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Contents List
Container
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Title
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Series: Radio Series
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Colgate Theatre of Romance
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Box
1
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“Jezebel,” May 29, 1945 : First draft, annotated; final draft, annotated.
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Box
1
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“The Lady Eve,” [1945] : Annotated.
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Death Valley Sheriff
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Box
1
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#9, October 5, 1944
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Box
1
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#10, October 12, 1944 : Annotated.
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Box
1
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#1, April 8, 1945 : Annotated.
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Box
1
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#2, April 8, 1945 : Annotated.
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The Hedda Hopper Show
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Box
1
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#1, October 14, 1950 : Annotated.
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Box
1
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#2, October 21, 1950 : Annotated.
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Box
1
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#3, October 28, 1950 : Annotated.
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Box
1
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#4, November 4, 1950 : Annotated.
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Box
1
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#5, November 11, 1950 : Annotated.
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Box
1
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#6, November 19, 1950 : Annotated.
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Box
1
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#7, November 26, 1950 : Annotated.
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Box
1
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#8, December 2, 1950 : Annotated.
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Box
1
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#9, December 10, 1950 : Annotated.
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Box
1
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#10, December 17, 1950 : Annotated.
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Box
1
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#11, December 24, 1950 : Annotated.
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Box
1
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#12, December 31, 1950 : Annotated.
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Box
1
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#13, January 7, 1951 : Annotated.
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Box
1
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#14, January 14, 1951 : Annotated.
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Box
1
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#15, January 21, 1951 : Annotated.
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Box
2
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#16, January 28, 1951 : Annotated.
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Box
2
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#17, February 3, 1951 : Annotated.
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Box
2
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#18, February 10, 1951 : Annotated.
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Box
2
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#19, February 18, 1951 : Annotated.
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Box
2
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#20, February 25, 1951 : Annotated.
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Box
2
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#21, March 4, 1951 : Annotated.
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Box
2
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#22, March 11, 1951 : Annotated.
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Box
2
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#23, March 18, 1951 : Annotated.
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Box
2
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#24, March 28, 1951 : Annotated.
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Box
2
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#25, April 1, 1951 : Annotated
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Box
2
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#26, April 8, 1951 : Annotated.
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Box
2
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#27, April 15, 1951 : Annotated.
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Box
2
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#28, April 21, 1951 : Annotated.
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Box
2
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#29, April 29, 1951 : Annotated.
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Box
2
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#30, May 6, 1951 : Annotated.
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Box
2
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#31, May 13, 1951 : Annotated.
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Her Honor, Nancy James
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Box
2
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#2, [1938] : Audition script.
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Box
2
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#6, October 10, 1938.
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Box
2
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#19, October 27, 1938.
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The Joan Davis Show
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Box
2
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#1, September 1, 1945 : Annotated.
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Box
2
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#2, September 10, 1945 : Annotated.
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Box
2
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#3, September 17, 1945 : Annotated.
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Box
2
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#4, September 24, 1945.
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Let George Do It
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Box
3
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“Above Suspicion,” March 1, 1948 : Annotated.
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Box
3
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“And Hope To Die,” Dec. 4, 1950 : Annotated.
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Box
3
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“Angel's Grotto,” Nov. 13, 1950 : Annotated.
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Box
3
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“The Ant Hill,” May 15, 1950 : Annotated.
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Box
3
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“The Bewildered Bird Watcher,” April 19, 1948 : Annotated.
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Box
3
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“Big Brother,” May 21, 1951 : Annotated.
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Box
3
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“Blue Plate Special,” Sept. 3, 1951 : Annotated.
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Box
3
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“The Bookworm Turns,” Dec. 11, 1950 : Annotated.
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Box
3
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“The Brothers McIntosh,” April 3, 1950 : Annotated.
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Box
3
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“The Bust of Plato,” Sept. 1, 1952 : Annotated.
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Box
3
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“Cat and Mouse,” April 6, 1953 : Annotated.
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Box
3
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“The Chair of Humanities,” May 1, 1950 : Annotated.
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Box
3
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“Cherchez La Frame-Up,” May 26, 1952 : Annotated.
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Box
3
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“Christmas In January,” Jan. 29, 1951 : Annotated.
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Box
3
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“Christmas Letter,” Dec. 24, 1951 : Annotated.
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Box
3
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“Come and Get Me,” May 16, 1949 : Annotated.
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Box
3
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“The Corpse on a Caper,” Jan. 10, 1948 : Annotated.
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Box
3
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“Cortez Island,” Feb. 11, 1952 : Annotated.
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Box
4
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“Cover for an Hour,” Sept. 18, 1950 : Annotated.
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Box
4
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“The Coward,” Sept. 19, 1949.
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Box
4
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“The Crazy Americano,” Mar. 9, 1953.
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Box
4
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“Crescent Lane,” June 18, 1951.
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Box
4
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“A Crime Too Simple,” Oct. 22, 1951.
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Box
4
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“Crime of Passion,” May 14, 1951 : Annotated.
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Box
4
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“Cry Murder,” July 19, 1948 : Annotated.
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Box
4
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“The Darkest Shadow,” Mar. 10, 1952 : Annotated.
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Box
4
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“Deal Me Out,” Aug. 20, 1951 : Annotated.
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Box
4
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“The Dead of Night,” Oct. 13, 1952 : Annotated.
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Box
4
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“Deadline At Sundown,” Mar. 22, 1948 : Annotated.
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Box
4
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“The Deadly Coward,” Feb. 2, 1953.
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Box
4
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“The Deadly Pines,” Mar. 3, 1952
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Box
4
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“Death Begins at 45,” Apr. 24, 1950 : Annotated.
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Box
4
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“Death In Blue Jeans,” June 6, 1949 : Annotated.
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Box
4
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“Death In A Fancy Dress,” Dec. 27, 1948 : Annotated.
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Box
4
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“Death Sends A Greeting Card,” Mar. 15, 1948 : Annotated.
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Box
4
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“Death Wears A Gay Sports Jacket,” Oct. 18, 1948 : Annotated.
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Box
4
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“Destination - Dead End,” Feb. 14, 1949 : Annotated.
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Box
4
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“Destination - Death,” Nov. 17, 1947 : Annotated.
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Box
4
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“The Discovery of Ponce, the Lion,” Aprl. 30, 1951 : Annotated.
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Box
4
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“Double Death,” Oct. 17, 1949.
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Box
4
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“Draw Me Dead,” Oct. 8, 1951 : Annotated.
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Box
5
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“Drop Dead,” July 23, 1951.
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Box
5
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“The Duel,” Aug. 11, 1952 : Annotated.
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Box
5
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“Eleven O'Clock,” July 17, 1950 : Annotated.
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Box
5
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“The Elusive Hundred Grand,” Apr. 18, 1949 : Annotated.
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Box
5
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“The Eight Ball,” Apr. 2, 1951.
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Box
5
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“End of Summer,” Aug. 29, 1949.
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Box
5
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“The Fabulous Fatso,” Dec. 13, 1948 : Annotated.
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Box
5
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“The Faded Carnation,” May 17, 1948 : Annotated.
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Box
5
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“The Father Who Had Nothing To Say,” Sept. 13, 1948 : Annotated.
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Box
5
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“The Fearless Clown,” Aug. 13, 1951.
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Box
5
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“The Floaters,” Jan. 23, 1950 : Annotated.
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Box
5
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“The Flowers That Smelled of Murder,” Nov. 1, 1947 : Annotated.
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Box
5
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“For Promised Joy,” Oct. 27, 1952.
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Box
5
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“The Forgotten Murder,” Apr. 14, 1952 : Annotated.
