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Patrick, Warren A. (ed.) / Show world
(November 6, 1909)
Editorial, p. 12
Page 12
12 TH. ISSUED EVERY FRIDAY (DATED SATURDAY) BY- The Show World PublishingGo. Grand Opera House Building Eighty Seven South Clark Street CMCAGO, ILLINOIS. LONG DISTANCE TELEPHONE CENTRAL 1577 Cable Address (Registered) "Showorld" WARREN A. PATRICK, General Director WALT MAKEE, Editor M. S. PATRICK, Secretary and Treasurer Entered as second-class matter, June 25. 1987, at the Postoffice at Chicago. Illinois. 'under the act of Congress of March 3. 1879. ST. LOUIS OFFICE 201 Gem Theater pullding Telephone Bell Olive 6. BASIL WEBB Manager ADVERTISING RATES: Fifteen Cents per Agate Line. Fourteen Lines to the Inch. Fifty Inches to the Page._ NOTICE TO ADVERTISERS. The Last Advertising Forms Close Wednesday at Noon. Advertisements forwarded by mail must be accompanied by remittance, made pay- able to THE SHOW WORLD PUBLISHING CO., to whom all business communications should be addressed. SUBSCRIPTIONS: (Payable in Advance) Domestic: Four Dollars a Year. Foreign: Five Dollars a Year. DISTRIBUTING AGENTS: The Western News Company and its International Branches MANUSCRIPTS: The Editor will not be responsible for the return of unsolicited manuscripts, but if etamps are enclosed they will be returned If found unavailable. Anonymous matter will not be considered under any circumstances. Writers desiring their names tobe withheld from publication must so state beneath their signatures. We do not solicit contributions from un- authorized correspondents, but In special Instances we will consider contributions bearing upon a topic of vital interest to the profession of entertainment. Manuscripts or news matter will not be considered unless written upon one side Of the paper only and addressed In the lower left hand corner of the envelope to The News Editor. NOVEMBER 6, 1909. EDITORIAL. Business and the Critics. Calvert's Journal, a commercial pub- lication issued in Chicago, takes issue with the dramatic reviewers and ap- pears to think that because they hap- pened to praise certain attractions and they did not succeed, and because they blamed others and they did succeed, that the critics are all wrong. The Cal- vert Journal appears to believe that commercial success is the only criterion. The fact is that a play may be excel- lently constructed and be of a very high quality in every particular and the gen- eral public will not give it the slightest attention. Again, a play may be badly constructed, vicious in its tendencies and vulgar in style, and still draw a large number of people of a certain class. The critic's business Is to state whether a play is written according to the accepted standards; whether it is uplifting in its tendencies or degrading in its influence. The true critic will not care a tinker's darn whether every one in the audience is wild over the play, if he knows that it Is badly writ- ten and will exert a detrimental In- fluence. Here follow some of the opinions ex- pressed by the writer in Calvert's Jour- nal: "Regarding the theater as a com- mercial institution Calvert's must insist that no critic has a right to go beyond a certain line in criticism, either ad- verse or favorable. It would not be tol- erated in any other line of business and t newspaper that published extremely detrimental tirades against any produc- tion tending to injure the business of the theater, such as advising its readers not to attend the performance, should he held liable for damages as it would be if it published an article advising its readers not to purchase a certain nake of automobile because the writer regarded it as dangerous. "In Chicago the critics are notoriously inaccurate or unfortunate in their judg- ment. Plays that they condemn thrive and productions that they laud fail to please. After all is said and done, the public is tejudge. "Calvert's recalls two productions that were lauded to the skies by the critics, but failed. One was the "Al- cadye." The Tribune critic even ad- visedihis readers to learn to pronounce tice title as it would be a las ti ng suc- cess. The production was taken off after a short run. Another was "Alice in Wonderland," which suffered a sim- ilar fate. Such examples of bad judg- ment causes one to lose faith in the critics ana even arouses suspicion. "One of the most flagrant cases of unreasonable adverse criticism was against tie production f the 'Queen of the Moulin Rouge.' Every Chicago newspaper critic printed notices couched in such terms as to discourage theater- goers from attending the performance. The reviews were not criticisms, but tirades. The plot or features of the production were not mentioned. The actors in the cast were described as being ashamed of themselves. A mis- hoap to the scenery was dragged in in the attempt to embarrass the produc- tion. Another example might be cited in the production of Henry W. Savage's 'Madame X,' and 'A Fool There Was.' The criticisms were flippant, while both plays, in the opinion of Calvert's, are powerful dramas." Scenic rums. Exhibitors are more or less prone to look upon "scenic" films as an unat- ractive, cheaply produced commodity, which the manufacturers would do well to omit from their scheme of things. The exhibitors claim that scenics are not popular-and by "scenics" is meant all films which do not include a plot- but the truth of the matter is that the exhibitors