film rights to Henry J. Taylor's play The Empress.
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Audio
1035A/187
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Side 1, undated : Note to William Nutt mentions Flower Pride. Note to Ned Brown. Call to John
[Moffat?]. Call to Santa Monica Courthouse. Letter to [Allen Bernheim?]. Letter to
Jack Freeman. Letter to Harry [Alms?]. Letter to Betsy Allen. Letter to Mary [Moran?].
Letter to Pat [Mcphee?] at the Missouri Penitentiary. Letter to Scotty. Letter to Mr.
Quinton. Letter to [Robin?]. Note to Bill Rosensohn. Letter to Mr. [Mason?]. Note to
Mr. [Strabit?]. Calls and scheduling.
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1035A/187
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Side 2, 1956 March 20 : Letter to George Fox Jr. Letter to Ralph [Dorman?]. Note to [Sara Jane Farley?],
[Loken's?] secretary. Errands. Letter to Henry J. Taylor. Letter to Ralph Austriam.
Letter to Katharine Hepburn regarding the Henry Mencken picture. Letter to Frank
Borzage. Letter of Frank Borzage letter to be sent to Dozier. Letter to Ted Leitzell.
Letter to brother Harry.
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Audio
1035A/188
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Side 1, 1956 April 13 : Note to Mr. [Loris Rubin?]. Note to Mrs. Humphrey Bogart mentioning Body Snatchers,
Holiday Four and Waterfront. Note to [unidentified]. Note to Aileen Brennan. Letter to Jim
Reilly. Note to the [Unsens?]. Call George Cukor.
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Audio
1035A/188
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Side 2, 1956 April 10 : Request for book synopsis of Heaven and Hell and The Beauty Queen Killer. Financials.
Mention of the Underworld script. Call to Jerry Wald. Note to Eddie [Blum?]. Call to
John Flynn.
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Audio
1035A/189
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Side 1, 1956 April 13 : Letter to [Van Kubay?]. Send notes to Rosensohn. Note to Herbert [Swoop?] Jr.
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Audio
1035A/189
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Side 2, 1956 April 16 : Note to Pete Daily. Send reprint to Ed Paulie. Note to Robin Moore. Note to [C Pete
Davis?]. Note to Harold [Hector?]. Note to [Natalie Johnson?]. Letter to James
"Scotty" Reston. Mentions books The Lady with the Swan's Down Bottom and Kinderspiel.
Notes regarding Underworld, U.S.A. Call to Mike [Connelly?], [Carolyn Bomden?] and
Dolores Rubin. Thank you to George Murphy.
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Audio
1035A/190
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Side 1, 1956 April 25 : Cancel the letter to the Shamroy's. Call Ed [Paulie's] secretary. Call William Joyce.
Note to Bill [Nutt?]. Sent NY Times article to Joel Sayre. Return synopsis to Quinn
Martin. Financials. Note to John Hoffman. Decline invitation to Louella Parson's
party. Note to [Jess Morgan?] mentioning Body Snatchers. Note to Alan [unidentified]. Note to [unidentified]. Letter to David Stillman. Letter to [CJ Lapham?]. Note to
Madge Hall. Note to Bob [Earl?]. Letter to Cy [unidentified]. Note to Ned Brown
regarding Empress. Note to William G Cochren. Note to Harold [unidentified]. Call
to Malcolm Stewart and Jason [Linzy?]. Note to Robin L Moore Jr. Letter to Page
Browne.
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1035A/190
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Side 2, 1956 April 18 : Edit letters to Pete Davis and Reston, fix the book title previously mentioned to
Lady with the Swan's Down Seat. Note to [unidentified]. Note to David [Fernly?] mentions
Lights Along the Shore.
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Audio
1035A/191
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Side 1, 1956 April 27 : Call to Mrs. [Van Kubay?]. Call to Mr. Frankie. Note to Edward Arnold family. Note to
Carl Detzer. Note to George [Surkozky?]. Note to Dorothy Thompson. Call to [unidentified].
Note Herman [unidentified]. Scheduling. Letter to Robert D [Luken?].
Scheduling.
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Audio
1035A/191
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Side 2, 1956 April 11 : Send advertisement for Imperial Woman to Mr. Frankie. Letter to Bob [Loken?].
Mentions Underdog. Call to the [Unsens?]. Call to Dr. Frem and [Mrs. Van Kubay?]. Note
to Frank [Stanton?]. Memo to Bill [Nutt?]. Letter to Edgar Hoover regarding
Underworld, U.S.A. Note to Mr. Real.
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Audio
1035A/192
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Side 1, 1956 April 30 : Letter to [Jess Morgan?]. Note to Don Siegel regarding Body Snatchers. Letter to
Russell Birdwell. Scheduling. Note to Mrs. Stuart Chevalier. Note to Dr. Marcel Frem.
Return synopsis and galleys for I Don't Want to Die to Bill Nutt. Note to Fred Lee Jr.
Call Ed [Crawley?]. Letter to Paul Smith. Letter to [Res Murray Goldstein?] mentions
Body Snatchers, Mother, Sir! and Navy Wife. Call Ed Paulie's secretary. Note to Robin
Moore.
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Audio
1035A/192
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Side 2, 1956 April 26 : Letter to Steve Broidy mentions Mother, Sir!, Crime in the Streets and Family
Persuasion. Letter to Tex McCrary. Mentions book synopsis for Rogues March and Spiked
Heel. Letter to Abraham L. Bienstock. Letter to John Nelson. Call to David March. Note
to William Dozier. Note to [unidentified] sister. Letter to Paul S Zuckerman.
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Audio
1035A/193
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Side 1, undated : Memo to Eddie Blum. Copy to [Matt?] Goldstein. Were books returned to Eddie Demetric?
Note to Billy Graham. Letter to head of Cannes Film Festival. Note to William [Einsen
Lee?]. Letter to Alfred Knopf regarding Mencken film. Letter to Ernest [Braund?]. Note
to Jerry Wald. Letter to James Z Lee. Letter to George Kennnan. Note to Mr. and Mrs.
Leon Shamroy.
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Audio
1035A/193
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Side 2, 1956 May 2 : Letter to Mr. [Hidenberger?]. Letter to Dr. Shotwell. Letter to Richard Salant.
Letter to Eddie Blum. Note to Danny O'Shea regarding Joan of Arc. Note to [unidentified].
Letter to Hal Herman. Note to Bill Nutt. Letter to Bill [Bilox?] regarding Underworld,
U.S.A. book review. Letter to Eugene [Wafer?]. Cancel memo to Eddie Blum.