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Box
5
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“Four Seasons,” Oct. 6, 1952 : Annotated.
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Box
5
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“The Four-Sided Triangle,” Mar. 21, 1949 : Annotated.
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Box
5
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“Framed For Hanging,” Sept. 24, 1951.
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Box
5
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“Friendship Clubs,” May 31, 1948 : Annotated.
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Box
5
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“The Ghost of Ireland Betty,” Mar. 20, 1950 : Annotated.
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Box
5
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“Go Jump In The Lake,” Feb. 13, 1950 : Annotated.
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Box
6
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“The Golden Lizard,” July 24, 1950 : Annotated.
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Box
6
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“The Hand In The Coconut,” Oct. 23, 1950 : Annotated.
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Box
6
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“The Happy Farmer,” Feb. 23, 1948 : Annotated
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Box
6
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“The Hearse That Was Painted Pink,” Sept. 20, 1948 : Annotated.
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Box
6
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“Here Lies Fifty,” Jan. 1, 1951 : Annotated.
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Box
6
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“High Card,” Aug. 28, 1950 : Annotated.
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Box
6
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“The High Price of a Penny,” Aug. 14, 1950 : Annotated.
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Box
6
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“The Host Of Casa Kiablo,” Mar. 29, 1949 : Annotated.
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Box
6
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“The House That Jack Built,” Oct. 2, 1950 : Annotated.
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Box
6
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“How Guilty Can You Get?,” Feb. 19, 1951 : Annotated.
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Box
6
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“How Gullible Can You Get?,” May 28, 1951
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Box
6
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“Human Nature,” Sept. 15, 1952 : Annotated.
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Box
6
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“Il Paradiso,” Dec.1, 1952 : Annotated.
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Box
6
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“The Impatient Redhead,” Sept. 6, 1948 : Annotated.
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Box
6
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“The Impossible Death,” Sept. 8, 1952 : Annotated.
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Box
6
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“The Iron Cat,” June 12, 1950 : Annotated.
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Box
6
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“Is Everybody Happy?,” July 2, 1951
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Box
6
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“Island In The Desert,” July 10, 1950 : Annotated.
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Box
6
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“It's A Mystery To Me,” Oct. 16, 1950 : Annotated.
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Box
6
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“The Joke Was On The Killer,” Oct. 10, 1947 : Annotated.
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Box
7
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“Journey To Hate,” Feb. 21, 1949 : Annotated.
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Box
7
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“Juniper Lane,” Jan. 16, 1950 : Annotated.
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Box
7
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“Knock On Wood,” Jan. 22, 1951 : Annotated.
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Box
7
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“Lady In Distress,” Apr. 25, 1949 : Annotated.
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Box
7
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“The Lady In The Portrait,” Jan. 5, 1948 : Annotated.
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Box
7
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“The Lady Who Drew A Blank,” Sept. 12, 1947 : Annotated.
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Box
7
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“Laura's House,” July 24, 1954
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Box
7
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“Lefty's Angel,” July 9, 1951
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Box
7
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“The Little Man Who Was Everywhere,” Sept. 27, 1948 : Annotated.
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Box
7
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“The Last Payoff,” Dec. 10, 1951 : Annotated.
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Box
7
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“The Malignant Heart,” Dec. 6, 1948 : Annotated.
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Box
7
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“The Man Behind The Frame,” Jan. 8, 1951 : Annotated.
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Box
7
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“The Man From Jaune Cache,” July 20, 1951
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Box
7
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“The Man In The Brown Suit,” June 27, 1949 : Annotated.
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Box
7
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“The Man In 306,” Mar. 13, 1950 : Annotated.
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Box
7
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“The Man Under The Elm Trees,” Sept. 26, 1949 : Annotated.
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Box
7
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“The Man Who Couldn't See,” Feb. 27, 1949 : Annotated.
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Box
7
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“The Marauder,” Feb. 12, 1951 : Annotated.
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Box
8
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“Masquerade For Murder,” Nov. 10, 1947 : Annotated.
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Box
8
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“A Matter of Doubt,” May 30, 1949 : Annotated.
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Box
8
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“A Matter of Honor,” Jan. 21, 1952 : Annotated.
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Box
8
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“Mayhem By Experts,” Jan. 31, 1949 : Annotated.
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Box
8
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“The Meddler,” Nov. 26, 1951
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Box
8
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“The Million Dollar Bullet,” Nov. 12, 1951 : Annotated.
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Box
8
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“Mixup At La Cruza,” Aprl. 17, 1950 : Annotated.
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Box
8
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“Most Likely To Die,” June 26, 1950 : Annotated.
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Box
8
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“Mr. Korawski - American,” June 28, 1948 : Annotated.
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Box
8
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“The Motif Is Murder,” Dec. 21, 1953.
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Box
8
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“Murder - A Sister Act,” Dec. 20, 1948 : Annotated.
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Box
8
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“Murder and One To Go,” Jan. 3, 1949 : Annotated.
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Box
8
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“Murder For Two,” March (?) 1951.
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Box
8
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“Murder - It's A Gift,” Nov. 8, 1949 : Annotated.
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Box
8
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“Murder Me Twice,” Aug. 5, 1948 : Annotated.
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Box
8
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“Murder On The Downbeat,” Dec. 8, 1947 : Annotated.
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Box
8
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“Murder On Vacation,” Aug. 27, 1951.
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Box
8
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“Murder With A Past,” Dec. 15, 1947 : Annotated.
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Box
8
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“Needle In A Haystack,” Jan. 2, 1950 : Annotated.
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Box
8
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“The Next To The Last Guest,” June 20, 1949 : Annotated.
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Box
8
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“The Noose Hangs High,” Aprl. 16, 1951 : Annotated.
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Box
9
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“No Escape From The Jungle,” Mar. 26, 1951
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Box
9
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“No Riders,” Nov. 28, 1949 : Annotated.
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Box
9
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“Nothing But The Truth,” Nov. 27, 1950 : Annotated.
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Box
9
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“An Old-Fashioned Crime,” July 14, 1952 : Annotated.
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Box
9
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“The Old Style,” Feb. 6, 1950 : Annotated.
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Box
9
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“Once A Crook,” Sept. 22, 1952.
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Box
9
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“One Against A City,” Feb. 7, 1949 : Annotated.
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Box
9
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“Opportunity Knocks Twice,” Dec. 18, 1950 : Annotated.
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Box
9
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“Out Of Mind,” May 2, 1949 : Annotated.
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Box
9
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“The Pay-Off Is Murder,” Jan. 17, 1949 : Annotated.
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Box
9
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“Peanut Case,” Aug. 6, 1951
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Box
9
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“The Perfect Speciman,” Aug. 9, 1948 : Annotated.
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Box
9
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“Picture With A Black Frame,” May 8, 1950 : Annotated.
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Box
9
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“A Piece Of Publicity,” June 14, 1948 : Annotated.
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Box
9
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“The Pink Hearse,” Feb. 3, 1953
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Box
9
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“Portrait By Priscilla,” Aprl. 10, 1950 : Annotated.
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Box
9
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“Portuguese Cove,” May 22, 1950 : Annotated.
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Box
9
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“The Prairie Dog,” Mar. 19, 1951 : Annotated.
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Box
9
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“A Present For Christmas,” Dec. 22, 1947 : Annotated.
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Box
10
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“Problem Child,” June 21, 1948 : Annotated.
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Box
10
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“The Problem of Joe Martin,” Aug. 15, 1949.
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Box
10
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“The Public Eye,” Feb. 5, 1951 : Annotated.
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Box
10
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“The Puzzle Lock,” Nov. 3, 1952 : Annotated.