imagine they are not getting their money's worth when they do not see a company of actors disporting themselves in a celluloid comedy or drama. Robert E. Durrant, who is in Chicago this week, in conference with J. J. Mur- dock of the International Projecting & Producing company, as the representa- tive of Hepworth, an English film manu- facturer, said, regarding the expense of scenics: "I am surprised that American ex- hibitorsido not appreciatethecost value of scenic films. They are the most ex- pensive that a manufacturer can pro- duce. Take for example the African views that our company has presented from time to time. Each one has meant a special expedition to Africa, consisting not only of a photographer, but several assistants. The average cost of such an expedition will not come under $1,000, aside from which the men engaged must face all kinds of dangers and hardships and they never know un- itthey return home and theirfilms are developed, whether their journey has been successful or not. Our firm has sacrificed a small fortune on foreign film adventures which have failed for one reason or another. For instance, in one case, the camera was smashed to splinters by the natives. The camera man was in a boat and the natives on shore threw rocks at him and demol- ished the instrument. "Our aim in producing scenics has been to assist in that educational move- ment no wspreading throughout all coun- tries, rather than to furnish mere amuse- ment for the masses, although the latter point is as often attained as the former. Our sales books convince us that the half of the people want to know how the other half live." Lillian Berry Reid. Lillian Berry Reid, whose picture ap- pears upon tce front page oftcis week's Show World. has been engaged in solo concert work for several years. For two seasons she was soprano soloist with Sousa's band, while previous to that she was for three seasons soloist with the now defunct Brooks' band. She is widely recognizedoas one ofthegreatest colorature sopranos in the United States, and her personality is such that her friends are legion. With "The Flirting Princess" and "The Kissing Girl" both in town, how can a person behave? The Show World wears the union la- bel. Look on the other theatrical pa- pers and see if you can find that label. Sam Lederer, who has been In the managerial field but a short time, seems to be fortunate for he is about to get "The Earth." May Vokes, in "The Flirting Prin- cess,"says that the Arctic circle is"the first row, on the first night of a frost." not bad, is it? Our distinguished patients are con- valescing. Maxine Elliott has recovered from her sprained ankle and Eva Tan- guay is back at the Colonial as good as new. It is said that the "accident" to a chorus girl's bodice in "The Flirting Princess" occurs at about every per- formance. There are more ways than one to attract attention. If you want to see a smile that is a smile, just take a look at Jake Sternad these days. He has acquired the va- riety that won't come off. If all the suffragettes are as win- some as those seen in "They Loved a Lassie" at the Whitney, give us more suffragettes. Better a good moving picture than a bad drama any time. Some of the at- tractions now offered are so inane, that they would not suffer at all if they were given in pantomime. Cecelia Loftus might make a big hit if she would introduce am imitation of herself into her act. BIRTHS. A daughter was born last week to Mr. and Mrs. Charles Quinn at Spokane, Wash. Mrs. Quinn is the daughter of Jessie Shirley of the Shirley Stock company now appearing in the larger cities of the West. MARRIAGES. Crawford-Turk-G. N. Crawford and Mamie Turk were married in Butte, Monit., November 2. Mr. Crawford is manager of the Family theater and the bride was formerly his treasurer. OBITUARY. Harry M. Barlow, of the vaudeville team of Barlow & Nicholson, died in Chicago, 111., November 1. He was known in the profession as Milt G. Bar- low, Jr., and was the only son of the late Milt Barlow, of Barlow-Wilson- Primrose & West fame. He is survived by a widow and child. The team of Barlow & Nicholson has played in all the principal vaudeville theaters in the country. The obsequies were conducted by the Chicago lodge of Elks, the de- ceased being a member of the New- castle (Pa.) lodge. Mrs. Dave H. Woods, a well-known actress and wife of the late Dave H. Woods, died at the State Hospital, To- ledo, 0., Saturday, October 30. (See news item elsewhere.) William L. Gleason, a veteran actor, diedatoOakland, Cal.,recently, fro mthe result of anoperation. He was former- ly a member of the Baker Stock com- pony, at Portland, Ore. In the early '80s he was at Wallack's theater, New York, with the Wallack Stock company. Afterwards he became stage director for Charles Frohman and was identified with the original production of a num- ber of early successes, including 'The Ensign." it was as business manager for McKee Rankin and Nance O'Neill thathhe first came here. Hetookra fancy to the place and his later years were spent here. His firstappearance was at the Baker in'"ANight Off." He is sur- vived by a wife and son, who is a mem- ber of the "Checkers" company. William Crompton, the veteran Eng- lish actor, died in New York and his fu- neral was held in Boston last week, the Boston lodge of Elks having charge of same. He was sixty-four years of age. He was born in Manchester, Eng- land, in 1843. He joined the old Bow- ery