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Correspondence Dictabelts
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1035A/194
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before 1961 December 12 : Talks of a wire and various gifts sent to Mr. and Mrs. James Mason and others and asks if all have received these wires. He then goes on about Justine Wanger. Says he hears she is going to be out of town on a trip around the world, but that if she is in town to send her the usual kind of gift basket and her whereabouts can be found via her lawyer. Imagines perfume would be the best option for a gift. He says he is currently handling the European wires and that he can do them from "here". Regarding the local wires he indicates he is sending back their list with his markings. Says he will look after the English, French and Italian tables from his end and that if there are any problems to write him right away. Requests the receiver of the wire to send the usual "season's greetings" wire. Mentions the head of publicity at Metro as a resource for contacting a Mr. and Mrs. Tasker(?) Tells recipient to send wires to various people. Then he addresses his daughter Shelley and says that he enjoyed her letter very much. Stephanie is back at the hotel after having her operation. Says he will be leaving for New York to see her (Shelley) in about 2 weeks. Mentions that he and Stephanie are going to the embassy to have lunch with the American ambassador's wife and her children. Briefly discusses the weather. Requests recipient to send a Christmas card to Father Barney and Reverend Harris in London. Sends all of his love to "mom and yourself" indicating he must be addressing his father. Note to Jess Morgan; asks her to send a gift to someone after the Sturman(?) situation. Thanks Ted for his letter and mentions the moving of bookshelves. Doesn't want to discuss anything about the letter yet. Sends good wishes.
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1035A/195
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before 1961 December 12 : Starts by saying he heard the name of a constructor a few nights prior at Silhoeutto's and also that a Princess Arietti(?) wanted to talk. Gives the recipient the name of the constructor and says to call and give it to her (princess?). Says to take a letter to [unidentified] indicating that he (Wanger) has received the person's letter on 10/26/1961 and if he wishes to communicate further he can. Wants a letter written to William Sachs thanking him for his letter and that even if he hasn't yet received the $20 million he would be happy to hear back from him. Letter to Steve Brody thanking him for his letter and regarding Joe Mankiewicz: he is a resident of New York so there is no use approaching him regarding the "drive"? Wanger says he is a non-resident at the moment and in order to establish his foreign status he isn't making any American contributions, but tells recipient to leave out the last part. Says the picture is going very well, despite many problems. Thinks it will be a tremendous attraction. Note to Alex talking about how he was very nice in San Diego and that he had disposed of his house about a year and a half prior. Thanks Ms. Fitch(?) for her letter. Mentions the picture, says he thinks it’ll be great and the cast is superb. Talks about payments of some sort, then mentions charges to Fox. Addresses Ms. Raimondo in London thanking her for her letter. Goes on about the fire that burnt down his house. Says Shelley is not with him in Rome, but with her mother in New York. Steph is in France. Doesn’t know how much longer he will be in Rome or if he will move to London after, depends on whether or not he can make arrangements with the landlady. Letter to Harry Brandt(?) at 20th century fox. Says they have 5,000 stills so far and they and the cast are tremendous. Weather has been holding up the production. Morale is great on the set, and Wanger thinks the scenes are playing beautifully. Thinks if things keep up the way they are going that they will end up with the greatest attraction of all time. Mentions a Newsweek article, captain of the Rutgers football team and his senior thesis. Thinks they can use him in connection with the picture. Wants Harry to send him a letter. Addresses Steph, says he is enclosing two articles. Letter to Charles K. says he hears his picture is going well and then mentions how his own films' production is going. Mentions a few setbacks due to the size/scale of the picture, but also says that Joe (director) has been doing great despite the pressure and the morale on the set is great. Says Liz [Taylor] is also doing very well in her scenes and that the picture will make Richard Burton a star. Predicts that the picture will be an enormous success. Talks about how South Pacific (film) has already made $22-23 million as a musical film even after it was said that no one wants musicals anymore and that a $10 million budget is absurd and impossible for Cleopatra. Says that with a cast/campaign like they have it should make 3 times as much as South Pacific and the company will get $20 million back in distribution alone. Thinks they should be more worried about selling the film instead of trying to correct morale by making cuts which aren't bright for that time. Admits money has been wasted during the planning due to the pressure surrounding the film. Says there is a lot of interest in the public surrounding the film with the Queen of Denmark, King of Sweden and the Infanta of Spain having already requested to see it.
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1035A/196
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before 1961 December 12 : Letter to his brother, Harry: Says he is extremely busy, wishes he would've been there (where? mentions the Rhine) 6 months earlier because he could've saved the movie a few million dollars. Says picture is going great and can't wait to see the family at Christmas. Letter to Gisele: He and the studio would be happy to see her again. Wants a letter sent to [unidentified] in London: mentions a robe needed for a Christmas gift. Addresses Steph, talks about a clipping from the New York Times and her weekend arrangements with an Italian(?) family. Note to Gregor(?) talks about his house that burned down a year and half prior. Letter to Charles Cannon in the London office: sending him two small bills to be paid off. Says he's currently in California. New letter to [unidentified]: wants them to have his doctor send him Nitroglycerine/Coumadin by airmail. Wants to call Dr. Cohen and go over his production papers, dinner plans for that evening.
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1035A/197
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before 1961 December 12 : Letter to John M: Wanger is returning to Manhattan with his script. Says Pete Levathes is interested in seeing the picture when it is finished, but not interested in making any deals at the time. Note to Paul Lazar: says he hasn't heard from him for several months, inquires about a bonus he was supposed to receive. Note to a Mrs. Decorever(?): thanks her for her letter. Makes small talk about his daughter Stephanie and her recent case of appendicitis. Asks if she is coming to visit at all. Letter to Vincent Lebella (man from office "here in town"): Says he appreciates his kindness in getting the rosary and diploma for sisters Georgia and Marie. Letter to Jen(?): Makes small talk about Stephanie and her recent illness and the weather. Says he is looking forward to the holidays in New York. Is glad she is having a good time with "Ma" (end letter). Wants a talk with Kurt [unidentified] from Hollywood. Wants a talk with jack smith.
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1035A/198
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before 1961 December 12 : Letter to Doc Merman: thanks him for his call. Wants to call him again. Letter to Jess Morgan: Wants the Stillman(?) situation to be cleared by the 1st of the year so he can make advances to his lawyers. Sends her $150 to cover clinic expenses (presumably for Stephanie). Mentions an Italian film called "Theodora". Wants to see the design to know the publishers. Letter to Ma: Talks about Stephanie and their lunch with the ambassador's family, also addresses her recent illness. Letter to Harry: Talks about dinner with Italians from Cairo the night prior. Says he has been very busy because of the holidays and Stephanie's illness. Says the picture is progressing slowly and expensively, but also magnificently. Thinks it will make a new record in the industry. Says director and stars are doing great. Letter to Charles cannon in London: Asks him to charge the enclosed bill to his account. Letter to Mrs. Fitch: thanks her for the letter, is interested in her remarks about the showings. Would appreciate hearing from her in the future (end letter). Talks about his Christmas list and what he wants sent to everyone.