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Box
10
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“Red Smoke,” June 2, 1952 : Annotated.
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Box
10
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“Riddle Me This,” Aug. 23, 1954.
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Box
10
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“Risk Of The Game,” Mar. 3, 1952 : Annotated.
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Box
10
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“The Room That Killed,” Nov. 15, 1948 : Annotated.
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Box
10
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“The Root Of Evil,” Aprl. 4, 1949 : Annotated.
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Box
10
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“The Roundabout Murder,” Mar. 7, 1949 : Annotated.
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Box
10
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“Santa Claus In Glass,” Dec. 25, 1950 : Annotated.
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Box
10
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“A School For Sharks,” Jan. 7, 1952
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Box
10
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“The Scream Of The Eagle,” July 3, 1950 : Annotated.
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Box
10
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“The Secret Heart,” Aug. 22, 1947 : Annotated.
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Box
10
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“Second Degree Affection,” Sept. 4, 1950 : Annotated.
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Box
10
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“Sedan From The City,” Oct. 30, 1950 : Annotated.
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Box
10
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“See Me Once, You've Seen Me Twice,” Feb. 26, 1951 : Annotated.
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Box
10
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“Seed of Destruction,” Aug. 18, 1952.
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Box
10
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“Serenade To A Star,” June 13, 1949 : Annotated.
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Box
10
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“The Shake Down,” Feb. 9, 1948 : Annotated.
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Box
11
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“The Silent Waterfall,” Jan. 9, 1950 : Annotated.
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Box
11
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“Skid Row Santa,” Sept. 17, 1951
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Box
11
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“Sleep With Terror,” June 23, 1952 : Annotated.
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Box
11
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“A Slight Mention Of Murder,” Oct. 4, 1948 : Annotated.
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Box
11
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“Slow Train To Yesterday,” Feb. 20, 1950 : Annotated.
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Box
11
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“Solo In Whispers,” June 19, 1950 : Annotated.
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Box
11
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“Spring Session,” May 7, 1951
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Box
11
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“The Spider And The Fly,” Oct. 9, 1950 : Annotated.
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Box
11
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“The Stand-In,” Nov. 17, 1952 : Annotated.
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Box
11
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“Stand-In for Madness,” Feb. 2, 1948 : Annotated.
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Box
11
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“Stand-In for Murder,” Nov. 29, 1948 : Annotated.
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Box
11
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“Stranger Than Fiction,” May 23, 1949 : Annotated.
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Box
11
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“Stranger In Town,” June 30, 1952 : Annotated.
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Box
11
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“Sucker Stunt,” June 11, 1951
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Box
11
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“Sudden Storm,” May 29, 1950 : Annotated.
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Box
11
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“Surprise! Surprise!,” Feb. 4, 1952
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Box
11
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“Sweet Are The Uses Of Publicity,” Aug. 7, 1950 : Annotated.
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Box
11
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“Sweet Poison,” Nov. 21, 1949 : Annotated.
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Box
11
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“Symbol Three,” Feb. 18, 1952 : Annotated.
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Box
11
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“Tag! You're It!,” Sept. 25, 1950 : Annotated.
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Box
11
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“The Tears Of Sorrow,” Mar. 27, 1950 : Annotated.
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Box
12
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“Terror At Dawn,” Jan. 19, 1948 : Annotated.
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Box
12
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“The Thin Line,” Nov. 23, 1953
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Box
12
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“Till Death Do Us Part,” Jan. 24, 1949 : Annotated.
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Box
12
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“Tongalani,” Feb. 5, 1951 : Annotated.
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Box
12
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“Too Near The Sky,” Dec. 5, 1949 : Annotated.
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Box
12
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“A Touch Of The Macabre,” Sept. 10,1951 : Annotated.
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Box
12
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“The Treasure Of Millie's Warf,” Aug. 21, 1950 : Annotated.
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Box
12
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“Triple Indemnity,” Mar. 6, 1950 : Annotated.
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Box
12
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“Tune On A Triangle,” Jan. 15, 1951 : Annotated.
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Box
12
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“Two Hundred Grand,” June 4, 1951 : Annotated.
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Box
12
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“The Ugly Duckling,” Jan. 30, 1950 : Annotated.
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Box
12
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“Uncle Harry's Bones,” Aprl. 9, 1951
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Box
12
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“Under The River,” May 3, 1948 : Annotated.
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Box
12
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“The Unwanted Million,” July 25, 1951
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Box
12
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“The Violent Van Patterns,” June 9, 1952 : Annotated.
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Box
12
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“A Visit From Merlin,” Nov. 6, 1950 : Annotated.
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Box
12
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“The Voice Of The Giant,” July 31, 1950 : Annotated.
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Box
12
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“Vultures On The Wing,” May 9, 1949 : Annotated.
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Box
13
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“War Maneuver,” Aprl. 21, 1952 : Annotated.
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Box
13
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“What's Become of Terry Cable?,” July 16, 1951.
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Box
13
|
“The White Elephant,” Sept. 11, 1950 : Annotated.
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Box
13
|
“Who Is Sylvia?,” Nov. 22, 1948 : Annotated.
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Box
13
|
“The Witch Of Mill Hollow,” June 5, 1950 : Annotated.
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Box
13
|
“The Wolf Pack,” Apr. 26, 1948 : Annotated.
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Box
13
|
“The Woman In Black,” Oct. 29, 1951 : Annotated.
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|
Box
13
|
“The Wrong Mistake,” Mar. 8, 1948 : Annotated.
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|
Box
13
|
“Your Money Or Your Life,” Feb. 28, 1949 : Annotated.
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|
Box
13
|
“The Zowie Jokes,” Nov. 24, 1952. : Ratings: Pacific Nielson and Field Broadcast.
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Let Yourself Go
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Box
13
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March 28, 1944 : Annotated.
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Box
13
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April 11, 1944.
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Box
13
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April 25, 1944.
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Box
13
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May 2, 1944.
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Box
13
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May 9, 1944. : Annotated.
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Box
13
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May 22, 1944 : Annotated.
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Box
13
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June 6, 1944
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Box
13
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June 13, 1944 : Annotated.
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The Mary Small Show
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Box
14
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Jan. 25, 1944 : Annotated, audition script.
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Box
14
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Mar. 12, 1944.
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Box
14
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Mar. 26, 1944.
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Box
14
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May 9, 1944.
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Box
14
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May 28, 1944.
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Box
14
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June 18, 1944.
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Box
14
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July 9, 1944.
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Box
14
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July 16, 1944. : Annotated.
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Box
14
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July 23, 1944.
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Box
14
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July 30, 1944.
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Box
14
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Aug. 13, 1944.
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Box
14
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Oct. 18, 1944.
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|
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The Mel Blanc Show
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Box
14
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Sept. 3, 1946 : First draft, revised draft.
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Box
14
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Sept. 17, 1946 : First draft, revised draft.
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Box
14
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Sept. 24, 1946 : Final draft, annotated.
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Box
14
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Oct. 1, 1946 : First draft, revised draft.
|
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Box
14
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Oct. 8, 1946 : First draft, revised draft.
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Box
14
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Oct. 15, 1946 : First draft, revised draft.
|
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Box
14
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Oct. 22, 1946 : First draft, revised draft.
|
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Box
14
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Oct. 29, 1946 : Revised draft.
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|
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Molle Mystery Theatre
|
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Box
14
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“Breakdown,” [1945] : Annotated.
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Box
14
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“The Clock,” May 1, 1945 : First draft, annotated; final draft, annotated.
