Archival Resources in Wisconsin: Descriptive Finding Aids

Container	Title
	Musical Comedy Time (M-Series)
	“Anything Goes,” October 2, 1950
Box 4A Folder 9	“Anything Goes,” arranged by Pete King (2-M)
	Script, vocal., conductor's scores, instrumental parts
Box 4B Folder 10	“Anything Goes,” arranged by Pete King (3-M)
	Conductor's score, instrumental parts
Box 4B Folder 11	“All Through the Night,” arranged by Maurice Gardner (4-M)
	Conductor's score, instrumental parts
Box 4B Folder 12	“Blow Gabriel (I),” arranged by Pete King (5-M)
	Vocal, conductor's scores, instrumental parts
Box 4B Folder 13	“Blow Gabriel,” arranged by Milton Weinstein (6-M)
	Vocal, conductor's scores, instrumental parts
Box 4B Folder 14	“You're the Top,” arranged by Pete King (7-M)
	Conductor's score, instrumental parts
Box 4B Folder 15	“I Get a Kick Out of You,” arranged by Pete King (8-M)
	Conductor's score, instrumental parts
	“Whoopee,” October 16, 1950
Box 4C Folder 16	“Opening,” ”It's a Beautiful Day Today,” “Instrumental” (”Let's Make Whoopee”?), arranged by Maurice Gardner and Milton Weinstein (9-M, 10-M)
	Script, conductor's score, instrumental parts
Box 4C Folder 17	“I'm Bringing a Red, Red Rose,” ”Red, Red Rose Bridge,” arranged by Pete King and Maurice Gardner (11-M, 12-M)
	Vocal, conductor's scores, instrumental parts
Box 4C Folder 1	“Whoopee,” arranged by Milton Weinstein (13-M)
	Vocal, conductor's scores, instrumental part
Box 4C Folder 2	“Go Get 'Im,” arranged by Maurice Gardner (14-M)
	Vocal, conductor's scores, instrumental parts
Box 5A Folder 3	“Come West Little Girl,” arranged by Milton Weinstein (15-M)
	Vocal, conductor's scores, instrumental parts
Box 5A Folder 4	“Stetson Hat,” arranged by Pete King (15-M}
	Vocal, conductor's scores, instrumental parts
Box 5A Folder 5	“Love Me or Leave Me,” arranged by Milton Weinstein (17-M)
	Conductor's score, instrumental parts
Box 5A Folder 6	“Song of the Setting Sun,” arranged by Pete King (18-M)
	Vocal, conductor's scores, instrumental parts
Box 5A Folder 7	“Indian Number,” arranged by Pete King (19-M)
	Vocal, conductor's scores, instrumental parts
	“Chocolate Soldier,” October 30, 1950
Box 5A Folder 8	“IA-M (Opening Act 1),” ”IE-M, IF-M (Bridges),” arranged by Pete King, (20-M)
	Commercial script, conductor's score, instrumental parts, October 29, 1950
Box 5B Folder 9	“My Hero,” arranged by Pete King (21-M)
	Vocal, conductor's scores, instrumental parts
Box 5B Folder 10	“My Hero,” arranged by Milton Weinstein (22-M)
	Conductor's score, instrumental parts;
Box 5B Folder 11	“The Tale of a Coat,” arranged by Milton Weinstein (23-M)
	Conductor's score, instrumental parts
Box 5B Folder 12	“Hungarian Dance,” arranged by Pete King (24-M)
	Conductor's score, instrumental parts
	“Rio Rita,” November 13, 1950
Box 5B Folder 13	“Rio Rita” (instrumental), arr, by Milton Weinstein (25-M)
	Script, conductor's score, instrumental parts
Box 5B Folder 14	“The Charra Dance,” arranged by Pete King (26-M)
	Vocal, conductor's score, instrumental parts
Box 5C Folder 15	“Best Little Lover In Town,” arranged by Oscar Kosarin (27-M)
	Conductor's score, instrumental parts
Box 5C Folder 16	“You're Always in My Arms,” arranged by Milton Weinstein (28-M)
	Vocal, conductor's scores, instrumental parts
Box 5C Folder 17	“Rio Rita,” arranged by Pete King (20-M)
	Vocal, conductor's scores, instrumental parts
Box 5C Folder 18	“The Kinkajou,” arranged by Pete King (20-M)
	Vocal, conductor's scores, instrumental parts
Box 6A Folder 1	“If You're in Love,” arranged by Milton Weinstein (31-M)
	Vocal conductor's scores, instrumental parts
Box 6A Folder 2	“Rangers Song,” arranged by Pete King (32-M)
	Vocal, conductor's scores, instrumental parts