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1035A/199
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before 1961 December 12 : Memorandum to Mr. Rogell: Decided to discontinue certain takes in Rome, says the studio can make its own choice of what they require in order to check the quality. Doesn't know where to find Christmas cards in Italy, asks Brad(?) to get quite a few for him. Mentions lunch and dinner plans for that day. Wants to talk to Richards in accounting about his hotel. Says that this is not the first picture that Fox has made not on location and that there should not have been problems with it. Talks about lack of management. Nothing was done by the studio organization to smooth the process on the job. *To Shell* Talks about the weather and school and how he wants a gift sent to her and that he can't wait to see her.
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1035A/200
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before 1961 December 12 : Letter to Abraham L.: Talks about a will and thinks it should be changed, wants to know what he thinks. Mentions Stephanie and her operation. Says the pressure for the picture is enormous. Talks about Levathes and a script he has sent. Wants the number for the American embassy included in the letter. Letter to Levathes (but says not to send it?): Says he spoke to Figs(?) and they came to agreement about something on the payroll concerning Elizabeth Taylor. Waiting to hear back from him regarding other matters [Levathes]. Telegram to Kurt F.: Confirming that Elizabeth has agreed to start at 9:30 instead of 10 for a period of about 8 weeks. Letter to Greg (one of Wanger's lawyers at the coast): Says the pressure on him is great so he has not been able to write sooner. Gives him a brief rundown on the status of the picture and talks about Stephanie. Wants him and his wife to come to visit. Complains about how difficult it is to keep the picture private. The press won't leave them alone. Thinks Fox needs to figure out how to merchandise the film so they can get back on their feet.
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1035A/201
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before 1961 December 12 : Enclosing a letter from the doctor on set containing the names of medicines he needs. Wants them airmailed. Letter to Charles [unidentified] at 20th century fox in London: asks for his bill for 1 pound paid and charged to his LA account. Letter to martin (Marty): mentions the house fire from the year prior. Mentions good results for the picture so far, despite bad weather. Wire to [unidentified]: Talks about money spent on costumes. Mentions a Mr. Oliver Messel who wants to redesign the clothes for the picture because he is dissatisfied with the picture so far. Wanger says there was no talk of compensation for Messel's work until the work was completed and then someone close to Messel approached Wanger asking for him to be compensated for his work. Wanger says he made no commitment to Messel and explained this to Mr. Messel’s solicitors that the corporation had no obligation to Mr. Messel and that he was well-paid, but nothing beyond the contractual obligation would be granted to Mr. Messel. Wanger says Messel has been giving statements to the press that are critical of the new costumes and detrimental to the cooperation he received at the hands of the corporation (20th century fox). Wanger personally feels the company is under no obligation to compensate Messel financially. Letter to Mrs. Fitch: thanks her for letter #21. Doesn't care about the titles. Says his only concern is the weather. Letter to Joe [unidentified]: Appreciates his letter, says everyone on the set got a great kick out of it and that they don't get much info on Hollywood where they are. Says only current major problem is the weather. Talks about the actors and the problems with costumes/Oliver Messel. Note to Jess Morgan: wants status on Stillman and what she is doing to solve the issue.
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1035A/202
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before 1961 December 12 : November 6, 1961: Apologizes to Stephanie for not getting back to her sooner. Says he has been sick. Talks about her boy situation. Mentions the death of a Mr. Cook. Talks about how Shelley has been helping him. Talks about school and college in the future.
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1035A/203
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before 1961 December 12 : Thanks Mr. Saurat(?) for his kind letter. Says that unfortunately he disposed of his house a year and a half prior. Letter to Hal [unidentified]: apologizes about the house. Talks about note regarding Clifford. Letter to Shirley M. Field(?): apologizes that she is suffering from nerves. Letter to Laura(?): mentions the house fire, wants to hear back from her. Letter to Jerry: Has heard rumors that he is coming over, but has since learned he won't be coming. Talks about the actors in the picture and the weather. Says Skouras and Levathes are very worried about the costs. Points to "south Pacific" and its success as an example of why the execs should stop bothering him. Is confident his picture can do better. Letter to John Ditty(?): Talks about a fire, wants to know more about it. Takes it that John has been very busy. Says he is isolated and the weather has been bad so they have to shoot interior shots, but still thinks the picture will be great. Letter to Mrs. Fitch: Wants her to find about the size clothes a friend's kid wears so he can send some. Notes to brad to put in a name: Ted Sandler. Alsohas him note a few telephone numbers.
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1035A/204
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before 1961 December 12 : Letter to Jess Morgan: thanks her for the Christmas books, says he'll get to work on them and get back to her soon. Note to Miss Hyle(?): Looking forward to hearing from her. Wants to know what she is doing in Barcelona and requests that she sends pictures to put on file since she is student acting. Letter to Jerry: Thanks him for his letter, says everyone is enjoying it. Letter to Dot: Talks about correspondence concerning interviews with Elizabeth. Thinks the picture will be one of the greatest of all time. Letter to harry: Says personal matters are making things kind of difficult, but he is delighted with masterminding the picture. Letter to Jess Morgan(?): talks about bills for Stephanie's surgery and the Oliver Messel compensation situation, saying he has no intention of paying him. Letter to Doctor: thanks him for helping Shelley with her teeth.
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1035A/205
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before 1961 December 12 : Memo: Talks about time to prepare for certain sets and various problems on the set. Mentioned: Anthony's bedroom, two days; Richard Burton, 2; the Senate, the cast problem, 2 days for Caesar’s death; MGM set, how much time to prepare and cast problem; new plans for mausoleum; Cleopatra's sketch.
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1035A/206
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before 1961 December 12 : Has a letter sent to the Sheraton in NYC requesting the manager to get him a room for December 22. Letter to martin: Says things are progressing well. Letter to Bill Benton: Says he is in the middle of making Cleopatra. Thinks his picture will have great historical value. Wants to meet him for a conference on world affairs. Letter to Doc Bishop(?) at 20th century fox Beverly Hills: A Henry [unidentified] visited last week and thinks his visit turned out better than anticipated. Thinks Henry understood the caliber of the picture being made. Hopes that what Henry has written will be constructive and in the interest of the picture and 20th century fox. Letter to David Raphael at 20th century fox: wants a couple bottles of perfume sent to his Pan Am airplane. Mentions that the picture is going along wonderfully, but slowly and that the end result will be great.
