Container
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Title
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U.S. Mss 68AN
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Part 1 (U.S. Mss 68AN): Original Collection, 1939-197215.2 c.f. (40 archives boxes) The Original Collection consists of scripts and production information arranged by genre as RADIO, TELEVISION, and THEATRE; additional series are NON-DRAMATIC WRITINGS, CORRESPONDENCE, and MISCELLANY. The papers presented by Howard Teichmann in 1966 consisted largely of correspondence and scripts for radio and theatre. Later additions arranged and described in 1991 related to the two programs for which Teichmann worked with ANTA as writer-producer-director. For these programs the collection includes important files containing diverse material on development, promotion, and day-to-day production activities. Except for the research material on John Shubert, the collection contains little information on Teichmann's biographical writing during the 1970s and 1980s. The photographs received with the collection have been separated to the WCFTR Name and Title Files. Teichmann's writings are arranged by genre, with the largest amount of documentation pertaining to his work as writer, editor, and producer for RADIO. Regardless of the specific function that Teichmann performed for a particular program, the documentation present consists largely of mimeographed final scripts. Most extensively documented are Ford Theatre, Road of Life, and Valiant Lady. There are also smaller quantities of scripts for Cavalcade of America (for which Teichmann's role is not specified) and for various other dramatic series. There is one incomplete and undated script for Mercury Theatre of the Air. For ANTA's Theatre U.S.A., for which Teichmann was the writer-producer, there is a virtually complete run of mimeo scripts, together with contracts, information on salaries and expenditures, and files of press releases and promotional material. The most important correspondence here concerns the development of the radio program, as well as ANTA's early plans for Showtime U.S.A., an expanded version of the same programming concept for television. The TELEVISION files are largely scripts and production files for Showtime U.S.A. This file contains not only material created and received by Teichmann as writer-director, but also material pertaining to the activities of ANTA executives Robert Breen and Vinton Freedley and staff members such as publicist Ned Armstrong. Present are mimeographed final scripts, correspondence, contracts, financial information, press releases, and photographs. Teichmann's writing process is best represented in the THEATRE series, with documentation here ranging from handwritten notes and outlines, to numerous variant drafts and the final mimeographed production script. Of his produced works there are files on The Girls in 509, Julia, Jake, and Uncle Joe, Miss Lonelyhearts, and Mrs. 'Arris Goes to Paris. Similar material also relates to several unproduced or uncompleted plays. The revision process is exceptionally well documented, Teichmann having apparently saved documentation of every line deleted from the dialogue. However, for his comedy hit The Solid Gold Cadillac the documentation consists only of box office statements (although these are complete for both the original New York company and the national touring company) and correspondence dating from the period after the play's New York run. While the Cadillac files contain little relating to his collaboration with co-author George S. Kaufman the papers do include a typescript of I Give It Three Months, an apparently unproduced Kaufman-Leueen MacGrath production for which Teichmann was to act as director. In addition, the small collection of George S. Kaufman Papers of the Wisconsin Center for Film and Theater Research includes two typed drafts of the unproduced 1954 Teichmann-Kaufman collaboration, “In the Money.” For some plays the collection includes a small quantity of correspondence pertaining to the writing or staging of the production, as well as some miscellaneous production information. Among the prominent correspondents are Orianna Atkinson and John Shubert (regarding Julia, Jake, and Uncle Joe), George S. Kaufman (regarding Postscript), and Earl Wilson (regarding Single Girls and Home Cooking). The Alan Schneider Papers, also held by WCFTR, contain further information on the revision and staging of Miss Lonelyhearts. Teichmann's acclaimed biographies of Kaufman, Alice Longworth Roosevelt, and Alexander Woollcott are only fragmentarily documented in the NON-DRAMATIC WRITINGS series. Included are a few articles on playwrighting and the theatre, a short story entitled “How I Became Stengel's Successor as Manager of the New York Yankees,” and publicity. CORRESPONDENCE is quite fragmentary except for the period 1969 to 1972. For those years, the correspondence consists primarily of copies of outgoing letters of a social or personal nature. This correspondence, apparently maintained at his office at Shubert Theatrical Enterprises, also includes some separately organized files pertaining to Teichmann's active involvement in professional organizations such as the Broadway Association. Notable in the general correspondence are four typed and edited short stories by James T. Farrell apparently forwarded to Teichmann by playwright Harvey Breit for possible dramatization and an English translation of reviews received by a production of Porgy and Bess in Russia and Eastern Europe in 1955 and 1956. The MISCELLANEOUS PAPERS consist of biographical material, photographs, and a few scripts by other playwrights for which the association with Teichmann is unknown.