Box 6A Folder 3	“Following the Sun Around,” arranged by Milton Weinstein (33-M)
	Vocal, conductor's scores, instrumental parts
	“Merry Widow,” November 27, 1950
Box 6A Folder 4	“Waltz Instrumental,” arranged by Milton Weinstein (34-M)
	Conductor's score, instrumental parts
Box 6A Folder 5	“Overture,” ”Ballroom,” ”Popoff Entrance,” ”Background Music,” all arranged by Milton Weinstein (35-M)
	Conductor's scores, instrumental parts
Box 6A Folder 6	“Maxim's,” ”Finale, Act I” (36-M)
	Conductor's scores, instrumental parts
Box 6A Folder 7	“Act II Opening,” ”Background Music,” arranged by Milton Weinstein (37-M)
	Conductor's scores, instrumental parts
Box 6B Folder 8	“Vilia,” arranged by Pete King (38-M)
	Vocal, conductor's scores, instrumental parts
Box 6B Folder 9	“Women (Septet)” (39-M)
	Vocal, conductor's scores, instrumental parts
Box 6B Folder 10	“Finale Act II and Opening Act III” (40-M)
	Vocal, conductor's scores, instrumental parts
Box 6B Folder 11	“Can-Can Dance” (41-M)
	Conductor's score, instrumental parts
	“Merry Widow,” ”Finale,” both arranged by Pete King (42-M)
Box 6B Folder 12	Vocal, conductor's scores, instrumental parts
Box 6B Folder 13	Miscellaneous vocal scores
	“Hit the Deck,” December 11, 1950
Box 6B Folder 14	“Hallelujah (inst.),” arranged by Milton Weinstein (43-M)
	Script, conductor's score, instrumental parts
Box 6C Folder 15	“Join the Navy,” arranged by Pete King (44-41)
	Vocal, conductor's scores, instrumental parts
Box 6C Folder 16	“Loo--Loo,” arranged by Milton Weinstein (45-M)
	Vocal, conductor's scores, instrumental parts
Box 6C Folder 17	“A Kiss or Two,” arranged by Milton Weinstein (46-M)
	Vocal, conductor's scores, instrumental parts
Box 6C Folder 18	“The Harbor of My Heart,” arranged by Milton Weinstein (47-M)
	Vocal, conductor's scores, instrumental parts
Box 6C Folder 19	“Crap Game Ballet,” arranged by Oscar Kosarin; ”Loo-Loo and Harbor of My Heart,” arranged by Milton Weinstein (48-M, 49-M)
	Vocal, conductor's scores, instrumental parts
Box 6D Folder 20	“Shore Leave,” ”Lucky Bird,” both arranged by Pete King; ”Jitterbug,” arranged by Leroy Holmes (50-M, 51-M, 52-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 6D Folder 21	“Sometimes I'm Happy,” arranged by Pete King (53-M)
	Vocal, conductor's scores, instrumental parts
Box 6D Folder 1	“Hallelujah,” arranged by Jack Andrews (54-M)
	Vocal, conductor's scores, instrumental parts
Box 6D Folder 2	“Why, Oh Why?” ”Act III Finale,” both arranged by Pete King (55-M, 56-M)
	Sheet music, conductor's score, instrumental parts
	“Babes in Toyland,” December 25, 1950
Box 6D Folder 3	“Overture,” Instrumental, Opening, Act I, #1A, #1B, #1C, #2, #3A,” arranged by Milton Weinstein (57-M, 58-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 4	“Jane,” arranged by Pete King (59-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 5	“Never Mind, Bo-Peep,” arranged by Pete King (60-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 6	“Electron - Floretta,” arranged by Pete King and Milton Weinstein (61-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 7	“Gavotte #8,” ”Bridge #7 (Toymaker's Flute),” arranged by Milton Weinstein (62-M)
	Conductor's score, instrumental parts
Box 7A Folder 8	“Barney O'Flynn,” arranged by Milton Weinstein (63-M)
	Conductor's score, instrumental parts
Box 7A Folder 9	“I Can't Do That Sum” (64-M)
	Vocal, conductor's scores, instrumental parts
Box 7A Folder 10	“Bridges, #12, #24, #14,” arranged by Milton Weinstein (65-M)
	Conductor's score, instrumental parts
Box 7A Folder 11	“Go To Sleep, #16,” arranged by Pete King(?) (66-M)
	Vocal, conductor's scores, instrumental parts
Box 7B Folder 12	“Song of the Poet,” arranged by Pete King (67-M)