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1035A/207
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before 1961 December 12 : Asks a Mrs. Van Buren(?) to add the telephone number of a woman named Katherine Bradford’s to his book. Then asks for a letter to be sent to Burt Stern in NY; in the letter he asks what has happened to the fortune idea, says he is writing in particular to see that Irene Sharaff (costume designer) gets credit for the clothes she has designed for Cleopatra (Liz Taylor). Wants to see a profile/article about it in Vogue magazine (which he says Burt controls). Compliments Irene on her work. Mentions the Oliver Messel controversy with the London production and the abandonment of all his designs. Thinks Irene deserves to win an Oscar. Mentions Kathy Bradford’s and how he hopes she can be developed into a major fashion figure. Talks about where they are at in the film, mentions the Sphinx. Letter to Jess Morgan: Thanks her for her letter regarding Stillman and (?) pictures. Says he is amazed by the letter from Woodson Wallace and thinks they have been as cooperative as possible when looking at the extra taxes/insurance policy payments that they paid. Asks if there is a way to arrange an advancement of the four months payment. Then asks about Justine Wanger, thinks it seems like she’s gone on a royal cruise. Says he wants to be cooperative but his own obligations between the government are enough to keep him busy. Doesn't think that this note is consistent with their past correspondence and their attempt to be cooperative. *NEW NOTE* mentions his Sunday expenses (lunch, tape, barbershop, supper). wants to look at his expense book because he says he'll probably have to put some additions in.
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1035A/208
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before 1961 December 12 : Notes for the day: says he and Mr. Levathes have arranged an appointment to meet with Mr. Monaco at his office. Then says he is supposed to meet that morning with Mr. Deliani(?) And Mr. Roddell. Mentions a lunch he had the day prior with Mr. Ginsberg and his party in which he gave them 6,000 lira? Is supposed to make a report on the story illicit for Mr. Levathes and another report on the reorganization of the picture for Levathes. Wants to the see the pictures that Mr. smith brought back and wants to go to the projection room to see some film that was taken by Mr. Shamroy. Wants to order a dressing gown for Mr. Mankiewicz for Christmas (wants Levathes to do it). Wants to write letters to Charles Schwartz, Joe Rosenberg and Charlie Feldman. Wants to speak to Annalena Linetani the following week at the office. Says on Sunday he is going to be called by a production manager. Wants to talk to Kurt Freens(?) about the carpet situation and the photos that Mrs. Fischer. Wants to look at the production board. Wants to check on a girl named Maggie Sanchez who is in Spain. Wants to talk to Irene and about Rex Harrison's clothes. Wants to talk find out about his blood test from Dr. Cohen. Wants to talk to Paul Fox about the carpet situation.
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1035A/209
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before 1961 December 12 : Note #1: Says he has spoken to John Mather(?) and has arranged for you(?) to meet with him to discuss the possibility of making a picture with Marilyn [Monroe?]. Note #2: appointment on Monday at noon with Monaco at his office. Note #3: Regarding treatment illicit; thinks their current work is the basis for a very excellent entertainment and that if properly done the picture should succeed all over the world. Sees no reason for changing the local of the picture from Greece to Italy, as he sees enormous interest in Greece and the shipping tycoons. Says there are quite a few things that worry him about the treatment of the picture. First thing is the business and he thinks that the Americans treated him in a very old-fashioned manner, and thinks the business background should be made more intelligent and human in order to match with the Greek partners. Feels that the characters are not developed by what happens to them, which seems obligatory; they are the same in the end as they were in the beginning. Thinks it’s important in order to justify the break between the couple; the girl blossoms mentally and physically on her travels abroad. Says this is logical and will be a great interest to all American woman who "just look at television and lean over a washing machine" and that there is a great fascination in the first trip to Europe and it usually has a telling effect on the individual. Says the wife in the beginning is a very different woman after she meets Hercules and has seen all of the beauties, luxuries, manners and culture of Europe. Thinks this is the pivot from making this picture more than a one-gag comedy. Thinks Hercules is much too smart and has too much experience with women not to expect something, doesn't want him to be more suspicious than he is. Thinks the husband’s sacrifice of his wife for his business success is something that can be deftly handled and should allow for many good comedy situations and some dramatic ones. Says there should also be a great suspicion on the husband’s part that he has a real competitor in Hercules and how he can cope with him. Can see possibilities of the husband ending up with the other girl who is also an adventurous European type. Objects to the undramatic way Hercules sulks and leaves after he finds the husband coming out of the bedroom. Thinks Hercules would be much more skillful in his plan to get this girl. Thinks they have all the ingredients for a hit, a roman holiday only with more substance. Thinks the script needs to be well-developed. Asks Mrs. Van Buren to find out what time the film that was taken yesterday will be ready. Tells her to take a note to Julia [unidentified] regarding the policing of photographers and press for the shooting of the procession so as to make sure there are no problems.
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1035A/210
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before 1961 December 12 : Note to Mrs. Van Buren: speaks of yesterday’s lunch with the Mr. Amerson from the embassy and a man from TIME. Last night’s supper with Stephanie. Wants to talk to [unidentified] about policing the crowds. Wants to talk to Irene Sharaff about Rex Harrison. Letter to Mr. Denieli(?): mentions the conference Mr. Denieli had with Mr. Rodell the day prior and that Rodell is being appointed the direct contact between him (Mr. Denieli) and the production. Letter to Mr. Marley(?): Reminds him that he (Wanger) is in charge of the production and that any memos regarding the picture need to be cc’ed to him. Note to Johnny [unidentified]: wants a weekly cost sheet for the production. Letter to Mrs. Fitch: says he is enclosing a bill that he wants to make sure is paid. Says there are some problems, but they are working hard.
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1035A/211
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before 1961 December 12 : Letter to Mrs. Francis… (Italian director of Stephanie's school): Thanks her for her letter and sends his regards for her late husband (who Wanger knew apparently). He discusses chaperonage for a trip of some kind. Letter to Stephanie: Hopes to see a letter back from her describing all the things she sees on her trips. Misses her very much. Lists various expenses for the previous couple of days. Letter to Jess Morgan: Says he will do something about the English situation (?). Says the work has been back-breaking, working seven days a week and long hours. So far the rushes(?) have been very satisfactory. Mentions reimbursements for some of his family's expenses, wants those messages to be sent directly to Jess to speed up the process. Letter to Mr. Eller (unsure of the spelling): Doesn't know what to tell him as there has recently been a re-organization, but he would love to meet him (Eller) for a drink sometime soon. Letter to Jimmy Wolf: Thinks there is chance for a great success in London and New York with his current project. Is delighted to hear how well his (wolf's) picture is doing. Wants to meet with him soon, says he feels isolated. Thinks wolf will love the picture. Letter to Mrs. [unidentified]: Thanks her for her letter to Steph. Letter to John Michael: thinks John should revert to his longhand letters but says he understands why not (John is unable to dictate to his secretary). Says the weather has been fine, but he's been very busy. Hopes to get some of the big scenes out of the way soon. Letter to Jerry: Says Buerates(?) has been very helpful on set and Wanger hopes he gets the authority he deserves in order to make things move properly for everyone. Talks about how busy things have been, thinks the rushes have been very good and that Liz Taylor is doing fantastic. Hopes to see him soon to tell him more about the picture. Letter to Gilbert Miller: Is delighted to know the caretaker is doing well and that he has a hit to start the season, also he is pleased to see Miller in the film business again. Warns him to not overdo it, thinks he should take care of his health. Wants to know when he feels better so he can come and visit. Says he has been working hard, but it has been fun. Letter to Harry Brandt: Is glad he likes the rushes, thinks Liz will be sensational in the picture. Mentions it's been very hard work, but that the picture will justify the efforts.