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|
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The Saturday Night Band Wagon
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Box
15
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“The Golden Age of Sports,” Jan. 29, 1944.
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Box
15
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“McGarry and His Mouse,” Apr. 26, 1943 : Annotated.
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Box
15
|
“Post Exchange,” Dec. 11, 1943
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Box
15
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“Private McGarry,” Sept. 8, 1943 : Clipping.
|
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Box
15
|
“Salute To The Fighting Women of America,” Feb. 5, 1944.
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Box
15
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“The Story Of A Great Man,” May 22, 1943 : Annotated.
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|
|
Vick's Matinee Theatre
|
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Box
15
|
“Dark Victory,” Feb. 4, 1945 : Annotated.
|
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Box
15
|
“Falling Star,” [1944-45]
|
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Box
15
|
“Milkman's Serenade,” [1944-45] : Annotated.
|
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Box
15
|
“Night Bus,” Mar. 5, 1945 : Annotated.
|
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Box
15
|
“No Time For Love,” Dec. 31, 1944 : Annotated.
|
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Box
15
|
“Reap The Wild Wind,” Feb. [?], 1945 : Annotated.
|
|
|
The Wheatena Playhouse
|
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Box
15
|
“Dark Victory,” Oct. 29, 1940
|
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Box
15
|
“Till We Meet Again,” Feb. 7, 1941
|
|
|
Your Happy Birthday
|
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Box
15
|
Mar. 21, 1941.
|
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Box
15
|
Apr. 25, 1941.
|
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Box
15
|
May 2, 1941.
|
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Box
15
|
May 16, 1941.
|
|
|
Series: Television Series
|
|
|
The Adventures of Meet Mcgraw
|
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Box
16
|
“The Lie That Came True,” Feb. 17, 1958 : First draft; revised final draft.
|
|
|
Al Munch Detective
|
|
Box
16
|
“The Left-Behind American,” [1952].
|
|
|
Broken Arrow
|
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Box
16
|
“The Missionaries,” Oct. 23, 1956.
|
|
|
The Crusader
|
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Box
16
|
“The Oakhurst Incident,” n.d.
|
|
|
Dr. Kildare
|
|
Box
16
|
“The Administrator,” Jan. 11, 1962 : Correspondence, 1961; production notes; story idea, annotated; story outline, annotated; rough draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
16
|
“Admitting Service,” Nov. 2, 1961 : Author's final draft; studio's final draft, edited.
|
|
Box
16
|
“An Ancient Office,” Dec. 6, 1962 : Correspondence, 1926; story outline; first draft, annotated; author's final draft; studio's final drafts, one & two edited and revised.
|
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Box
17
|
“The Backslider,” Dec. 5, 1963 : Correspondence, 1962-63; production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
17
|
“The Balance And The Crucible,” Mar. 2, 1963 : Correspondence, 1962-63; production notes; story outline; first draft; author's final draft; studio's final draft, edited.
|
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Box
17
|
“The Bed I've Made,” Dec. 20, 1962 : Correspondence, 1961-62; production notes; story outline; author's final draft; studio's final draft, edited.
|
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Box
17
|
“Breakdown,” Nov. 8, 1962 : Correspondence, 1962; production notes; story idea; treatment; story outline; rough draft, annotated; second draft, annota ed; author's final draft; studio's final draft, edited.
|
|
Box
18
|
“The Bronc Buster,” Feb. 15, 1962 : Correspondence, 1961-62; production notes; story outline; rough draft; author's final draft; studio's final drafts, one & two, edited.
|
|
Box
18
|
“The Burning Sky,” Oct. 4, 1962 : Correspondence, 1962; background information; production notes; story outlines, one, two & three; treatment; rough draft, annotated; author's final draft; studio's final draft, edited.
|
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Box
18
|
“C.D.,” Mar. 21, 1963 : Production notes; first draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
19
|
“A Candle In The Window,” Nov. 5, 1964 : Correspondence, 1964; production notes; treatment, annotated; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
19
|
“Catch A Crooked Mouse,” Dec. 17, 1964 : Correspondence, 1964; production notes; story idea; story outline; first draft; author's final draft; studio's final draft, edited.
|
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Box
19
|
“Charlie Wade Makes A Lot Of Shade,” Dec. 12, 1963 : Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
19
|
“The Chemistry Of Anger,” Apr. 26, 1962 : Correspondence, 1961-62; production notes; story outline; treatment; author's final draft, studio's final draft, edited.
|
|
Box
20
|
“The Child Between,” Mar. 5, 1964 : Correspondence, 1963; production notes; story idea; story outline; first draft; author's final draft; studio's final draft, edited.
|
|
Box
20
|
“Child Of The Shadows,” May 30, 1963 : Correspondence, 1963; story outline, annotated; first draft, annotated; author's final draft; studio's final drafts, one & two, edited.
|
|
Box
20
|
“The Cobweb Chain,” Nov. 15, 1962 : Correspondence, 1962; production notes; story idea; story outline; rough draft, annotated; author's final draft; studio's final draft; edited.
|
|
Box
21
|
“Dark Side Of The Mirror,” Mar. 28, 1963 : Correspondence, 1962; production notes; story idea; story outline; first draft, annotated; final draft, annotated; re-write-Dugan, annotated; re-write-McNeely, one, two & final, annotated; author's final draft; studio's final draft, edited.
|
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Box
21
|
“A Day To Remember,” Apr. 2, 1964 : Production notes; author's final draft; studio's final draft, edited.
|
|
Box
22
|
“A Distant Thunder,” May 10, 1962 : Correspondence, 1962; production notes; story idea, annotated; treatment, annotated; story outline; rough draft, annotated; author's final draft; studio's final drafts, one and two, edited.
|
|
Box
22
|
“Dolly's Dilemma,” May 21, 1964 : Correspondence, 1964; Production notes; story outline, annotated; author's final draft; studio's final draft, edited.
|
|
Box
22
|
“The Dragon,” Feb. 15, 1962 : Correspondence, 1964; production notes; story outline; printed rough draft, annotated; typed rough drafts, one and two annotated...
|
|
Box
23
|
“The Dragon” (continued) : Author's final draft; studio's final drafts, one and two, edited.
|
|
Box
23
|
“The Duel,” n.d. [pilot: “Eleventh Hour”] : Production notes; treatment; rough drafts; author's final draft, annotated; studio's final draft, edited.
|
|
Box
23
|
“The Eleventh Commandment,” November 14, 1963 : Correspondence, 1963; production notes; treatment;
story outline; rough draft; author's final draft; studio's final draft, edited.
|
|
Box
23
|
“The Elusive Dik-Dik,” Dec. 3, 1964 : Production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final drafts, one and two, edited.
|
|
Box
24
|
“An Exchange of Gifts,” Dec. 24, 1964 : Correspondence, 1964; production notes; treatment; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
24
|
“The Exploiters,” Oct. 13, 1963 : Correspondence, 1961-62; production notes; author's final draft; studio's final drafts; edited.
|
|
Box
24
|
“Face of Fear,” Mar. 7, 1963 : Correspondence, 1961-62; production notes; story idea, annotated; story outline, annotated; treatment; rough draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
25
|
“For the Living,” Nov. 30, 1961 : Correspondence, 1961; story outline; “Act of Mercy”-script; re-write-Kelly, annotated; first draft-Dunkel & Rose, annotated; second draft; suthors' final draft; studio's final draft, edited.
|
|
Box
25
|
“Four Feet In The Morning,” Nov. 21, 1963 : Correspondence, 1963; production notes; story outline; script part II for “Eleventh Hour”; author's final draft; studio's final draft, edited.