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Series: Radio
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Campbell Playhouse
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Box
1
Folder
1
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“The Count of Monte Cristo,” Mimeo script adapted by Howard Teichmann, October 1, 1939
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Campbell Playhouse...Algiers
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Box
1
Folder
2
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Mimeo script, October 1, 1939
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Cavalcade of America
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Box
1
Folder
3
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“Drums Along the Mohawk,” Mimeo script, November 3, 1941
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Box
1
Folder
3
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“The Burning Bush,” Mimeo script by Frank Gabrielson, June 3, 1948
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Box
1
Folder
3
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“Betrayal,” Mimeo script by Halsted Welles, November 29, 1948
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Box
1
Folder
3
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“Lady on a Mission,” Mimeo script by Margaret Lewerth, April 25, 1949
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Box
1
Folder
3
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“The Return of the Lodger,” Mimeo script by Morton Wisengrad, June 6, 1949
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Box
1
Folder
4
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“D Day Salute,” Mimeo script (annotated), by Howard Teichmann, undated
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Box
1
Folder
5
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Double Feature, Two typed audition scripts, undated
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Ford Theatre, Mimeo scripts edited by Howard Teichmann
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Box
1
Folder
6
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“A Connecticut Yankee in King Arthur's Court,” Adapted by Lilian Schoen, October 5, 1947
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Box
1
Folder
6
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“The Great McGinty,” Mimeo script, October 12, 1947
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Box
1
Folder
6
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“On Borrowed Time,” Mimeo script, October 19, 1947
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Box
1
Folder
7
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“A Coffin For Dimitrios,” Adapted by Stanley R. Evans, October 26, 1947
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Box
1
Folder
7
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“Ah, Wilderness!” Adapted by Sylvia Cyril, October 22, 1947
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Box
1
Folder
7
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“The Power and the Glory,” November 9, 1947
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Box
1
Folder
8
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“Carmen Jones,” Adapted by George Zachary, November 16, 1947
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Box
1
Folder
8
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“George Washington Slept Here,” November 23, 1947
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Box
1
Folder
8
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“Dangerous Corner,” Adapted by Charles Gussman, November 30, 1947
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Box
1
Folder
9
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“We Hold These Truths,” December 7, 1947
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Box
1
Folder
9
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“Cimarron,” December 14, 1947
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Box
1
Folder
9
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“The Man Who Played God,” December 21, 1947
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Box
2
Folder
1
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“Father, Dear Father,” December 28, 1947
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Box
2
Folder
1
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“The Adventure of the Bad Boy,” January 4, 1948
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Box
2
Folder
1
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“Storm in a Teacup,” Adapted by George Faulkner, January 11, 1948
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Box
2
Folder
2
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“Girl Crazy,” Adapted by George Zachary, January 18, 1948
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Box
2
Folder
2
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“Green Pastures,” February 1, 1948
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Box
2
Folder
2
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“Abe Lincoln in Illinois,” February 8, 1948
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Box
2
Folder
3
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“Abe Lincoln in Washington,” February 15, 1948
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Box
2
Folder
3
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“The Bishop Misbehaves,” February 22, 1948
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Box
2
Folder
3
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“The Count of Monte Cristo,” February 29, 1948
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Box
2
Folder
4
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“Twentieth Century,” March 7, 1948
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Box
2
Folder
4
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“Autumn Crocus,” March 14, 1948
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Box
2
Folder
4
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“It's A Gift,” by Lee Bloomgarden, March 21, 1948
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Box
2
Folder
5
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“The Goose Hangs High,” April 4, 1948
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Box
2
Folder
5
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“The Murder of Roger Ackroyd,” April 11, 1948
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Box
2
Folder
6
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“Personal Appearance,” April 25, 1948
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Box
2
Folder
6
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“Alice Adams,” May 2, 1948
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Box
2
Folder
6
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“The Front Page,” May 9, 1948
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Box
3
Folder
1
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“Counsellor at Law,” Adapted by John Houseman, May 16, 1948
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Box
3
Folder
1
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“A Star is Born,” Adapted by True Boardman, May 23, 1948