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1035A/212
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before 1961 December 12 : Starts with a list of recent expenses. Asks for a letter to be taken to Molly Manderville at the studio: Thanks her for sending the script. Says things have been progressing well, but slowly and that Liz is in great form. Letter to Joseph Rosenberg in Los Angeles: Says Henry Ginsberg is there and is glad he's on the team. Thinks they are on the road to a great success. P.S: Bobby Leven was there and was impressed by the sets. Thinks that bobby is backing the wrong people at Fox and that he should back Pete Levathes instead. Letter to Harry Brandt: thanks him for his notes. Hopes he is seeing the film as it comes as it should be to his liking. Thinks they will the most tremendous box office success in many decades, but also thinks their big problem is making publicity last over years, not just months. Letter to Dr. Merman(?): Thinks he should come to the set, as it will pep up the “boys from home” and give him a better idea of the scope of problems they are dealing with. Says they have a great picture on their hands and the morale is high. Note to Frank Komite(?): Talks about cars, wonders if he wants to send any of the bills. Letter to Charles Schwartz, lawyer in NYC: Says Henry Ginsberg is here and that he saw you (Ginsberg). Says he was glad to see him last year in London, but he is sorry that things didn't turn out better. Says the picture will be one of the greatest of all time. Letter to Charles K. Feldman: Says things are coming along slow, but yell. Thinks it will be great they just have to sell it and handle it properly and it will turn out fine. Says Joe and the cast are doing superb, the sets are great as well. The only problem so far has been the weather, but Liz is doing great. Excited to see his play is at the Lion. Says they've been working very hard to smooth out their problems. Note to Bowring Arundel & Co. in London: asks to order a suit, will have London office send them the payment. Letter to Mrs. Lea de Cordova: Thanks her for the medicine she sent. Says the weather has been marvelous until today when it messed up their processions. Has great faith they will come through with a marvelous picture as they have been working very hard and overcoming problems in the process. Asks how her family is doing and is grateful for her kindnesses. Letter to Madame Pavlacini: Apologizes for not being able to attend her cocktail party as he was working very late. Appreciates her kindness to his daughter. Would like to have drinks with her and her husband sometime.
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1035A/213
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before 1961 December 12 : (Not sure who he is addressing, possibly Shelly in NYC), Says they started shooting the procession, but the rain has put a halt to that. Elizabeth looks wonderful and has lost a great deal of weight. She has been rehearsing her entrance to Rome on a sphinx pulled by 800 Egyptian slaves. Asks how she is doing in NY. Says Levathes and his family are going back to NY for week. Letter to Gisile Galwar(?) Says he's checked with the casting department and would like to have her come back, but he doesn't know the dates because they have been slightly delayed. Would like to have her in their picture if the proper part can be found. Letter to [Skouras, President of Fox?] Says they are going to do everything they can to make this picture in the most efficient manner possible. Mentions the inclement weather, but that they have shot two days of the procession scenes and that the studio will be impressed with it. Mentions the hard work and cooperative spirits of Elizabeth and Joe (director). Says Levathes has been of great help in organizing things. Above all, they have been working long hours, seven days a week to smooth out any problems that come along with making picture of that size. Letter to Mr. Capodano, director of the Bank of America: Hopes that Cilio will be able to come out to the studio. Would like to get lunch sometime soon. Would like to deposit $150 every month into Steph's checking account. Wants to send a postcard to Shelly with Russian stamps in it.
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1035A/214
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before 1961 December 12 : Letter to Levathes in LA: Hopes he knows how constructive his visit to Rome was and was sorry to see him go. Regarding his telephone call to him (Levathes) about the Warner contract, all demands that Warner objected to were dropped because of the good terms of the contract. However he (Wanger) is not certain Warner isn't trying to get out of the deal. Says Eddie has the option on the Gouffe case. Kurt Fring has called him (Wanger) to set up a deal for Audrey Hepburn to be in "Justine". John Maither called him (Wanger) from Paris the night prior. Says he (Maither) found a book he wants to play, but that he needs Marilyn Monroe to be in it. Says the biggest hitch is that the picture couldn't be done before next spring as there is no script. Says he gave Levathes the wrong name of the book, it is actually called "Catch 22". Says Joe Demiro(?) arrived the day prior and that he will be a tremendous help (he has been helping with all of the contract issues). Says there has been two days of no activities due to the rain, but that Joe has finally started on act and he (Wanger) thinks it will be easier than act 1. He (Wanger) and Joe had a good talk a few days prior and Joe was most receptive to it. Says he has talked with Charlie Townsend and Sid Rogell the matter of not putting so much responsibility on Kellogg’s and that Kellogg’s should just focus on acting. Wants to get things rolling with the procession scenes so they can cut the payroll as they are currently employing a lot of people in connection with the sequence and that after they can have a more compact organization for the picture. Says he is still concerned with the exteriors of Alexandria. After the procession scenes and Alexandria exteriors are done, they will be able to see the light. Everyone's morale is high on the artistic side and they think they will deliver the best picture ever. As they soon as they get more material underway they might be able to start selling tickets. Pressure for material from the press from all over the world continues. Wants Levathes to read a book that is comparable to Breakfast at Tiffany's, but although it is of the same genre it is no competition for it. Wants him to look for script writers in London to write a script as he thinks they are good at writing comedies.
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1035A/215
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before 1961 December 12 : Letter to Levathes: Wishes for him and his wife to come back soon, says he is sorely missed. Is enclosing a clipping from the London observer written by London's top film critic, thinks it’s very interesting. Has something to do with a film that Wanger thinks could work well with a director he knows from the Blake Edward's School. Talks about the film's progress. Says they are in the midst of the procession, thinks it looks tremendous. Morale is high on set and he hopes they can finish it by the following week. First act of the picture is complete and he thinks Joe (director) has done a great job with it. Says he was worried about the Roman sequences because they were quite complicated and could be dull, but Joe did a fine job making them. Admits that he was more moved by the first act of the script than he has been in years. They are getting really good reports from the studio. Wants a few shots of Egypt to be sent near the end of filming. Wants Kellogg to finish on a Battle scene. Is going to write Levathes a letter sometime in the next week that includes work on finding someone new to do merchandising for the film. Talks about work that needs to be done with cover sets. Says the organization dealing with the 3-4 thousands extras has been working better than he's ever seen happen before. Mentions some concern over contracts. Is enclosing a letter from Bert Stern, the photographer. Says Johnny Johnson has made a revised schedule that has Elizabeth being done by January, but Wanger thinks this is optimistic. P.S. to Levathes: Mentions Sheila Graham, a columnist, who has been causing trouble with the picture's publicity. Says she is blackmailing them. But Wanger thinks he was able to calm her down a bit after meeting with her.