|
|
Box
25
|
“A Game For Three,” Oct. 24, 1963 : Correspondence, 1963; production notes; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
26
|
“The Gift Of The Koojanuk,” May 7, 1963 : Correspondence, 1963; production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
26
|
“The Glory Hunter,” Feb. 8, 1962 : Correspondence, 1961; production notes; story idea, annotated; treatment, annotated; rough draft, annotated; second draft, annotated; revised draft, annotated; author's final draft; studio's final drafts, one and two, edited.
|
|
Box
26
|
“Good-bye Mr. Jersey,” Feb. 20, 1964 : Correspondence, 1963; production notes; story outline, annotated; author's final draft; studio's final draft, edited.
|
|
Box
27
|
“Good-Luck Charm,” Feb. 7, 1963 : Correspondence, 1961-62; production notes; treatment; story outline; rough draft, protesting author-Komack; author's final draft; studio's final draft, edited.
|
|
Box
27
|
“The Good Samaritan,” Oct. 2, 1963 : Author's final draft; studio's final draft, edited.
|
|
Box
27
|
“Gravida One,” Sept. 27, 1962 : Correspondence, 1962; production notes; story idea, annotated; story outline; revised draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
27
|
“The Great Guy,” Jan. 17, 1963 : Correspondence, 1962; production notes; story outline, annotated; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
28
|
“Guest Appearance,” Oct. 25, 1962 : Correspondence, 1962; production notes; story outline, annotated; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
28
|
“The Hand That Hurts, The Hand That Heals,” Oct. 8, 1964 : Correspondence, 1964; production notes; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
28
|
“Hasting's Farewell,” Nov. 1, 1962 : Correspondence, 1962; production notes; story idea; treatment; story outline; author's final draft; studio's final draft, edited.
|
|
Box
28
|
“The Heart, An Imperfect Machine,” Oct. 17, 1963 : Production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
29
|
“Hit And Run,” Dec. 14, 1961 : Production notes; story idea, annotated; story outline, annotated; rough draft; first draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
29
|
“Holiday Weekend,” Nov. 16, 1961 : Correspondence, 1961; background material; production notes; story idea, annotated; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
29
|
“The Horn of Plenty,” Apl. 12, 1962 : Correspondence, 1962; production notes; story idea; treatment; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
30
|
“A Hundred Million Tomorrows,” Mar. 12, 1964 : Correspondence, 1963; story outline, annotated; first draft; author's final draft; studio's final draft, edited.
|
|
Box
30
|
“The Immunity,” Oct. 5, 1961 : Production notes; story idea; story outline, annotated; first draft, annotated and additions; studio's final draft, edited.
|
|
Box
30
|
“An Island Like A Peacock,” May 16, 1963 : Correspondence, 1963; production notes; story idea, annotated; rough draft, annotated; revised draft; author's final draft; studio's final draft, edited.
|
|
Box
31
|
“The Jail Ward,” Feb. 14, 1963 : Correspondence, 1962; production notes; story outline; rough draft; author's final draft; studio's final drafts, one and two, edited.
|
|
Box
31
|
“Johnny Temple,” Dec. 28, 1961 : Correspondence, 1961; production notes; story idea, annotated; story outline, annotated; rough draft, annotated; second draft, annotated; re-write-Tegland, annotated; authors' final draft; studio's final draft, edited.
|
|
Box
31
|
“The Last Leaves On The Tree,” Oct. 22, 1964 : Author's first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
32
|
“The Legacy,” Dec. 13, 1962 : Correspondence, 1962; production notes; story idea; treatment, annotated; story outline; rough draft, annotated; first draft, annotated; second draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
32
|
“The Lonely Ones,” Nov. 9, 1961 : Correspondence, 1961; production notes; story idea, annotated; treatment; story outline; rough draft-Kneubuhl, annotated; final draft-Kneubuhl, annotated; first draft-Tegland, annotated; author's final draft; studio's final draft, edited.
|
|
Box
33
|
“Love Is A Sad Song,” Jan. 3, 1963 : Production notes; story outline, author's final draft; studio's final drafts, one and two, edited.
|
|
Box
33
|
“Man Is A Rock,” Sept. 24, 1964 : Correspondence, 1964; production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
33
|
“The Mask Makers,” Oct. 18, 1962 : Correspondence, 1962; production notes; outline &
treatment-Golberg, annotated; story outline-McNeely, annotated; first draft-McNeely; author's final draft; studio's final draft, edited.
|
|
Box
33
|
“Maybe Love Will Save My Apartment House,” Oct. 1, 1964 : Production notes; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
34
|
“The Middle of Ernie Mann,” Apl. 23, 1964 : Correspondence, 1963-64; production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
34
|
“A Million Dollar Property,” Oct. 21, 1961 : Production notes; story outlines one and two, annotated; author's final draft; studio's final draft, edited.
|
|
Box
34
|
“The Mosaic,” Jan. 31, 1963 : Correspondence, 1962; production notes; treatment; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
34
|
“My Brother, The Doctor,” Jan. 4, 1962 : Production notes; story idea, annotated; story outline, annotated; revised drafts, one and two, annotated; author's final draft; studio's final draft, edited.
|
|
Box
35
|
“Never Too Old For The Circus,” Jan. 30, 1964 : Correspondence, 1962-63; production notes; story outline; second draft-Gethers; re-write-Brewer; author's final draft; studio's final drafts, one and two edited.
|
|
Box
35
|
“A Nickel's Worth Of Prayer,” Apr. 16, 1964 : Correspondence, 1963; author's final draft; studio's final draft, edited.
|
|
Box
35
|
“Oh, My Daughter!,” Jan. 25, 1962 : Correspondence, 1961-62; story idea, annotated; treatment; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
35
|
“Once I Wrote A Song,” n.d. : Production notes; story outline; second draft-“Cora,” annotated; author's final draft...
|
|
Box
36
|
“Once I Wrote A Song,” continued : Studio's final draft, edited.
|
|
Box
36
|
“One Clear Bright Sunday Morning,” Nov. 7, 1963 : Production notes; story outline, first draft; author's final draft; studio's final draft, edited.
|
|
Box
36
|
“One For The Road,” Apl. 12, 1962 : Correspondence, 1962; production notes; story outline; studio's final draft, edited.
|
|
Box
36
|
“Onions, Garlic, And The Flowers That Bloom In Spring,” Feb. 2, 1964 : Correspondence, 1963; production notes; story outline; first draft; author's final draft; studio's final draft, edited.
|
|
Box
36
|
“Operation Lazarus,” May 24, 1962 : Correspondence, 1962; production notes; story outline; rough draft, annotated; revision, annotated; author's final draft; studio's final draft, edited.
|
|
Box
37
|
“The Oracle,” Dec. 19, 1963 : Correspondence, 1963; production notes; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
37
|
“The Pack Rat and the Prima Donna,” Nov. 28, 1963 : Correspondence, 1963; production notes; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
37
|
“The Patient,” Nov. 23, 1961 : Production notes; story idea; treatments, one and two; story outline; rough draft, annotated; author's final draft, annotated; studio's final draft, edited.
|
|
Box
37
|
“A Place Among Monuments,” Dec. 27, 1962 : Correspondence, 1962; production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
38
|
“Quid Pro Quo,” Mar. 26, 1964 : Production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
38
|
“Road To The Heart,” May 17, 1962 : Correspondence, 1962; production notes; story outline; rough draft, annotated; second draft; author's final draft; studio's final drafts, one and two, edited.
|
|
Box
38
|
“The Roaring Boy-O,” Feb. 15, 1962 : Correspondence, 1961-62; production notes; story idea, annotated; treatments, one and two, annotated; story outline; rough draft; [UNK]
draft; story outline-Whedon's, annotated; rewrite-Whedon's annotated; revised draft, annotated.