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Box
3
Folder
1
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“Laura,” Adapted by Howard Teichmann, May 30, 1948
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Box
3
Folder
2
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“Michael and Mary,” Adapted by Nancy Moore, June 6, 1948
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Box
3
Folder
2
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“My Sister Eileen,” June 13, 1948
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Box
3
Folder
2
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“The Late Christopher Bean,” June 20, 1948
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Box
3
Folder
2
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“Arrowsmith,” June 27, 1948
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Ford Theatre of Canada
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Box
3
Folder
3
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“Golden Boy,” Adapted by Howard Teichmann, undated
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Box
3
Folder
3
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“What Every Woman Knows,” Adapted by Howard Teichmann, undated
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Box
3
Folder
4
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Four Corners Theatre, Holographic and typed scripts, undated
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Great Scenes from Great Plays
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Box
3
Folder
5
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“Cyrano de Bergerac,” Mimeo script, June 15, 1948
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Box
3
Folder
5
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“What Every Woman Knows,” Mimeo script, October 4 [1948?]
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Box
3
Folder
5
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“The Goose Hangs High,” Mimeo script adapted by Howard Teichmann, December 28, 1948
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Box
3
Folder
6
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Helen Hayes Theatre, Three typed scripts, undated
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Mercury Theatre
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Box
3
Folder
7
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“Beau Geste,” Mimeo script (Incomplete), undated
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Nature of the Enemy
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Box
3
Folder
8
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“Yamamoto,” Mimeo script, June 29, 1942
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Box
3
Folder
8
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“Alfred Rosenberg,” Mimeo script by Milton Geiger, undated
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New Theatre
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Box
3
Folder
9
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“The Informer,” August 26, 1951
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Box
3
Folder
10
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Newsreel for Giving, Mimeo script (annotated) by Howard Teichmann, November 24, 1946
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Road of Life
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Box
3
Folder
11
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Mimeo scripts by Irna Phillips, 1941-1944 : These scripts are not duplicated in the Irna Phillips Papers also held in this repository.
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Mimeo scripts by Howard Teichmann
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Box
4
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Episodes 1903-1995
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Box
5
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Episodes 1996-2099
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Box
6
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Episodes 2100-2195
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Box
7
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Episodes 2196-2320
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Box
8
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Episodes 2321-2412
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Box
9
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Episodes 2413-2511
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Box
10
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Episodes 2512-2616
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Box
11
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Episodes 2617-2709
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Showcase
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Box
12
Folder
1
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“Valiant Lady,” Mimeo script, February 15, 1943
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Stories America Loves
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“Dodsworth”
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Box
12
Folder
2
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Mimeo script 3, December 10, 1941
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Box
12
Folder
2
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Fourteen typed and mimeo scripts (Alternate numbering), 1941-1942
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Box
12
Folder
3
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“Virginian,” Mimeo script 17, October 28, 1941
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Theatre U.S.A., Written and produced by Howard Teichmann
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Script file
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Box
12
Folder
4-20
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Episodes 1-17
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Box
13
Folder
1-17
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Episodes 18-34, 38
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Correspondence files
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Box
13
Folder
18
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ANTA Album, 1949
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Box
13
Folder
19
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ANTA annual report, 1949
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Box
13
Folder
20
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Army, 1948-1949
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Box
13
Folder
21
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Congressional Record, 1949
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Box
13
Folder
22
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Contracts
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Box
13
Folder
23
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Financial statements and budgets, 1948-1949
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Box
14
Folder
1
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Gardner Advertising Agency, 1949-1950
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Box
14