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1035A/216
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before 1961 December 12 : Letter to Harry: Talks about Shelley, the weather in Iscia(?) and the possibility of shooting down there. Picture is going well, studio is excited. Letter to Burt Stern: Talks briefly about progress of procession scenes with Liz (Taylor). Letter to Mrs. Fitch: Regarding the rushes, he suggests she see Doc Merman. Things are progressing well. Note to Ted Kane at the Studio in Hollywood: The track sheets, music and instructions have arrived and they are planning to have 20 in the choir, are trying currently to cast the girls for it. Expresses enthusiasm for the picture. Letter to Jerry: Talks about shooting of procession, hopes to finish it within a week. Thinks studio is impressed with the rushes. Is keeping in close touch with Pavlicini as he been seeing him around a lot. Mentions the previous day’s events with Harrison and Burton's first scenes being shot. Wants him to come visit. Letter to Arthur Jacobs; is very pleased that the Walter Wanger film festival is underway, wants to know about dates as he will be occupied with the shooting of the picture until spring. Mentions how busy he has been. Says publicity surrounding the picture is absurd; they are having to fight off the press rather than plant material, has never known anything like the pressure for information like on this picture. Excitement surrounds the rushes. Thinks Publicity/propaganda campaign should last five years. Letter to Sal: Thinks he has done a tremendous job (on what?). Is interested on his educational approach and its importance to the industry. Talks briefly about the picture. Letter to Jess Morgan: Picture is progressing slowly, but he still thinks it will succeed all over the world. Mentions that in one more year his contract will be up (the following October 20th). Letter to shelly: is enclosing some tickets for a raffle that is being given at the Grand Hotel [Waldorf Astoria], hopes she wins a prize. Anxious to hear from her. Wants to know if she has made up her mind about what she wants for Christmas. Letter to Mrs. Levathes: Thanks her for her note. Hopes all is well with her and her family.
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1035A/217
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before 1961 December 12 : Letter to Shelly: Congratulates her on her report card. Says he is dying to see Breakfast at Tiffany’s, but he has seen Camelot. Is going to see an Italian musical comedy that night and if it is good he is going to try and send it to New York. Thinks the picture will be a great success. Letter to Mrs. Wanger (Ma): Was delighted to receive her note. Would like to hear what's going from both of them. Says he has never worked harder in his whole life than he is now. Has only finished 1/2 of the screenplay. Millions of dollars at stake every time he looks around. Thinks they'll be alright if they gross $150 million.
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1035A/218
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before 1961 December 12 : Letter to Jess: Is concerned that she did not mention Sturman in her last letter. Wants to know what is going with that situation. Wants to call the colonel at the embassy to see if he is back. Wants to call the ambassador, Ryan Howard. Wants to write a letter to Pete Levathes about publicity. Wants to find out what happened with the test on Ramus on Saturday. Wants to write a letter to the cast about the shooting schedule.
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1035A/219
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after 1961 December 11 : [content inaudible] Mentions of the things to take place in the following spring and summer. Possibly talking to Shelly in one part. Mentions Pete Levathes at one point.
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1035A/220
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after 1961 December 11 : Letter/memo to Peter (Pete Levathes?): Says that their previous talk on the phone has him (Wanger) concerned that Peter is under great pressure from external sources, guesses that this is why he made some of the statements that he did concerning Burton being in New York and the bonus he was given, among other things such as asking what the crew does on their weekends and saying that him (Wanger) and Joe (director) are unconcerned with the cost of the picture. Wanger says this is quite untrue and that he expects the picture to exceed all expectations. Praises Joe for the scenes he has written for Liz Taylor and Burton. Says there are many sequences which are being improvised in order to save the studio a lot of money. Mentions second-unit situation, Kellogg situation, set dressing and Walder Scott, fittings regarding Liz. Says they are working on an open-end budget, nobody has any sense of responsibility and everyone blames everything else. Asks when there will be a definitive budget for the picture. He (Wanger) just wants to make a great picture regardless of the budget. Letter to Jessica and Hugh(?) Cronon. Letter to [unidentified]: thanks him for a poster and his tailor's address. Says he is looking for an artist to make a trademark poster for the film and asks if he or anyone else he knows could do it. Letter to Jess Morgan: Says picture is progressing slowly, but material is wonderful and hopefully it will make over $100 million. Added notes to Levathes letter/memo: says one of the first things he did when he arrived was to stop the “deploreless” studio deal with the location and building of the ship. Letter to Maurice Newton: Says he misses their telephone calls from California to New York. Hopes to talk to him on the telephone when he is back in New York. Mentions he is in the midst of a big picture. Talks about Stephanie. Hopes he and his wife are in the best of health.
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1035A/221
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after 1961 December 11 : Letter to Spiros: Writing in response to Spiros' letter of Dec. 13th* [content inaudible] Mentions of Joe's great work as director of the picture. Letter to Jerry: [content inaudible] Hopes to see him when he is back in NY for the holidays. Very impressed with Jerry's newsletter and its mention of Cleopatra. Says he shares Jerry's opinion completely and wishes the studio would do the same. Says Joe has been doing a miraculous job. Is sure the picture will achieve a victory, but he sees a long year still head that will be spent preparing it. New letter to [unidentified]: [content inaudible]
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1035A/222
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after 1961 December 11 : Letter to Martin J(?): [content inaudible] Mentions British/French outfits? Letter to Harry: [content inaudible] Letter to Jess Morgan: Says he got a letter from Stanley Grainger. Talks about expenses, an address in London, and expenses for the previous fall season. Asks if she has heard anything about the Sturman situation. Letter to Blake Edwards: Says he was thrilled to see Breakfast at Tiffany's. Thinks everything was amazing. Says it was one of the first modern pictures he had seen in years. Mentions his dinner with Audrey Hepburn and Ingrid Bergman the previous night. Congratulates him again on his achievement. Letter to Abraham: is grateful for his council. Regarding wills he has asked Jess Morgan to fill him on his will.
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1035A/223
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after 1961 December 11 : [content inaudible at start] Mentions script, someone coming from London. Says Rex Harrison, Liz Taylor and Joe (director) are all doing wonderful jobs. Thinks it will continue this way as long as Skouras (Pres of 20th century Fox) keeps his fingers out of it. Says expenses will be great, but that he believes the gross and profits will be also. Letter to Charles Feldman: Writing to let him know that he has seen about three quarters of an hour of Joe's first cut and it is "absolutely out of this world. It has depth, quality, great humor, wonderful dramatics and some of the best performances I have ever seen in my life". Thinks it should gross 100 million. Talks about going back to NYC to be with his family over the holidays. Couldn’t be more enthusiastic at the moment, not so sure how the company is feeling. If South Pacific can do 30 million they can certainly more than better than that. Says everyone thinks it is worth the money except 20th century fox. Wants the following to be added to a letter to john wolf: he has heard of a story that might interest jack clayton and if he (wolf) likes it then it could become a joint Italian/English project. Wants to see if they can have him and clayton meet to try and get this going. [content inaudible again]. Letter to Deliani: Talks about getting lunch to talk about what can and can't be done in order to garner commercial success.