|
|
Box
39
|
“The Roaring Boy-O,” continued : Author's final draft, annotated; studio's final drafts, one and two, edited.
|
|
Box
39
|
“Rome Will Never Leave You, I, II, III,” Nov. 12-26, 1964 : Correspondence, 1964; production notes; story outlines, one, two and three, annotated; I-“The Journey”: author's final draft; studio's final draft, edited; II-“The Contessa”: author's final draft; studio's final drafts, edited; III-“The Marriage Contract”: author's final draft; studio's final drafts, edited.
|
|
Box
40
|
“The Search,” Feb. 1, 1962 : Correspondence, 1961; production notes; author's notes; story idea; treatment, annotated; story outline; rough draft, annotated; second draft, annotated; studio's final draft, edited.
|
|
Box
40
|
“The Season To Be Jolly,” Dec. 21, 1961 : Correspondence, 1961; story outline; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
40
|
“Second Chance,” Dec. 7, 1961 : Correspondence, 1961; story idea; story outline, annotated; rough draft; revised draft, annotated; production notes; final draft: “Fighting Chance...”
|
|
Box
41
|
“Second Chance,” continued : Author's final draft: “Second Chance,” annotated; studio's first draft, annotated; author's final draft; studio's final drafts, one and two, edited.
|
|
Box
41
|
“A Sense of Tempo,” May 7, 1964 : Correspondence, 1964; production notes; story outline; first draft; second draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
41
|
“Shining Image,” Oct. 12, 1961 : Production notes; story outline, annotated; rough draft, annotated; studio's final draft, edited.
|
|
Box
41
|
“Ship's Doctor,” Apr. 18, 1963 : Correspondence, 1962; production notes; story outline, annotated; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
42
|
“Sister Mike,” Mar. 14, 1963 : Correspondence, 1962; production notes; story idea; story outlines, one and two-revised; first draft, annotated; revised draft, annotated; author's
final draft; studio's final drafts, one, two, and three, edited.
|
|
Box
42
|
“The Sleeping Princess,” Apr. 11, 1963 : Correspondence, 1962-63; production notes; story outline; author's final draft; studio's final drafts, one and two, edited.
|
|
Box
42
|
“Solomon's Choice,” Mar. 29, 1962 : Correspondence, 1961-62; production notes; story outline; rough draft; author's final draft; studio's final draft, edited.
|
|
Box
43
|
“Something of Importance,” May 3, 1962 : Correspondence, 1962; production notes; story idea; treatment; story outline; rough draft, annotated; author's final draft; studio's final drafts, one and two, edited.
|
|
Box
43
|
“The Soul Killer,” Nov. 22, 1962 : Correspondence, 1962; production notes; story idea; treatment; revised treatment; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
43
|
“The Sound of a Faraway Hill,” Oct. 29, 1964 : Correspondence, 1964; production notes; story outline; rough draft; second draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
44
|
“Speak Not In Angry Whispers,” May 14, 1964 : Production notes; story outline, annotated; first draft; author's final draft; studio's final draft, edited.
|
|
Box
44
|
“The Stepping Stone,” Feb. 22, 1962 : Correspondence, 1961-62; production notes; story idea; treatment; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
44
|
“The Thing Speaks For Itself,” Jan. 10, 1963 : Correspondence, 1963; production notes; treatment; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
44
|
“Tightrope To Nowhere,” Apr. 25, 1963 : Correspondence, 1962-63; production notes; story idea, annotated; story outline, annotated; rough draft; second draft; author's final draft; studio's final draft, edited.
|
|
Box
45
|
“A Time For Every Purpose,” Dec. 27, 1962 : Correspondence, 1962; story outline; production notes; treatment; revision, annotated; re-write-Tegland,
Tegland, annotated; studio's final drafts, one, two and three, edited.
|
|
Box
45
|
“To Each His Own Prison,” May 23, 1963 : Correspondence, 1963; production notes; story idea, annotated; story outline, annotated; first draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
45
|
“To Walk In Grace,” Feb. 13, 1964 : Correspondence, 1964; production notes; studio's final drafts, one and two, edited.
|
|
Box
46
|
“Tomorrow Is A Fickle Girl,” Feb. 19, 1964 : Production notes; author's final draft; studio's final drafts, one and two, edited.
|
|
Box
46
|
“A Trip To Niagara,” Feb. 21, 1963 : Correspondence, 1962; production notes; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
46
|
“Twenty-Four Hours,” Sept. 28, 1961 (Pilot Script) : Studio's final draft, edited.
|
|
Box
46
|
“Tyger, Tyger I, II,” Jan. 16-23, 1964 : Correspondence, 1963-64; production notes; story outlines, parts one & two; first draft; author's final draft; studio's final draft, I & II, edited.
|
|
Box
47
|
“An Ungodly Act,” Apr. 9, 1964 : Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
47
|
“A Very Present Help,” Apr. 5, 1962 : Correspondence, 1962; production notes; story idea; annotated; treatment, annotated; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
47
|
“The Visitors,” Oct. 11, 1962 : Correspondence, 1962-64; production notes; story outline; rough draft, annotated; revised draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
47
|
“Vote of Confidence,” Dec. 26, 1963 : Correspondence, 1963; production notes; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
Box
48
|
“What's Different About Today?,” Oct. 22, 1964 : Correspondence, 1963-64; production notes; story outline, annotated; first draft-McNeely, annotated;
script “Camp Gillespie”-McNeil; author's final draft; studio's final draft, edited.
|
|
Box
48
|
“Who Ever Heard Of A Two-Headed Doll?,” Sept. 29, 1963 : Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
48
|
“Why Won't Anybody Listen?,” Feb. 27, 1964 : Correspondence, 1964; production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
49
|
“A Willing Suspension of Disbelief,” Jan. 9, 1964 : Correspondence, 1963; production notes; story outline; author's final draft; studio's final draft, edited.
|
|
Box
49
|
“Winter Harvest,” Oct. 19, 1961 : Correspondence, 1961-62; story idea; story outline; rough draft; author's final draft; studio's final draft, edited.
|
|
Box
49
|
“Witch Doctor,” Mar. 8, 1962 : Correspondence, 1961-62; story idea; story outline; rough draft, annotated; author's final draft; studio's final draft, edited.
|
|
|
Fireside Theatre
|
|
Box
50
|
“The Blessing Of The Pets,” May 11, 1954.
|
|
Box
50
|
“Brian,” Aug. 20, 1954.
|
|
Box
50
|
“The Cheese Champion,” Nov. 8, 1954.
|
|
Box
50
|
“A Dream For Jimmy,” Oct. 27, 1954.
|
|
Box
50
|
“Father's Keeper,” July 19, 1954.
|
|
Box
50
|
“Harvest of Wrath,” Oct. 15, 1953.
|
|
Box
50
|
“The Innocent And The Guilty,” Nov. 3, 1954.
|
|
Box
50
|
“It's Easy To Get Ahead,” Oct. 7, 1954.
|
|
Box
50
|
“The Last Hat,” May 17, 1954 : Annotated.
|
|
Box
50
|
“Luxurious Ladies,” May 1, 1954 : Annotated.
|
|
Box
50
|
“The Man Who Liked To Kill,” Apr. 20, 1954 : Annotated.
|
|
Box
50
|
“Marked For Death,” Aug. 2, 1954.
|
|
Box
50
|
“Mr. Onion,” Oct. 20, 1954.
|
|
Box
50
|
“A Mother's Duty,” May 31, 1954.