Folder
2
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Houseman, John, 1948
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Box
14
Folder
3
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Literary rights
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Box
14
Folder
4
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Local theatre participation, 1947
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Box
14
Folder
5
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Miscellany
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Box
14
Folder
6
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Peabody Award application, 1949
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Box
14
Folder
7
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Planning and development, 1947-1948, undated
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Box
14
Folder
8
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Planning for television, 1947-1948, undated
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Photographs
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WCFTR Name File
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Olivia DeHaviland in Romeo and Juliet
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U.S. Mss 68AN
Box
14
Folder
9
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Promotion, 1948-1949
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Box
14
Folder
10
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Salary sheets, 1948-1949
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Box
14
Folder
11
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Talent bookings
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Box
14
Folder
12
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Talent offerings by agents, solicitations by ANTA
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Box
14
Folder
13
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Theatre of American Valor, Mimeo script by Howard Teichmann, May 20, 1950
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U.S. Treasury Hour
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Box
15
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“Millions For Defense,” Mimeo scripts, 1941-1942
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Valiant Lady Mimeo scripts
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Box
16
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Episodes 1088-1144
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Box
17
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Episodes 1145-1221
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Box
18
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Episodes 1222-1301
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Box
19
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Episodes 1302-1381
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Box
20
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Episodes 1382-1452
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Box
21
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Episodes 1453-1516
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Box
22
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Episodes 1517-1584
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Box
23
Folder
1-3
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Episodes 1595-1628
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Box
23
Folder
4
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Virginian, Mimeo audition script by Howard Teichmann, circa 1946
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Series: Television
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Box
23
Folder
5
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Christmas with the Stars, Mimeo script written by Howard Teichmann, December 25, 1995
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Showtime, U.S.A., Written and directed by Howard Teichmann
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Script files
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Box
23
Folder
6-12
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Episodes 1-9
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Box
24
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Episodes 10-26
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Box
25
Folder
1-13
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Episodes 27-39
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Correspondence, 1950-1951
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Box
25
Folder
14
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ABC
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Box
25
Folder
15
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ANTA
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Box
25
Folder
16
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Agents
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Box
26
Folder
1-2
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Armstrong, Ned
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Box
26
Folder
3-4
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Alpha correspondence
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Box
26
Folder
5
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Breen, Robert
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Box
26
Folder
6
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Budgets
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Box
26
Folder
7
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Chorus auditions
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Box
26
Folder
8
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Clearance rights on plays
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Box
26
Folder
9
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Contract correspondence
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Box
26
Folder
10
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Cuff links distribution
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Box
26
Folder
11
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Dillon, Frank (Production supervisor)
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Box
26
Folder
12
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Dodge newsflashes
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Box
26
Folder
13
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Fan mail
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Box
26
Folder
14
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Financial reports
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Box
26
Folder
15
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Freedley, Vinton
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Box
26
Folder
16
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Gersten, Bernard
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Box
26
Folder
17
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Income and disbursement reports
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Box
27
Folder
1
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Invitation list for opening night party
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Box
27
Folder
2