Stock company in 1867 and in 1878 he supported George Edgar and Ada Cavendish, the English actress, playing at Wood's museum, New York, which later became Daly's theater. He went toEngland in 1889, and upon hisreturn to America he engaged with Mr. Mans- field and originated the part of the well- to-do tradesmen in "Beau Brummel." He later played with other stars. He toured the country in leading roles in both "Hazel IKirke" and "Esmeralda," and later was Uncle Bartlett in "May Blossom," which he played 700 times. He was business manager for William Gillette, supported the English beauty, May Fortesque, witho the Boston Thea- ter Stockecompany in "A Run of Luck" and went to England with Richard Mlansfield's company and had supported Julia Marlowe. He is survived by a son. Allen McPhail, violinist at the Bijou theater, GreatFalls, Mont., diedcFriday, October 22. He had recently come to Great Falls from Spokane, where he Is said to have been a member of the Orpheum orchestra. Patents Company Take Notice. "Why is it," asked a local exhibitor, "that the Motion Picture Patents com- pany permits four houses between Dear- born and Clark streets on Madison to exhibit the pictures of Annette Keller- man on the same day?" The Show World Is not the Patents company and therefore cannot reply. THE SHOW WORLD I November 6,a LETTERS TO THEEDITOR, Harry L. Schroder Wanted. Bonaparte, la Oct. 26, 1b Editor, The Show Wold. . Can you tell me anything about son, Harry L. Schroder I rave heard frot him sinceMayI lode hie was in the souch. If >ou kmoh whether he is dead or alive, will you please letme now. Very respectfully nit mother, MRS. SARAH SCHRODER (Ed. Note: Performers, will bdr forward any informatontheymay regarding Harry L may h dr io hisaoth rSchroder, either diret tohis or or to tile S World.) Parker Makes Correctis Abilene, Kan.,Oct. 3 Editor Show World- In your issue of the ShoowWocldof October 23rd, I noticed an article ro garding the Parker shows, now at Spo kane, Wash., and thought it might be well to give you the facts f the cas I sent my son Barney B. Parker Spokane to see that the C. . Park, shows were properly stored for t winter. He will repair the prtpert this winter, preparatory to nextseaso run. I do not know at this time n will be at the head of the Parker amusement aggregation on tie coast next season, but when the show isn readiness, I will be open for bid Yours respectfully, C. W. PARKER. Thomas A. Graves Killed. Minneapolis, Mine., Oct. 28. Editor Show World. I have just been informed of the tragic death of Thomas A. Graves, a motion picture operator. This man has indirectly been in our employ in the last few weeks, and was hilled last nigot, whileridinga Milwaukeefreight train at oMapleton Mifn. He know noticing of te ma~n's former life, bar judging from his appearance, I imagne he has come from a good family. No one in Minneapolis knowsbanythingco- cerning him, andI wouldeerythank- . ul indeed if you would useanea item in your paper and endeavor to locate his family. His full name is "Thomas A. Graves," dark complected, smooth face, about 27 years of age, weighs about 140 pounds, and height' about 5 feet 4 inches, neat appearing and gentlemanly manners. I have in- structed the authorities at Maipleton where he was killed, to give him as respectable a burial as possible, and if you will endeavor to locate his family, I know it will be a worthy cause Thanking you sincerely for your most respectful consideration to the above request, I remain. Respectfully yours, JAMES V. BRYSON, Egr. The Laemmle Film Service South Wants Acts. Ed Stout received the following let- ter from the Princess Theatrical E- change: "Mr. E d Stout, Business Atn, ager, Actors' Union No. 4. Dear r. Stout: Please have all the acts you can recommend write us in regard to time in this section of the country and in thesouthern section. Wehvearranged things inthe south muchdifferentfrom any place, as there are only furhs a day atmost anysouthern theater and we have about thirty weeks' ork tO of our Birmingham office and abt twenty weeks' out ofthe officeote. "Yours truly, J. j. Musselmauisin cess Theatrical Exchange, Louitille Ky., Casino Theaterbuilding." right at Columbus Theater. Chauncey Herbert a vaudeville per former, and Max Weber,one o feptr prietors of the Columbus theater, had personal encounter at the thater cn day night. Mr. Herbert saysthe con' troversy was over a legal matter lo TWeber says, "Herbert camedwn loe Ing for afigh1t, and got apunch inthe face." The matter came WPIn court Wednesday morning and Mr. Webede manded a jury trial. The case willcoa up later. Hopson Not rined. It now transpires that EugeneD.HOp' son, manager of the Vaudette theater, Sixty-third street near Halsted street, was not fined in court in connetill with the cancellation of the voudepl team of Beecher & May. Mr.l opson was arrested under the state nlw1r0 hibiting booking withoutsa license, b as he had collected no commissonand paid no salary, thecase was dismissed upon Mr. Hopson agreeing to pay te costs in the case, which amounted t $8.50. Peters Writes Hits. William Frederick Peters, the well known composer ofhmusicree ha s ly engaged writing saeti ewic hwit for a big musical produtio ntation receive a metropolitan prese angel shortly. Mr. Peters also ran aud and contributed musicfornhin ville acts, he is located inhisOffic 804 Champlain building, Chicago' -
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