|
|
Box
50
|
“The Mural,” June 7, 1954.
|
|
Box
50
|
“The Ninety-Ninth Day,” July 27, 1954.
|
|
Box
50
|
“No Place To Live,” June 30, 1954.
|
|
Box
50
|
“Not Captain Material,” Sept. 9, 1954.
|
|
Box
50
|
“The Old Order Changeth,” Sept. 10, 1953.
|
|
Box
50
|
“Our Son,” May 19, 1954.
|
|
Box
50
|
“The Reign of Amelika Joe,” Apr. 9, 1954.
|
|
Box
50
|
“Retribution,” n.d.
|
|
Box
51
|
“Second Elopement,” Mar. 30, 1954.
|
|
Box
51
|
“Sergeant Sullivan Speaking,” Aug. 18, 1954.
|
|
Box
51
|
“The Sporting Doctor,” Mar. 4, 1954.
|
|
Box
51
|
“Thank You, Dr. Russell,” May 26, 1954.
|
|
Box
51
|
“Three Missions West,” July 16, 1954.
|
|
Box
51
|
“Touch The Earth,” Sept. 8, 1953.
|
|
Box
51
|
“Trial Period,” Oct. 6, 1953.
|
|
|
Front Page Detective
|
|
Box
51
|
“Galahad,” [1951]
|
|
Box
51
|
“The Lonely One,” Oct. 3, 1951.
|
|
|
General Electric Theatre
|
|
Box
51
|
“The Crime Of Daphne Rutledge,” [1954]
|
|
Box
51
|
“Dr. Stafford's Patient,” June 19, 1953.
|
|
Box
51
|
“Desert Crossing,” [1954].
|
|
Box
51
|
“Too Old For The Girl,” Jan. 21, 1954.
|
|
Box
51
|
“You Are Young Only Once,” [1954].
|
|
|
Gruen Theatre
|
|
Box
51
|
“The Other Woman,” n.d. : Story outline; rough draft, annotated; author's final draft.
|
|
|
Gunsmoke
|
|
Box
52
|
“Big Broad,” n.d.
|
|
Box
52
|
“Cara,” n.d.
|
|
Box
52
|
“Chester's Mail Order Bride,” n.d.
|
|
Box
52
|
“Helping Hand,” n.d.
|
|
Box
52
|
“Indian White,” n.d.
|
|
Box
52
|
“The Man Who Would Be Marshall,” n.d.
|
|
Box
52
|
“Mr. and Mrs. Amber,” n.d.
|
|
Box
52
|
“The Pest Hole,” n.d.
|
|
Box
52
|
“Prairie Happy,” n.d.
|
|
Box
52
|
“Professor Lute Bone,” n.d.
|
|
Box
52
|
“Reward For Matt,” n.d.
|
|
Box
52
|
“20-20,” n.d.
|
|
|
I Am the Law
|
|
Box
52
|
“The Bust of Plato,” [1951-52] : Annotated.
|
|
Box
52
|
“The Cowboy And The Blind Man,” Jan. 31, 1952.
|
|
Box
52
|
“The Deadly Pawnshop,” Jan. 24, 1952.
|
|
Box
52
|
“Falling Star,” [1951-52] : Annotated.
|
|
Box
52
|
“The Fight Fixer,” Jan. 31, 1952.
|
|
Box
52
|
“Firebug, Firebug,” Jan. 24, 1952.
|
|
Box
52
|
“The General's Coffin,” Feb. 25, 1952.
|
|
Box
52
|
“The Impossible Death,” [1951-52] : Annotated.
|
|
Box
52
|
“Juvenile Murder,” Mar. 7, 1952.
|
|
Box
53
|
“The McClury Brothers,” Jan. 22, 1952.
|
|
Box
53
|
“The Mad Cartoonist,” Apr. 7, 1952
|
|
Box
53
|
“Models, Inc.,” Jan. 21, 1952.
|
|
Box
53
|
“The Moon Man,” [1951-52] : Annotated.
|
|
Box
53
|
“The Powder Box Cast,” Jan. 24, 1952.
|
|
Box
53
|
“Sleep With Terror,” [1951-52] : Annotated.
|
|
Box
53
|
“The Stool Pigeon,” Mar. 4, 1952.
|
|
Box
53
|
“The Train To Auburn,” Mar. 4, 1952.
|
|
Box
53
|
“Who Killed Evelyn?,” Feb. 26, 1952.
|
|
|
Lassie
|
|
Box
53
|
“The Violin,” [1955] : Story outline, final draft.
|
|
|
McKenzie's Raiders
|
|
Box
53
|
“Indian Agent,” Sept. 2, 1958
|
|
|
Playhouse 90
|
|
Box
53
|
“Without Incident,” Nov. 29, 1956.
|
|
|
Public Prosecutor
|
|
Box
53
|
“The Case of the Body Beautiful,” n.d.
|
|
Box
53
|
“The Case of the Strange Suicide,” n.d.
|
|
|
Rawhide
|
|
Box
53
|
“Incident At El Muerte,” Apr. 21, 1959.
|
|
Box
53
|
“Incident Of The Misplaced Indians,” Jan. 21, 1959.
|
|
Box
53
|
“Incident On The Edge Of Madness,” May 13, 1958.
|
|
|
The Rebel
|
|
Box
54
|
“Absolution,” Jan. 20, 1960.
|
|
Box
54
|
“The Actress,” May 9, 1960.
|
|
Box
54
|
“The Angry Town,” [1959-60]
|
|
Box
54
|
“The Ballad of Johnny Brown,” Feb. 21, 1961.
|
|
Box
54
|
“The Bequest,” Apr. 15, 1960.
|
|
Box
54
|
“Berserk,” Aug. 5, 1960.
|
|
Box
54
|
“Blank Canyon,” Jan. 11, 1960.
|
|
Box
54
|
“Blind Marriage,” Dec. 12, 1959.
|
|
Box
54
|
“The Burying of Sammy Hart,” Aug. 4, 1960.
|
|
Box
54
|
“The Calley Kid,” July 25, 1960.
|
|
Box
54
|
“The Captive of Temblor,” Oct. 20, 1959.
|
|
Box
54
|
“The Champ,” June 13, 1960.
|
|
Box
54
|
“The Crime,” Sept. 1, 1959.
|
|
Box
54
|
“The Dark Street,” Aug. 8, 1959.
|
|
Box
54
|
“A Dash of Gray,” [1959-60]
|
|
Box
54
|
“Death Watch,” Apr. 27, 1960.
|
|
Box
54
|
“Decision at Sweetwater,” Dec. 8, 1960.
|
|
Box
54
|
“Don Gringo,” May 27, 1960.
|
|
Box
54
|
“The Earl of Durango,” Apr. 8, 1960 (Pilot Script)
|
|
Box
54
|
“The Executioner,” Mar. 20, 1961.
|
|
Box
54
|
“Explosion,” Feb. 19, 1960.
|
|
Box
54
|
“Fair Game,” Jan. 15, 1960.
|
|
Box
54
|
“The Found,” Dec. 14, 1960.
|
|
Box
55
|
“Glory,” [1959-60]
|
|
Box
55
|
“Gold Seeker,” Oct. 12, 1959.
|
|
Box
55
|
“Grant of Land,” Feb. 16, 1960.
|
|
Box
55
|
“Grave For Johnny Yuma,” Jan. 6, 1960.
|
|
Box
55
|
“The Guard,” Aug. 11, 1960.
|
|
Box
55
|
“Gun City,” Sept. 29, 1959.
|
|
Box
55
|
“Helping Hand,” Feb. 27, 1961.