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Miscellaneous lists
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Box
27
Folder
3
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MCA
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Box
27
Folder
4
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Memoranda
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Box
27
Folder
5
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Newspaper and columnists
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Box
27
Folder
6
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O'Keefe, Winston
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Box
27
Folder
7
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Peirce, Evelyn (Executive supervisor)
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WCFTR Name File
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Photographs
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U.S. Mss 68AN
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Press releases
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Box
27
Folder
8-9
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Armstrong
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Box
27
Folder
10
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Other
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Promotion
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Box
27
Folder
11-12
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General
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Box
27
Folder
13
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Television
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Box
27
Folder
14
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Radio
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Box
27
Folder
15
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Rehearsal reports
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Box
28
Folder
1
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Ritz Theatre improvements
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Box
28
Folder
2-3
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Ruthrauff and Ryan Advertising Agency
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Box
28
Folder
4
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Set designs
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Box
28
Folder
5
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Scripts
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Box
28
Folder
6
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Talent offered by agents
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Box
28
Folder
7
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Talent sheets
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Box
28
Folder
8
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Teichmann correspondence
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Box
28
Folder
9
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Telegrams
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Box
28
Folder
10
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Television miscellany
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Box
28
Folder
11
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Tobias, Rose
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Box
28
Folder
12
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Troop entertainment
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Box
28
Folder
13
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Weintraub, Milton (ATPAM)
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Slezak and Son (Howard Teichmann also credited as producer)
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Box
28
Folder
14
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Outlines
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Box
28
Folder
15
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Holographic script, “Original,” undated
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Box
28
Folder
16
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Mimeo script by Howard Teichmann, undated
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U.S.A. Canteen
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Box
29
Folder
1-3
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Mimeo scripts (annotated) 1-26, Continuity by Howard Teichmann, 1952-1953
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Wonderful World of Entertainment
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Box
29
Folder
4
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Mimeo script (annotated), September 20, 1959
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Series: Theatre
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The Girls in 509
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Box
29
Folder
5
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Correspondence, 1965-1970
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Box
29
Folder
6
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Typed outline (annotated), undated
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Box
29
Folder
7
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Notes
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Box
29
Folder
8
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Holographic script fragment, undated
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Box
29
Folder
9
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Typed script (annotated), by Howard Teichmann, undated
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Box
29
Folder
10
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Mimeo script (annotated), undated
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Box
30
Folder
1
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Mimeo script (annotated) for a scene on the Ed Sullivan Show, October 26, 1958
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Box
30
Folder
2
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Typed script for British television adaptation, by Glen Farmer, undated
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Box
30
Folder
3
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Loose annotated script pages
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WCFTR Name File
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Photograph
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U.S. Mss 68AN
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Howe and Hummel
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Box
30
Folder
4
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Outline, January 19, 1952
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Box
30
Folder
5
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Outline, undated
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Box
30
Folder
6
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Typed script (incomplete)
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Box
30
Folder
7
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Typed script (annotated) by Howard Teichmann, undated
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Box
30
Folder
8
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Notes and revisions