	Conductor's score, instrumental parts
Box 7B Folder 13	“Octopus Ballet,” arranged by Pete King (68-M)
	Conductor's score, instrumental parts
Box 7B Folder 14	“Hail to Christmas, #21,” arranged by Maurice Gardner(?) (69-M)
	Vocal, conductor's scores, instrumental parts
Box 7B Folder 15	“March of the Toys,” arranged by Jack Andrews (70-M)
	Conductor's scores, instrumental parts
Box 7B Folder 16	“Bridge - Finale, Act III,” arranged by Jack Andrews, Milton Weinstein, and Maurice Gardner (71-M)
	Vocal, conductor's scores, instrumental parts
	“Miss Liberty,” January 8, 1951
Box 7B Folder 17	“Let's Take An Old Fashioned Walk - Instrumental” arranged by Milton Weinstein (72-M)
	Script, conductor's score, instrumental parts
Box 7C Folder 18	“Old Fashioned Walk,” arranged by Pete King (73-M)
	Vocal, conductor's scores, instrumental pats
Box 7C Folder 19	“I Love You,” arranged by Pete King (74-M)
	Conductor's score, instrumental parts
Box 7C Folder 20	“Miss Liberty Overture, Exit and Reprise, arranged by Pete King ” (75-M)
	Conductor's score, instrumental parts
Box 8A Folder 1	“Policeman's Ball,” arranged by Pete King (76-M)
	Vocal, conductor's scores, instrumental parts
Box 8A Folder 2	“Little Fish in a Big Pond,” ”Only for Americans,” ”Reprise - Falling Out of Love,” ”Paris Wakes Up Ending,” ”Finale, Act III” (77-M)
	Vocal, conductor's scores, instrumental parts
Box 8A Folder 3	“Most Expensive Statue,” ”Give Me Your Tired, Your Poor,” ”Miss Liberty,” ”Homework,” ”I Love You,” ”Little Fish in a Big Pond,” ”Falling Out of Love”, ”You Can Have Him” (78-M)
	Vocal scores, sheet music
Box 8A Folder 4	“Act I, #4, Act II, #8, #9A, #16, Act III, #19”
	Conductor's scores, instrumental parts
	“Louisiana Purchase,” January 22, 1951
Box 8A Folder 5	“It'll Come To You,” ”Wild About You,” ”The Lord Done Fixed Up My Soul” (79-M)
	Script, sheet music
Box 8B Folder 6	“Overture,” arranged by Oscar Kosarin (79-M)
	Vocal, conductor's scores, instrumental parts
Box 8B Folder 7	“It's A Lovely Day Tomorrow,” arranged by Pete King and Milton Weinstein (80-M)
	Vocal, conductor's scores, instrumental parts
Box 8B Folder 8	“Louisiana Purchase Ballet” (81-M)
	Vocal, conductor's scores, instrumental parts
Box 8B Folder 9	“Outside Of That I Love You,” arranged by Milton Weinstein (82-M)
	Sheet music, conductor's score, instrumental parts
Box 8B Folder 10	“You're Lonely and I'm Lonely,” arranged by M. Gardner and Pete King (83-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 8C Folder 11	“Dance With Me,” arranged by Pete King (84-M)
	Sheet music, conductor's score, instrumental parts
Box 8C Folder 12	“What Chance Have I With Love,” arranged by M. Gardner (85-M)
	Sheet music, conductor's score, instrumental parts
Box 8C Folder 13	“Fools Fall in Love,” arranged by Pete King and Milton Weinstein (86-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 8C Folder 14	“Latins Know How,” arranged by Pete King (87-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 8C Folder 15	“You Can't Brush Me Off,” arranged by Pete King (88-M)
	Sheet music, vocal, conductor's scores, instrumental parts
	“Mademoiselle Modiste,” February 5, 1951
Box 8C Folder 16	“Overture,” arranged by Pete King, ”The Time, The Place, and The Girl,” arranged by Milton Weinstein (89--M, 90-M)
	Script, vocal, conductor's scores, instrumental parts
Box 8D Folder 17	“If I Were on the Stage,” arranged by Pete King (91-M)
	Conductor's score, instrumental parts
Box 8D Folder 18	“Kiss Me Again,” arranged by Pete King (92-M)
	Vocal, conductor's scores, instrumental parts
Box 8D Folder 19	“Ze English Language” (transposed) (93-M)
	Instrumental parts
Box 8D Folder 20	“The Dear Little Girl,” arranged by Pete King (94-M)