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1035A/224
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after 1961 December 11 : Letter to [unidentified]: Talks about dinner he had the other day with this person and it was nice to see him again. Hopes 1962 will be a more peaceful and prosperous year. Letter to Mrs. Anderson(?): Thanks her for her letter and gift. Wishes her and her family well. Letter to Jack Anderson: Sends him well wishes. Letter to Mrs. Fitch: thanks her for her gift. Is very enthusiastic about how the film looks and thinks it should be done sometime in the spring. Thinks it will be a great spectacle. Letter to another couple Donna and Greg M.: Says Charles Feldman and Pete Levathes are coming in as they are having an unusual crisis at the moment, but the film is looking magnificent. Taylor, Burton and Rex Harrison are doing great work and that everyone will be proud of Joe Mankiewicz's work on the picture. Letter to George C: Says the picture is moving along slowly, but beautifully. Praises Taylor and Joe for their great work in the movie so far. Note to John Michael: thanks him for his greeting. Wants him to come visit so he can get away from 'those Hollywood intellectuals'.
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1035A/225
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after 1961 December 11 : Says memos (?) of January 10th were very helpful as they are now reorganizing the production set-up and appraising the whole Cleopatra project to a realistic completion date while Peter (Levathes) is there. The major priority is to get a script completed so they will soon be in a position to appraise the entire enterprise. It is essential to accelerate the shooting of the film with a 2nd unit filming. Shortly they hope to present a schedule of activities for the second unit. A 3rd unit might even be needed. At this time the question of length should be reviewed due to the universal criticism of the length of Ben-Hur, Exodus and Spartacus, they should aim for the 3 hours and Pete confirms this as an ideal length. If this is to be the length they must eliminate the telescope scenes in the script. At their current rate the final cut would be 6 hours. We know that time is our biggest problem. Certain cuts will be made to the script for scenes 6/7. Same goes for scene 29 and 8. *continues talking about which cuts will be made to the script*. Regarding shooting time, if you have a properly organized day you can shoot 2.5 pages with ease, but this has not been the case up to date. the removal of non-obligatory scenes, optimization of time, the use of a 2nd unit and the 1st unit doing 2.5 pages/day is the only way to be finished shooting in Rome by mid-April. *New heading* Unanswered questions: We are still looking for locations, expect to have answers in the coming 10 days. IN his opinion, in consideration of the excitement/publicity surrounding the film, the opening will be disappointing for the audience. The only advantage is showing Antony. Is worried that the film will be jumpy and incoherent, suggests that it should start in Cleopatra's temple. Thinks Caesar’s introduction after Cleopatra would be much better and the only loss would be Antony's introduction. Goes on about various aspects of the film's scenes and his suggestions/plans for them (2nd unit projects, battle scenes, art department). Says going to Egypt for a few scenes is still a possibility.
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after 1961 December 11 : Letter to his mother. [content inaudible]
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after 1961 December 11In Italian
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after 1961 December 11 : [content inaudible]
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after 1961 December 11 : Letter to Oliver M. Brooks: Thanks him for the bottle of brandy. Letter to Harold L(?): thanks him for his letter, was glad to hear from him. Letter to Mrs. Romundo: thanks her for her letter. Talks about his daughters and their plans. Wire to Charles Feldman: Asks how long he will be in Paris. Letter to Margaret L: Was delighted to read her notices for her play. Hopes she is doing well in New York. Hopes to finish the film one day, but the going is slow.
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after 1961 December 11 : Night cable to Pogana: Please meet after arrival of Pan-Am flight. Wants to see if new scripts have been sent to New York.
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after 1961 December 11 : Letter to Nina; Thanks her for her letter, has received the photographs he asked her to send. The purpose of the letter is to introduce a very good friend, Ted Lewan(?) One of the most attractive, entertaining men he knows. Letter to 21 Brands(?): *reads addresses off*
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after 1961 December 11 : Wants to get in touch with the American school in Rome. *Shelley speaks about an award she is trying to apply for*.
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1962 January 29 : Letter to Jess Morgan: Received her letter. Wants to comment on some points in the letter. Talks about the alimony situation with Justine Wanger. Talks about Steph and Shelley’s situation (trust fund, education expenses, etc.). Mentions Allied artists, wants to know if there are any statements from them.
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1962 February 1 : Asks to make the following notes about production: Doc Erickson about a costume coordinator, Irene Shariff about tosses (?), dining arrangements for the following days, wants to talk to publicity department, wants to arrange to look at cut stuff with Mr. Feldman, planning to write a book, wants to talk to Stuart Lyons about actors for barge scene, letter to Pete Levathes. Letter to Jess Morgan: Mentions information received by Mr. English among other things regarding expenses and production. Letter to Arthur Jacobs: Will stand by his decision in which he doesn't wish to continue any publicity actions at this time. Letter to Alec (Last name?): Appreciates his thoughts, thinks his New York trip will be very successful. *new note* wants to talk to Mr. Rogell about the Irene Shariff situation.
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1962 February 5 : Note to Arthur and wife: discusses the movie's stills, says he will forward them as soon as he gets them. Thinks the movie will hopefully be done by spring. Mentions a special addition and a paperback for children in many languages. Thinks Charlie Einfeld(?) should be contacted. Note: wants to talk to the American Embassy about Robert Kennedy's trip to Rome. Is expecting a note from Liz Taylor in Paris. Note to Patty [unidentified] in New York: Asks her about Lewis and Aphrodite and if she's ever seen it because he thinks it would make a good film script.
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1962 February 5 : Letter to Mel F.: Jerry is much better and back at work. Has been in touch with Bob Panero and told him how interested they are in getting the real estate set up properly. Talks about a prospectus on United States company called U.S. Enterprises who specializes in electronic education and another company interested in building hotels called Winston Muss who has a lot of capital and might be interested in joining up with their enterprise. Says they shouldn't forget.
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1962 February 5
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1962 February 12
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1962 February 19
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1962 June 6
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1962 June 11
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Series: Films
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DC 700-DC 701
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Aladdin's Lamp(Citadel
Pictures Inc., 1950; two copies) : Director: Charles Haas
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GA 067, AB 887-AB 888
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[Greta Garbo Screen Test] (Walter Wanger Productions), circa 1940 : VBA 529 viewing copy.