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I Give It Six Months
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Box
30
Folder
9
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Typed script by George S. Kaufman and Leueen MacGrath, directed by Howard Teichmann, undated
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Julia, Jake, and Uncle Joe
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Box
31
Folder
1
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Research material and notes
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Box
31
Folder
2
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Holographic script, “Draft 1,” undated
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Box
31
Folder
3
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Typed script (annotated), “Draft 2,” undated
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Box
31
Folder
4
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Holographic script, “Draft 4,” undated
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Box
31
Folder
5
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Typed script (annotated), “Draft 5,” undated
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Box
32
Folder
1
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Mimeo script, by Howard Teichmann, undated
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Box
32
Folder
2-3
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Notes and loose revision pages
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Box
32
Folder
4
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Correspondence, 1960-1961
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Box
32
Folder
5
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Legal and financial material
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Miss Lonelyhearts
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Box
32
Folder
6
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Correspondence, 1964-1965
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Box
32
Folder
7
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Holographic script, “Original,” undated
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Box
32
Folder
8
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Typed script (annotated), undated
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Box
33
Folder
1
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“A Casual Miracle” typed script (annotated) by Howard Teichmann, undated
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Box
33
Folder
2
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“Miss Lonelyhearts” mimeo script (annotated) by Howard Teichmann, undated
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Box
33
Folder
3
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Typed script (annotated, alternate draft), undated
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Box
33
Folder
4-5
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Notes and revision pages, clipping, 1957
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Mrs. 'Arris Goes to Paris
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Box
33
Folder
6-7
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Drafts of Act I
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Box
33
Folder
8
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Draft of Act II
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Box
33
Folder
9
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Typed script (annotated), undated
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Box
34
Folder
1
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Typed script
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Box
34
Folder
2
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Notes
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Box
34
Folder
3
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Music score
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Postscript
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Box
34
Folder
4
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Holographic script, undated
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Box
35
Folder
1
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Typed script (annotated, incomplete), undated
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Box
35
Folder
2
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Typed script (two sets of annotations), by Howard Teichmann, undated
|
|
Box
35
Folder
3
|
Typed script, undated
|
|
Box
35
Folder
4
|
Notes and revised pages
|
|
|
Rainy Day in Newark
|
|
Box
35
Folder
5
|
Correspondence, 1963-1964
|
|
Box
35
Folder
6
|
Outlines
|
|
Box
35
Folder
7
|
Typed script (annotated, incomplete), undated
|
|
Box
35
Folder
8
|
Mimeo script (annotated) by Howard Teichmann, undated
|
|
Box
36
Folder
1
|
Mimeo script (annotated), undated
|
|
Box
36
Folder
2
|
Mimeo script (annotated), undated
|
|
Box
36
Folder
3
|
Notes and revised pages
|
|
|
Single Girls and Home Cooking
|
|
Box
36
Folder
4
|
Correspondence, 1962
|
|
Box
36
Folder
5
|
Outlines and character descriptions, undated
|
|
Box
37
Folder
1
|
Typed script (annotated), undated
|
|
Box
37
Folder
2
|
Lyrics, undated
|
|
|
Solid Gold Cadillac
|
|
Box
37
Folder
3
|
Mimeo script for British production (annotated) by Howard Teichmann and George S. Kaufman
|
|
|
Box office statements
|
|
Box
37
Folder
4-5
|
New York company
|
|
Box
37
Folder
6-8
|
Touring company, 1955
|
|
Box
37
Folder
9-10
|
Correspondence, 1963-1971
|
|
|
Woman in the Case
|
|
Box
38
Folder
1
|
Research and outlines
|
|
Box
38
Folder
2
|
Character descriptions
|
|
Box
38
Folder
3
|
Notes for revisions
|
|
Box
38
Folder
4
|
Holographic script, undated
|
|
Box
38
Folder
5
|
Typed script (annotated), undated
|
|
Box
38
Folder
6
|
Typed script by Howard Teichmann, undated
|
|
Box
38
Folder
7
|
Typed script (annotated), undated
|
|
|
Series: Non-Dramatic Writings
|
|
Box
38
Folder
8
|
George S. Kaufman, Publicity, undated
|
|
Box
38
Folder
9
|
Miscellaneous writings, 1962, undated
|
|
|
Series: Correspondence
|
|
|
General
|
|
Box
38
Folder
10
|
1941-1956
|
|
|
1957
|
|
Box
38
Folder
11
|
Part I
|
|
Box
39
Folder
1
|
Part II
|
|
Box
39
Folder
2-5
|
1965-1972, undated
|
|
Box
39
Folder
6
|
American Theatre Guild Play Selection Committee, 1968-1971
|
|
Box
39
Folder
7-10
|
Broadway Association, 1968-1971
|
|
Box
39
Folder
11
|
Dramatists Guild, 1968-1971
|
|
Box
39
Folder
12
|
IATSE, 1967
|
|
Box
39
Folder
13
|
National Research Council in Theatre, 1966-1967
|
|
Box
40
Folder
1
|
Police Athletic League theatre project, 1965-1972
|
|
Box
40
Folder
2
|
Swerdloff Associates, 1965-1966
|
|
|
Series: Miscellany
|
|
Box
40
Folder
3
|
Biographical material and ephemera
|
|
WCFTR Name File
|
Photographs of Howard Teichmann
|
|
U.S. Mss 68AN
|
Miscellaneous scripts
|
|
Box
40
Folder
4
|
The Age of Innocence, Typed script by Margaret Ayer, undated
|
|
Box
40
Folder
5
|
The Guide, Mimeo script by Harvey Breit and Patricia Rinehart
|
|
Box
40
Folder
6
|
Garden Party, Typed script by January Burroway (Howard Teichmann student?)
|
|
Box
40
Folder
7
|
La Folle de Chaillot, Mimeo script by Jean Giraudoux (annotated), undated
|
|