	Vocal, conductor's scores, instrumental parts
Box 8D Folder 1	“Bazaar Dance Insert,” arranged by Oscar Kosarin (95-M)
	Conductor's score, instrumental parts
Box 8D Folder 2	(96-M)
	Vocal scores, annotated
	“Revenge With Music,” February 19, 1951
Box 8D Folder 3	“Overture,” arranged by Pete King (97-M)
	Script, conductor's score, instrumental parts
Box 9A Folder 4	“Spanish Dance #1 (De Falla),” arranged by Pete King (98-M)
	Conductor's score, instrumental parts
Box 9A Folder 5	“Maria,” arranged by Milton Weinstein and Pete King (99-M)
	Vocal, conductor's scores, instrumental parts
Box 9A Folder 6	“Wand'ring Heart,” arranged by Pete King (100-M)
	Vocal, conductor's scores, instrumental parts
Box 9A Folder 7	“(If There Is) Someone Lovelier (Than You),” arranged by Pete King and Milton Weinstein (101-M)
	Vocal, conductor's scores, instrumental parts
Box 9A Folder 8	“In The Noonday Sun,” arranged by Pete King (102-M)
	Vocal, conductor's scores, instrumental parts
Box 9B Folder 9	“You and the Night and the Music,” arranged by Pete King and Milton Weinstein (103-M)
	Vocal, conductor's scores, instrumental parts
Box 9B Folder 10	“Two Faced Woman,” arranged by Milton Weinstein (104-M)
	Sheet music, conductor's score, instrumental parts
Box 9B Folder 11	“Fight Scene,” arranged by Pete King (105-M)
	Conductor's score, instrumental parts
Box 9B Folder 12	“Never Marry a Dancer,” arranged by Milton Weinstein (106-M)
	Vocal, conductor's scores, instrumental parts
	“No, No, Nanette,” March 5, 1951
Box 9B Folder 13	“Overture,” arranged by Pete King (107-M)
	Script, conductor's score, instrumental parts
Box 9B Folder 14	“Opening - Flapper Song,” arranged by Pete King (108-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 15	“I've Confessed to the Breeze,” arranged by Milton Weinstein (109-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 16	“I Want to be Happy,” arranged by Pete King (110-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 17	“No, No, Nanette,” arranged by Pete King (111-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 18	“Finale, Act I,” arranged by Milton Weinstein (112-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 19	“Opening - Act II,” arranged by Milton Weinstein (113-M)
	Vocal, conductor's scores, instrumental parts
Box 9C Folder 20	“Tea for Two,” arranged by Pete King (114-M)
	Vocal, conductor's scores, instrumental parts
Box 10A Folder 1	“Finale Act II,” arranged by Milton Weinstein (115-M)
	Vocal, Conductor's scores, instrumental parts
Box 10A Folder 2	“Finale Act III,” arranged by Pete King (115-M)
	Vocal, conductor's scores, instrumental parts
	“Flying High,” March 19, 1951
Box 10A Folder 3	“Overture,” arranged by Pete King (116-M)
	Script, sheet music, score, instrumental parts
Box 10A Folder 4	“Air Minded,” arranged by Pete King (117-M)
	Vocal, conductor's scores, instrumental parts
Box 10A Folder 5	“Thank Your Father,” ”9-A Bridge,” arranged by Pete King (118-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 10B Folder 6	“I'11 Get My Man,” arranged by Jack Andrews (119-M)
	Vocal, conductor's scores, instrumental parts
Box 10B Folder 7	“Without Love,” arranged by Pete King (120-M)
	Sheet music, vocal, conductor's scores, instrumental parts
Box 10B Folder 8	“Happy Landing,” arranged by Pete King (121-9)
	Vocal, conductor's scores, instrumental parts
Box 10B Folder 9	“Wasn't It Beautiful,” arranged by Pete King (122-M)
	Vocal, conductor's scores, instrumental parts
Box 10B Folder 10	“Mrs. Krause's Blue-Eyed Baby Boy,” arranged by Milton Weinstein (123-M)
	Vocal, conductor's scores, instrumental parts
Box 10B Folder 11	“Finale, Act III, Flying High,” arranged by Pete King (124-M)
	Vocal, conductor's scores, instrumental parts