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AC 141
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I Want to Live!trailer, circa 1958
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DC 699
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Northern Frontier
(Associated Screen Studios, Canada, 1945)
A Yellowknife Presentation [Sponsor]
Director: Ross Beesley
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DC 699
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Sometimes You Strike It Right(A Salmita Production, 1945)
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AB 745
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Universal Newsreel, Vol. 19,
No. 550 [Segment] (Universal Pictures, October 31, 1946)
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AB 745
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Universal Newsreel, Vol. 19,
No. 553 [Segment] (Universal Pictures, November 12, 1946)
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[Home Movies: Wanger Collection, No. 1-11] [Gene Markey?], 1929-1938 : Quotes in descriptions below are from title cards in the films.
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AB 797
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No. 1 : “Melinda at the Markey's, June 1936” - small child in yard with adults; “Santa Barbara Pool, July 3, 1938” - Joan Bennett and daughters swimming; “First Swimming Lesson, August 1938” - younger daughter in yard, both daughters having lesson; Untitled section - shots of Melinda as baby; “Fall 1936” - Joan and daughters in yard; “Xmas 1936” - Melinda and presents; wears Santa outfit; both girls in identical dresses play with toys, dolls, tea set.
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CA 595
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No. 2 : Christmas 1936, repeat in black and white of girls and toys from No. 1; “Children's Birthday Party, Beverly Hills Hilton Hotel, Feb. 26, 1937” - decorations, children with balloons, clown, long table and guests, Mickey Mouse favors, pan shots of children mugging at camera, Joan Bennett with children and cake; “Santa Barbara Pool, July 3, 1938” - black and white repeat of footage in No. 1; “Fleischman's Polo Field” - Walter, John, and the Children; “Santa Barbara Fourth of July” - bagpipe band,-polo players, family on field and getting into car; “First Swimming Lesson” - repeat in black and white of footage from No. 1; “Melinda's Swimming Lesson with Captain Nass, August 1938” child and instructor in pool, Joan Bennett at side; “Melinda and Linda Lovelace at Bel Air Beach Club September 1938” - Melinda playing on the beach with another little girl, Diane in pool.
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AB 798
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No. 3 : “Me with Chin Chin and Golly Nine Months“ - “Me” is Melinda, playing with two dogs; “Learning to Crawl 7 Months” - Melinda with teddy bear in high chair, then crawling on stomach; “Halloween Eight and A Half Months” - Melinda in hat with toy bell; “Arline Judge's Fancy Dress Party, Nine Months” - Melinda in ballerina costume sitting in chair, then in crib, on floor playing and crawling; “Christmas 1934” - Melinda and toys by tree. Diane plays with her.
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AB 799
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No. 4 : “May 1934-Three Months Birthday” - Melinda in crib, being fed with bottle; “June 27th Four Months Birthday” - Melinda in buggy. Diane and nurse play with her, in high chair; “And Still another bath, only this time mother is giving it to the four and a half months old Melinda” - Joan Bennett gives Melinda a bath under the glare of movie lights; “One of the First Cereal Meals--Mother at the Spoon”; “July 27th Five Months Birthday Having a Bath”
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AB 800
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No. 5 : “Play Yard Tower Road January 1936“ - Diane and Melinda with nurse and Joan Bennett, sandbox, slide, merry-go-round, swings; “Palm Springs March 1936” - Melinda, Diane and Joan Bennett in wading pool; “Markey Garden June 1936“ - Melinda in yard with grandparents(?); “Melinda at the Markeys June 1936” - repeat in black and white of color footage from No. 1
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AB 801
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No. 6 : “Melinda Markey February 27 1934” - picture of stork; “The Good Samaritan Hospital - Los Angeles” - views of hospital; Joan Bennett in bed; “Melinda at one day and a half with Miss Edwards the nurse” - Joan gets Melinda from nurse; “One Week Old” - shots of Joan in bed, holding baby; “March 1934“; “One week and five days old“; ”The Happy Family by Gene Markey” - more shots in hospital; “Leaving the hospital”; “At home two weeks and five days old” - Melinda in bassinet; “The Nursey” - shots of room; “Three weeks and five days old”; “Her morning bath - the first given at home by Mrs. Majors”; “ April 1934 - Another bath given by Mrs. Leash on her two months old birthday”; “May 1934 - Three months birthday” - repeat of footage from No. 4
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AB 802
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No. 7 : “June 27th Four Months Birthday”; “And still another bath only this time Mother is giving it to her”; “One of the first cereal meals - Mother at the spoon”; “July 27th Five Months Birthday , Having a Bath” - all above repeat from No. 4; “Malibu - Summer 1934” - Melinda in inflated boat; Joan Bennett poses her with sailor's hat; “Tower Road Seven Months” - Joan Bennett and Melinda with Diane
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AB 803
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No. 8 : “Children's Birthday Party Beverly Hills Hotel, February 26, 1937” - original color footage of this segment, which appears in black and white in No. 2
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AB 804
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No. 9 : “Palm Springs March 1935” - Joan Bennett and Melinda by pool; “Learning to walk Easter Day 1935 Thirteen Months” - Melinda toddling around in driveway aided by father and Diane and grandmother; ”Malibu-Fifteen Months” - Joan Bennett with Melinda and Diane wading at beach; “October 1935” - Nurse and Melinda in nursery; father puts her to bed; Diane drawing; “Christmas 1935” - Melinda in Santa suit with toys by tree, partly a repeat of footage in No. 1
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AB 805
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No. 10 : “December 1933 - Barbara Morton and Yorkie” - couple at front of house; “Yorkshire Pudding”same couple with bulldog; “Barbara Morton and Brownie” - couple with large dog; “Christmas Day - Gene and Yorkie” - Gene Markey with bulldog; “Joan and Mother in the Garden Tower Road” - one shot; “February 1934 - Ditty's Playhouse Tower Road” - Diane playing in yard by large playhouse; “Ditty Cleaning House”; “Ditto paying a Visit”; “Patricia Calling” - all three of Diane with visitors at playhouse; “Shortly before the big event” - Joan Bennett pregnant, in yard; “Mother Alice, Boopie and almost Melinda's Mother” - three seated at table in yard; “Mother Alice and Wee Wong” - grandmother and dog; “Ditto, Michael, Barbara, Sean, Mother Alice and Ditty” - group posing on lawn
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AB 806
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No. 11 : “Ditty and Peter Bennett, 1929” - Diane and a little boy in yard; with friends; on tennis court; “Brownie” - large dog in yard; “Introducing Joan and Gene at Malibu, 1933”; “Wee Wong” - Pekinese dog and Brownie; Diane in surf with dogs; Joan and Diane wave to camera, play with dogs; Peter and Diane play; Joan and friend, Joan pregnant; Diane riding a horse; Diane riding horse; Diane with Joan and Gene in yard; “Bunty” - a dog
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AC 267-AC 268
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No. 12-13 : No description available.
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