|
|
Box
55
|
“He's Only A Boy,” [1950-60].
|
|
Box
55
|
“The Hope Chest,” July 7, 1960.
|
|
Box
55
|
“The Hostage,” Mar. 9, 1960.
|
|
Box
55
|
“The Hunted,” June 8, 1960.
|
|
Box
55
|
“In Memoriam,” July 13, 1959.
|
|
Box
55
|
“In Memory Of A Son,” Feb. 10, 1960.
|
|
Box
55
|
“Jerkwater,” Aug. 30, 1960.
|
|
Box
55
|
“Johnny Yuma at Appomatox,” [1950-60].
|
|
Box
55
|
“The Judgment,” [1950-60].
|
|
Box
55
|
“Lady Of Quality,” Feb. 5, 1960.
|
|
Box
55
|
“Land,” [1959-60].
|
|
Box
55
|
“The Last Drink,” Dec. 21, 1960.
|
|
Box
55
|
“The Legacy,” July 1, 1960.
|
|
Box
55
|
“The Misfits,” [1959-60].
|
|
Box
55
|
“Mission - Varina,” Mar. 14, 1961.
|
|
Box
55
|
“Miz Purdy,” Dec. 30, 1960
|
|
Box
56
|
“Night On A Rainbow,” Sept. 7, 1959.
|
|
Box
56
|
“Noblisse Oblige,” Nov. 30, 1959.
|
|
Box
56
|
“Paint A House With Scarlet,” Feb. 1, 1960.
|
|
Box
56
|
“Panic,” [1959-60].
|
|
Box
56
|
“Paperback Hero,” June 30, 1960.
|
|
Box
56
|
“The Pit,” May 18, 1960.
|
|
Box
56
|
“The Promise,” May 3, 1960.
|
|
Box
56
|
“The Proxy,” Mar. 3, 1961.
|
|
Box
56
|
“Run, Killer, Run,” May 24, 1960.
|
|
Box
56
|
“The Rattler,” Dec. 3, 1959.
|
|
Box
56
|
“Road To Jericho,” July 9, 1960.
|
|
Box
56
|
“The Scalp Hunter,” [1959-60].
|
|
Box
56
|
“School Days,” [1959-60].
|
|
Box
56
|
“Shriek of Silence,” Dec. 19, 1960.
|
|
Box
56
|
“Take Dead Aim,” [1959-60].
|
|
Box
56
|
“Threat,” June 28, 1960.
|
|
Box
56
|
“To See The Elephant,” June 14, 1960.
|
|
Box
56
|
“Two Weeks,” Jan. 6, 1961.
|
|
Box
56
|
“The Uncourageous,” Jan. 12, 1961.
|
|
Box
56
|
“The Unsurrendered Sword,” Jan. 6, 1960.
|
|
Box
56
|
“The Unwanted,” [1959-60].
|
|
Box
56
|
“The Vagrants,” [1959-60].
|
|
Box
56
|
“Vindication,” July 19, 1960.
|
|
Box
56
|
“Viscious Circle,” [1959-60].
|
|
Box
57
|
“The Waiting,” Apr. 21, 1960
|
|
Box
57
|
“White,” Aug. 1, 1960.
|
|
Box
57
|
“Yellow Hair,” July 29, 1959.
|
|
Box
57
|
“You Steal My Eyes,” Jan. 26, 1960.
|
|
Box
57
|
“The Yank,” Feb. 22, 1960 : Story treatment, final script.
|
|
|
The Restless Gun
|
|
Box
57
|
“The Child,” Oct. 25, 1957.
|
|
Box
57
|
“Man and Boy,” Aug. 30, 1957.
|
|
Box
57
|
“The Outlander,” Feb. 27, 1958.
|
|
Box
57
|
“Sheriff Billy,” Jan. 30, 1958.
|
|
Box
57
|
“Trail To Sunset,” July 3, 1957.
|
|
|
The Rifleman
|
|
Box
57
|
“The Brother-in-law,” July 9, 1958.
|
|
Box
57
|
“The Challenge,” Jan. 30, 1959.
|
|
Box
57
|
“Nora,” Mar. 25, 1960 : Rough draft, annotated; second draft, annotated; author's final draft.
|
|
Box
57
|
“The Shivaree,” Dec. 4, 1958. : First draft, annotated; revised final draft.
|
|
|
Target
|
|
Box
57
|
“Taps For The General,” Apr. 17, 1958.
|
|
|
Walt Disney Presents
|
|
Box
58
|
“Daniel Boone: Tamer In the Wilderness I & II,” May 2, 1960 : Episodes one and two: “The Vision,” “Chase The Buffalo” story outlines, annotated; rough draft; studio's final drafts, one and two, edited.
|
|
Box
58
|
“The Moon Cussers,” Dec. 28, 1960 : Novel synopsis, “Flying Ebony,” annotated; supplementary material; story outline; author's final draft.
|
|
|
Series: Motion Pictures
|
|
Box
59
|
The Gunslinger, n.d. : Annotated.
|
|
Box
59
|
Trooper Hook, n.d. : Story outline; production notes; final draft.
|
|
|
Series: Auditions, Radio
|
|
Box
59
|
Cohen, The Detective, n.d.
|
|
Box
59
|
Counsellor At Law, n.d. : Audition script; rough draft; annotated; second draft, annotated.
|
|
|
The Editor's Report, n.d.
|
|
Box
59
|
“The Invasion of Tarawa,” annotated.
|
|
Box
59
|
The Further Affairs of My Man Godfrey, n.d.
|
|
Box
59
|
Galz-A-Poppin', Aug. 12, 1943 : Annotated.
|
|
Box
59
|
Glamour!, n.d.
|
|
Box
59
|
Happy Land, n.d. : Annotated.
|
|
|
The Haunting Hour, n.d.
|
|
Box
59
|
“Music Makes Murder,” annotated.
|
|
|
McGarry, n.d.
|
|
Box
59
|
“Elementary, My Dear McGarry,” : Annotated.
|
|
Box
59
|
“McGarry Takes A Trip.”
|
|
Box
59
|
Moods By Laura, n.d.
|
|
Box
59
|
Pop's Diner, Feb. 25, 1945 : Annotated.
|
|
|
Straight Arrow, n.d.
|
|
Box
59
|
Episodes one and two : Annotated.
|
|
|
Series: Auditions, Television
|
|
|
The Barbary Coast, n.d.
|
|
Box
60
|
“The Long Gamble” : Pilot, annotated.
|
|
|
Buckskin, n.d.
|
|
Box
60
|
“Journey To The Fort” : Pilot, revised final draft.
|
|
|
Calling All Cars, Apr. 8, 1952
|
|
Box
60
|
“Calling Danger”
|
|
|
Ethan Allen, n.d.
|
|
Box
60
|
“Ethan's Magnificent Folly” : Pilot, annotated.
|
|
|
The FBI in Peace and War, n.d.
|
|
Box
60
|
“Section Nine - Terror” : Pilot, annotated.
|
|
|
Jackson and Jill, n.d.
|
|
Box
60
|
“J. Lexington Nasby”
|
|
|
Let George Do It, n.d.
|
|
Box
60
|
“The Crazy Americano” : Pilot.
|
|
|
The Quiet Man, n.d.
|
|
Box
60
|
“A Good Man With A Gun” : Pilot, annotated.
|
|
Box
60
|
“The Princess” : Annotated.
|
|
|
Studio One
|
|
Box
60
|
“The Sisters” , n.d. : Treatment only.
|
|
Box
60
|
The Valley of the Blue Mountain, [1956] : Series presentation; style, form story outlines.
|
|
|